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# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Jahr Tonträger | Herstellungsland | Katalognummer | Plattenfirma | Kommentar | |
---|---|---|---|---|---|---|---|---|---|---|
Jeffrey Osborne (USA) | ||||||||||
1401 |
Jeffrey Osborne
(USA)
Emotional |
LP | 1986 | 1986 | 395103-1 | A&M Records, Inc. | ||||
1402 |
Jeffrey Osborne
(USA)
One Love - One Dream |
LP | 1988 | 1988 | 395205-1 | A&M Records Inc., Los Angeles | ||||
Osibisa (GBR) | ||||||||||
1403 |
Osibisa
(GBR)
The Best Of |
2-CD (Best-Of) | 1994 | 1994 | Selected Sound Carrier | |||||
Outlaws (USA) | ||||||||||
1404 |
Outlaws
(USA)
Outlaws |
LP (Gatefold) | 1975 | 1975 | ARTY 115 | Arista Records | ||||
Tom Ovans (USA) | ||||||||||
1405 |
Tom Ovans
(USA)
Still In This World |
CD | 2001 | 2001 | GEL 4019 | Evangeline Recorded Works Ltd. | ||||
Niels-Henning Ørsted Pedersen (DNK) | ||||||||||
1406 |
Niels-Henning Ørsted Pedersen
(DNK)
The Eternal Traveller |
LP | 1985 | 1985 | PABLO 2310-910 | Pablo Records | ||||
Niels-Henning Ørsted Pedersen Quartet (DNK) | ||||||||||
1407 |
Niels-Henning Ørsted Pedersen Quartet
(DNK)
Dancing On The Tables |
LP (Special Edition) | 1979 | 1979 | SCS-1125 | SteepleChase Records | ||||
Paladyn (XXX) | ||||||||||
1408 |
Paladyn
(XXX)
"Die Zeiten Sind Vorbei! ?" |
LP | 1979 | 1979 | CP 0010 | C P | ||||
Robert Palmer (GBR) | ||||||||||
1409 |
Robert Palmer
(GBR)
Double Fun |
LP | 1978 | 1978 | 25854 XOT | Island Record Ltd. | ||||
1410 |
Robert Palmer
(GBR)
Secrets |
LP | 1979 | 1979 | 200 662-320 | Island Records | ||||
1411 |
Robert Palmer
(GBR)
Pride |
LP | 1983 | 1983 | 205 240-320 | Island Records | ||||
1412 |
Robert Palmer
(GBR)
Don't Explain |
2-LP | 1990 | 1990 | 164- 79 54641 | EMI | ||||
1413 |
Robert Palmer
(GBR)
Millennium |
CD (Best-Of, Compilation) | 2000 | 2000 | 542 305-2 | Universal Music International Ltd. | ||||
Paris (GBR) | ||||||||||
1414 |
Paris
(GBR)
Paris |
LP | 1976 | 1976 | ST-11464 | Capitol Records | 2c 066 82128 Made in France | |||
Charlie Parker (USA) | ||||||||||
1415 |
Charlie Parker
(USA)
Bird |
CD (Compilation, Cardsleeve) | 1988 | 1988 | Columbia | |||||
The Alan Parsons Project (GBR) | ||||||||||
1416 |
The Alan Parsons Project
(GBR)
Tales Of Mystery And Imagination - Edgar Allan Poe |
CD (Re-Release, Remastered) | 1976 | 0 | 832 820-2 | Mercury / PolyGram Records, Inc. | ||||
1417 |
The Alan Parsons Project
(GBR)
Tales Of Mystery And Imagination - Edgar Allan Poe |
LP (Re-Release, Gatefold) | 1976 | 1977 | DE-LUXE 35017 (T-508) | 20th Century Fox Records | ||||
1418 |
The Alan Parsons Project
(GBR)
I Robot |
LP (Gatefold) | 1977 | 1977 | SPARTY 1012 | Arista Records | ||||
1419 |
The Alan Parsons Project
(GBR)
Pyramid |
LP | 1978 | 1978 | 1C 064-60 792 | Arista / EMI Electrola | ||||
1420 |
The Alan Parsons Project
(GBR)
Eve |
LP (Gatefold) | 1979 | 1979 | 201 157-270 | Arista | ||||
Arvo Pärt (EST) | ||||||||||
1421 |
Arvo Pärt
(EST)
Tabula Rasa |
LP (Gatefold) | 1984 | 1984 | ECM 1275 | ECM Records GmbH | ||||
1422 |
Arvo Pärt
(EST)
Arbos |
LP | 1987 | 1987 | 1325 | ECM Records | ||||
The Pasadenas (GBR) | ||||||||||
1423 |
The Pasadenas
(GBR)
To Whom It May Concern |
LP | 1988 | 1988 | 462877 1 | CBS Records | ||||
Joe Pass (USA) | ||||||||||
1424 |
Joe Pass
(USA)
University Of Akron Concert |
LP (Live) | 1986 | 1986 | 2308-249 | Pablo Live | ||||
Passport (DEU) | ||||||||||
1425 |
Passport
(DEU)
Looking Thru |
LP (Special Edition) | 1973 | 1973 | 63 043 | Atlantic | ||||
1426 |
Passport
(DEU)
Doldinger Jubilee Concert |
LP (Live, Gatefold) | 1974 | 1974 | ATL 50 070-Y | WEA Musik GmbH | ||||
1427 |
Passport
(DEU)
Doldinger Jubilee '75 |
LP (Live) | 1975 | 1975 | SD 18162 | Atlantic / WEA | ||||
1428 |
Passport
(DEU)
Ataraxia |
LP | 1978 | 1978 | ATL 50 456 | WEA Musik GmbH | ||||
1429 |
Passport
(DEU)
Garden Of Eden |
LP | 1979 | 1979 | SD19233 | Atlantic Recording Corporation | ||||
1430 |
Passport
(DEU)
Oceanliner |
LP | 1980 | 1980 | SD 19265 | Atlantic / Warner | ||||
1431 |
Passport
(DEU)
Earthborn |
LP | 1982 | 1982 | ATL 50913 | Atlantic | ||||
1432 |
Passport
(DEU)
Spirit Of Continuity - The Passport Anthology |
2-CD (Compilation, Pappschuber) | 1995 | 1995 | 0630 10923-2 | WEA Music | ||||
Jaco Pastorius (USA) | ||||||||||
1433 |
Jaco Pastorius
(USA)
Jaco Pastorius |
CD (Re-Release, Cardsleeve) | 1976 | 2010 | 88697720092-22 | Sony Music | ||||
Pau Brasil (XXX) | ||||||||||
1434 |
Pau Brasil
(XXX)
Pindorama |
CD | 1990 | 1990 | BSCD 9.00755 O | Line Music GmbH | ||||
Paul Shigihara And Charlie Mariano And Tim Wells And Michael Küttner (XXX) | ||||||||||
1435 |
Paul Shigihara And Charlie Mariano And Tim Wells And Michael Küttner
(XXX)
Tears Of Sound |
LP | 1983 | 1983 | NBL 8416 | Nabel | ||||
Luciano Pavarotti (ITA) | ||||||||||
1436 |
Luciano Pavarotti
(ITA)
+
Plácido Domingo
(ESP)
+
José Carreras
(ESP)
+
The Three Tenors
(EUR)
Carreras Domingo Pavarotti In Concert |
Split-CD (Live)
(Split mit: Plácido Domingo (ESP) + José Carreras (ESP) + Three Tenors, The (EUR)) |
1990 | 1990 | 430 433-2 | Decca Record Company Limited, London, The | ||||
1437 |
Luciano Pavarotti
(ITA)
The Essential Pavarotti |
CD (Best-Of, Compilation) | 1990 | 1990 | 4302102 | Decca Records | ||||
Pee Wee Bluesgang (DEU) | ||||||||||
1438 |
Pee Wee Bluesgang
(DEU)
Red Socks |
LP | 1982 | 1982 | WR 9011 | Woolfe Recs. | ||||
Moses Pelham (DEU) | ||||||||||
1439 |
Moses Pelham
(DEU)
Geteiltes Leid 3 |
CD | 2012 | 2012 | 88725497742 | Pelham Power Productions | ||||
Teddy Pendergrass (USA) | ||||||||||
1440 |
Teddy Pendergrass
(USA)
Joy |
LP | 1988 | 1988 | 960 775-1 | Elektra | ||||
Art Pepper (USA) | ||||||||||
1441 |
Art Pepper
(USA)
Saturday Night At The Village Vanguard |
CD | 1979 | 1991 | OJCCD 696-2 | Contemporary | ||||
1442 |
Art Pepper
(USA)
Friday Night At The Village Vanguard |
CD (Live) | 1980 | 1991 | OJCCD 695-2 | Contemporary | ||||
Oscar Peterson (CAN) | ||||||||||
1443 |
Oscar Peterson
(CAN)
Exclusively For My Friends Vol. II - Girl Talk |
LP (Live, Gatefold) | 1967 | 1967 | 15179 Stereo | MPS | ||||
1444 |
Oscar Peterson
(CAN)
Exclusively For My Friends Vol. I - Action |
LP (Live) | 1968 | 1968 | 15 178 ST | MPS | ||||
1445 |
Oscar Peterson
(CAN)
Exclusively For My Friends Vol. III - The Way I Really Play |
LP (Live) | 1968 | 1968 | MPS 15180 ST | MPS | ||||
1446 |
Oscar Peterson
(CAN)
Exclusively For My Friends Vol. IV - My Favorite Instrument |
LP (Live, Gatefold) | 1968 | 1968 | 68.076 | MPS | ||||
1447 |
Oscar Peterson
(CAN)
Exclusively For My Friends Vol. VI - Travelin' On |
LP (Live, Gatefold) | 1968 | 1968 | 68.078 | MPS | ||||
1448 |
Oscar Peterson
(CAN)
Exclusively For My Friends Vol. V - Mellow Mood |
LP (Live, Gatefold) | 1969 | 1969 | MPS 15 221 ST | MPS Records | ||||
Oscar Peterson Trio (CAN) | ||||||||||
1449 |
Oscar Peterson Trio
(CAN)
Live At The Blue Note |
CD (Live, Re-Release) | 1990 | 0 | CD-83304 | Telarc Jazz | ||||
1450 |
Oscar Peterson Trio
(CAN)
Saturday Night At The Blue Note |
CD (Live) | 1991 | 1991 | 83306 | Telarc Jazz | ||||
1451 |
Oscar Peterson Trio
(CAN)
...Last Call At The Blue Note |
CD (Live) | 1992 | 1992 | CD-83314 | Telarc | ||||
1452 |
Oscar Peterson Trio
(CAN)
Encore At The Blue Note |
CD | 1993 | 1993 | CD-83356 | Telarc | ||||
Petra (USA) | ||||||||||
1453 |
Petra
(USA)
Back To The Street |
LP | 1986 | 1986 | SP 5143 | Star Song Records | ||||
Tom Petty & The Heartbreakers (USA) | ||||||||||
1454 |
Tom Petty & The Heartbreakers
(USA)
Into The Great Wide Open |
LP | 1991 | 1991 | MCA 10317 | MCA Records, Inc. | ||||
Barre Phillips (USA) | ||||||||||
1455 |
Barre Phillips
(USA)
Journal Violone II |
LP | 1980 | 1980 | 1149 | ECM Records GmbH | ||||
Édith Piaf (FRA) | ||||||||||
1456 |
Édith Piaf
(FRA)
La Legende |
2-CD (Best-Of) | 1996 | 1996 | B0000072WF | Disky Communications Europe BV | ||||
Astor Piazzolla (ARG) | ||||||||||
1457 |
Astor Piazzolla
(ARG)
Musique Composée Par Astor Piazzolla / Tango |
LP | 1986 | 1986 | CAR 6.26402 AS | Carrere / TELDEC Schallplatten GmbH | ||||
Piirpauke (FIN) | ||||||||||
1458 |
Piirpauke
(FIN)
Birgi Bühtüi |
LP | 1981 | 1981 | JA&RO 004 | Ja & Ro | ||||
1459 |
Piirpauke
(FIN)
Algazara |
LP | 1987 | 1987 | JARO 4132 / EFA 04132 LP 08 | JARO | ||||
Courtney Pine (GBR) | ||||||||||
1460 |
Courtney Pine
(GBR)
Underground |
CD | 1997 | 1997 | 537 745-2 | Antilles | ||||
Pink Floyd (GBR) | ||||||||||
1461 |
Pink Floyd
(GBR)
The Piper At The Gates Of Dawn |
LP (Re-Release, Remastered, 180 Gramm Vinyl) | 1967 | 2016 | PFRLP1 | Parlophone Records Ltd. | ||||
1462 |
Pink Floyd
(GBR)
A Saucerful Of Secrets |
LP (Re-Release, Remastered, 180 Gramm Vinyl) | 1968 | 2016 | PFRLP2 | Parlophone Records Ltd. | ||||
1463 |
Pink Floyd
(GBR)
Soundtrack From The Film More |
LP | 1969 | 1969 | 1c 062-04096 | Columbia / EMI | ||||
1464 |
Pink Floyd
(GBR)
Ummagumma |
2-LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | 1969 | 2016 | PFRLP4 | Pink Floyd Music Ltd. | ||||
1465 |
Pink Floyd
(GBR)
Atom Heart Mother |
LP (Gatefold) | 1970 | 1970 | SHZE 297 | Hör Zu / Harvest | ||||
1466 |
Pink Floyd
(GBR)
Atom Heart Mother |
LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | 1970 | 2016 | PFRLP5 | Pink Floyd Records | ||||
1467 |
Pink Floyd
(GBR)
Meddle |
LP (Gatefold) | 1971 | 1971 | OP-80375 | Odeon / EMI | ||||
1468 |
Pink Floyd
(GBR)
Obscured By Clouds |
LP (Re-Release, Remastered, 180 Gramm Vinyl) | 1972 | 2016 | PFRLP7 | Parlophone Records Ltd. | ||||
1469 |
Pink Floyd
(GBR)
The Dark Side Of The Moon |
3-CD + 2-DVD + Blu-Ray Disc (Box, Limited Edition, Re-Release, Remastered, Special Edition, Cardsleeve) | 1973 | 2011 | 50999 029431 2 1 | EMI Music Ltd. | ||||
1470 |
Pink Floyd
(GBR)
The Dark Side Of The Moon |
CD (Re-Release) | 1973 | 1987 | CDP 7 46001 2 | EMI Records Ltd. | ||||
1471 |
Pink Floyd
(GBR)
The Dark Side Of The Moon |
LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | 1973 | 2003 | SHVL 804 | EMI Records | ||||
1472 |
Pink Floyd
(GBR)
The Dark Side Of The Moon |
LP (Limited Edition, Re-Release, Remastered, Special Edition, Gatefold, 180 Gramm Vinyl) | 1973 | 2011 | SHVL 804 | EMI Records Ltd. | ||||
1473 |
Pink Floyd
(GBR)
The Dark Side Of The Moon |
LP (Gatefold) | 1973 | 1973 | 3C 064-05249 | EMI Italiana S.p.A. | ||||
1474 |
Pink Floyd
(GBR)
The Dark Side Of The Moon |
LP (Gatefold) | 1973 | 0 | EKPL-0018 / SVHL 804 | EMI / Kemongsa Music Ltd. | ||||
1475 |
Pink Floyd
(GBR)
The Dark Side Of The Moon |
SACD (Re-Release, Remastered, Special Edition) | 1973 | 2003 | 7243 582136 2 1 | EMI Records Ltd. | ||||
1476 |
Pink Floyd
(GBR)
Wish You Were Here |
2-CD + 2-DVD + Blu-Ray Disc (Box, Limited Edition, Re-Release, Remastered, Special Edition) | 1975 | 2011 | 50999 029435 2 7 | EMI Music Ltd. | ||||
1477 |
Pink Floyd
(GBR)
Wish You Were Here |
LP | 1975 | 1975 | SHVL 814 | EMI Records Ltd. | ||||
1478 |
Pink Floyd
(GBR)
Wish You Were Here |
LP (Limited Edition, Re-Release, Remastered, 180 Gramm Vinyl) | 1975 | 2011 | SHVL 814 / 50999 029880 1 6 | EMI Records / Harvest | ||||
1479 |
Pink Floyd
(GBR)
Animals |
LP (Gatefold) | 1977 | 1977 | 3C 064-98 434 | EMI Italiana S.p.A. | ||||
1480 |
Pink Floyd
(GBR)
The Wall |
2-LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | 1979 | 2012 | 50999 029883 1 3 | EMI Records Ltd. | ||||
1481 |
Pink Floyd
(GBR)
The Wall |
2-LP (Gatefold) | 1979 | 1979 | 1C 198-63 410/11 | EMI Records Ltd. | ||||
1482 |
Pink Floyd
(GBR)
P.U.L.S.E |
2-CD (Limited Edition, Live, Pappschuber, Digi-Book) | 1995 | 1995 | 7243 8 32700 2 6 | EMI Records Ltd. | ||||
1483 |
Pink Floyd
(GBR)
P•U•L•S•E |
2-DVD (Live, Re-Release, Digipak) | 1995 | 2005 | 0724 3 491436 9 2 | EMI Records | ||||
1484 |
Pink Floyd
(GBR)
Live At Pompeii - The Director's Cut |
DVD (Live, Remastered, Kopierschutz) | 2003 | 2003 | 828 215 0 | Universal | ||||
1485 |
Pink Floyd
(GBR)
British Winter Tour 74 |
LP (Bootleg, Live) | 1974 | 2007 | PFL 7501 | Eigenproduktion | ||||
Pink Military (GBR) | ||||||||||
1486 |
Pink Military
(GBR)
Do Animals Believe In God? |
LP | 1980 | 1980 | 202 512-320 | Virgin | ||||
Gene Pitney (USA) | ||||||||||
1487 |
Gene Pitney
(USA)
Golden Hour Of Gene Pitney - Volume 2 |
LP | 1972 | 1972 | GH 818 | Golden Hour Records | ||||
Placebo (GBR) | ||||||||||
1488 |
Placebo
(GBR)
MTV Unplugged |
2-LP (Live, Gatefold, 180 Gramm Vinyl) | 2015 | 2015 | 4757517 | Vertigo/Capitol / Universal Music GmbH | ||||
Erika Pluhar (AUT) | ||||||||||
1489 |
Erika Pluhar
(AUT)
So Oder So Ist Das Leben |
LP | 1974 | 1974 | SLE 14762P | TELDEC / Decca | ||||
1490 |
Erika Pluhar
(AUT)
Die Liebeslieder Der Erika Pluhar |
LP (Gatefold) | 1975 | 1975 | 6.22357 AS | TELDEC | ||||
1491 |
Erika Pluhar
(AUT)
Hier Bin Ich |
LP (Live, Gatefold) | 1976 | 1976 | 062-31 732 | Angelo | ||||
Poco (USA) | ||||||||||
1492 |
Poco
(USA)
Cantamos |
LP (Limited Edition, Special Edition) | 1974 | 1974 | EPC 80471 | Epic | ||||
1493 |
Poco
(USA)
Legacy |
LP | 1989 | 1989 | PL 90395 | RCA Records | ||||
The Pointer Sisters (USA) | ||||||||||
1494 |
The Pointer Sisters
(USA)
Happiness / Fire |
12" | 1978 | 1978 | PL 22 027 | Planet Records / WEA | ||||
The Police (GBR) | ||||||||||
1495 |
The Police
(GBR)
Outlandos d'Amour |
LP | 1978 | 1978 | AMLH 68502 | A&M | ||||
1496 |
The Police
(GBR)
Message In A Box - The Complete Recordings |
4-CD (Compilation, Limited Edition, Nummeriert, Remastered, Digi-Book) | 1993 | 1993 | 540 150-2 | A&M Records | ||||
Jean-Luc Ponty (FRA) | ||||||||||
1497 |
Jean-Luc Ponty
(FRA)
Giorgio Gaslini Meets Jean-Luc Ponty |
LP (Gatefold) | 1976 | 1976 | 6.22664 AS | Produttori Associati | ||||
1498 |
Jean-Luc Ponty
(FRA)
Imaginary Voyage |
LP | 1976 | 1976 | SD 19136 | Atlantic Recording Corp. | ||||
1499 |
Jean-Luc Ponty
(FRA)
Live At Chene Park |
CD (Live) | 1996 | 1996 | 7567-82964-2 | Atlantic Recording Corporation | ||||
Iggy Pop (USA) | ||||||||||
1500 |
Iggy Pop
(USA)
New Values |
LP | 1979 | 1979 | 1C 064-62699 | Arista Records |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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