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Cover | Titel | Typ / Besonderheiten | Jahr Album | Herstellungsland | Katalognummer | Plattenfirma | EAN-Nummer | |
---|---|---|---|---|---|---|---|---|
Blank & Jones (DEU) | ||||||||
Blank & Jones
(DEU)
Nightclubbing |
5-LP (Limited Edition) | 2001 | 012697-1GAG | Gang Go Music | 4029758269718 | |||
Blank & Jones
(DEU)
Desire - The Mixes |
Single-CD | 2002 | Gang Go Music / Edel | 4029758366851 | ||||
Blanker Wahnsinn (DEU) | ||||||||
Blanker Wahnsinn
(DEU)
Kratz Und Ruppig |
7" | 1982 | Eigenproduktion | |||||
Blend (LBN) | ||||||||
Blend
(LBN)
Act One |
CD | 2004 | 07243 597944 0 2 | EMI Music Arabia | 724359794402 | |||
Blind Faith (GBR) | ||||||||
Blind Faith
(GBR)
Blind Faith |
LP (Limited Edition, Re-Release, Remastered, 180 Gramm Vinyl) | 1969 | SVLP 104 | Simply Vinyl Ltd. | 643346010410 | |||
Blitzen Trapper (USA) | ||||||||
Blitzen Trapper
(USA)
Destroyer Of The Void |
2-LP (Gatefold) | 2010 | SP 825 | Sub Pop Records | 098787082517 | |||
Bloc Party (GBR) | ||||||||
Bloc Party
(GBR)
Silent Alarm |
CD (Remix) | 2005 | VVR1034792 | V2 Records | 5033197347929 | |||
Bloc Party
(GBR)
A Weekend In The City |
LP | 2007 | WEBB120LP | Wichita Recordings Ltd. | 5055036231206 | |||
Bloc Party
(GBR)
+
Simian Mobile Disco
(GBR)
One More Chance / Audacity Of Huge |
Split-7" (Heftbeilage)
(Split mit: Simian Mobile Disco (GBR)) |
2009 | 106906 | 152 - September 2009 | Musikexpress | ||||
Blondie (USA) | ||||||||
Blondie
(USA)
Blondie |
CD (Re-Release, Remastered) | 1976 | 72435-33596-2-1 (5335962) | Chrysalis Records, Inc. | 724353359621 | |||
Blondie
(USA)
I'm Always Touched By Your Presence Dear |
7" | 1978 | 6155 219 | Chrysalis Records | ||||
Blondie
(USA)
Union City Blue |
7" | 1979 | 6155 267 | Chrysalis Records | ||||
Blondie
(USA)
Atomic |
7" | 1980 | 6155 279 | Chrysalis Records | ||||
Blondie
(USA)
Autoamerican |
LP | 1980 | CHR 1290 | Chrysalis Records, Inc. | ||||
Blondie
(USA)
Livid |
HDCD (Live) | 1999 | 74321712542 | Beyond Music | 743217125424 | |||
Blondie
(USA)
Panic Of Girls |
CD (Heftbeilage, Cardsleeve) | 2011 | Rolling Stone 7-11 Blondie | Rolling Stone | ||||
Bloodhound Gang (USA) | ||||||||
Bloodhound Gang
(USA)
One Fierce Beer Coaster |
LP | 1996 | REP1-9603 | Republic Records | 757433960318 | |||
Bloodhound Gang
(USA)
Hooray For Boobies |
CD | 1999 | 490 455-2 | Geffen Records | 606949045524 | |||
Bloodhound Gang
(USA)
The Ballad Of Chasey Lain |
Single-CD (Multimedia) | 2000 | 497 255-2 | Geffen Records, Inc. | 606949725525 | |||
Luka Bloom (IRL) | ||||||||
Luka Bloom
(IRL)
Rescue Mission |
7" | 1990 | 543919790-7 | WEA Musik GmbH | 054391979070 | |||
Luka Bloom
(IRL)
I Need Love |
Single-CD | 1992 | 9362-40349-2 | Reprise Records / Time Warner Company | 093624034926 | |||
Luka Bloom
(IRL)
I Believe In You |
Single-CD | 1992 | 9362-40464-2 | Reprise Records / Time Warner Company | ||||
Luka Bloom
(IRL)
Keeper Of The Flame |
CD (Digipak) | 2000 | SKP 9011-2 | Skip Records | 4037688901127 | |||
Luka Bloom
(IRL)
Between The Mountain And The Moon |
CD (Digipak) | 2001 | SKP 9020-2 | Skip Records GmbH | 4037688902025 | |||
Luka Bloom
(IRL)
Between The Mountain And The Moon |
LP (Limited Edition) | 2001 | SKL 9020-1 | Skip Records GmbH | 4037688902018 | |||
Luka Bloom
(IRL)
Amsterdam |
2-LP (Limited Edition, Live) | 2003 | SKL 9035-1 | Skip Records GmbH | 4037688903510 | |||
The Blow Monkeys (GBR) | ||||||||
The Blow Monkeys
(GBR)
This Is Your Life |
7" | 1989 | PB 42695 | BMG Records (UK) Ltd. | 5012394269579 | |||
Blue In Heaven (IRL) | ||||||||
Blue In Heaven
(IRL)
Rock'n'Roll R.I.P. |
12" | 1988 | Rock 1 | Solid Records | ||||
The Blue Van (DNK) | ||||||||
The Blue Van
(DNK)
The Art Of Rolling |
CD | 2005 | TV-2710-9 | TVT Records | 016581271098 | |||
The Blues Band (GBR) | ||||||||
The Blues Band
(GBR)
Bye Bye Blues/ XXX |
LP (Live) | 1983 | 205 256-270 | Arista Records Ltd. | ||||
The Blues Band
(GBR)
Homage |
CD | 1993 | ESSCD 202 | Castle Communications PLC | 5017615820225 | |||
The Blues Brothers (USA) | ||||||||
The Blues Brothers
(USA)
Blues Brothers And Friends - Live From Chicago's House Of Blues |
CD (Live) | 1997 | 0099172WHE | House Of Blues Records | 4009880991725 | |||
Colin Blunstone (GBR) | ||||||||
Colin Blunstone
(GBR)
Say You Don't Mind |
CD | 2000 | ARMCD029 | Armoury Records | 5036369702922 | |||
James Blunt (GBR) | ||||||||
James Blunt
(GBR)
Back To Bedlam |
CD | 2005 | 7567-93451-2 | Atlantic Recording Corporation | 075679345127 | |||
Blur (GBR) | ||||||||
Blur
(GBR)
Leisure |
CD | 1991 | CDP 7975062/FOODCD 6 | Food / Parlophone | 077779750627 | |||
Blur
(GBR)
Modern Life Is Rubbish |
CD | 1993 | 0777 7 89442 2 5 | Food Ltd. | 077778944225 | |||
Blur
(GBR)
The Great Escape |
CD | 1995 | 7243 8 35235 2 8 (FOODCD 14) | Food Ltd. | 724383523528 | |||
Blur
(GBR)
Charmless Man |
Single-CD | 1996 | 7243 8827092 2 | Food / Parlophone | 724388270922 | |||
Blur
(GBR)
Stereotypes |
Single-CD | 1996 | 8828872 | Parlophone | 724388288729 | |||
Blur
(GBR)
Think Tank |
2-LP (180 Gramm Vinyl) | 2003 | EMI | 724358299717 | ||||
Phillip Boa And The Voodooclub (DEU) | ||||||||
Phillip Boa And The Voodooclub
(DEU)
Copperfield |
LP + 12" (Limited Edition, Gatefold) | 1988 | 835 237-1 | Polydor / Deutsche Grammophon Gesellschaft mbH | 042283523715 | |||
Phillip Boa And The Voodooclub
(DEU)
Hair |
LP + 12" (Limited Edition, Gatefold) | 1989 | 837 852-1 | Polydor GmbH | 042283785212 | |||
Phillip Boa And The Voodooclub
(DEU)
Container Love |
Single-CD (Re-Release) | 1989 | 871 449-2 | Constrictor / Neue Welt / Polydor | 042287144923 | |||
Phillip Boa And The Voodooclub
(DEU)
Hispañola |
2-LP (Limited Edition, Pappschuber, Special Edition) | 1990 | 841 877-1 | Polydor GmbH | 042284187718 | |||
Phillip Boa And The Voodooclub
(DEU)
Hispañola |
CD | 1990 | CD 841 877-2 | Polydor GmbH | 042284187725 | |||
Phillip Boa And The Voodooclub
(DEU)
Hispañola |
LP | 1990 | 841877-1 | Polydor | ||||
Phillip Boa And The Voodooclub
(DEU)
My Private War |
CD (Pappschuber, Kopierschutz) | 2000 | 74321 70257 2 | BMG Ariola Hamburg GmbH | 743217025724 | |||
Phillip Boa And The Voodooclub
(DEU)
Rome In The Rain [Radio-Mix] |
Single-CD | 2000 | 74321 76968 2 | BMG Ariola Hamburg GmbH | 743217696825 | |||
Phillip Boa And The Voodooclub
(DEU)
The Red |
CD | 2001 | 74321 79763 2 RCA victor | BMG Ariola Hamburg GmbH | 743217976323 | |||
Bob Pfeifer (XXX) | ||||||||
Bob Pfeifer
(XXX)
After Words |
LP | 1987 | PB 6057 | Passport Records Inc. | 084317801413 | |||
BoDeans (USA) | ||||||||
BoDeans
(USA)
Dreams |
12" | 1988 | 886 286-1 | Metronome Musik GmbH | 042288628613 | |||
Marc Bolan & T. Rex (GBR) | ||||||||
Marc Bolan & T. Rex
(GBR)
Zinc Alloy And The Hidden Riders Of Tomorrow |
CD (Re-Release, Remastered) | 1974 | edcd 392 | Edsel Records | 740155139223 | |||
Marc Bolan & T. Rex
(GBR)
Cosmic Dancer |
CD (Best-Of, Remastered) | 1991 | 9031-75196-2 ZP | EastWest Records GmbH | 090317519623 | |||
Marc Bolan & T. Rex
(GBR)
Stars & Cars In The Ballroom Of Mars |
CD (Compilation, Remastered) | 1997 | feld 3 | Edsel Records | ||||
Bolle Boyz (XXX) | ||||||||
Bolle Boyz
(XXX)
Dirty Visions |
12" | 1988 | Unbekannt | |||||
A. A. Bondy (USA) | ||||||||
A. A. Bondy
(USA)
Believers |
Promo-CD (Cardsleeve) | 2012 | FPTS001 | Fat Possum Records | ||||
The Books (USA) | ||||||||
The Books
(USA)
The Lemon Of Pink |
Promo-CD | 2003 | tom 32 | Tomlab | 4260004020497 | |||
The Boomers (CAN) | ||||||||
The Boomers
(CAN)
25 Thousand Days |
CD | 1996 | edel 0083532eve | Edel Gesellschaft für Produktmarketing mbH | 4009880835326 | |||
The Boomers
(CAN)
Saving Face |
Single-CD | 1996 | 0083545EVE | Edel Gesellschaft für Produktmarketing mbH | 4009880835456 | |||
The Boomers
(CAN)
I Feel A Change Coming |
Single-CD | 1996 | 0083555EVE | Edel Gesellschaft für Produktmarketing mbH | 4009880835555 | |||
The Boomtown Rats (IRL) | ||||||||
The Boomtown Rats
(IRL)
I Don't Like Mondays |
7" | 1979 | 6008 550 | Mercury | ||||
The Boomtown Rats
(IRL)
Someone's Looking At You |
7" | 1980 | ENY 34 | 6008 555 | Ensign | ||||
The Boomtown Rats
(IRL)
Banana Republic |
7" | 1980 | 6059 367 | Mercury | ||||
The Boomtown Rats
(IRL)
Mondo Bongo |
LP | 1980 | 6359 042 | Phonogram Ltd. | ||||
The Boomtown Rats
(IRL)
Up All Night |
7" | 1981 | 6059 433 | Mercury Records | ||||
The Boomtown Rats
(IRL)
Dave |
7" | 1984 | 880 386-7 Q | Phonogram GmbH | 045588038672 | |||
The Boomtown Rats
(IRL)
Drag Me Down |
7" | 1984 | 822 081-7 | Mercury | ||||
The Boomtown Rats
(IRL)
Best Of |
CD (Best-Of) | 2003 | EAGCD202 | Eagle Records | 5034504120228 | |||
Matt Boroff (AUT) | ||||||||
Matt Boroff
(AUT)
Ticket To Nowhere |
CD (Digipak) | 2006 | 0102/103 | Musikvertrieb AG | 9120010650734 | |||
Bounty Killer (JAM) | ||||||||
Bounty Killer
(JAM)
It's A Party |
10" | 0 | oo66200BLA | Black Tools | ||||
Bounty Killer
(JAM)
It's A Party |
12" | 1998 | 0066130 BLA | Blunt Recordings | 4009880661307 | |||
Bounty Killer
(JAM)
Next Millennium |
CD | 1998 | 006601-2 BLA | Edel Records | 4009880660126 | |||
Bounty Killer
(JAM)
It's A Party |
Promo-12" | 1998 | Blunt Recordings | |||||
David Bowie (GBR) | ||||||||
David Bowie
(GBR)
Aladdin Sane |
LP (Re-Release) | 1973 | NL 83890 | RCA / International | 0035628389015 | |||
David Bowie
(GBR)
Station To Station |
3-CD (Box, Re-Release, Special Edition, Cardsleeve, Digisleeve) | 1976 | BOWSTSX2010 | EMI Records Ltd. | 5099964758329 | |||
David Bowie
(GBR)
ChangesOneBowie |
LP (Compilation) | 1976 | APL1-1732 | RCA Ltd. | ||||
David Bowie
(GBR)
Stage |
2-LP (Live, Gatefold) | 1978 | PL 02913 | RCA Schallplatten GmbH | ||||
David Bowie
(GBR)
Scary Monsters |
LP | 1980 | PL13647 | RCA Corporation | ||||
David Bowie
(GBR)
Superstar |
LP (Compilation, Gatefold) | 1982 | SU-1027 | Armando Curcio Editore | ||||
David Bowie
(GBR)
China Girl |
7" | 1983 | 1A 006-1866877 | EMI America Records | ||||
David Bowie
(GBR)
Let's Dance |
LP | 1983 | 1C 064-400 165 | EMI America | ||||
David Bowie
(GBR)
Tonight |
CD | 1984 | CDP 7 46047 2 | EMI America | ||||
David Bowie
(GBR)
Absolute Beginners |
7" | 1986 | 107 937-100 | Virgin Records Ltd. | ||||
David Bowie
(GBR)
Real Cool World |
Single-CD | 1992 | 9362-40575-2 / WO 127 CD | Warner Bros. Records Inc. / WEA International Inc. | 093624057529 | |||
David Bowie
(GBR)
I Dig Everything: The 1966 Pye Singles |
10" (Compilation) | 2000 | ESM 10765 | Castle Music Ltd. | 5017615876512 | |||
David Bowie
(GBR)
Bowie At The Beeb: The Best Of The BBC Sessions 68-72 |
3-CD (Limited Edition, Live, Pappschuber, Remastered) | 2000 | 7243 5 28958 2 3 | EMI Records Ltd. | 724352895823 | |||
David Bowie
(GBR)
Heathen |
LP | 2002 | COL 5082221 | Iso / Columbia | 5099750822210 | |||
David Bowie
(GBR)
Live USA |
CD (Bootleg, Live, Re-Release) | 1977 | Imt 900.028 | Imtrat GmbH | ||||
boysetsfire (USA) | ||||||||
boysetsfire
(USA)
After The Eulogy |
LP (Rotes Vinyl) | 2000 | VR 119 | Victory Records | 746105011915 | |||
Paul Brady (GBR) | ||||||||
Paul Brady
(GBR)
Crazy Dreams |
Single-CD | 1987 | 864 621-2 | Fontana | 042286462127 | |||
Billy Bragg (GBR) | ||||||||
Billy Bragg
(GBR)
Life's A Riot With Spy Vs Spy |
LP (Re-Release) | 1983 | DM 206 443 | Go! Discs / Utility Records | ||||
Billy Bragg
(GBR)
Brewing Up With Billy Bragg |
LP | 1984 | 206 691 | Chrysalis Records Ltd. | ||||
Billy Bragg
(GBR)
Between The Wars |
7" | 1985 | AGOEP 1 | Chrysalis Records Ltd. | ||||
Billy Bragg
(GBR)
Greetings To The New Brunette |
7" | 1986 | GOD 15 | Go! Discs Ltd. | ||||
Billy Bragg
(GBR)
Levi Stubbs' Tears |
7" | 1986 | GOD 12 | Chrysalis Records Ltd. | 5013136299878 | |||
Billy Bragg
(GBR)
Talking With The Taxman About Poetry |
LP (Weißes Vinyl) | 1986 | LILP 4.00237 | Line Records | ||||
Billy Bragg
(GBR)
The Peel Sessions |
12" (Live) | 1987 | SFPS027 | Strange Fruit Records / BBC | ||||
Billy Bragg
(GBR)
Back To Basics |
CD (Re-Release) | 1987 | COOKCD 060 | Cooking Vinyl | 016578106025 | |||
Billy Bragg
(GBR)
Workers Playtime |
LP (Weißes Vinyl) | 1988 | LILP 4.00663 J | Line Music GmbH | ||||
Billy Bragg
(GBR)
Sexuality |
7" | 1991 | 869 436-7 | Metronome Musik GmbH | 042286943671 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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