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Cover | Titel | Typ / Besonderheiten | Jahr Album | Herstellungsland | Katalognummer | Plattenfirma | EAN-Nummer | |
---|---|---|---|---|---|---|---|---|
Die Crackers (DEU) | ||||||||
Die Crackers
(DEU)
BRDigung |
LP | 1981 | 0069.101 (Ahorn 1023) | Ahorn / Gorilla Musik-Verlag GmbH | ||||
Sara Craig (CAN) | ||||||||
Sara Craig
(CAN)
Miss Rocket |
CD | 1997 | 0072192ATT | Edel Records | 4009880721926 | |||
Sara Craig
(CAN)
Miss Rocket |
Promo-Single-CD | 1997 | 0072192ATT | Edel Gesellschaft für Produktmarketing mbH | ||||
The Cramps (USA) | ||||||||
The Cramps
(USA)
Smell Of Female |
12" (Live) | 1983 | NED 6 | headcheese music | ||||
The Cramps
(USA)
Smell Of Female |
LP (Live, Re-Release, Remastered, Special Edition, Clear Vinyl, Gelbes Vinyl) | 1983 | Vengeance 670 | Vengeance Records | 800648067010 | |||
The Cramps
(USA)
Get Off The Road |
12" | 1986 | MOP 2002 | Planet Records | ||||
The Cramps
(USA)
Kizmiaz |
12" (Limited Edition, Blaues Vinyl) | 1986 | NEW 70 | New Rose Records | ||||
The Cramps
(USA)
A Date With Elvis |
LP (Limited Edition, Re-Release, Violettes Vinyl) | 1986 | 671 | Vengeance Records | 800648067119 | |||
The Cramps
(USA)
Stay Sick! |
LP (Limited Edition, Re-Release, Blaues Vinyl) | 1989 | 672 | Vengeance Records | 800648067218 | |||
The Cramps
(USA)
Big Beat From Badsville |
CD (Re-Release) | 1997 | CDWIKD 210 | Vengeance Records | 029667421027 | |||
Cranebuilders (GBR) | ||||||||
Cranebuilders
(GBR)
Sometimes You Hear Through Someone Else. |
Promo-CD | 2004 | skinny dog 10 | Skinny Dog Records Ltd. | 5021449032327 | |||
Crash Test Dude (XXX) | ||||||||
Crash Test Dude
(XXX)
Brad Roberts Live Sinigng Your Favourite Hits |
2-Promo-CD (Live) | 2000 | 80291-16800-2 | Cha-Ching Records | ||||
Crash Test Dummies (CAN) | ||||||||
Crash Test Dummies
(CAN)
I Don't Care That You Don't Mind |
CD | 2001 | Cha-Ching Records | 802911680124 | ||||
Crash Test Dummies
(CAN)
Live U.S.A. |
CD (Bootleg, Live) | 1994 | LSD CD 152.102 | LSD Records | 9002986521020 | |||
Crass (GBR) | ||||||||
Crass
(GBR)
Yes Sir, I Will |
LP | 0 | 121984-2 | Crass Records | ||||
Robert Cray (USA) | ||||||||
Robert Cray
(USA)
Consequences |
Promo-7" | 1986 | 878 816-7 | PolyGram Records, Inc. | 042287881675 | |||
Robert Cray
(USA)
The Forecast (Calls For Pain) |
7" | 1990 | 878118-7 | PolyGram Records, Inc. | 042287811870 | |||
The Robert Cray Band (USA) | ||||||||
The Robert Cray Band
(USA)
Who's Been Talkin' |
CD | 1980 | 2696012 | Tomato | ||||
The Robert Cray Band
(USA)
Smoking Gun |
7" | 1986 | 888171-7 | PolyGram Records, Inc. | 042288817178 | |||
Cream (GBR) | ||||||||
Cream
(GBR)
Disraeli Gears |
Promo-LP (Re-Release, Whitelabel) | 1967 | SVLP 087 | Simply Vinyl | ||||
Credit To The Nation (GBR) | ||||||||
Credit To The Nation
(GBR)
Tacky Love Song |
Single-CD | 1998 | 0080015LHM | Laughing Horse Music | 4009880800157 | |||
The Creepers (GBR) | ||||||||
The Creepers
(GBR)
Brute |
12" | 1986 | RED T 79 | Red Rhino Records | ||||
The Creepers
(GBR)
Miserable Sinners |
LP | 1986 | CON! 00014 | Constrictor | ||||
David Crosby (USA) | ||||||||
David Crosby
(USA)
King Biscuit Flower Hour Presents |
CD (Live) | 1996 | 70710-88007-2 | King Biscuit Flower Hour Records Inc. | 707108800722 | |||
Crosby, Stills, Nash & Young (USA) | ||||||||
Crosby, Stills, Nash & Young
(USA)
Looking Forward |
CD | 1999 | 9362-47436-2 | Reprise Records | 093624743620 | |||
Christina Cross (XXX) | ||||||||
Christina Cross
(XXX)
Cross |
CD | 2002 | 0130562ERE | Edel Records | 4029758305621 | |||
Sheryl Crow (USA) | ||||||||
Sheryl Crow
(USA)
Sweet Child O' Mine |
Single-CD (Cardsleeve) | 1999 | COL 667776 1 | Columbia / Sony Music Entertainment Inc. | 5099766777610 | |||
Crowded House (AUS) | ||||||||
Crowded House
(AUS)
World Where You Live |
7" | 1986 | 2013567 | Capitol Records / EMI | 5099920135676 | |||
Crowded House
(AUS)
Woodface |
CD | 1991 | CDP 7935592 | Capitol Records | 077779355921 | |||
Crowded House
(AUS)
Live In L.A. |
CD (Bootleg, Live) | 1994 | SA 24.013 | Perfect Beat | 4013268240138 | |||
Cruachan (IRL) | ||||||||
Cruachan
(IRL)
Ride On |
Single-CD | 2001 | HHR079 | Hammerheart Records | 8715392007927 | |||
Crystal Fighters (ESP) | ||||||||
Crystal Fighters
(ESP)
Star Of Love |
CD (Digipak) | 2010 | 451.A230.022 - DIFB 230 CDX | Zirkulo | 5413356583045 | |||
The Cult (GBR) | ||||||||
The Cult
(GBR)
Best Of Rare Cult |
CD (Best-Of) | 2000 | BBL 2029 CD | Beggars Banquet Records Ltd. | 607618202927 | |||
The Cult
(GBR)
Beyond Good And Evil |
CD | 2001 | 7567-83440-2 | Atlantic Recording Corporation | 075678344022 | |||
Culture Clan (XXX) | ||||||||
Culture Clan
(XXX)
Africa |
CD | 2003 | UL 002 | Upper Level Records | 4029758432365 | |||
The Cure (GBR) | ||||||||
The Cure
(GBR)
Boys Don't Cry |
12" (Re-Release, Remix) | 1979 | 883 937-1 | Fiction Records | 042288393719 | |||
The Cure
(GBR)
Boys Don't Cry |
LP (Compilation, Re-Release) | 1979 | 2442 178 | Fiction Records | ||||
The Cure
(GBR)
Charlotte Sometimes |
12" (Re-Release) | 1981 | 885 356-1 | Fiction Records | 042288535614 | |||
The Cure
(GBR)
In Between Days |
7" | 1985 | 883 270-7 ME | Metronome Musik GmbH | 04228832707 | |||
The Cure
(GBR)
Catch |
12" | 1987 | 888 688-1 | Fiction Records | 042288868811 | |||
The Cure
(GBR)
Kiss Me Kiss Me Kiss Me |
2-LP | 1987 | 832 130-1 | Fiction Records | 042283213012 | |||
The Cure
(GBR)
The Peel Sessions |
12" (Limited Edition, Live) | 1988 | SFPS050 | Strange Fruit Records | ||||
The Cure
(GBR)
Hot Hot Hot!!! |
Single-CD (Cardsleeve) | 1988 | FIXCD 28 | Fiction Records | 042288733027 | |||
The Cure
(GBR)
Lullaby |
3"-CD | 1989 | 889 254-3 | Fiction Records Ltd. | 042288925439 | |||
The Cure
(GBR)
Lullaby |
7" | 1989 | 871990-7 | Fiction Records Ltd. | 042287199077 | |||
The Cure
(GBR)
Never Enough |
Single-CD | 1990 | 877 899-2 | Fiction Records | 042287789926 | |||
The Cure
(GBR)
The 13th |
Single-CD | 1996 | 576 469-2 | Fiction Records Ltd. / Polydor Ltd. (UK) | 731457646922 | |||
The Cure
(GBR)
Cut Here |
Single-CD (Multimedia) | 2001 | FICCD 55 | Fiction Records | 731458738923 | |||
The Cure
(GBR)
Bestival Live 2011 |
2-CD (Live) | 2011 | SBESTCD50 | Sunday Best Recordings | 5050954263025 | |||
Curiosity Killed The Cat (GBR) | ||||||||
Curiosity Killed The Cat
(GBR)
Down To Earth |
12" | 1986 | 888 167-1 | Mercury / Phonogram GmbH, Hamburg | 042288816713 | |||
Tim Curry (GBR) | ||||||||
Tim Curry
(GBR)
Paradise Garage |
7" | 1980 | AMS 7655 | A&M | ||||
Cursive (USA) | ||||||||
Cursive
(USA)
Happy Hollow |
LP | 2006 | SCE 94 V | Saddle Creek Europe | 648401509410 | |||
Cuties (XXX) | ||||||||
Cuties
(XXX)
I Know What's Wrong |
Single-CD | 2001 | 0128725ERE | Edel Media & Entertainment GmbH | 4029758287255 | |||
Terence Trent D'Arby (USA) | ||||||||
Terence Trent D'Arby
(USA)
Sign Your Name |
12" | 1987 | CBS 651315 6 | CBS Records | 5099765131567 | |||
Terence Trent D'Arby
(USA)
Introducing The Hardline According To Terence Trent D'Arby |
LP | 1987 | CBS 450911 1 | CBS Records | 5099745091119 | |||
Terence Trent D'Arby
(USA)
This Side Of Love |
7" | 1989 | 655431-7 | CBS | 5099765543179 | |||
Terence Trent D'Arby
(USA)
Sananda Maitreya's Wildcard |
Promo-CD | 2001 | Sananda Records | |||||
D-A-D (DNK) | ||||||||
D-A-D
(DNK)
Special |
CD (Best-Of, Compilation) | 1989 | 0067922 MEG | Mega Records | 4009880679227 | |||
D-A-D
(DNK)
D.A.D. Draws A Circle |
CD | 1989 | 0067912 MEG | Mega Records | 4009880679128 | |||
D-A-D
(DNK)
The Early Years |
2-CD (Compilation, Digipak, Multimedia) | 2000 | MEG 0121692 | Edel | 4029758216927 | |||
Dakota Suite (GBR) | ||||||||
Dakota Suite
(GBR)
Songs For A Barbed Wire Fence |
CD | 1999 | GRCD455 | Glitterhouse Records | 4030433045527 | |||
Dakota Suite
(GBR)
Morning Lake Forever |
10" | 2000 | HPR-V034 | Houston Party Records | ||||
Dakota Suite
(GBR)
Signal Hill |
LP | 2000 | grlp492 | Glitterhouse Records | 4030433049211 | |||
Roger Daltrey (GBR) | ||||||||
Roger Daltrey
(GBR)
The Pride You Hide |
7" | 1986 | 108262 | 10 Records Ltd. | ||||
The Damned (GBR) | ||||||||
The Damned
(GBR)
Damned Damned Damned |
CD (Pappschuber, Re-Release) | 1977 | CMFCD505 | Sanctuary Records Group Ltd. | 5050159150526 | |||
The Damned
(GBR)
Machine Gun Etiquette |
LP | 1979 | 0067.068 | Chiswick Records | ||||
The Damned
(GBR)
There Ain't No Sanity Clause |
12" (Re-Release) | 1980 | NST 92 | Ace Records Ltd. | ||||
The Damned
(GBR)
The History Of The World Part 1 |
12" | 1980 | 12 CHIS 135 | Chiswick Records | ||||
The Damned
(GBR)
The Black Album |
LP (Re-Release) | 1980 | DAM 3 | Big Beat / Ace Records Ltd. | ||||
The Damned
(GBR)
Friday 13th |
7" | 1981 | TRY 1 | NEMS Records Ltd. | ||||
The Damned
(GBR)
Damned Damned Damned / Music For Pleasure |
2-LP (Gatefold, Gelbes Vinyl) | 1982 | Mail 2 | Stiff | ||||
The Damned
(GBR)
Strawberries |
LP | 1982 | 205 009-320 | Bronze Records Ltd. | ||||
The Damned
(GBR)
Live Shepperton 1980 |
LP (Live) | 1982 | 810 948-1 | Ace Records Ltd. | ||||
The Damned
(GBR)
White Rabbit |
12" | 1983 | NST 85 | Big Beat Records, Inc. | ||||
The Damned
(GBR)
Thanks For The Night |
7" | 1984 | DAMNED 1 | Damned Records | ||||
The Damned
(GBR)
New Rose |
12" (Compilation) | 1985 | BUYIT 238 | Stiff Records | ||||
The Damned
(GBR)
Is It A Dream |
12" | 1985 | 258925-0 | MCA Records Ltd. | ||||
The Damned
(GBR)
Grimly Fiendish |
7" (Gatefold) | 1985 | GRIM 1 | MCA Records Ltd. | ||||
The Damned
(GBR)
Damned But Not Forgotten |
LP (Compilation) | 1985 | DOJO LP 21 | Castle Communications PLC | 5013428020210 | |||
The Damned
(GBR)
Phantasmagoria |
LP + 12" (Re-Release, Blaues Vinyl, Schwarzes Vinyl) | 1985 | MCG 3275 | MCA Records Ltd. | 5011781327519 | |||
The Damned
(GBR)
The Peel Sessions |
12" (Live, 180 Gramm Vinyl) | 1986 | SFPS002 | Strange Fruit Records | ||||
The Damned
(GBR)
Eloise |
12" (Limited Edition, Blaues Vinyl) | 1986 | GRIMT 4 | MCA Records Ltd. | 5011781102963 | |||
The Damned
(GBR)
Gigolo |
12" (Limited Edition, Clear Vinyl) | 1986 | GRIMT 6 | MCA Records Ltd. | 5011781107968 | |||
The Damned
(GBR)
Anything |
12" | 1986 | GRIMT 5 | MCA Records Ltd. | 5011781108965 | |||
The Damned
(GBR)
Not The Captain's Birthday Party? |
LP (Live) | 1986 | VEX 7 | Demon Records Ltd. | 5014757040078 | |||
The Damned
(GBR)
Anything |
LP (Gatefold) | 1986 | MCG 6015 | MCA | 5011781601510 | |||
The Damned
(GBR)
Live |
CD (Live) | 1991 | CMA CD 124 | Castle Communications PLC | 5708574321242 | |||
The Damned
(GBR)
Marvellous |
CD (Compilation) | 1999 | CDWIKK 198 | Ace Records Ltd. / Big Beat | 029667419826 | |||
Evan Dando (USA) | ||||||||
Evan Dando
(USA)
Baby I'm Bored |
CD | 2003 | SETCD114 | Setanta Records Ltd. | 5033281611141 | |||
Evan Dando
(USA)
Baby I'm Bored |
LP (Gatefold, 180 Gramm Vinyl) | 2003 | cs 066 | Breath Of Salt Water Records | 718756021216 | |||
The Charlie Daniels Band (USA) | ||||||||
The Charlie Daniels Band
(USA)
Live! |
CD (Live) | 2001 | AUD-CD-8133 | Blue Hat Records | 684038813322 | |||
Rick Danko (CAN) | ||||||||
Rick Danko
(CAN)
Cryin' Heart Blue |
CD (Digipak) | 2007 | 255 098 | CoraZong Records | 850295001981 | |||
Danny & The Wonderbras (DEU) | ||||||||
Danny & The Wonderbras
(DEU)
Rock It! |
LP | 2013 | DMG 54.218133.3 | DMG Germany | 4260022811473 | |||
The Danse Society (GBR) | ||||||||
The Danse Society
(GBR)
Hold On (To What You've Got) |
12" | 1986 | SOC 129 | Arista Records | ||||
Dante's View (DEU) | ||||||||
Dante's View
(DEU)
Spacecore |
CD (Multimedia) | 1997 | 8800956 | High Gain Records | 4014548009568 | |||
Dapp Theory (USA) | ||||||||
Dapp Theory
(USA)
Y'all Just Don't Know |
CD | 2003 | CCD-2189-2 | Concord Records Inc. | 323431218920 | |||
Dario (XXX) | ||||||||
Dario
(XXX)
Love Is In Thee Air |
CD | 2001 | 0125192 MEG | Mega Scandinavia A/S | 4029758251928 | |||
The Darkness (GBR) | ||||||||
The Darkness
(GBR)
Permission To Land |
CD | 2003 | 5050466-7452-2-4 | Atlantic Records / Warner Music UK Ltd. | 5050466745224 | |||
Darling Buds (GBR) | ||||||||
Darling Buds
(GBR)
It's All Up To You |
12" | 1988 | 12ntv33 | Native Records | 5016556003322 | |||
Darling Buds
(GBR)
Shame On You |
12" | 1988 | 12 bud 1 | Native Records |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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