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# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Jahr Tonträger | Herstellungsland | Katalognummer | Plattenfirma | Kommentar | |
---|---|---|---|---|---|---|---|---|---|---|
Phil Collins (GBR) | ||||||||||
401 |
Phil Collins
(GBR)
Face Value |
LP (Re-Release, Gatefold) | 1981 | 0 | WEA 99 143 | WEA International Inc. | ||||
402 |
Phil Collins
(GBR)
Hello, I Must Be Going! |
LP (Re-Release, Gatefold) | 1982 | 1985 | WEA 99263 | WEA International Inc. | ||||
403 |
Phil Collins
(GBR)
You Can't Hurry Love |
12" | 1982 | 1982 | 25.9979-0 | WEA | ||||
404 |
Phil Collins
(GBR)
No Jacket Required |
LP | 1985 | 1985 | 251 699-1 | WEA | ||||
405 |
Phil Collins
(GBR)
...But Seriously |
LP | 1989 | 1989 | 256919-1 | WEA | ||||
406 |
Phil Collins
(GBR)
Serious Hits... Live! |
CD (Live) | 1990 | 1990 | 9031-72550-2 | WEA International Inc. | ||||
407 |
Phil Collins
(GBR)
Both Sides |
CD | 1993 | 1993 | 4509-93757-2 | WEA International Inc. | ||||
408 |
Phil Collins
(GBR)
Testify |
CD (Kopierschutz) | 2002 | 2002 | 0927-49273-2 | WEA International Inc. | ||||
Colosseum (GBR) | ||||||||||
409 |
Colosseum
(GBR)
Colosseum Live |
2-CD (Live, Re-Release, Remastered) | 1971 | 2016 | ECLEC 22545 | Esoteric Recordings / Cherry Red Records | ||||
John Coltrane (USA) | ||||||||||
410 |
John Coltrane
(USA)
Lush Life |
LP (180 Gramm Vinyl) | 1961 | 2012 | JWR 4504 | Jazz Wax Records | ||||
411 |
John Coltrane
(USA)
A Love Supreme |
CD (Re-Release, Digipak) | 1965 | 1995 | 051 155-2 / IMP 11552 | GRP Records, Inc. / MCA Records, Inc. | ||||
412 |
John Coltrane
(USA)
Both Directions At Once - The Lost Album |
2-LP (Mono, Gatefold, 180 Gramm Vinyl) | 2018 | 2018 | 00602567493013 | Universal International Music B.V. | ||||
Contact Trio (DEU) | ||||||||||
413 |
Contact Trio
(DEU)
Musik |
LP | 1981 | 1981 | JAPO 60036 | Japo Records | ||||
Paolo Conte (ITA) | ||||||||||
414 |
Paolo Conte
(ITA)
Paolo Conte |
CD (Re-Release) | 1975 | 0 | 259 561 | BMG Ariola | ||||
415 |
Paolo Conte
(ITA)
Paolo Conte |
CD (Re-Release) | 1981 | 1981 | 259560 | Ariola | ||||
416 |
Paolo Conte
(ITA)
Paris Milonga |
CD (Re-Release) | 1981 | 0 | 259 559 | BMG Ariola | ||||
417 |
Paolo Conte
(ITA)
Paolo Conte |
CD (Compilation) | 1988 | 1988 | 7432 156565 2 | BMG Entertainment | ||||
418 |
Paolo Conte
(ITA)
Aguaplano |
CD | 1989 | 1989 | WEA Musik GmbH Neue Medien Und Elektronikvertrieb | |||||
419 |
Paolo Conte
(ITA)
Jimmy, Ballando |
CD | 1989 | 1989 | 2292448402 | WEA Musik GmbH Neue Medien Und Elektronikvertrieb | ||||
420 |
Paolo Conte
(ITA)
Razmataz |
CD | 2000 | 2000 | 8573 85709-2 | CGD EastWest S.r.l. | ||||
Ry Cooder (USA) | ||||||||||
421 |
Ry Cooder
(USA)
Bop Till You Drop |
LP | 1979 | 1979 | WB 56 691 | Warner Bros. Records Inc. | ||||
Marty Cook Group With Jim Pepper (XXX) | ||||||||||
422 |
Marty Cook Group With Jim Pepper
(XXX)
Nightwork |
LP | 1986 | 1986 | 5033 | Enja Records | ||||
Chick Corea & Friedrich Gulda (XXX) | ||||||||||
423 |
Chick Corea & Friedrich Gulda
(XXX)
The Meeting |
LP (Live) | 1983 | 1983 | 410 397-1 | Philips | ||||
Chick Corea & Gary Burton (USA) | ||||||||||
424 |
Chick Corea & Gary Burton
(USA)
Native Sense |
CD | 1997 | 1997 | SCD-9014-2 | Stretch Records | ||||
Chick Corea Akoustic Band (USA) | ||||||||||
425 |
Chick Corea Akoustic Band
(USA)
Summer Night - Live |
CD (Live) | 1987 | 1994 | 1265 | Jazz Door | ||||
Chick Corea, David Holland, Barry Altschul (USA) | ||||||||||
426 |
Chick Corea, David Holland, Barry Altschul
(USA)
A.R.C. |
LP | 1971 | 1971 | ECM 1009 | ECM Records GmbH | ||||
Peter Cornelius (AUT) | ||||||||||
427 |
Peter Cornelius
(AUT)
Reif Für Die Insel |
LP | 1981 | 1981 | 6435 122 | Philips | ||||
Larry Coryell (USA) | ||||||||||
428 |
Larry Coryell
(USA)
At The Village Gate |
LP (Live) | 1971 | 1971 | VSD-6573 | Vanguard | ||||
429 |
Larry Coryell
(USA)
Live From Bahia |
CD (Live, Pappschuber) | 2001 | 2001 | 205710-203 | TIM (The International Music Company AG) | ||||
John Cougar (USA) | ||||||||||
430 |
John Cougar
(USA)
American Fool |
LP | 1982 | 1982 | WEA K 57 004 | WEA International Inc. | ||||
Mary Coughlan (IRL) | ||||||||||
431 |
Mary Coughlan
(IRL)
Tired & Emotional |
LP | 1985 | 1987 | 242 094 - 1 | WEA / Warner Bros. | ||||
Country Joe & The Fish (USA) | ||||||||||
432 |
Country Joe & The Fish
(USA)
The Life And Times Of Country Joe And The Fish From Haight Ashbury To Woodstock |
2-LP (Compilation, Gatefold) | 1971 | 1971 | VSD 27/28 | Vanguard Recording Society, Inc. | Litho in Canada | |||
Kevin Coyne (GBR) | ||||||||||
433 |
Kevin Coyne
(GBR)
Dynamite Daze |
LP | 1978 | 1978 | 25 801 XOT | Virgin Records Ltd. | ||||
434 |
Kevin Coyne
(GBR)
Millionaires And Teddy Bears |
LP | 1978 | 1978 | 200 215 | Virgin Records Ltd. | ||||
435 |
Kevin Coyne
(GBR)
Sanity Stomp |
2-LP | 1980 | 1980 | 301427 | Virgin | ||||
CPR (Crosby Pevar Raymond) (USA) | ||||||||||
436 |
CPR (Crosby Pevar Raymond)
(USA)
Live At The Wiltern |
2-CD (Live) | 1998 | 1998 | GC 0148 | Samson Records, Inc. | ||||
Randy Crawford (USA) | ||||||||||
437 |
Randy Crawford
(USA)
Secret Combination |
CD | 1983 | 1983 | 7599235412 | Warner Bros. Records Inc. | ||||
The Robert Cray Band (USA) | ||||||||||
438 |
The Robert Cray Band
(USA)
Don't Be Afraid Of The Dark |
LP | 1988 | 1988 | 834 923-1 | PolyGram Records, Inc. | ||||
Cream (GBR) | ||||||||||
439 |
Cream
(GBR)
Best Of Cream |
LP (Best-Of) | 1973 | 1973 | 184 298 | Polydor | ||||
440 |
Cream
(GBR)
Cream |
6-LP (Compilation) | 1981 | 1981 | 2658 142 | RSO | ||||
Creedence Clearwater Revival (USA) | ||||||||||
441 |
Creedence Clearwater Revival
(USA)
Mardi Gras |
LP | 1972 | 1972 | BLPS 19076 | Bellaphon / Fantasy | ||||
Cro (DEU) | ||||||||||
442 |
Cro
(DEU)
Raop |
CD | 2012 | 2012 | ChicD0030-2 | Chimperator Productions | ||||
443 |
Cro
(DEU)
Raop |
CD + DVD (Limited Edition, Pappschuber) | 2012 | 2012 | CHICD0030PE | Chimperator Productions | ||||
Jim Croce (USA) | ||||||||||
444 |
Jim Croce
(USA)
The Very Best Of |
CD (Best-Of) | 1998 | 1998 | SELCD 505 | Sanctuary Records | ||||
Crosby & Nash (USA) | ||||||||||
445 |
Crosby & Nash
(USA)
Wind On The Water |
LP | 1975 | 0 | ABCD-902 | ABC Records, Inc. | ||||
Christopher Cross (USA) | ||||||||||
446 |
Christopher Cross
(USA)
Christopher Cross |
LP | 1979 | 1979 | WB 56789 | Warner Bros. | ||||
447 |
Christopher Cross
(USA)
Another Page |
LP | 1983 | 1983 | 92.3757-1 | Warner Bros. Records Inc. | ||||
The Crusaders With B.B. King And The Royal Philharmonic Orchestra (USA) | ||||||||||
448 |
The Crusaders With B.B. King And The Royal Philharmonic Orchestra
(USA)
Royal Jam |
2-LP (Live, Gatefold) | 1982 | 1982 | 301 995-420 | MCA Records, Inc. | ||||
The Crusaders (USA) | ||||||||||
449 |
The Crusaders
(USA)
Those Southern Knights |
LP | 1976 | 1976 | 201 807-320 | MCA Records | ||||
The Cure (GBR) | ||||||||||
450 |
The Cure
(GBR)
Mixed Up |
2-LP (Remix) | 1990 | 1990 | 847 099-1 | Fiction Records | ||||
Ian Cussick (GBR) | ||||||||||
451 |
Ian Cussick
(GBR)
Hypertension |
LP | 1981 | 1981 | PL 28442 | RCA Victor | ||||
452 |
Ian Cussick
(GBR)
Who Dares Wins |
12" | 1986 | 1986 | 3311 | Constant-Music GmbH | ||||
Cutting Crew (GBR) | ||||||||||
453 |
Cutting Crew
(GBR)
Broadcast |
LP | 1986 | 1986 | 208 019 - 630 | Siren Records | ||||
Terence Trent D'Arby (USA) | ||||||||||
454 |
Terence Trent D'Arby
(USA)
Introducing The Hardline According To Terence Trent D'Arby |
LP | 1987 | 1987 | CBS 450911 1 | CBS Records | ||||
Paquito D'Rivera (CUB) | ||||||||||
455 |
Paquito D'Rivera
(CUB)
Havana Cafe |
CD | 1992 | 1992 | jd60 | Chesky Records | ||||
Paquito D'Rivera And The United Nation Orchestra (XXX) | ||||||||||
456 |
Paquito D'Rivera And The United Nation Orchestra
(XXX)
Live At MCG |
CD (Live) | 1997 | 1997 | JAZZ MCG 1003 | Jazz Mcg | ||||
The Charlie Daniels Band (USA) | ||||||||||
457 |
The Charlie Daniels Band
(USA)
Fire On The Mountain |
LP | 1974 | 1974 | MLP 15.713 | Kama Sutra | ||||
458 |
The Charlie Daniels Band
(USA)
Way Down Yonder |
LP | 1974 | 1974 | MLP 15717 | Kama Sutra | ||||
459 |
The Charlie Daniels Band
(USA)
Nightrider |
LP (Gatefold) | 1975 | 0 | KSBS 2607 | Kama Sutra Records, Inc. | ||||
Georg Danzer (AUT) | ||||||||||
460 |
Georg Danzer
(AUT)
Tournee 79 |
2-LP (Live, Gatefold) | 1980 | 1980 | 2679069 | Polydor GmbH, Hamburg | ||||
F.R. David (FRA) | ||||||||||
461 |
F.R. David
(FRA)
Words |
12" | 1982 | 1982 | 2141 657 | Carrere International, Paris | ||||
Blind John Davis (USA) | ||||||||||
462 |
Blind John Davis
(USA)
Live In Hamburg |
LP (Live) | 1973 | 1973 | 5004 | Happy Bird | ||||
Miles Davis (USA) | ||||||||||
463 |
Miles Davis
(USA)
Kind Of Blue |
2-12" (Box, Limited Edition, Nummeriert, Re-Release, Remastered, 180 Gramm Vinyl) | 1959 | 2015 | MFSL 2-45011 | Mobile Fidelity Sound Lab, Inc. | ||||
464 |
Miles Davis
(USA)
Kind Of Blue |
CD (Re-Release, Remastered) | 1959 | 0 | 460603 2 | Sony Music Entertainment Inc. | ||||
465 |
Miles Davis
(USA)
Porgy And Bess |
CD (Re-Release, Remastered) | 1959 | 1997 | CK 65141 | Columbia | ||||
Miles Davis & John Coltrane (USA) | ||||||||||
466 |
Miles Davis & John Coltrane
(USA)
Live |
LP (Re-Release) | 1958 | 2007 | GET 2029 | Get Back | ||||
Miles Davis & Milt Jackson (USA) | ||||||||||
467 |
Miles Davis & Milt Jackson
(USA)
Miles Davis And Milt Jackson (Quintet / Sextet) |
LP (Mono, Re-Release, 180 Gramm Vinyl) | 1956 | 2011 | 771675 | WaxTime Records | ||||
Chris de Burgh (IRL) | ||||||||||
468 |
Chris de Burgh
(IRL)
Stories |
5-LP (Compilation) | 1981 | 1981 | AMBS1006 | A&M Records | ||||
469 |
Chris de Burgh
(IRL)
The Getaway |
LP (Re-Release) | 1982 | 1982 | AMLH 68549 | A&M Records Ltd. | ||||
470 |
Chris de Burgh
(IRL)
Man On The Line |
LP | 1984 | 1984 | AMLX 65002 | A&M Records | ||||
471 |
Chris de Burgh
(IRL)
Into The Light |
LP | 1986 | 1986 | 395121-1 | A&M Records Ltd. | ||||
Paco de Lucía (ESP) | ||||||||||
472 |
Paco de Lucía
(ESP)
Siroco |
CD | 1987 | 1987 | 830 913-2 | Paco De Lucia | ||||
Raul de Souza (BRA) | ||||||||||
473 |
Raul de Souza
(BRA)
Sweet Lucy |
LP | 1977 | 1977 | 1C 064-85 208 | Capitol Records | ||||
De-Phazz (DEU) | ||||||||||
474 |
De-Phazz
(DEU)
Detunized Gravity |
2-CD (Limited Edition, Re-Release, Digipak) | 1997 | 2002 | molecd0071-2 | Mole Listening Pearls | ||||
475 |
De-Phazz
(DEU)
Godsdog |
2-CD (Limited Edition, Re-Release, Digipak, Kopierschutz) | 1999 | 2002 | 0146622ERE | Edel Records | ||||
476 |
De-Phazz
(DEU)
Death By Chocolate |
CD (Digipak) | 2001 | 2001 | 013 470-02 | Phazz-A-Delic | ||||
477 |
De-Phazz
(DEU)
Daily Lama |
CD (Digipak, Kopierschutz, Multimedia) | 2002 | 2002 | 018 817-2 | Phazz-A-Delic | ||||
Deacon Blue (GBR) | ||||||||||
478 |
Deacon Blue
(GBR)
Raintown |
LP | 1987 | 1987 | CBS4505491 | CBS Records | ||||
479 |
Deacon Blue
(GBR)
When The World Knows Your Name |
LP (Gatefold) | 1989 | 1989 | 4633211 | CBS United Kingdom Ltd. | ||||
Claude Debussy (FRA) | ||||||||||
480 |
Claude Debussy
(FRA)
Préludes Volume 1 |
CD | 1978 | 1984 | 413 450-2 | Polydor International GmbH, Hamburg | 1/5 | |||
481 |
Claude Debussy
(FRA)
La Mer / Prélude À L'Après-Midi D'Un Faune / Nocturnes |
CD (Re-Release) | 1991 | 1994 | 4509-95794-2 | Erato Disques S.A. | ||||
482 |
Claude Debussy
(FRA)
+
Pierre Boulez
(FRA)
La Mer / Nocturnes / Jeux / Rhapsodie Pour Clarinette Et Orchestre |
Split-2-Promo-CD (Limited Edition)
(Split mit: Pierre Boulez (FRA)) |
1995 | 1995 | 439 896-2 | Deutsche Grammophon GmbH, Hamburg | 2/9 | |||
Deep Purple (GBR) | ||||||||||
483 |
Deep Purple
(GBR)
Deep Purple In Rock |
LP (Gatefold) | 1970 | 1970 | SHZE 288 | Harvest | ||||
484 |
Deep Purple
(GBR)
Deep Purple In Rock |
LP | 1970 | 1970 | 4M 036-91442 | Sounds Superb | ||||
485 |
Deep Purple
(GBR)
Fireball |
CD (Pappschuber, Re-Release, Remastered) | 1971 | 1996 | 7243 8 53711 2 7 | EMI Records Ltd. | ||||
486 |
Deep Purple
(GBR)
Fireball |
LP (Gatefold) | 1971 | 1971 | 1C 062-92 726 | Harvest Records | ||||
487 |
Deep Purple
(GBR)
Made In Japan |
2-CD (Live, Re-Release, Remastered) | 1972 | 1998 | 7243 8 57864 2 6 | EMI Records Ltd. | ||||
488 |
Deep Purple
(GBR)
Made In Japan |
2-LP (Live, Gatefold) | 1972 | 1972 | 1 C 188-93 915/916 | Electrola Gesellschaft m.b.H. Köln | ||||
489 |
Deep Purple
(GBR)
Who Do We Think We Are |
LP (Gatefold) | 1973 | 1973 | 1C 062-94140 | Purple Records Ltd. | ||||
490 |
Deep Purple
(GBR)
In Concert With The London Symphony Orchestra |
CD + DVD (Live) | 1999 | 1999 | ERDVCD002 | Eagle Rock Entertainment Ltd. / Eagle Vision | ||||
Jack DeJohnette (USA) | ||||||||||
491 |
Jack DeJohnette
(USA)
Oneness |
CD | 1997 | 1997 | 1637 | ECM | ||||
Jack DeJohnette's Special Edition (USA) | ||||||||||
492 |
Jack DeJohnette's Special Edition
(USA)
Album Album |
LP (Gatefold) | 1984 | 1984 | ECM 1280 | ECM Records | ||||
John Denver (USA) | ||||||||||
493 |
John Denver
(USA)
Best Songs Of John Denver |
LP (Best-Of) | 1980 | 1980 | PL 43300 | RCA | ||||
Dephazz (XXX) | ||||||||||
494 |
Dephazz
(XXX)
Garage Pompeuse |
LP (Gatefold, 180 Gramm Vinyl) | 2015 | 2015 | 0210370CTT | Edel Germany GmbH | ||||
Derek And The Dominos (USA) | ||||||||||
495 |
Derek And The Dominos
(USA)
Layla And Other Assorted Love Songs |
2-LP (Re-Release, Gatefold) | 1970 | 1985 | 2658 109 | Polydor | ||||
Paul Desmond & Gerry Mulligan (USA) | ||||||||||
496 |
Paul Desmond & Gerry Mulligan
(USA)
Two Of A Mind |
CD (Cardsleeve) | 1963 | 2003 | RCA Victor / Sony Music Entertainment | |||||
Ina Deter (DEU) | ||||||||||
497 |
Ina Deter
(DEU)
Wenn Wir Unseren Neid Besiegen... |
LP (Gatefold) | 1979 | 1979 | CBS 83707 | CBS Schallplatten GmbH | ||||
498 |
Ina Deter
(DEU)
Ich Will Die Hälfte Der Welt |
LP | 1987 | 1987 | 832 927-1 | Phonogram GmbH | ||||
499 |
Ina Deter
(DEU)
Das Live-Album |
2-LP | 1987 | 1987 | 830 863-1 | Phonogram GmbH | ||||
Ina Deter Band (DEU) | ||||||||||
500 |
Ina Deter Band
(DEU)
Aller Anfang Sind Wir |
LP | 1981 | 1981 | UP 3003 | 'up' Records |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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