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Cover | Titel | Typ / Besonderheiten | Herstellungsland | Plattenfirma | Katalognummer | Jahr Album | Jahr Tonträger | |
---|---|---|---|---|---|---|---|---|
Van Halen (USA) | ||||||||
Van Halen
(USA)
Van Halen |
LP | Warner Bros. | WB 56 470 | 1978 | 1978 | |||
Van Halen
(USA)
Van Halen II |
LP | Warner Bros. Records Inc. | WB 56 616 (HS 3312) | 1979 | 1979 | |||
Van Halen
(USA)
Women And Children First |
LP | WEA Musik GmbH | 31 620 8 | 1980 | 1980 | |||
Van Halen
(USA)
Diver Down |
LP | Warner Bros. | WB K 57 003 | 1982 | 1982 | |||
Van Halen
(USA)
1984 |
LP | Warner Bros. | 92-3985-1 | 1983 | 1983 | |||
Van Halen
(USA)
Jump! |
7" | Warner Bros. Records Inc. | 92.9384-7-N | 1984 | 1984 | |||
Van Halen
(USA)
5150 |
LP | WEA International Inc. | 925394-1 | 1986 | 1986 | |||
Van Halen
(USA)
OU812 |
LP | Warner Bros. | 925 732-1 | 1988 | 1988 | |||
Van Norden (DEU) | ||||||||
Van Norden
(DEU)
Van Norden |
LP (Gelbes Vinyl) | Flight 13 | 2006 | 2006 | ||||
The Van Pelt (USA) | ||||||||
The Van Pelt
(USA)
Imaginary Third |
LP | La Castanya | LC 22 | 2014 | 2014 | |||
Herman van Veen (NLD) | ||||||||
Herman van Veen
(NLD)
Die Musikfabel Von Den Seltsamen Abenteuern Der Ente Alfred Jodocus Kwak |
2-LP (Live, Gatefold) | Polydor | 825 256-1 | 1985 | 1985 | |||
Vanilla Fudge (USA) | ||||||||
Vanilla Fudge
(USA)
Rock & Roll |
LP (Re-Release) | ATCO Records | SD 33-303 | 1969 | 1970 | |||
Vanilla Ice (USA) | ||||||||
Vanilla Ice
(USA)
Ice Ice Baby |
7" | SBK Records / EMI | 006-20 4112 7 | 1990 | 1990 | |||
Vanilla Ice
(USA)
To The Extreme |
LP | SBK Records / EMI | 064 7 9 5325 1 | 1990 | 1990 | |||
Vanilla Trainwreck (USA) | ||||||||
Vanilla Trainwreck
(USA)
Galvanized / Picturing |
7" | Otis Records | Otis Records 001 | 1990 | 1990 | |||
Varsity Drag (USA) | ||||||||
Varsity Drag
(USA)
For Crying Out Loud |
10" (Grünes Vinyl, Marbled Vinyl, Schwarzes Vinyl, Weißes Vinyl) | Boss Tuneage | BTRC10-004 | 2006 | 2006 | |||
Sarah Vaughan (USA) | ||||||||
Sarah Vaughan
(USA)
Sweet, Sultry And Swinging |
LP | Spinorama Records | s-73 | 1973 | 0 | |||
Alan Vega (USA) | ||||||||
Alan Vega
(USA)
Outlaw/Magdalena 84 |
12" | Ariola/Celluloid | 600 559-213 | 1984 | 1984 | |||
Suzanne Vega (USA) | ||||||||
Suzanne Vega
(USA)
Suzanne Vega |
LP | A&M Records Inc. | 395 072-1 | 1985 | 1985 | |||
Suzanne Vega
(USA)
Solitude Standing |
LP | A&M Records, Inc. | 395136-1 | 1987 | 1987 | |||
Suzanne Vega
(USA)
Days Of Open Hand |
LP | A&M Records Inc., Los Angeles | 395 293-1 | 1990 | 1990 | |||
The Veils (GBR) | ||||||||
The Veils
(GBR)
Nux Vomica |
LP (Nummeriert, Weißes Vinyl) | Rough Trade | RTRADLP235 LC-11945 | 2006 | 2006 | |||
The Ventures (USA) | ||||||||
The Ventures
(USA)
Surfing |
LP | Dolton Records | BST-8022 | 1963 | 1963 | |||
Gene Vincent (USA) | ||||||||
Gene Vincent
(USA)
+
Wanda Jackson
(USA)
The Greatest Party! |
Split-LP (Compilation)
(Split mit: Wanda Jackson (USA)) |
Capitol Records / EMI | K 1009 | 1964 | 1964 | |||
Sonny Vincent & Rocket From The Crypt (USA) | ||||||||
Sonny Vincent & Rocket From The Crypt
(USA)
Vintage Piss |
LP (Re-Release) | Swami | SWA145 | 2009 | 2015 | |||
Bobby Vinton (USA) | ||||||||
Bobby Vinton
(USA)
Bobby Vinton Sings The Goodies |
LP | Epic Records | BN 26049 | 1963 | 1963 | |||
Violent Femmes (USA) | ||||||||
Violent Femmes
(USA)
Violent Femmes |
LP (Re-Release) | London Records Ltd. | 828 035-1 | 1983 | 1987 | |||
Violent Femmes
(USA)
Hallowed Ground |
LP | Slash Records | 820 093-1 | 1984 | 1984 | |||
Violent Femmes
(USA)
The Blind Leading The Naked |
LP | Slash Records | 828 006-1 | 1986 | 1986 | |||
Violent Femmes
(USA)
3 |
LP | Slash Records | 828 130-1 | 1988 | 1988 | |||
Visage (GBR) | ||||||||
Visage
(GBR)
Fade To Grey |
7" | Polydor Ltd. (UK) | 2095 320 | 1980 | 1980 | |||
Visage
(GBR)
Mind Of A Toy |
7" | Polydor | 2095 353 | 1981 | 1981 | |||
Willy Vlautin & Paul Brainard (USA) | ||||||||
Willy Vlautin & Paul Brainard
(USA)
Northline |
CD (Plastic PVC Sleeve) | Eigenproduktion | 2008 | 2008 | ||||
Vom Segeln (DEU) | ||||||||
Vom Segeln
(DEU)
Vom Segeln |
Tape | Eigenproduktion | 2007 | 2007 | ||||
Vom Segeln
(DEU)
+
80km Vor Baghdad
(DEU)
80km Vor Baghdad / Vom Segeln |
Split-7" (Blaues Vinyl)
(Split mit: 80km Vor Baghdad (DEU)) |
Eigenproduktion | 2008 | 2008 | ||||
Voo (GBR) | ||||||||
Voo
(GBR)
Tree Filled Roads |
7" | Margarine Foundation | 2003 | 2003 | ||||
Voo
(GBR)
On The Return |
7" | Spank Records | spank704 | 2005 | 2005 | |||
Voo
(GBR)
Dates, Facts & Figures |
CD | Spank Records | spank cd 009 | 2006 | 2006 | |||
Voo
(GBR)
Dates, Facts & Figures |
LP (Limited Edition, Re-Release, Remastered) | Defend Vinyl Records | DVRLP003 | 2006 | 2023 | |||
Voo
(GBR)
Same Mistakes |
7" | Spank Records | spank707 | 2008 | 2008 | |||
Voo
(GBR)
Songs We Used To Dance To |
LP (180 Gramm Vinyl) | Unlabel | UN076 | 2010 | 2010 | |||
Voo
(GBR)
Songs We Used To Dance To |
LP (Test-Pressung, 180 Gramm Vinyl) | Unbekannt | 2010 | 2010 | ||||
Voo
(GBR)
People We Know |
Mini-CD / EP (Compilation, Nummeriert) | Rekordmeister | used vinyl #07 | 2012 | 2012 | |||
The Wailers (JAM) | ||||||||
The Wailers
(JAM)
Burnin' |
LP (Gatefold) | Island | 20320 20270 | 1973 | 1973 | |||
John Waite (GBR) | ||||||||
John Waite
(GBR)
Ignition |
LP | Chrysalis Records | 204 791-320 | 1982 | 1982 | |||
Tom Waits (USA) | ||||||||
Tom Waits
(USA)
The Heart Of Saturday Night |
LP (Re-Release) | Elektra / Asylum / Nonesuch Records | AS 53 035 | 1974 | 0 | |||
Tom Waits
(USA)
Blue Valentine |
LP (Gatefold) | Asylum Records | AS 53 088 | 1978 | 1978 | |||
Tom Waits
(USA)
Franks Wild Years |
LP (Gatefold) | Island | 208 216 | 1987 | 1987 | |||
Walter Elf (DEU) | ||||||||
Walter Elf
(DEU)
Heut' Oder Nie |
LP | We Bite Records | 015 | 1987 | 1987 | |||
Walter Elf
(DEU)
Die Angst Des Tormanns Beim Elfmeter |
LP | We Bite Records | We Bite 046 | 1988 | 1988 | |||
Walter Elf
(DEU)
Dedication |
LP | Eigenproduktion | 1989 | 1989 | ||||
Walter Elf
(DEU)
Homo Sapiens |
LP | X-Mist Records | XM-027 | 1990 | 1990 | |||
Walter Elf
(DEU)
Oh Hängt Sie Auf! |
2-LP (Live) | Blasting Youth Records | BYR 108 | 1992 | 1992 | |||
Walter Elf
(DEU)
Männer In Rot |
7" (Limited Edition, Rotes Vinyl) | Rookie Records | RR 087 | 2010 | 2010 | |||
Anita Ward (USA) | ||||||||
Anita Ward
(USA)
Ring My Bell |
7" | T.K. Records | S TKR 7543 | 1979 | 1979 | |||
Warlock (DEU) | ||||||||
Warlock
(DEU)
Triumph And Agony |
LP | Vertigo | 832 804-1 | 1987 | 1987 | |||
Jennifer Warnes (USA) | ||||||||
Jennifer Warnes
(USA)
Famous Blue Raincoat |
LP | Cypress Records | 208 418-630 | 1987 | 1987 | |||
Warpaint (USA) | ||||||||
Warpaint
(USA)
Heads Up |
2-LP (Gatefold) | Rough Trade | RTRADLP780 | 2016 | 2016 | |||
Warsong (ESP) | ||||||||
Warsong
(ESP)
Control |
LP | Sabotage Records | SABO 85 | 2016 | 2016 | |||
Was (Not Was) (USA) | ||||||||
Was (Not Was)
(USA)
Walk The Dinosaur |
12" | Mercury | 888 809-1 | 1987 | 1987 | |||
Wasted (FIN) | ||||||||
Wasted
(FIN)
Suppress & Restrain |
LP | Combat Rock Industry | CRI-001 | 2000 | 2000 | |||
Doc Watson (USA) | ||||||||
Doc Watson
(USA)
Doc Watson |
LP (Re-Release) | Vanguard | VSD-79152 | 1964 | 0 | |||
Johnny "Guitar" Watson (USA) | ||||||||
Johnny "Guitar" Watson
(USA)
The Gangster Is Back |
LP (Compilation) | Surprise Records | JTU AL 76 | 1976 | 1976 | |||
Johnny "Guitar" Watson
(USA)
Funk Beyond The Call Of Duty |
LP | DJM Records And Tapes | 0064.204 | 1977 | 1977 | |||
Johnny "Guitar" Watson
(USA)
Hot Little Mamma |
LP (Compilation) | Surprise Records | JTU AL 34 | 1978 | 1978 | |||
We've Got A Fuzzbox And We're Gonna Use It (GBR) | ||||||||
We've Got A Fuzzbox And We're Gonna Use It
(GBR)
Bostin' Steve Austin |
LP | WEA | FBOX 1, 242 054-1 | 1986 | 1986 | |||
Weakened Friends (USA) | ||||||||
Weakened Friends
(USA)
Crushed / Gloomy Tunes |
LP (Compilation, Türkises Vinyl) | Counter Intuitive Records | CIR004 | 2016 | 2016 | |||
The Weakerthans (CAN) | ||||||||
The Weakerthans
(CAN)
Fallow |
LP | B.A. Records | B.A. 005 | 1997 | 1997 | |||
The Weakerthans
(CAN)
Left And Leaving |
LP | B.A. Records | BA 009 | 2000 | 2000 | |||
The Weather Girls (USA) | ||||||||
The Weather Girls
(USA)
It's Raining Men |
7" | CBS | 2924 | 1984 | 1984 | |||
Dan Webb And The Spiders (USA) | ||||||||
Dan Webb And The Spiders
(USA)
Oh Sure |
LP (Remastered, Grünes Vinyl) | Gunner Records | GnR48 | 2012 | 2012 | |||
Dan Webb And The Spiders
(USA)
+
Irish Handcuffs
(DEU)
Irish Handcuffs / Dan Webb And The Spiders |
Split-7" (Gelbes Vinyl, Grünes Vinyl, Splatter Vinyl)
(Split mit: Irish Handcuffs (DEU)) |
Safe Responsible Records/ Flix Records/ Gunner Records | 2013 | 2013 | ||||
Weezer (USA) | ||||||||
Weezer
(USA)
Weezer (The Blue Album) |
LP | Geffen Records, Inc. | DGC-24629 | 1994 | 1994 | |||
Weezer
(USA)
Pinkerton |
LP (Re-Release) | DGC | DGC-25007 / 425 007-1 | 1996 | 2002 | |||
Weezer
(USA)
Weezer (The Green Album) |
LP (Clear Vinyl, Grünes Vinyl) | Geffen Records | 069493045-1 | 2001 | 2001 | |||
Weezer
(USA)
Maladroit |
LP | Geffen Records | 069493241-1 | 2002 | 2002 | |||
Weezer
(USA)
Hurley |
LP + CD (Plastic PVC Sleeve) | Epitaph Europe | 7126-1 | 2010 | 2010 | |||
Weezer
(USA)
Everything Will Be Alright In The End |
LP (Gatefold, 180 Gramm Vinyl) | Repulse Records | 00602537990771 | 2014 | 2014 | |||
Paul Weller (GBR) | ||||||||
Paul Weller
(GBR)
Live From The Roof Of The Hayward Gallery |
LP (Live) | Southern Songs | 1997 | 1997 | ||||
Paul Weller
(GBR)
+
Moke
(NLD)
Aim High / Love My Life |
Split-7" (Heftbeilage)
(Split mit: Moke (NLD)) |
Rolling Stone | RollingStone 186 / 108197 | ISLAND | 2010 | 2010 | |||
Wham! (GBR) | ||||||||
Wham!
(GBR)
Freedom |
7" | CBS Schallplatten GmbH | A 4743 | 1984 | 1984 | |||
Wham!
(GBR)
Wake Me Up Before You Go-Go |
7" | CBS Records | A 4440 | 1984 | 1984 | |||
Wham!
(GBR)
The Final |
2-LP (Gatefold) | CBS Records | EPC 8868 1 | 1986 | 1986 | |||
What Happens Next? (USA) | ||||||||
What Happens Next?
(USA)
Stand Fast Armageddon Justice Fighter |
LP | Sound Pollution | pollute 57 | 2000 | 2000 | |||
Whipped (USA) | ||||||||
Whipped
(USA)
+
Animal Crackers
(USA)
Animal Crackers / Whipped |
Split-7" (Split mit: Animal Crackers (USA)) |
Sound Pollution Records | POLLUTE:05 | 1991 | 1991 | |||
Barry White (USA) | ||||||||
Barry White
(USA)
Stone Gon' |
LP (Gatefold) | Philips | 6370 205 | 1973 | 1973 | |||
Barry White
(USA)
Can't Get Enough |
LP | Philips | 6370 210 | 1974 | 1974 | |||
Barry White
(USA)
Sings For Someone You Love |
LP (Gatefold) | 20th Century Records | 6370 260 | 1977 | 1977 | |||
Barry White
(USA)
Soft Soul Hits |
LP (Compilation) | Amiga | 8 55 665 | 1979 | 1979 | |||
Barry White
(USA)
Dedicated |
LP | CBS Inc. | ULG 25474 | 1983 | 1983 | |||
Barry White
(USA)
The Man Is Back! |
LP | A&M Records | 395 256-1 | 1989 | 1989 | |||
Barry White & Love Unlimited (USA) | ||||||||
Barry White & Love Unlimited
(USA)
Grand Gala |
LP | Philips | 6830 169 | 1973 | 1973 | |||
Whitesnake (GBR) | ||||||||
Whitesnake
(GBR)
Live... In The Heart Of The City |
2-LP (Live) | Liberty | 1C164-83 023/24 | 1980 | 1980 | |||
Whitesnake
(GBR)
1987 |
LP | EMI Records Ltd. | 1C 064-24 0737 1 | 1987 | 1987 | |||
Whitesnake
(GBR)
Here I Go Again |
7" | EMI | 006 20 2087 7 | 1987 | 1987 | |||
The Who (GBR) | ||||||||
The Who
(GBR)
Happy Jack / I've Been Away |
7" (Mono) | Polydor | 59 056 | 1966 | 1966 | |||
The Who
(GBR)
I'm A Boy |
7" (Mono) | International Polydor Production | 421 051 | 1966 | 1966 | |||
The Who
(GBR)
The Who |
LP | International Polydor Production | 623 025 | 1966 | 1966 | |||
The Who
(GBR)
Pinball Wizard |
7" (Mono) | Polydor | 59 262 | 1969 | 1969 | |||
The Who
(GBR)
Tommy |
2-LP (Re-Release, Gatefold) | Polydor | 2612 006 | 1969 | 0 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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