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| # | Titel | Typ / Besonderheiten | Jahr Album | Katalognummer | Herstellungsland | Plattenfirma | |
|---|---|---|---|---|---|---|---|
| Karl Bartos (DEU) | |||||||
| 401 | 6. Karl Bartos (DEU) : Atomium | 7" | 2013 | LP 955837 BB080 | bureau b | ||
| 402 | 7. Karl Bartos (DEU) : Off The Record | LP + CD (Limited Edition, 180 Gramm Vinyl) | 2013 | LP 974281 BB079 | bureau b | ||
| Bastille (GBR) | |||||||
| 403 | 8. Bastille (GBR) : All This Bad Blood | 2-LP (Limited Edition, Re-Release, Gatefold, 180 Gramm Vinyl) | 2013 | VX 3097 | Virgin Records Ltd. | ||
| Lucio Battisti (ITA) | |||||||
| 404 | 9. Lucio Battisti (ITA) : Ancora Tu - Greatest Hits | LP (Compilation) | 1977 | PL 34007 | Numero Uno | ||
| Bauhaus (GBR) | |||||||
| 405 | 10. Bauhaus (GBR) : The Singles 1981-1983 | 12" | 1983 | 205889-240 | Beggars Banquet Records | ||
| Bay City Rollers (GBR) | |||||||
| 406 | 11. Bay City Rollers (GBR) : Rollin' | LP (Gatefold) | 1974 | Bells 244 (2308101) | Bell Records | ||
| Bayer 04 Leverkusen (DEU) | |||||||
| 407 | 12. Bayer 04 Leverkusen (DEU) : Fan-CD 2001/2002 | Single-CD | 2002 | BX-CD 04003 | Brainworx Musik & Media GmbH | ||
| The Beach Boys (USA) | |||||||
| 408 | 13. The Beach Boys (USA) : Pet Sounds | LP (Limited Edition, Re-Release, 180 Gramm Vinyl) | 1966 | T-2458 (T2-2458) | Capitol Records | ||
| 409 | 14. The Beach Boys (USA) : 20 Golden Greats | LP | 1976 | 058 EVC 82 232 | Capitol Rec. Inc. | ||
| 410 | 15. The Beach Boys (USA) + Little Richard (USA) : Kokomo |
Split-7" (Split mit: Little Richard (USA)) |
1988 | 969 385-7 | Elektra / Asylum Records | ||
| 411 | 16. The Beach Boys (USA) : Cabin Essence | Promo-7" (Gelbes Vinyl) | 2011 | MOJ 06 | MOJO | ||
| Beady Belle (NOR) | |||||||
| 412 | 17. Beady Belle (NOR) : Home | Promo-Single-CD (Cardsleeve) | 2001 | 51132174 | Jazzland | ||
| Beady Eye (GBR) | |||||||
| 413 | 18. Beady Eye (GBR) : Different Gear, Still Speeding | CD | 2011 | BEADYCD2 | Beady Eye Records Ltd. | ||
| 414 | 19. Beady Eye (GBR) : The Roller | 7" | 2011 | BEADY4 | Beady Eye Records Ltd. | ||
| 415 | 20. Beady Eye (GBR) : The Roller | 7" (Heftbeilage, Limited Edition) | 2011 | Beady Eye Records Ltd. | |||
| 416 | 21. Beady Eye (GBR) : BE | CD | 2013 | 88883721372 | Columbia / Sony Music | ||
| 417 | 22. Beady Eye (GBR) : Second Bite Of The Apple | 7" | 2013 | 88883731207 | Beady Eye Reocords Limited / Columbia | ||
| 418 | 23. Beady Eye (GBR) : Shine A Light | 7" | 2013 | 88883762757 | Beady Eye Reocords Limited / Columbia | ||
| Beastie Boys (USA) | |||||||
| 419 | 24. Beastie Boys (USA) : Licensed To Ill | LP (Gatefold) | 1986 | DEF 460949 1 | Def Jam Recordings | ||
| 420 | 25. Beastie Boys (USA) : Ill Communication | CD | 1994 | 7243 8 28599 2 5 | Grand Royal | ||
| The Beatles (GBR) | |||||||
| 421 | 26. The Beatles (GBR) : The Beatles | 2-CD (Compilation, Special Edition) | 0 | CR 20.017 | Club Records | ||
| 422 | 27. The Beatles (GBR) : Love Me Do | 12" (Re-Release) | 1962 | 12R4949 | Parlophone / EMI | ||
| 423 | 28. The Beatles (GBR) : Love Me Do | 7" (Fehlpressung, Limited Edition, Re-Release, Remastered) | 1962 | 45-R 4949 | Parlophone / EMI Records Ltd. | ||
| 424 | 29. The Beatles (GBR) : I Want To Hold Your Hand | 7" | 1963 | 1C 006-04 752 M | EMI Electrola GmbH / Odeon | ||
| 425 | 30. The Beatles (GBR) : Please Please Me | LP (Mono, Re-Release, Remastered) | 1963 | PMC 1202 | EMI / Parlophone | ||
| 426 | 31. The Beatles (GBR) : With The Beatles | LP (Mono, Re-Release, Remastered) | 1963 | PMC 1206 | Parlophone / EMI | ||
| 427 | 32. The Beatles (GBR) : The Beatles Beat | LP (Compilation, Re-Release) | 1964 | 1C 072-04 363 | Odeon | ||
| 428 | 33. The Beatles (GBR) : Beatles For Sale | LP (Re-Release, Gatefold) | 1964 | 1A 062-04200 | Parlophone | ||
| 429 | 34. The Beatles (GBR) : A Hard Day's Night | LP (Mono, Re-Release) | 1964 | PMC 1230 | Parlophone / EMI | ||
| 430 | 35. The Beatles (GBR) : A Hard Day's Night | LP (Re-Release) | 1964 | C60 23579 008 | Melodija (Мелодия) | ||
| 431 | 36. The Beatles (GBR) : Komm, Gib Mir Deine Hand | 7" | 1964 | 1C 006-04 204 M | EMI Electrola GmbH / Odeon | ||
| 432 | 37. The Beatles (GBR) : Long Tall Sally | 7" (Limited Edition, 180 Gramm Vinyl) | 1964 | GEP 8913 / 3799505 | Parlophone / EMI Records Ltd. | ||
| 433 | 38. The Beatles (GBR) : Help! | LP (Re-Release) | 1965 | 1C 072-04 257 | Apple Records | ||
| 434 | 39. The Beatles (GBR) : Help! | LP (Re-Release, Remastered) | 1965 | PCS 3071 / 10 4257 1 | Apple Records | ||
| 435 | 40. The Beatles (GBR) : Rubber Soul | LP (Re-Release) | 1965 | SW 2442 | Capitol | ||
| 436 | 41. The Beatles (GBR) : Резиновая Душа - Rubber Soul | LP (Re-Release) | 1965 | П91 00215 | AnTrop | ||
| 437 | 42. The Beatles (GBR) : A Collection Of Beatles Oldies | LP (Compilation, Re-Release) | 1966 | 1 A 038 1575451 | Odeon | ||
| 438 | 43. The Beatles (GBR) : Revolver | LP (Re-Release, Remastered) | 1966 | PCS 7009 / 10 4097 1 | Apple Records | ||
| 439 | 44. The Beatles (GBR) : Revolver | LP (Re-Release) | 1966 | SHZE 186 | Odeon / Hör Zu | ||
| 440 | 45. The Beatles (GBR) : Revolver | LP | 1966 | 1C 198-53 169 | EMI Electrola / Apple | ||
| 441 | 46. The Beatles (GBR) : Yellow Submarine | PIC-7" (Limited Edition, Re-Release, Special Edition) | 1966 | 06025 675720 3 9 | Apple Corps Limited / Calderstone / Universal Music Group | ||
| 442 | 47. The Beatles (GBR) : Magical Mystery Tour | LP (Re-Release, Remastered, Gatefold) | 1967 | PCTC 255 / 10 4449 1 | Apple Records | ||
| 443 | 48. The Beatles (GBR) : Sgt. Pepper's Lonely Hearts Club Band | LP (Gatefold) | 1967 | SHZE 401 | Northern Songs Ltd. | ||
| 444 | 49. The Beatles (GBR) : Sgt. Pepper's Lonely Hearts Club Band | LP (Re-Release, Remastered, Gatefold) | 1967 | 7 46442 1 | Parlophone / EMI Records Ltd. | ||
| 445 | 50. The Beatles (GBR) : Sgt. Pepper's Lonely Hearts Club Band | LP (Re-Release, Gatefold) | 1967 | 1C 072-04 177 | Apple / EMI Electrola | ||
| 446 | 51. The Beatles (GBR) : The Beatles (White Album) | 2-LP (Nummeriert, Gatefold) | 1968 | 1C 172-04 173/74 | Apple Records | ||
| 447 | 52. The Beatles (GBR) : Beatles' Greatest | LP (Best-Of, Goldenes Vinyl) | 1968 | OMHS 3001/YBEX 50070 | EMI / Parlophone Odeon | ||
| 448 | 53. The Beatles (GBR) : Abbey Road | LP (Re-Release) | 1969 | 1 C 072-04 243 | Apple Records | ||
| 449 | 54. The Beatles (GBR) + George Martin (GBR) : Yellow Submarine |
Split-LP (Re-Release)
(Split mit: George Martin (GBR)) |
1969 | PCS 7070 / 10 4002 1 | Apple Records / EMI Records | ||
| 450 | 55. The Beatles (GBR) : The Beatles Ballads | LP (Best-Of) | 1970 | 1C 064-07356 | Odeon | ||
| 451 | 56. The Beatles (GBR) : Hey Jude | LP (Compilation, Re-Release) | 1970 | PCS 7184 / 0C 062-06 864 | Parlophone / EMI | ||
| 452 | 57. The Beatles (GBR) : The Beatles | LP (Best-Of, Special Edition) | 1972 | 28 174-1 | EMI Electrola GmbH / Odeon | ||
| 453 | 58. The Beatles (GBR) : 1962-1966 | 2-LP (Compilation, Gatefold) | 1973 | 1C 188-05 307/08 | Apple Records | ||
| 454 | 59. The Beatles (GBR) : 1967-1970 | 2-LP (Compilation, Gatefold) | 1973 | 1C 172-05 309/10 | Apple Records | ||
| 455 | 60. The Beatles (GBR) : 1967-1970 | LP (Compilation) | 1973 | 8 55 742 | Amiga | ||
| 456 | 61. The Beatles (GBR) : Love Songs | 2-LP (Compilation, Gatefold) | 1977 | 1C 172-06 550/551 | EMI Electrola GmbH | ||
| 457 | 62. The Beatles (GBR) : 20 Golden Hits | LP (Compilation) | 1979 | ADEG 61 | Arcade Records (Deutschland) GmbH | ||
| 458 | 63. The Beatles (GBR) : 1967-1970 | LP (Compilation) | 1980 | 855742 | Amiga | ||
| 459 | 64. The Beatles (GBR) + The Beatles & Tony Sheridan (GBR) : The Beatles |
Split-LP (Compilation, Mono)
(Split mit: Beatles & Tony Sheridan, The (GBR)) |
1983 | 8 50 962 | Amiga | ||
| 460 | 65. The Beatles (GBR) : CD Singles Collection | 22-Single-CD (Box) | 1992 | CD BSCP 1 | EMI | ||
| 461 | 66. The Beatles (GBR) : Live At The BBC | 2-LP (Compilation, Live, Mono, Gatefold) | 1994 | 7243 8 31796 1 9 | Apple Corps Ltd. / EMI Records Ltd. | ||
| 462 | 67. The Beatles (GBR) : Anthology 1 | 3-LP (Compilation, Gatefold) | 1995 | 8 34445 1 | EMI / Apple | ||
| 463 | 68. The Beatles (GBR) : Anthology 2 | 3-LP (Compilation, Gatefold) | 1996 | 8 34448 1 | EMI / Apple | ||
| 464 | 69. The Beatles (GBR) : Anthology 3 | 3-LP (Compilation, Gatefold) | 1996 | 7243 8 34451 1 0 | EMI / Apple | ||
| 465 | 70. The Beatles (GBR) : Anthology 3 | Promo-Mini-CD / EP (Best-Of) | 1996 | CD ANTH 3 | Apple Records / EMI Records | ||
| 466 | 71. The Beatles (GBR) : The Beatles In Mono | 13-CD (Box, Compilation, Limited Edition, Special Edition) | 2009 | 5099969945120 | Apple Corps Ltd. / EMI Records Ltd. | ||
| 467 | 72. The Beatles (GBR) : Singles 7" Vinyl Box Set | 4-7" (Limited Edition, Nummeriert, Re-Release, Remastered) | 2011 | 5099968004576 / 408WM | Capitol Records, LLC | ||
| 468 | 73. The Beatles (GBR) : Penny Lane / Strawberry Fields Forever | 7" (Limited Edition, Re-Release) | 2017 | R 5570 | Apple | ||
| 469 | 74. The Beatles (GBR) : Now And Then | 12" (Limited Edition, Rotes Vinyl) | 2023 | 0602458129557 | Calderstone Productions Ltd. / Universal Music Group / Apple Corps Ltd. | ||
| 470 | 75. The Beatles (GBR) : Vintage Gold | CD (Best-Of, Bootleg, Pappschuber, 24kt. Gold-CD) | 1989 | 35DN-1 1 | Teichiku Records | ||
| Beatsteaks (DEU) | |||||||
| 471 | 76. Beatsteaks (DEU) : Smack Smash | CD (Kopierschutz) | 2004 | 871409-26714-2-1 | Epitaph Europe | ||
| The Beautiful South (GBR) | |||||||
| 472 | 77. The Beautiful South (GBR) : Welcome To The Beautiful South | LP | 1989 | 842 080-1 / AGOLP 16 | Go! Records Ltd. | ||
| 473 | 78. The Beautiful South (GBR) : Choke | LP | 1990 | 828 233-1 | Go! Discs Ltd. | ||
| 474 | 79. The Beautiful South (GBR) : Carry On Up The Charts - The Best Of The Beautiful South | CD (Best-Of) | 1994 | 828 652-2 | Go! Discs Ltd. | ||
| Beck (USA) | |||||||
| 475 | 80. Beck (USA) : Odelay | CD | 1996 | GED 24908 | Geffen Records | ||
| Bee Gees (GBR) | |||||||
| 476 | 81. Bee Gees (GBR) : Odessa | 2-LP (Re-Release, Gatefold) | 1969 | 2674012 | Karussell | ||
| 477 | 82. Bee Gees (GBR) : Best | 2-LP (Compilation, Re-Release, Gatefold) | 1970 | 2674 007 | Karussell | ||
| 478 | 83. Bee Gees (GBR) : Greatest Hits | LP (Best-Of) | 1970 | 2435 602 | Karussell Silber Serie | ||
| 479 | 84. Bee Gees (GBR) : Superstarshine Vol. 4 | LP (Compilation) | 1972 | 2384 039 | Polydor Special | ||
| 480 | 85. Bee Gees (GBR) : Living Eyes | LP (Gatefold) | 1981 | 2394 301 | RSO Records | ||
| 481 | 86. Bee Gees (GBR) : E·S·P | LP | 1987 | 925541-1 | WEA International Inc. | ||
| 482 | 87. Bee Gees (GBR) : One | LP | 1989 | 925 887-1 | Warner Brothers Records Inc. | ||
| 483 | 88. Bee Gees (GBR) : Ordinary Lives | 12" | 1989 | 921 175-0 | Warner Communications Company | ||
| Bejarano & Microphone Mafia (DEU) | |||||||
| 484 | 89. Bejarano & Microphone Mafia (DEU) : Per La Vita | LP | 2009 | MBR 134 | Mad Butcher Records | ||
| Bela B & Smokestack Lightnin' Feat. Peta Devlin & Walter Broes (DEU) | |||||||
| 485 | 90. Bela B & Smokestack Lightnin' Feat. Peta Devlin & Walter Broes (DEU) : Abserviert | 7" + Single-CD (Special Edition, Cardsleeve) | 2014 | B-SPLOIT02 | B-Sploitation | ||
| 486 | 91. Bela B & Smokestack Lightnin' Feat. Peta Devlin & Walter Broes (DEU) : Streichholzmann | 7" + Single-CD (Limited Edition, Special Edition, Cardsleeve) | 2014 | B-SPLOIT06 | B-Sploitation | ||
| Bela B Feat. Peta Devlin & Smokestack Lightnin' (DEU) | |||||||
| 487 | 92. Bela B Feat. Peta Devlin & Smokestack Lightnin' (DEU) : Bastard | LP + CD (Plastic PVC Sleeve, Gatefold, 180 Gramm Vinyl) | 2017 | B-SPLOIT08LP | B-Sploitation | ||
| 488 | 93. Bela B Feat. Peta Devlin & Smokestack Lightnin' (DEU) : Einer Bleibt Liegen | 7" | 2017 | B-SPLOIT09 | B-Sploitation | ||
| Harry Belafonte (USA) | |||||||
| 489 | 94. Harry Belafonte (USA) : Golden Records - Die Großen Erfolge | LP (Best-Of, Compilation) | 1963 | LSP 9940(e) (26.21110 AS) | RCA Schallplatten GmbH | ||
| The Bellamy Brothers (USA) | |||||||
| 490 | 95. The Bellamy Brothers (USA) : Let Your Love Flow | 7" | 1975 | WB 16 690 (N) | Warner Bros. Records Inc. | ||
| 491 | 96. The Bellamy Brothers (USA) : Let Your Love Flow | LP | 1976 | WB 56 242 | Curb Records | ||
| 492 | 97. The Bellamy Brothers (USA) : Satin Sheets | 7" | 1976 | 16781 | Warner Bros. | ||
| 493 | 98. The Bellamy Brothers (USA) : Crossfire | 7" | 1977 | 16909 | Warner Bros. | ||
| Belly (USA) | |||||||
| 494 | 99. Belly (USA) : King | CD (Special Edition, Digi-Book) | 1995 | CAD D 5004 CD | 4AD / Rough Trade Records GmbH | ||
| Bembers And The Masserfaggers (DEU) | |||||||
| 495 | 100. Bembers And The Masserfaggers (DEU) : Bembers Burns | Single-CD (Cardsleeve) | 2011 | 10.581.11.2 | Bembers Records | ||
| 496 | 101. Bembers And The Masserfaggers (DEU) : Love Him - Hate Him - Nothing Between | CD (Digipak) | 2015 | Recent Records / Alive | |||
| Pat Benatar (USA) | |||||||
| 497 | 102. Pat Benatar (USA) : In The Heat Of The Night | LP (Re-Release) | 1979 | 202 629-320 | Chrysalis / Ariola | ||
| 498 | 103. Pat Benatar (USA) : Crimes Of Passion | LP | 1980 | 6399 101 | Chrysalis / Ariola | ||
| 499 | 104. Pat Benatar (USA) : Tropico | LP | 1984 | 206 582-620 | Chrysalis Records | ||
| George Benson (USA) | |||||||
| 500 | 105. George Benson (USA) : Love X Love | 12" (Limited Edition) | 1980 | WB 26 165 D | Warner Bros. Records, Inc. | ||
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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