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Cover | Titel | Typ / Besonderheiten | Herstellungsland | Plattenfirma | Katalognummer | Jahr Album | Jahr Tonträger | |
---|---|---|---|---|---|---|---|---|
Old Flings (XXX) | ||||||||
Old Flings
(XXX)
+
Break-Ups
(XXX)
Split |
Split-7" (Split mit: Break-Ups (XXX)) |
Tour Van Records | TVR0005 | 2013 | 2013 | |||
Mike Oldfield (GBR) | ||||||||
Mike Oldfield
(GBR)
Moonlight Shadow |
7" | Virgin Records Ltd. | 105 390-100 | 1983 | 1983 | |||
Mike Oldfield
(GBR)
+
Mike Oldfield And Roger Chapman
(XXX)
Shadow On The Wall |
Split-7" (Split mit: Mike Oldfield And Roger Chapman (XXX)) |
Virgin Records Ltd. | 105 780-100 | 1983 | 1983 | |||
Oliver Twist (DEU) | ||||||||
Oliver Twist
(DEU)
Sweet, Sweet And Coffe Talk |
LP | Earth Water Sky Connection | 1999 | 1999 | ||||
Oliver Twist
(DEU)
Automatic Construct Kill |
LP | Nova Recordings/ Earth Water Sky Connection | nova / EWS009 | 2001 | 2001 | |||
Oliver Twist
(DEU)
Eine Oliver Twist Kooperation 2003-2005 - Tausend Kleine Tänze |
LP (Gatefold) | Rewika Records | REW 035 | 2006 | 2006 | |||
The Oliver Twist Band (DEU) | ||||||||
The Oliver Twist Band
(DEU)
New Tricks And Traps |
LP | X-Mist Records | XM-072 | 2002 | 2002 | |||
Oma Hans (DEU) | ||||||||
Oma Hans
(DEU)
Bremen-Zürich-Karlsruhe |
LP (180 Gramm Vinyl) | Schiffen | Schiff 08 | 2001 | 2001 | |||
Oma Hans
(DEU)
Trapperfieber |
LP (180 Gramm Vinyl) | Schiffen | SCHIFF 09 | 2002 | 2002 | |||
Oma Hans
(DEU)
Letzte Runde |
7" | Schiffen | Schiff 12 | 2005 | 2005 | |||
Oma Hans
(DEU)
Peggy |
LP (180 Gramm Vinyl) | Schiffen | SCHIFF 11 | 2005 | 2005 | |||
The One AM Radio (USA) | ||||||||
The One AM Radio
(USA)
I Think This Is My Exit |
7" | Troubleman Unlimited | TMU 056 / TMU SSS007 | 2002 | 2002 | |||
One Step Ahead (USA) | ||||||||
One Step Ahead
(USA)
Breaking The Silence |
12" | Nemesis Records | MP-NEM 024 | 1990 | 1990 | |||
Open Close My Eyes (CHE) | ||||||||
Open Close My Eyes
(CHE)
El Nuevo Milenio |
7" | Prawda Records | 006 | 2000 | 2000 | |||
Opus (AUT) | ||||||||
Opus
(AUT)
Live Is Life |
7" | Polydor | 881 792-7 [Y] | 1984 | 1984 | |||
Roy Orbison (USA) | ||||||||
Roy Orbison
(USA)
Pretty Woman |
7" (Mono) | London | DL 20 767 | 1964 | 1964 | |||
Roy Orbison
(USA)
Mystery Girl |
LP | Virgin Records | 209 576 | 1989 | 1989 | |||
Roy Orbison
(USA)
+
The Teen Kings
(USA)
+
Ken Cook & Roy Orbison
(XXX)
+
The Wink Westerners
(USA)
+
Roy Orbison & Joe Melson
(XXX)
Orbison 1955-1965 |
Split-7-CD (Box, Compilation, Special Edition)
(Split mit: Teen Kings, The (USA) + Ken Cook & Roy Orbison (XXX) + Wink Westerners, The (USA) + Roy Orbison & Joe Melson (XXX)) |
Bear Family Records | BCD 16423 GL | 2001 | 2001 | |||
Orchestral Manoeuvres In The Dark (GBR) | ||||||||
Orchestral Manoeuvres In The Dark
(GBR)
Orchestral Manoeuvres In The Dark |
LP (Re-Release) | Dindisc Limited | 201 653-320 | 1980 | 1980 | |||
Orchestral Manoeuvres In The Dark
(GBR)
Organisation |
LP | DinDisc / Dinsong Ltd. | 202 971-320 | 1980 | 1980 | |||
Orchestral Manoeuvres In The Dark
(GBR)
Architecture & Morality |
LP | DinDisc Ltd. | 204 016-320 | 1981 | 1981 | |||
Orchestral Manoeuvres In The Dark
(GBR)
Joan Of Arc |
7" | Dindisc / Virgin | 104081 | 1981 | 1981 | |||
Ozzy Osbourne (GBR) | ||||||||
Ozzy Osbourne
(GBR)
Blizzard Of Ozz |
LP | Jet Records | JETLP 234 | 1980 | 1980 | |||
Ozzy Osbourne
(GBR)
Bark At The Moon |
LP | Epic | EPC 32780 | 1983 | 1983 | |||
The Other Ones (DEU) | ||||||||
The Other Ones
(DEU)
Holiday |
7" | Virgin Records | 109 180-100 | 1987 | 1987 | |||
Otto (DEU) | ||||||||
Otto
(DEU)
Otto |
LP (Live) | Rüssl Räckords / PolyGram | SPR0100 | 1973 | 1973 | |||
Otto
(DEU)
Otto (Die Zweite) |
LP (Live) | Rüssl Räckords | SPR 0101 | 1974 | 1974 | |||
Otto
(DEU)
Oh, Otto |
LP (Re-Release) | Rüssl Räckords | SPR 0102 | 1975 | 0 | |||
Otto
(DEU)
Otto (Das Vierte Programm) |
LP | Rüssl Räckords | SPR 0103 | 1976 | 1976 | |||
Otto
(DEU)
Das Wort Zum Montag |
LP | Rüssl Räckords | SPR 0104 | 1977 | 1977 | |||
Otto
(DEU)
Ottocolor |
LP (Re-Release) | EMI Electrola GmbH | SPR 0105 | 1978 | 1981 | |||
Otto
(DEU)
Der Ostfriesische Götterbote |
LP | Rüssl Räckords | SPR 0106 | 1979 | 1979 | |||
Otto
(DEU)
Otto Versaut Hamburg |
LP (Live) | Rüssl Räckords | SPR 0107 | 1981 | 1981 | |||
Otto
(DEU)
Hilfe Otto Kommt! |
LP (Live) | Rüssl Räckords | SPR 0109 | 1983 | 1983 | |||
The Outfield (GBR) | ||||||||
The Outfield
(GBR)
Every Time You Cry |
7" | CBS Records | CBS 650117 7 | 1985 | 1985 | |||
The Outfield
(GBR)
Bangin' |
LP | CBS Inc. / Columbia | 450609 1 | 1987 | 1987 | |||
Overkill (USA) | ||||||||
Overkill
(USA)
Under The Influence |
LP | Megaforce Records / Atlantic | 781 865-1 | 1988 | 1988 | |||
Overkill
(USA)
The Years Of Decay |
LP | Megaforce Worldwide / Atlantic | 7 82045-1 / 82045-1 | 1989 | 1989 | |||
P.A.I.N. (GBR) | ||||||||
P.A.I.N.
(GBR)
Oh My God! We Are Doing It! |
LP | Bass Riot Rec. | BASR 006 | 1996 | 1996 | |||
P.M. Dawn (USA) | ||||||||
P.M. Dawn
(USA)
Set Adrift On Memory Bliss |
12" | Island Records Ltd. | 614 619 | 1991 | 1991 | |||
Patti Page (USA) | ||||||||
Patti Page
(USA)
Honey Come Back |
LP | Columbia / CBS Inc. | CS 9999 | 1970 | 1970 | |||
Pailhead (USA) | ||||||||
Pailhead
(USA)
Trait |
12" | Wax Trax! Records | WAXUK 047 | 1988 | 1988 | |||
Painted Thin (CAN) | ||||||||
Painted Thin
(CAN)
Small Acts Of Love And Rebellion |
LP | Company With The Golden Arm, The | 1996 | 1996 | ||||
Painted Thin
(CAN)
It Was Always Love But They Could Never Admit It |
7" | Company With The Golden Arm, The | 1997 | 1998 | ||||
Painted Thin
(CAN)
Clear, Plausible Stories |
LP (Clear Vinyl, Gelbes Vinyl) | Company With The Golden Arm, The | 1999 | 1999 | ||||
Pale (DEU) | ||||||||
Pale
(DEU)
Another Smart Move |
LP | Defiance Records | Defiance records VIII | 1999 | 1999 | |||
Pale
(DEU)
+
Rydell
(GBR)
Today Stopped Counting |
Split-7" (Split mit: Rydell (GBR)) |
Soda Records | 62039 | 1999 | 1999 | |||
Pale
(DEU)
Razzmatazz (The Arts At The Sands) |
LP | Defiance Records | DEFIANCE RECORDS XIII | 2001 | 2001 | |||
Pale
(DEU)
How To Survive Chance |
LP | Defiance Records | TP4 | 2002 | 2002 | |||
The Pale Fountains (GBR) | ||||||||
The Pale Fountains
(GBR)
Pacific Street |
LP | Virgin Records Ltd. | 206 121 | 1984 | 1984 | |||
Robert Palmer (GBR) | ||||||||
Robert Palmer
(GBR)
Secrets |
LP | Island Records | 200 662-320 | 1979 | 1979 | |||
Robert Palmer
(GBR)
Clues |
LP | Dischi Ricordi S.p.A. | ORL 19595 | 1980 | 1980 | |||
Robert Palmer
(GBR)
Johnny And Mary |
7" | Island Records, Inc. | 102 243-100 | 1980 | 1980 | |||
Robert Palmer
(GBR)
Heavy Nova |
LP | EMI Records Ltd. | 7 48057 1 | 1988 | 1988 | |||
Robert Palmer
(GBR)
Don't Explain |
2-LP | EMI | 164- 79 54641 | 1990 | 1990 | |||
Panda (DEU) | ||||||||
Panda
(DEU)
Tretmine |
LP | Island | 1746074 | 2007 | 2007 | |||
Pansy Division (USA) | ||||||||
Pansy Division
(USA)
Wish I'd Taken Pictures |
LP | Lookout Records | 133 LP | 1996 | 1996 | |||
Pantera (USA) | ||||||||
Pantera
(USA)
Cowboys From Hell |
CD | Atlantic Recording Corporation | 7 91372-2 | 1990 | 1990 | |||
Vanessa Paradis (FRA) | ||||||||
Vanessa Paradis
(FRA)
Joe Le Taxi |
12" | Polydor | 885 765-1 | 1987 | 1987 | |||
Paradise Lost (GBR) | ||||||||
Paradise Lost
(GBR)
Icon |
2-LP (Limited Edition, Nummeriert, Re-Release, Gatefold, 180 Gramm Vinyl, Gelbes Vinyl, Marbled Vinyl, Schwarzes Vinyl) | Music On Vinyl B.V. / Sony Music Entertainment | MOVLP2586 | 1993 | 2020 | |||
Paranoia Keeps Crawling (DEU) | ||||||||
Paranoia Keeps Crawling
(DEU)
+
Stagnation's End
(DEU)
The Last And Latest Recordings |
Split-LP (Clear Vinyl, Rotes Vinyl)
(Split mit: Stagnation's End (DEU)) |
Civilisation Records | CR016 | 2001 | 2001 | |||
Ray Parker Jr. (USA) | ||||||||
Ray Parker Jr.
(USA)
Ghostbusters |
7" | Arista Records | 106 740 | 1984 | 1984 | |||
The Alan Parsons Project (GBR) | ||||||||
The Alan Parsons Project
(GBR)
Tales Of Mystery And Imagination - Edgar Allan Poe |
LP (Re-Release, Gatefold) | 20th Century Fox Records | 6370 243 | 1976 | 0 | |||
The Alan Parsons Project
(GBR)
I Robot |
LP (Gatefold) | Arista Records, Inc. | 3C 064-99 168 | 1977 | 1977 | |||
The Alan Parsons Project
(GBR)
Pyramid |
LP (Gatefold) | Arista Records | 201 129 | 1978 | 1978 | |||
The Alan Parsons Project
(GBR)
Eve |
LP (Re-Release, Gatefold) | Arista Records | 201 157 | 1979 | 1983 | |||
The Alan Parsons Project
(GBR)
The Turn Of A Friendly Card |
LP (Special Edition) | Arista Records | 31 866 7 | 1980 | 1980 | |||
The Alan Parsons Project
(GBR)
Eye In The Sky |
LP | Arista Records, Inc. | AL 9599 | 1982 | 1982 | |||
The Alan Parsons Project
(GBR)
Ammonia Avenue |
LP (Remastered) | Arista Records, Inc. | 206 100 | 1984 | 1984 | |||
The Alan Parsons Project
(GBR)
Stereotomy |
LP (Special Edition) | Arista Records Inc. | 207 463 | 1985 | 1985 | |||
The Alan Parsons Project
(GBR)
Vulture Culture |
LP | Arista Records Inc. | 206 577 | 1985 | 1985 | |||
Paws (GBR) | ||||||||
Paws
(GBR)
Cokefloat! |
LP | Fat Cat Records | FATP114 | 2012 | 2012 | |||
Peaches (CAN) | ||||||||
Peaches
(CAN)
The Teaches Of Peaches |
2-LP (Gatefold) | Kitty-Yo | KY 00033DLP | 2000 | 2000 | |||
The Peacocks (CHE) | ||||||||
The Peacocks
(CHE)
Angel |
LP | Asian Man Records | am-071 | 2000 | 2000 | |||
Pearl Jam (USA) | ||||||||
Pearl Jam
(USA)
I Am Mine |
7" (Grünes Vinyl) | Epic / Sony Music Entertainment Inc. | EPC 673176 7 | 2002 | 2002 | |||
Pearl Jam
(USA)
The Fixer |
7" (Limited Edition, Nummeriert) | Universal Music Group | 2717603 | 2009 | 2009 | |||
Pegboy (USA) | ||||||||
Pegboy
(USA)
Field Of Darkness |
7" | Quarterstick Records | QS05 | 1991 | 1991 | |||
Pegboy
(USA)
Strong Reaction |
LP | Quarterstick Records | QS0007 | 1991 | 1991 | |||
Pegboy
(USA)
Earwig |
LP | Quarterstick Records | QS28 | 1994 | 1994 | |||
Pegboy
(USA)
+
Kepone
(USA)
Dangermare / The Ghost |
Split-7" (Split mit: Kepone (USA)) |
Quarterstick Records | QS45 | 1996 | 1996 | |||
Pegboy
(USA)
Cha Cha Damore |
LP | Quarterstick Records | QS49 | 1997 | 1997 | |||
Pennywise (USA) | ||||||||
Pennywise
(USA)
About Time |
LP | Epitaph | 86437-1 | 1995 | 1995 | |||
Pennywise
(USA)
Tomorrow / Don't Feel Nothing |
7" | Theologian Records | 1995 | 1995 | ||||
Pere Ubu (USA) | ||||||||
Pere Ubu
(USA)
New Picnic Time |
LP | Chrysalis Records | 6307 678 (CHR 1248) | 1979 | 1979 | |||
Pet Shop Boys (GBR) | ||||||||
Pet Shop Boys
(GBR)
West End Girls |
12" | ZYX Records | 5154 | 1984 | 1984 | |||
Pet Shop Boys
(GBR)
West End Girls |
7" (Re-Release) | EMI Records Ltd. | 1C 006 20 0922 7 | 1984 | 1985 | |||
Pet Shop Boys
(GBR)
Opportunities (Let's Make Lots Of Money) |
7" | EMI Records Ltd. | 1C 006 20 1260 7 | 1986 | 1986 | |||
Pet Shop Boys
(GBR)
Please |
LP | EMI Records Ltd. | 0642405201 | 1986 | 1986 | |||
Pet Shop Boys
(GBR)
Suburbia |
7" | Parlophone | 1C 006 - 20 1463 7 | 1986 | 1986 | |||
Pet Shop Boys
(GBR)
Actually |
LP | Parlophone | 064 74 6972 1 | 1987 | 1987 | |||
Pet Shop Boys
(GBR)
Always On My Mind |
12" | EMI Records Ltd. | K 060 20 2275 6 | 1987 | 1987 | |||
Pet Shop Boys
(GBR)
Heart |
7" | Parlophone / EMI Electrola | 006 20 2469 7 | 1987 | 1987 | |||
Pet Shop Boys
(GBR)
It's A Sin |
12" (Remix) | Parlophone | 1C K 060 20 1942 6 | 1987 | 1987 | |||
Pet Shop Boys
(GBR)
It's A Sin |
7" | EMI Records Ltd. | 1C 016 20 1888 7 | 1987 | 1987 | |||
Pet Shop Boys
(GBR)
Rent |
7" | Parlophone | 1C 006-20 2151 7 | 1987 | 1987 | |||
Pet Shop Boys
(GBR)
Domino Dancing |
7" | Parlophone / EMI Records Ltd. | 006-20 2927 7 | 1988 | 1988 | |||
Pet Shop Boys
(GBR)
Introspective |
LP | EMI Electrola GmbH | 064 7 90868 1 | 1988 | 1988 | |||
Pet Shop Boys
(GBR)
It's Alright |
12" | EMI | 060-20 3420 6 | 1989 | 1989 | |||
Pet Shop Boys
(GBR)
It's Alright |
7" | EMI Records Ltd. | 20 3420 7 | 1989 | 1989 | |||
Pet Shop Boys
(GBR)
Behaviour |
LP | EMI Records Ltd. | 0687943101 | 1990 | 1990 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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