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Cover | Titel | Typ / Besonderheiten | Jahr Album | Herstellungsland | Katalognummer | Plattenfirma | EAN-Nummer | |
---|---|---|---|---|---|---|---|---|
Element Of Crime (DEU) | ||||||||
Element Of Crime
(DEU)
Nervous And Blue |
7" | 1987 | 887049-7 | Deutsche Grammophon Gesellschaft mbH | 042288704973 | |||
Element Of Crime
(DEU)
Damals Hinterm Mond |
CD (Re-Release) | 1991 | 849 455-2 | Polydor GmbH | 042284945523 | |||
Element Of Crime
(DEU)
Mittelpunkt Der Welt |
CD | 2005 | 6024 9873848 1 | Universal | 0602498738481 | |||
Element Of Crime
(DEU)
Lieblingsfarben Und Tiere |
CD | 2014 | 0602537896745 | Vertigo/Capitol / Universal Music GmbH | 0602537896745 | |||
Elevator Suite (GBR) | ||||||||
Elevator Suite
(GBR)
Barefoot & Shitfaced |
CD | 2000 | 87 | PIAS Recordings | 5026854008721 | |||
Jade Ell (SWE) | ||||||||
Jade Ell
(SWE)
Got To Let You Go |
Single-CD | 1998 | 0038915ERE | Edel Records | 4009880389157 | |||
Jade Ell
(SWE)
Promises And Prayers |
CD | 2000 | 0039322ERE | Edel Records | 4009880393222 | |||
Elliot (XXX) | ||||||||
Elliot
(XXX)
Satellite Of Love |
Single-CD | 2003 | 0143806AXR | Edel Records Finland | 4029758438060 | |||
Elliot
(XXX)
Mobile Girl |
Single-CD | 2003 | 0147156AXR | Edel Records Finland | 4029758471562 | |||
Carol Elliott (USA) | ||||||||
Carol Elliott
(USA)
The People I Meet |
CD (Digipak) | 1996 | TX 3009-2 TA | Taxim Records | 041101300927 | |||
Elton Motello (GBR) | ||||||||
Elton Motello
(GBR)
Victim Of Time |
LP | 1978 | 6.23650 AO | Pinball Records | ||||
Elton Motello
(GBR)
I Am The Marshal |
7" | 1979 | 6.12415 | Pinball / TELDEC | ||||
Elton Motello
(GBR)
Jet Boy Jet Girl |
7" | 1980 | SAM 127 | Edge / Warner | ||||
Elton Motello
(GBR)
Pop Art |
LP | 1980 | 508623 | Vogue | ||||
Elton Motello
(GBR)
Pop Art |
LP | 1980 | HOG 1 | Edge Rkm / Warner | ||||
Joe Ely (USA) | ||||||||
Joe Ely
(USA)
Letter To Laredo |
CD | 1995 | TRA CD 222 | Transatlantic | 5026389922226 | |||
Embrace (GBR) | ||||||||
Embrace
(GBR)
If You've Never Been |
LP (Gatefold) | 2001 | HUTLP68 | Hut Recordings / Virgin Records Ltd. | 724381097311 | |||
Emerson, Lake & Palmer (GBR) | ||||||||
Emerson, Lake & Palmer
(GBR)
Pictures At An Exhibition |
CD (Live, Re-Release, Remastered) | 1971 | ESM CD 342 | GAS 0000342ESM ACO | Leadclass Ltd. / Castle Communications PLC | 5017615834222 | |||
Emerson, Lake & Palmer
(GBR)
The Return Of The Manticore |
4-CD (Compilation, Longbox) | 1993 | r2 72234 | Rhino | 081227223427 | |||
EMF (GBR) | ||||||||
EMF
(GBR)
The Best Of Epsom Mad Funkers |
2-CD (Best-Of, Compilation) | 2001 | 5335432 | EMI Recordings Limited | 724353354329 | |||
Emil Bulls (DEU) | ||||||||
Emil Bulls
(DEU)
Angel Delivery Service |
CD (Re-Release) | 2001 | 586 584-2 | Island Records | 731458658429 | |||
Emil Bulls
(DEU)
The Life Acoustic |
CD (Digipak) | 2007 | OMS 330004 | Oh My Sweet Records | 4042564019773 | |||
Eminem (USA) | ||||||||
Eminem
(USA)
The Eminem Show |
2-LP (Gatefold) | 2002 | 493 290-1 | Aftermath Records | 606949329013 | |||
Englandneworder (GBR) | ||||||||
Englandneworder
(GBR)
World In Motion... |
12" (Remix, Special Edition) | 1990 | FAC293R | Factory Communications Ltd. | 5016839132930 | |||
Englandneworder
(GBR)
World In Motion... |
3"-CD (Cardsleeve) | 1990 | RTDCD076 | Rough Trade | 5016839702935 | |||
Erann (DNK) | ||||||||
Erann
(DNK)
Erann |
CD | 2001 | Edel | 4029758173121 | ||||
Erasure (GBR) | ||||||||
Erasure
(GBR)
Who Needs Love Like That |
12" | 1985 | INT 126.833 (12Mute40) | Intercord / Mute Records | ||||
Erasure
(GBR)
It Doesn't Have To Be |
7" | 1987 | 7 MUTE 56 | Mute | ||||
Erasure
(GBR)
The Innocents |
LP | 1988 | INT 146.836 (STUMM 55) | Mute Records | 4006751468362 | |||
Erasure
(GBR)
In My Arms |
Single-CD | 1997 | INT 829.100 (CDMute 190) | Mute Records Ltd. | 724388358125 | |||
Erasure
(GBR)
Don't Say Your Love Is Killing Me |
Single-CD | 1997 | CD Mute 195 | Mute Records Ltd. | 724388373425 | |||
Erdmöbel (DEU) | ||||||||
Erdmöbel
(DEU)
Krokus |
CD (Digipak) | 2010 | 0205659CTT | Edel Germany GmbH | 4029759056591 | |||
Erk (DEU) | ||||||||
Erk
(DEU)
Overqualified |
7" | 2008 | Treat Records | |||||
Erste Allgemeine Verunsicherung (AUT) | ||||||||
Erste Allgemeine Verunsicherung
(AUT)
Café Passé |
LP (Re-Release) | 1981 | 28 622 | Mood Records | ||||
The Escape Club (GBR) | ||||||||
The Escape Club
(GBR)
White Fields |
LP | 1986 | 1C 064 24 054311 | EMI Records Ltd. | 5099924054317 | |||
The Escape Club
(GBR)
Shake For The Sheik |
12" | 1988 | 257709-0 | TELDEC Record Service GmbH | ||||
Eskobar (SWE) | ||||||||
Eskobar
(SWE)
There's Only Now |
LP | 2001 | VVR1017571 | V2 Music Scandinavia AB | 5033197175713 | |||
Espers (USA) | ||||||||
Espers
(USA)
Espers |
LP | 2004 | WEBB084LP | Wichita Recordings | 5055036230841 | |||
Ethyline (USA) | ||||||||
Ethyline
(USA)
Jitters |
CD | 1996 | 0086842CTR | Wild West Records/Fluid Recordings | 4009880868423 | |||
Eurythmics (GBR) | ||||||||
Eurythmics
(GBR)
Touch |
LP | 1983 | PL70109 | RCA Records | 0035627010910 | |||
Eurythmics
(GBR)
1984 (For The Love Of Big Brother) |
LP | 1984 | ABLI-5349 | RCA | 07863553491 | |||
Eurythmics
(GBR)
Would I Lie To You? |
7" | 1985 | 40101 | RCA | 5012394010171 | |||
Eurythmics
(GBR)
There Must Be An Angel (Playing With My Heart) |
7" | 1985 | PB 40247-AC | RCA Schallplatten GmbH | 5012394024772 | |||
Eurythmics
(GBR)
Be Yourself Tonight |
CD (Re-Release) | 1985 | ND74602 | BMG Records (UK) Ltd. | 0035627460227 | |||
Eurythmics
(GBR)
Be Yourself Tonight |
Promo-LP (Re-Release, 180 Gramm Vinyl) | 1985 | SVLP 075 | Simply Vinyl Ltd. | ||||
Eurythmics
(GBR)
Missionary Man |
7" | 1986 | DA 10 | RCA | ||||
Eurythmics
(GBR)
Missionary Man |
7" | 1986 | DA 10 | RCA | ||||
Eurythmics
(GBR)
Revenge |
CD (Re-Release) | 1986 | 74321 12529 2 | RCA / Ariola Ltd. | 743211252928 | |||
Eurythmics
(GBR)
Beethoven |
7" | 1987 | PB41571 | RCA | 5012394157173 | |||
Eurythmics
(GBR)
17 Again |
Single-CD (Multimedia) | 1999 | 74321 726252 | BMG Entertainment International UK & Ireland | 743217262525 | |||
Eurythmics
(GBR)
Live USA |
CD (Bootleg, Live) | 1985 | imt 900.066 | Imtrat GmbH | 4003593004987 | |||
Everlast (USA) | ||||||||
Everlast
(USA)
Whitey Ford Sings The Blues |
CD | 1999 | TBCD1236 | Tommy Boy Music | 5029831123639 | |||
Everlast
(USA)
Eat At Whitey's |
CD | 2000 | TBCD 1411 | Tommy Boy Music | 5029831141138 | |||
The Everly Brothers (USA) | ||||||||
The Everly Brothers
(USA)
The Very Best Of |
CD (Compilation) | 0 | cd99020 | World Star Collection | ||||
Everything But The Girl (GBR) | ||||||||
Everything But The Girl
(GBR)
Covers E.P. |
Mini-CD / EP | 1992 | 9031-76412-2 | Warner Music UK Ltd. | 090317641225 | |||
The Expelled (GBR) | ||||||||
The Expelled
(GBR)
No Life No Future EP |
7" | 1982 | RIOT 8 | Riot City Records | ||||
Exploding White Mice (AUS) | ||||||||
Exploding White Mice
(AUS)
Brute Force And Ignorance |
LP (Limited Edition, Special Edition, Weißes Vinyl) | 1988 | L-38912 | Greasy Record Company, The | ||||
The Exploited (GBR) | ||||||||
The Exploited
(GBR)
The Singles |
CD (Compilation) | 1999 | Eagle Records | 5034504109421 | ||||
Extrabreit (DEU) | ||||||||
Extrabreit
(DEU)
Ihre Grössten Erfolge |
LP | 1980 | 0060.348 | Reflektor Z | ||||
Extrabreit
(DEU)
Welch Ein Land! - Was Für Männer |
LP | 1981 | 0060.431 | Reflektor Z | ||||
Ezio (GBR) | ||||||||
Ezio
(GBR)
Higher |
CD | 2000 | SPV 085-29842 CD | SPV Records | 4001617298428 | |||
Ezio
(GBR)
The Making Of Mr. Spoons |
CD | 2003 | EAGCD253 | Eagle Rock | 5034504125322 | |||
The Fabulous Thunderbirds (USA) | ||||||||
The Fabulous Thunderbirds
(USA)
Tuff Enuff |
12" | 1986 | TA 6967 | CBS Inc. / Epic | ||||
The Fabulous Thunderbirds
(USA)
Tuff Enuff |
7" | 1986 | A 6967 | Epic | ||||
Faces (GBR) | ||||||||
Faces
(GBR)
A Nod Is As Good As A Wink… To A Blind Horse |
CD (Re-Release) | 1971 | 7599-25929-2 | Warner Bros. Records Inc. | 075992592925 | |||
Faces
(GBR)
Five Guys Walk Into A Bar... |
4-CD (Longbox) | 2004 | 8122-78233-2 | Warner Bros. Records Inc. / Rhino Entertainment | 081227823320 | |||
Fairground Attraction (GBR) | ||||||||
Fairground Attraction
(GBR)
Find My Love |
12" | 1988 | PT42080 | RCA | 5012394208066 | |||
Fairground Attraction
(GBR)
Clare |
7" | 1988 | PB 426097 | RCA | 5012394260774 | |||
Fairground Attraction
(GBR)
The First Of A Million Kisses |
CD | 1988 | PD 71696 | BMG Records (UK) Ltd. | 0035627169625 | |||
Faith No More (USA) | ||||||||
Faith No More
(USA)
The Real Thing |
CD | 1989 | 3984 28204 2 | Slash Records | 639842820424 | |||
Marianne Faithfull (GBR) | ||||||||
Marianne Faithfull
(GBR)
Faithfull - A Collection Of Her Best Recordings |
CD (Best-Of, Compilation) | 1994 | CID 8023 | Island Records Ltd. | 731452400420 | |||
The Fall (GBR) | ||||||||
The Fall
(GBR)
Grotesque (After The Gramme) |
CD (Re-Release) | 1980 | ESMCD 640 | Castle Communications PLC | 5017615864021 | |||
The Fall
(GBR)
The Wonderful And Frightening World Of The Fall |
CD (Re-Release) | 1984 | BBL 58 CD | Beggars Banquet Records Ltd. | 607618005825 | |||
The Fall
(GBR)
Hip Priest And Kamerads |
CD (Compilation, Re-Release) | 1985 | BBL 13 CD | Kamera Records | 607618001322 | |||
The Fall
(GBR)
This Nation's Saving Grace |
CD (Re-Release) | 1985 | BBL 67 CD | Beggars Banquet Records Ltd. | 607618006723 | |||
The Fall
(GBR)
Bend Sinister |
CD (Re-Release) | 1986 | BBL 75 CD | Beggars Banquet | 607618007522 | |||
The Fall
(GBR)
The Peel Sessions |
12" (Live) | 1987 | SFP028 | Strange Fruit Records | ||||
The Fall
(GBR)
I Am Kurious Oranj |
CD | 1988 | BBL 96 CD | Beggars Banquet | 607618009625 | |||
The Fall
(GBR)
The Frenz Experiment |
LP + 7" (Limited Edition) | 1988 | BEGA 91 | Beggars Banquet Records | 5012093009117 | |||
The Fall
(GBR)
Seminal Live |
CD (Live) | 1989 | BBL 102 CD | Beggars Banquet | 607618010225 | |||
The Fall
(GBR)
458489 B Sides |
2-CD (Compilation) | 1991 | 92474-2 | Beggars Banquet | 075679247421 | |||
The Fall
(GBR)
Psykick Dance Hall |
3-CD (Best-Of, Compilation) | 2000 | EEECD010 | Eagle Records | 5036369301026 | |||
The Fall
(GBR)
The Unutterable |
CD | 2000 | EAGCD164 | Eagle Records | 5034504116429 | |||
The Fall
(GBR)
Fall Heads Roll |
LP | 2005 | SLOLP003 | Slogan | 5050749700315 | |||
Die Fantastischen Vier (DEU) | ||||||||
Die Fantastischen Vier
(DEU)
4:99 |
CD (Multimedia) | 1999 | COL 494238 6 | Sony Music Entertainment (Germany) GmbH | 5099749423862 | |||
Die Fantastischen Vier
(DEU)
MfG |
Promo-Single-CD (Cardsleeve) | 1999 | COL 667039-1 | Columbia | ||||
The Farm (GBR) | ||||||||
The Farm
(GBR)
Spartacus |
CD | 1991 | ESM CD 580 | Castle Communications PLC | 5017615858020 | |||
Fastbacks (USA) | ||||||||
Fastbacks
(USA)
Zücker |
LP | 1993 | SP 64/231 | Sub Pop | 0718750823113 | |||
Fastball (USA) | ||||||||
Fastball
(USA)
All The Pain Money Can Buy |
CD | 1998 | 0100952HWR | Edel Records GmbH | 4029758009529 | |||
Fastball
(USA)
The Harsh Light Of Day |
CD | 2000 | 0112562HWR | Hollywood Records | 4029758125625 | |||
Fastball
(USA)
You're An Ocean |
Single-CD (Cardsleeve) | 2000 | 0114286HWR | Edel Records GmbH | 4029758142868 | |||
Fatboy (SWE) | ||||||||
Fatboy
(SWE)
In My Bones |
CD (Multimedia) | 2008 | FAM015 | Family Tree Music AB | 7350019915141 | |||
Fatboy
(SWE)
Stelhearted |
CD | 2008 | FAM0014 | Family Tree Music AB | 7350019915134 | |||
Fatboy
(SWE)
Overdrive |
CD | 2010 | FAM013 | Family Tree Music AB | 7350019915127 | |||
Fatboy
(SWE)
Overdrive |
LP | 2010 | FAM016 | Family Tree Music AB | 7350019915158 | |||
Fatboy
(SWE)
Love Creole |
CD | 2013 | Razzia 221 | Razzia/Family Tree Music | 7350019917497 | |||
Fatboy
(SWE)
Love Creole |
Promo-CD (Plastic PVC Sleeve) | 2013 | Family Tree Music AB | |||||
The Fatima Mansions (IRL) | ||||||||
The Fatima Mansions
(IRL)
You're A Rose |
12" | 1991 | SKX 53 | Radioactive | 5011781152463 | |||
Feeder (GBR) | ||||||||
Feeder
(GBR)
Yesterday Went Too Soon |
CD | 1999 | RR 8609-2 | Roadrunner Records | 016861860929 | |||
Feeder
(GBR)
Yesterday Went Too Soon |
Single-CD | 1999 | RR 2149-3 | Roadrunner Records | 016861214937 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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