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Cover | Titel | Typ / Besonderheiten | Herstellungsland | Plattenfirma | Katalognummer | Jahr Album | Jahr Tonträger | |
---|---|---|---|---|---|---|---|---|
The Beach Boys (USA) | ||||||||
The Beach Boys
(USA)
Still Cruisin' |
LP (Compilation) | Capitol Records, Inc. | 064 7 92639 1 | 1989 | 1989 | |||
The Beach Boys
(USA)
Studio Sessions '61-'62 |
LP (Compilation, Gatefold) | Get Back | get 576 | 2000 | 2000 | |||
Beady Eye (GBR) | ||||||||
Beady Eye
(GBR)
The Roller |
7" (Heftbeilage, Limited Edition) | Beady Eye Records Ltd. | 2011 | 2011 | ||||
Beagle Music Ltd. (DEU) | ||||||||
Beagle Music Ltd.
(DEU)
Ice In The Sunshine |
7" | RCA | PB 40295 | 1985 | 1985 | |||
Beastie Boys (USA) | ||||||||
Beastie Boys
(USA)
She's On It |
7" | Def Jam | 650114 7 | 1985 | 1985 | |||
Beastie Boys
(USA)
Licensed To Ill |
LP (Gatefold) | CBS Inc. / Def Jam Recordings | 450062 1 | 1986 | 1986 | |||
Beastie Boys
(USA)
Fight For Your Right |
7" | CBS Records | DEF 650418 7 | 1987 | 1987 | |||
Beastie Boys
(USA)
No Sleep Till Brooklyn |
7" | CBS Records | BEAST 1 | 1987 | 1987 | |||
Beastie Boys
(USA)
Paul's Boutique |
2-LP (Re-Release, Special Edition, Gatefold, 180 Gramm Vinyl) | UMG Recordings, Inc. | B0030361-01 | 1989 | 2019 | |||
Beastie Boys
(USA)
Check Your Head |
2-LP (Gatefold) | Capitol Records, Inc. | EST 2171 / 7 98938 1 | 1992 | 1992 | |||
Beastie Boys
(USA)
Hello Nasty |
2-LP (Gatefold) | Capitol Records / Grand Royal | 7243 5 90510 1 7 | 1998 | 1998 | |||
The Beatles (GBR) | ||||||||
The Beatles
(GBR)
Please Please Me |
LP (Re-Release) | Parlophone | PCS 3042 | 1963 | 1973 | |||
The Beatles
(GBR)
Twist And Shout |
7" | Odeon | 22 581 | 1963 | 1963 | |||
The Beatles
(GBR)
With The Beatles |
LP (Re-Release) | Odeon | 1C 072-04 181 | 1963 | 1976 | |||
The Beatles
(GBR)
Beatles For Sale |
LP (Re-Release) | EMI Odeon | 1C 198-53 166 | 1964 | 1964 | |||
The Beatles
(GBR)
+
The Beatles & Tony Sheridan
(GBR)
Cry For A Shadow |
Split-7" (Split mit: Beatles & Tony Sheridan, The (GBR)) |
Polydor | 52 275 | 1964 | 1964 | |||
The Beatles
(GBR)
Yeah! Yeah! Yeah! |
LP (Re-Release) | EMI / Odeon | 1C 062-04 145 | 1964 | 1969 | |||
The Beatles
(GBR)
The Beatles' Greatest |
LP (Best-Of, Re-Release) | EMI / Odeon | 1 C 062-04 207 | 1965 | 1969 | |||
The Beatles
(GBR)
Help! |
7" | Odeon | O 23 023 | 1965 | 1965 | |||
The Beatles
(GBR)
Help! |
LP (Re-Release) | Odeon / EMI | 1 C 062-04 257 | 1965 | 1969 | |||
The Beatles
(GBR)
Rubber Soul |
LP | Odeon | C 062-04 115 | 1965 | 1965 | |||
The Beatles
(GBR)
Paperback Writer |
7" | Odeon | O 23210 | 1966 | 1966 | |||
The Beatles
(GBR)
Revolver |
LP | Parlophone | PCS 7009 | 1966 | 1966 | |||
The Beatles
(GBR)
Magical Mystery Tour |
LP (Gatefold) | Capitol Records, Inc. | SMAL-2835 | 1967 | 1967 | |||
The Beatles
(GBR)
Sgt. Pepper's Lonely Hearts Club Band |
LP (Re-Release, Gatefold) | EMI Odeon | SHZE 401 | 1967 | 1973 | |||
The Beatles
(GBR)
Strawberry Fields Forever / Penny Lane |
7" | Odeon / EMI | O 23 436, 45-O-29 596 | 1967 | 1967 | |||
The Beatles
(GBR)
The Beatles (White Album) |
2-LP (Gatefold) | Apple Records | 1C 192-04 173 | 1968 | 1968 | |||
The Beatles
(GBR)
Lady Madonna |
7" | Odeon | O 23 733 | 1968 | 1968 | |||
The Beatles
(GBR)
Abbey Road |
LP | Apple Records | 1C 062-04 243 | 1969 | 1969 | |||
The Beatles
(GBR)
The World's Best |
LP (Best-Of, Special Edition) | EMI Electrola GmbH | 274084 | 1969 | 1969 | |||
The Beatles
(GBR)
Hey Jude |
LP (Compilation, Re-Release) | Apple | SW-385 | 1970 | 1971 | |||
The Beatles
(GBR)
Let It Be |
LP (Re-Release) | EMI / Apple | 1C 072-04 433 | 1970 | 1976 | |||
The Beatles
(GBR)
1962-1966 |
2-LP (Compilation, Gatefold) | Apple Records | 1C 188-05 307/08 | 1973 | 1973 | |||
The Beatles
(GBR)
1967-1970 |
2-LP (Compilation, Gatefold) | Gramophone Company Limited, The | 1 C 188-05 309/10 | 1973 | 1973 | |||
The Beatles
(GBR)
+
John Lennon
(GBR)
Rock'n'Roll |
Split-3-LP (Compilation)
(Split mit: John Lennon (GBR)) |
Music For Pleasure | 4M 128-54084/85/86 | 1981 | 1981 | |||
The Beatnigs (USA) | ||||||||
The Beatnigs
(USA)
The Beatnigs |
LP | Alternative Tentacles / Cartel | VIRUS 65 | 1988 | 1988 | |||
Beats International (GBR) | ||||||||
Beats International
(GBR)
Dub Be Good To Me |
7" | Go! Records Ltd. | 876 866-7 | 1989 | 1989 | |||
Beats International
(GBR)
Let Them Eat Bingo |
LP | Go! Discs Ltd. | 842 196-1 | 1990 | 1990 | |||
Beatsteaks (DEU) | ||||||||
Beatsteaks
(DEU)
Launched |
LP (Gatefold) | Epitaph Europe | 6559-1 | 1999 | 1999 | |||
The Beau Brummels (USA) | ||||||||
The Beau Brummels
(USA)
Just A Little And Other Hits |
LP (Compilation) | Breakaway Records Ltd. | BWY 68 | 1983 | 1983 | |||
The Beautiful South (GBR) | ||||||||
The Beautiful South
(GBR)
Song For Whoever |
12" | Go! Records Ltd. | 874 487-1 | 1989 | 1989 | |||
The Beautiful South
(GBR)
Welcome To The Beautiful South |
LP | Go! Records Ltd. | AGOLP 16 | 1989 | 1989 | |||
The Beautiful South
(GBR)
You Keep It All In |
7" | London Records | 874 968.7 | 1989 | 1989 | |||
The Beautiful South
(GBR)
Choke |
LP | Go! Discs Ltd. | 828 233-1 | 1990 | 1990 | |||
Beck (USA) | ||||||||
Beck
(USA)
Youthless |
7" (Weißes Vinyl) | XL Recordings | XLS402 | 2008 | 2008 | |||
Jeff Beck (GBR) | ||||||||
Jeff Beck
(GBR)
Flash |
LP | CBS Inc. / Epic | EPC 26112 | 1985 | 1985 | |||
Robin Beck (USA) | ||||||||
Robin Beck
(USA)
First Time |
12" | Metronome Musik GmbH | 872 375-1 | 1988 | 1988 | |||
Bee Gees (GBR) | ||||||||
Bee Gees
(GBR)
Horizontal |
LP | Polydor / Stern Musik | 184 122 | 1968 | 1968 | |||
Bee Gees
(GBR)
Idea |
LP | ATCO Records / Atlantic Recording Corporation | SD33-253 | 1968 | 1968 | |||
Bee Gees
(GBR)
Rare, Precious & Beautiful Vol. 2 |
LP | Karussell | 635 136 | 1968 | 1968 | |||
Bee Gees
(GBR)
Odessa |
2-LP (Re-Release, Gatefold) | Karussell | 2674 012 | 1969 | 1970 | |||
Bee Gees
(GBR)
Living Eyes |
LP (Gatefold) | RSO | 2394 301 | 1981 | 1981 | |||
Bee Gees
(GBR)
E·S·P |
LP | WEA International Inc. | 925541-1 | 1987 | 1987 | |||
Bee Gees
(GBR)
One |
LP | Warner Brothers Records Inc. | 925 887-1 | 1989 | 1989 | |||
Beginner (DEU) | ||||||||
Beginner
(DEU)
Morgen Freeman |
12" | Buback Tonträger | 2004 | 2004 | ||||
Beginner
(DEU)
Advanced Chemistry |
2-LP (180 Gramm Vinyl) | Vertigo | 2016 | 2016 | ||||
Bela B Feat. Peta Devlin & Smokestack Lightnin' (DEU) | ||||||||
Bela B Feat. Peta Devlin & Smokestack Lightnin'
(DEU)
Peng! |
7" + Single-CD (Limited Edition, Cardsleeve) | B-Sploitation | 2013 | 2013 | ||||
Bela B. & Jan (DEU) | ||||||||
Bela B. & Jan
(DEU)
+
The F....' Kius Band
(DEU)
Wir Brauchen... Werner |
Split-7" (Split mit: F....' Kius Band, The (DEU)) |
PolyGram GmbH, Hamburg | 879 360-7 | 1990 | 1990 | |||
Harry Belafonte (USA) | ||||||||
Harry Belafonte
(USA)
Harry Belafonte |
3-LP (Live) | RCA Victor | PL 42310 | 1977 | 1977 | |||
Belfegore (DEU) | ||||||||
Belfegore
(DEU)
Belfegore |
LP | Elektra | 960 378 1 | 1984 | 1984 | |||
The Bellamy Brothers (USA) | ||||||||
The Bellamy Brothers
(USA)
The Bellamy Brothers Best |
LP (Best-Of) | Amiga | 8 56 200 | 1987 | 1987 | |||
Pat Benatar (USA) | ||||||||
Pat Benatar
(USA)
Crimes Of Passion |
LP | Chrysalis Records | 202 845-320 | 1980 | 1980 | |||
Pat Benatar
(USA)
Precious Time |
LP | Ariola Eurodisc GmbH | 203 894-320 | 1981 | 1981 | |||
Pat Benatar
(USA)
Live From Earth |
LP (Compilation, Live, Special Edition) | Chrysalis Records | 40 647 0 | 1983 | 1983 | |||
Pat Benatar
(USA)
Love Is A Battlefield |
7" | Chrysalis Records | 105939-100 | 1983 | 1983 | |||
Pat Benatar
(USA)
We Belong |
7" | Chrysalis Records | 106 917-100 | 1984 | 1984 | |||
Pat Benatar
(USA)
Best Shots |
LP (Best-Of) | Chrysalis Records | 208 738-630 | 1987 | 1987 | |||
Beowülf (USA) | ||||||||
Beowülf
(USA)
Lost My Head... |
LP | Caroline Records | CARLP2 | 1988 | 1988 | |||
Beowülf
(USA)
Honey, Don't Ya Know Me? |
7" (Oranges Vinyl) | Eigenproduktion | LF180 | 1995 | 1995 | |||
Berlin (USA) | ||||||||
Berlin
(USA)
+
Giorgio Moroder
(ITA)
Take My Breath Away |
Split-12" (Split mit: Giorgio Moroder (ITA)) |
CBS Inc. / Columbia | CBSA 12.7320 | 1986 | 1986 | |||
Chuck Berry (USA) | ||||||||
Chuck Berry
(USA)
Disque Dór |
LP (Best-Of) | Mercury (France) | 134.033 mcy | 0 | 0 | |||
Chuck Berry
(USA)
I Got To Find My Baby |
7" | Funckler Records | AR.096 | 1960 | 1960 | |||
Chuck Berry
(USA)
Original Oldies Vol. 2 |
LP (Best-Of) | Bellaphon / Chess | BI 1551 | 1971 | 1971 | |||
The Berserkerz (NLD) | ||||||||
The Berserkerz
(NLD)
The Berserkerz |
LP | Sounds Of Subterrania | 006 | 1999 | 1999 | |||
Beyond Description (JPN) | ||||||||
Beyond Description
(JPN)
+
Boot Down The Door
(DEU)
No One Can Pollute It |
Split-7" (Split mit: Boot Down The Door (DEU)) |
Anomie Records | P.U.T. 009 | 1996 | 1996 | |||
Jello Biafra With NoMeansNo (USA) | ||||||||
Jello Biafra With NoMeansNo
(USA)
The Sky Is Falling, And I Want My Mommy |
LP | Alternative Tentacles Records | VIRUS 85 | 1991 | 1991 | |||
Bonnie Bianco (USA) | ||||||||
Bonnie Bianco
(USA)
Cinderella |
LP | CBS Schallplatten GmbH, Germany | CBS 463121 1 | 1988 | 1988 | |||
Biffy Clyro (GBR) | ||||||||
Biffy Clyro
(GBR)
The Vertigo Of Bliss |
2-LP (Re-Release, Gatefold, 180 Gramm Vinyl, Oranges Vinyl) | Beggars Banquet Records | 2003 | 2012 | ||||
Biffy Clyro
(GBR)
Ellipsis |
LP (180 Gramm Vinyl) | Warner Records / 14th Floor | 2016 | 2016 | ||||
Biffy Clyro
(GBR)
The Myth Of The Happily Ever After |
LP + CD (Limited Edition, Gatefold, Rotes Vinyl) | 14th Floor Records Limited / Warner Records | 0190296615030 | 2021 | 2021 | |||
Big Audio Dynamite (GBR) | ||||||||
Big Audio Dynamite
(GBR)
This Is Big Audio Dynamite |
LP | CBS Inc. | CBS 26714 | 1985 | 1985 | |||
Big Balls & The Great White Idiot (DEU) | ||||||||
Big Balls & The Great White Idiot
(DEU)
Foolish Guys |
LP | TELDEC | 6.23616 | 1978 | 1978 | |||
The Big Barn Combo (XXX) | ||||||||
The Big Barn Combo
(XXX)
Comin' All The Way From Detroit City |
LP | Jungle Room Records | JR 12001 | 2000 | 2000 | |||
Big Black (USA) | ||||||||
Big Black
(USA)
Headache |
12" | Blast First | BFFP 14T | 1986 | 1987 | |||
Big Drill Car (USA) | ||||||||
Big Drill Car
(USA)
Small Block |
12" (Etched Vinyl) | Cruz Records | CRZ 014 | 1988 | 1988 | |||
Big Drill Car
(USA)
+
Thud!
(NLD)
The Snapperhead E.P. |
Split-7" (Split mit: Thud! (NLD)) |
Blackbox Records | BBX 009 | 1992 | 1992 | |||
Big Drill Car
(USA)
A Never Ending Endeavor |
2-LP (Compilation, Limited Edition, Splatter Vinyl) | Boss Tuneage / Varient | 2009 | 2009 | ||||
Bikini Kill (USA) | ||||||||
Bikini Kill
(USA)
Reject All American |
LP | Kill Rock Stars | KRS 260 | 1996 | 1996 | |||
Jane Birkin & Serge Gainsbourg (EUR) | ||||||||
Jane Birkin & Serge Gainsbourg
(EUR)
Jane Birkin - Serge Gainsbourg |
LP | Fontana | 885 545 | 1969 | 1969 | |||
Jane Birkin & Serge Gainsbourg
(EUR)
+
Jane Birkin
(GBR)
Je T'Aime... Moi Non Plus / Jane B. |
Split-7" (Re-Release)
(Split mit: Jane Birkin (GBR)) |
Warner Bros. Records / WEA Musik GmbH | WB 16 447 | 1974 | 1974 | |||
The Birthday Party (AUS) | ||||||||
The Birthday Party
(AUS)
Prayers On Fire |
LP | 4AD | CAD 104 | 1981 | 1981 | |||
Biz Markie "The Inhuman Orchestra" Feat. TJ Swan (XXX) | ||||||||
Biz Markie "The Inhuman Orchestra" Feat. TJ Swan
(XXX)
Make The Music With Your Mouth, Biz |
12" | Prism | PS 2008 | 1986 | 1986 | |||
Björk (ISL) | ||||||||
Björk
(ISL)
Big Time Sensuality |
2-Promo-12" | One Little Indian | BJDJ 124/ BJDJ 125 | 1993 | 1993 | |||
Björk
(ISL)
Violently Happy |
2-Promo-LP (Remix, Special Edition) | One Little Indian | BJDJ126/BJDJ127 | 1993 | 1993 | |||
Bl'ast! (USA) | ||||||||
Bl'ast!
(USA)
The Power Of Expression |
LP (Re-Release) | SST Records | SST 148 | 1986 | 1987 | |||
Black (GBR) | ||||||||
Black
(GBR)
Wonderful Life |
LP | A&M Records | 395165-1 | 1987 | 1987 | |||
Black
(GBR)
Black |
LP | A&M Records Ltd. | 3971261 | 1991 | 1991 | |||
Frank Black (USA) | ||||||||
Frank Black
(USA)
Frank Black |
LP (Limited Edition) | 4AD | CAD 3004 | 1993 | 1993 | |||
Black Box (ITA) | ||||||||
Black Box
(ITA)
Ride On Time |
12" | ZYX Records | 6210-12 | 1989 | 1989 | |||
Black Flag (USA) | ||||||||
Black Flag
(USA)
Jealous Again |
12" | SST Records | SST 003 | 1980 | 1980 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.