Menu
Zoo - The Best Of Santana
CD, 1998, Heftbeilage
| Herstellungsland | Griechenland |
|---|---|
| Veröffentlichungs-Jahr | 1998 |
| Zeit | 51:53 |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | k.A. |
| Plattenfirma/Katalog-Nr. | Zoo Magazine (Greece) / 3884692 | Galaxy Music |
| Musikrichtung | Rock |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 0 (1 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD | ||||
|---|---|---|---|---|
| Track | Künstler/Band | Titel | Zeit | Besonderheit |
| Gesamtzeit | 51:53 | |||
| 1. | Santana | Evil Ways | 7:52 | C |
| 2. | Santana | Persuasion | 5:17 | |
| 3. | Santana | With A Little Help From My Friends | 4:07 | C |
| 4. | Santana | Fried Neckbones & Homefries | 10:37 | |
| 5. | Santana | Jingo | 9:54 | C |
| 6. | Santana | Soul Sacrifice | 4:56 | |
| 7. | Santana | Every Day I Have The Blues | 7:06 | C |
| 8. | Santana | Let's Get Ourselves Together | 2:04 | |
Infos
Jin-Go-Lo-Ba / Jingo
Michael Babatunde Olatunji Biography:
"Signed to Columbia, Olatunji released Drums of Passion in 1959. At first he used the name Michael Olatunji (he had previously used Michael Babatunde Olatunji as a Christianized form of his name), but later printings restored the name Babatunde Olatunji. The impact of the album, in Atkinson's words, "can hardly be overstated, yet much about it needs to be qualified." Drums of Passion was the first album of African drumming recorded in a modern studio. Previously, most recordings of African music had been made by scholars. The music on the album was not a pure representation of Olatunji's Yoruba traditions, although it did feature Nigerian rhythms. Instead it offered a hybrid music containing Ghanaian, Afro-Caribbean, and African-American elements. The musicians, except for Olatunji, were not African. Critics later accused Olatunji of presenting a watered-down version of African music, but Anthony C. Davis, writing in the Black Issues Book Review, argued that Olatunji succeeded in blending various traditions into "something new that represented the spread of African culture throughout the Diaspora."
Michael Babatunde Olatunji Biography:
"Signed to Columbia, Olatunji released Drums of Passion in 1959. At first he used the name Michael Olatunji (he had previously used Michael Babatunde Olatunji as a Christianized form of his name), but later printings restored the name Babatunde Olatunji. The impact of the album, in Atkinson's words, "can hardly be overstated, yet much about it needs to be qualified." Drums of Passion was the first album of African drumming recorded in a modern studio. Previously, most recordings of African music had been made by scholars. The music on the album was not a pure representation of Olatunji's Yoruba traditions, although it did feature Nigerian rhythms. Instead it offered a hybrid music containing Ghanaian, Afro-Caribbean, and African-American elements. The musicians, except for Olatunji, were not African. Critics later accused Olatunji of presenting a watered-down version of African music, but Anthony C. Davis, writing in the Black Issues Book Review, argued that Olatunji succeeded in blending various traditions into "something new that represented the spread of African culture throughout the Diaspora."