Menu
# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Herstellungsland | EAN-Nummer | Plattenfirma | Katalognummer | Label | |
---|---|---|---|---|---|---|---|---|---|---|
The Temptations (USA) | ||||||||||
8701 |
The Temptations
(USA)
All Directions |
LP | 1972 | Tamla Motown | 1C 062- 93 714 | |||||
8702 |
The Temptations
(USA)
Papa Was A Rollin' Stone |
7" | 1972 | Motown Rec. Corp. | 1 C 006-93 971 M | |||||
8703 |
The Temptations
(USA)
1990 |
LP | 1973 | Tamla Motown | STMA 8016 | |||||
8704 |
The Temptations
(USA)
Antholoy 1964-1973 |
2-LP (Gatefold) | 1973 | EMI Electrola | 1 C 188-94 936/7 | |||||
8705 |
The Temptations
(USA)
Law Of The Land |
7" | 1973 | Tamla Motown | 1C 006-94771 | |||||
8706 |
The Temptations
(USA)
Masterpiece |
7" | 1973 | Tamla Motown | 1C 006-94 223 | |||||
8707 |
The Temptations
(USA)
Masterpiece |
LP | 1973 | Tamla Motown | 1C 062-94 237 | |||||
8708 |
The Temptations
(USA)
Masterpiece |
LP | 1973 | Tamla Motown | STML 11229 | |||||
8709 |
The Temptations
(USA)
Masterpiece |
LP | 1973 | Tamla Motown | 2C 064-94237 | |||||
8710 |
The Temptations
(USA)
Plastic Man |
7" | 1973 | Tamla Motown | 006-94 507 | |||||
8711 |
The Temptations
(USA)
Glasshouse |
7" | 1975 | Tamla Motown | 5C 006-96 508 | |||||
8712 |
The Temptations
(USA)
House Party |
LP | 1975 | Tamla Motown / EMI Electrola GmbH | 1C 062-97 175 | |||||
8713 |
The Temptations
(USA)
Keep Holding On |
7" | 1975 | Tamla Motown | 1C006-97377 | |||||
8714 |
The Temptations
(USA)
Shakey Ground |
7" | 1975 | Tamla Motown | 1 c 006-96 451 | |||||
8715 |
The Temptations
(USA)
Temptations Live |
LP (Live) | 1975 | EMI Electrola | 1C 062-96 619 | |||||
8716 |
The Temptations
(USA)
Who Are You |
7" | 1976 | Motown | 1C 006-98 318 | Tamla Motown | ||||
8717 |
The Temptations
(USA)
The Temptations |
LP (Best-Of) | 1978 | VEB Deutsche Schallplatten Berlin DDR | 8 55 575 | |||||
8718 |
The Temptations
(USA)
Merry Christmas |
CD (Compilation) | 2000 | 600753224373 | Spectrum Music | Specx107 | ||||
8719 |
The Temptations
(USA)
Gold |
2-CD (Best-Of, Compilation) | 2005 | 602498632000 | Motown Records | 0602498632000 | MOTOWN | |||
8720 |
The Temptations
(USA)
The Definite Collection |
CD (Best-Of) | 2008 | 602517795785 | Motown | |||||
Ten Years After (GBR) | ||||||||||
8721 |
Ten Years After
(GBR)
Ten Years After |
LP | 1967 | Deram | SML 1015 | |||||
8722 |
Ten Years After
(GBR)
Undead |
LP (Live) | 1968 | Deram | SML 1023 | |||||
8723 |
Ten Years After
(GBR)
Ssssh. |
LP | 1969 | Decca Record Company Ltd., The | SML 1052 | |||||
8724 |
Ten Years After
(GBR)
Ssssh. |
LP (Gatefold) | 1969 | Decca Record Company Limited, London, The | SML 1052 | |||||
8725 |
Ten Years After
(GBR)
Cricklewood Green |
LP (Gatefold) | 1970 | Decca Record Company Limited, The | SML 1065 | |||||
8726 |
Ten Years After
(GBR)
Love Like A Man |
7" | 1970 | Deram | DM 300 | |||||
8727 |
Ten Years After
(GBR)
Watt |
LP (Gatefold) | 1970 | TELDEC »Telefunken-Decca« Schallplatten GmbH, Hamburg | SML 1078 | |||||
8728 |
Ten Years After
(GBR)
I'm Coming On |
7" | 1971 | Deram | DM 326 | |||||
Joe Tex (USA) | ||||||||||
8729 |
Joe Tex
(USA)
Woman Like That, Yeah |
7" (Mono) | 1967 | Atlantic | ATL 70 220 | |||||
Theatre Of Tragedy (NOR) | ||||||||||
8730 |
Theatre Of Tragedy
(NOR)
Velvet Darkness They Fear |
CD (Re-Release) | 1996 | 4028466161079 | Massacre Records | MAS CD0107 | MASSACRE RECORDS | |||
Them (GBR) | ||||||||||
8731 |
Them
(GBR)
Baby Please Don't Go |
7" | 1964 | Decca | F.12018 | |||||
8732 |
Them
(GBR)
The "Angry" Young Them |
LP (Re-Release) | 1965 | Decca | LK 4700 | |||||
8733 |
Them
(GBR)
The "Angry" Young Them |
LP | 1965 | Decca / TELDEC »Telefunken-Decca« Schallplatten GmbH | BLK 16367-P | |||||
8734 |
Them
(GBR)
Here Comes The Night |
7" | 1965 | Decca | F.12094 | |||||
8735 |
Them
(GBR)
Here Comes The Night |
7" | 1965 | London Records | EPP 657 | |||||
8736 |
Them
(GBR)
Teen Beat 4 |
7" | 1965 | Decca | DX 2390 | |||||
8737 |
Them
(GBR)
Them Again |
LP (Mono) | 1966 | Decca | BLK 16427-P | |||||
8738 |
Them
(GBR)
Them Again |
LP (Re-Release) | 1966 | Decca Record Company Ltd., The | LK 4751 | |||||
8739 |
Them
(GBR)
It's All Over Now, Baby Blue |
7" (Re-Release) | 1967 | Decca | 6.11225 AC (DL 25 618) | |||||
8740 |
Them
(GBR)
Them Avec Van Morrison |
LP (Compilation) | 1970 | Decca | 210.003 | |||||
8741 |
Them
(GBR)
The World Of Them |
LP (Compilation, Re-Release) | 1970 | TELDEC »Telefunken-Decca« Schallplatten GmbH, Hamburg | 6.21623 AF | DECCA | ||||
8742 |
Them
(GBR)
The World Of Them |
LP (Compilation) | 1970 | Decca Musik Für Alle | ND 585 | |||||
8743 |
Them
(GBR)
The Story Of Them |
LP (Compilation) | 1977 | Decca | XBY 846 025 | |||||
8744 |
Them
(GBR)
Them Featuring Van Morrison |
CD (Compilation, Re-Release) | 1982 | 042281016523 | London Records | 810 165-2 | LONDON | |||
Then Jerico (GBR) | ||||||||||
8745 |
Then Jerico
(GBR)
Big Area |
7" | 1989 | 042288638872 | London Records | 886 388-7 | metronome | |||
Thin Lizzy (IRL) | ||||||||||
8746 |
Thin Lizzy
(IRL)
Whisky In The Jar |
7" (Re-Release) | 1972 | Decca | 6103 055 | |||||
8747 |
Thin Lizzy
(IRL)
Whisky In The Jar |
7" | 1973 | Decca | DL 25 556 | |||||
8748 |
Thin Lizzy
(IRL)
Jailbreak |
LP | 1976 | Vertigo / Phonogram | 6360 130 | |||||
Peter Thomas Sound Orchester (DEU) | ||||||||||
8749 |
Peter Thomas Sound Orchester
(DEU)
+
Sir Peter And His Oldtimer
(XXX)
Melissa |
Split-7" (Split mit: Sir Peter And His Oldtimer (XXX)) |
1966 | CBS | 2135 | |||||
8750 |
Peter Thomas Sound Orchester
(DEU)
Raumpatrouille |
LP | 1966 | Fontana | 6434 261 | |||||
8751 |
Peter Thomas Sound Orchester
(DEU)
Raumpatrouille |
7" (Mono) | 1967 | Philips | 346 018 PF | |||||
Thompson Twins (GBR) | ||||||||||
8752 |
Thompson Twins
(GBR)
Hold Me Now |
7" | 1983 | Arista Records | 106 037-100 | ARISTA | ||||
8753 |
Thompson Twins
(GBR)
Lay Your Hands On Me |
7" | 1984 | Arista Records | 107 054 | ARISTA | ||||
Three Dog Night (USA) | ||||||||||
8754 |
Three Dog Night
(USA)
Mama Told Me (Not To Come) |
7" | 1970 | Stateside | 1C 006-91 579 | |||||
8755 |
Three Dog Night
(USA)
Joy To The World |
7" | 1971 | EMI / Stateside | J 006-92.358 | |||||
8756 |
Three Dog Night
(USA)
Liar |
7" | 1971 | Probe | 1 C 006-92 658 | |||||
8757 |
Three Dog Night
(USA)
Never Been To Spain |
7" | 1971 | Probe | 1 C 006-93 151 | |||||
8758 |
Three Dog Night
(USA)
An Old Fashioned Love Song |
7" | 1971 | Probe | 1 C 006-93 041 | |||||
8759 |
Three Dog Night
(USA)
One Man Band |
7" | 1971 | Probe | 1 C 006-92 089 | |||||
8760 |
Three Dog Night
(USA)
Out In The Country |
7" | 1971 | Stateside | 1 C006-91795 | |||||
8761 |
Three Dog Night
(USA)
Black & White |
7" | 1972 | Probe Records | 1C 006-93 670 | |||||
8762 |
Three Dog Night
(USA)
Golden Bisquits |
LP (Compilation) | 1972 | Probe / ABC / Dunhill Records, U.S.A. | 1C 062 - 92 167 | |||||
8763 |
Three Dog Night
(USA)
Seven Separate Fools |
LP (Pappschuber) | 1972 | Probe / ABC Records, Inc. | 1 C 062-93 322 | |||||
8764 |
Three Dog Night
(USA)
Cyan |
LP | 1973 | Dunhill Records Inc. / ABC Records Inc. | DSX 50158 | |||||
8765 |
Three Dog Night
(USA)
Shambala |
7" | 1973 | EMI Electrola GmbH | 1 C 006-94 491 | |||||
8766 |
Three Dog Night
(USA)
Play Something Sweet ( Brickyard Blues ) |
7" | 1974 | ABC Records | 1 c 006-95 944 | |||||
8767 |
Three Dog Night
(USA)
The Show Must Go On |
7" | 1974 | Probe | 1C 006-95 324 | |||||
Thunderclap Newman (GBR) | ||||||||||
8768 |
Thunderclap Newman
(GBR)
Something In The Air |
7" | 1969 | Polydor | 59 314 | |||||
Tiffany With The Thoughts (GBR) | ||||||||||
8769 |
Tiffany With The Thoughts
(GBR)
Find Out Whats Happening |
7" | 1966 | Odeon | O 23244 | |||||
Tin Machine (GBR) | ||||||||||
8770 |
Tin Machine
(GBR)
Heaven's In Here |
2-CD (Bootleg, Live) | 0 | 4013268121383 | Swingin' Pig Records, The | TSP-CD-138-2 | ||||
Tintin (XXX) | ||||||||||
8771 |
Tintin
(XXX)
Only Ladies Play Croquet |
7" (Mono) | 1969 | Polydor | 59 307 | |||||
Titanic (NOR) | ||||||||||
8772 |
Titanic
(NOR)
Titanic |
CD (Re-Release, Digipak) | 1970 | 4009910490921 | Repertoire Records | REP 4909 | REPERTOIRE | |||
8773 |
Titanic
(NOR)
Titanic |
LP | 1970 | CBS / Columbia Broadcasting Systems Inc. | S 64 104 | |||||
8774 |
Titanic
(NOR)
Titanic |
LP | 1970 | CBS / Columbia Broadcasting System, Inc. | S 64104 | |||||
8775 |
Titanic
(NOR)
Half Breed |
7" | 1971 | CBS | 7278 | |||||
8776 |
Titanic
(NOR)
Half Breed |
7" | 1971 | CBS | CBS 7278 | |||||
8777 |
Titanic
(NOR)
Sing Fool Sing |
7" | 1971 | CBS | 5365 | |||||
8778 |
Titanic
(NOR)
Sultana |
7" | 1971 | CBS | 5365 | |||||
8779 |
Titanic
(NOR)
Macumba |
7" | 1973 | CBS | CBS 2000 | |||||
8780 |
Titanic
(NOR)
Richmond Express |
7" | 1973 | CBS | CBS S 1670 | |||||
8781 |
Titanic
(NOR)
Sliding Down Again |
7" | 1974 | CBS | CBS S 2586 | |||||
The Tokens (USA) | ||||||||||
8782 |
The Tokens
(USA)
The Lion Sleeps Tonight |
7" | 1961 | RCA | 47-9382 | |||||
Ton Steine Scherben (DEU) | ||||||||||
8783 |
Ton Steine Scherben
(DEU)
Warum Geht Es Mir So Dreckig? |
LP | 1971 | David Volksmund Produktion | 008 | DAVID VOLKSMUND PRODUKTION | ||||
8784 |
Ton Steine Scherben
(DEU)
Keine Macht Für Niemand |
2-LP (Re-Release, Gatefold) | 1972 | David Volksmund Produktion | DVP 007 | DAVID VOLKSMUND PRODUKTION | ||||
The Tonics (DEU) | ||||||||||
8785 |
The Tonics
(DEU)
You Never Can Tell |
7" | 1968 | Fontana | 269383 TF | |||||
Tony Sheridan & The Big Six (XXX) | ||||||||||
8786 |
Tony Sheridan & The Big Six
(XXX)
Shake It Some More |
7" | 1965 | Polydor | 52944 | |||||
8787 |
Tony Sheridan & The Big Six
(XXX)
Vive L'amour |
7" | 1965 | Polydor | 421009 | |||||
The Top Ten Allstars (DEU) | ||||||||||
8788 |
The Top Ten Allstars
(DEU)
I Feel Fine / Shalala |
7" (Live) | 1965 | Decca | D 19 651 | |||||
Torfrock (DEU) | ||||||||||
8789 |
Torfrock
(DEU)
Beinhart! |
7" | 1990 | 042287790076 | Polydor | 877 900-7 | polydor | |||
The Tornados (GBR) | ||||||||||
8790 |
The Tornados
(GBR)
Telstar |
7" | 1962 | TELDEC »Telefunken-Decca« Schallplatten GmbH, Hamburg | DL 20 654 | |||||
8791 |
The Tornados
(GBR)
Telstar |
7" | 1962 | London Records | DL 20 654 | |||||
8792 |
The Tornados
(GBR)
Telstar |
7" | 1962 | London Records | DL 20 654 | |||||
8793 |
The Tornados
(GBR)
Yesterday's Pop Scene - Telstar |
LP (Best-Of) | 1972 | Decca / TELDEC »Telefunken-Decca« Schallplatten GmbH | ND 766 | |||||
Peter Tosh (JAM) | ||||||||||
8794 |
Peter Tosh
(JAM)
Equal Rights |
LP | 1977 | CBS Inc. | CBS 81937 | |||||
8795 |
Peter Tosh
(JAM)
(You Gotta Walk) Don't Look Back |
7" | 1978 | Rolling Stones Records | 1 C 006-61 657 | Rolling Stones Records | ||||
8796 |
Peter Tosh
(JAM)
Pick Myself Up |
7" | 1978 | EMI Electrola GmbH | 1C 006-62 501 | Rolling Stones Records | ||||
8797 |
Peter Tosh
(JAM)
Wanted Dread & Alive |
LP | 1981 | EMI Electrola | 1 C 064-64378 | Rolling Stones Records | ||||
Die Toten Hosen (DEU) | ||||||||||
8798 |
Die Toten Hosen
(DEU)
Bommerlunder |
7" | 1983 | Totenkopf Schallplatten | TOT 3 / 1C 016-1651 727 | TOTENKOPF | ||||
8799 |
Die Toten Hosen
(DEU)
Unter Falscher Flagge |
LP | 1984 | Totenkopf / Virgin | TOT 21 / 206845-620 | TOTENKOPF | ||||
8800 |
Die Toten Hosen
(DEU)
Hier Kommt Alex |
7" | 1988 | Virgin Records Ltd. | 111 686-100 | Virgin |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.