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Tom Waits
Mule Variations
2-LP, 1999, Gatefold, 180 Gramm Vinyl
| Herstellungsland | Europäische Union |
|---|---|
| Veröffentlichungs-Jahr | 1999 |
| Zeit | 70:32 |
| EAN-Nr. | 8714092654714 |
| Label/Labelcode | Epitaph / LC 02576 |
| Plattenfirma/Katalog-Nr. | Anti, Inc. / Epitaph Europe / 6547-1 |
| Musikrichtung | Blues |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 11 (6 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP 1 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 36:58 | ||
| A 1. | Big In Japan | 4:05 | |
| A 2. | Lowside Of The Road | 2:59 | |
| A 3. | Hold On | 5:33 | |
| A 4. | Get Behind The Mule | 6:52 | |
| B 5. | House Where Nobody Lives | 4:14 | |
| B 6. | Cold Water | 5:23 | |
| B 7. | Pony | 4:32 | |
| B 8. | What's He Building? | 3:20 | |
| LP 2 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 33:34 | ||
| A 1. | Black Market Baby | 5:02 | |
| A 2. | Eyeball Kid | 4:25 | |
| A 3. | Picture In A Frame | 3:39 | |
| A 4. | Chocolate Jesus | 3:55 | |
| B 5. | Geogia Lee | 4:24 | |
| B 6. | Filipino Box Spring Hog | 3:09 | |
| B 7. | Take It With Me | 4:24 | |
| B 8. | Come On Up To The House | 4:36 | |
Infos
Credits
Design – Christie Rixford
Engineer [Pre-production Assistance] – Darren Kramer, Holly Ferguson
Engineer [Production Assistant] – Heather Fremling
Engineer [Second], Coordinator [Production Coordinator] – Jeff Sloan
Mastered By – Chris Bellman
Photography [Album] – Matt Mahurin
Producer, Written-By – Kathleen Brennan
Recorded By – Jacquire King (tracks: A1, A3 to D4), Oz Fritz (tracks: A1, A3 to D4)
Vocals – Tom Waits (tracks: A1, A2, A4 to B3, C2 to D4)
Written-By, Producer – Tom Waits
Notes
Released with gatefold sleeve.
Recorded at Prairie Sun Recording Studios except 'Lowside Of The Road' at Sputnik Sound.
Mastered at Bernie Grundman Mastering Studios.
Major parts of this album were produced in a hen coop which was rebuilt into a production studio somewhere deep in the backwaters of California.
"Chocolate Jesus" features some of the chicken folk that was obviously around.
℗&© 1999 Anti, Inc. Manufactured and disributed by Epitaph Europe
Barcode and Other Identifiers
Barcode: 8714092654714
Matrix / Runout (Side A): 0840884201A1 6547-A
Matrix / Runout (Side B): 0840884201B1 6547-B
Matrix / Runout (Side C): 0840884201C1 6547-C
Matrix / Runout (Side D): 0840884201D1 6547-D
Rights Society: BIEM / STEMRA
Label Code: LC 02576
Other: 310 P
Design – Christie Rixford
Engineer [Pre-production Assistance] – Darren Kramer, Holly Ferguson
Engineer [Production Assistant] – Heather Fremling
Engineer [Second], Coordinator [Production Coordinator] – Jeff Sloan
Mastered By – Chris Bellman
Photography [Album] – Matt Mahurin
Producer, Written-By – Kathleen Brennan
Recorded By – Jacquire King (tracks: A1, A3 to D4), Oz Fritz (tracks: A1, A3 to D4)
Vocals – Tom Waits (tracks: A1, A2, A4 to B3, C2 to D4)
Written-By, Producer – Tom Waits
Notes
Released with gatefold sleeve.
Recorded at Prairie Sun Recording Studios except 'Lowside Of The Road' at Sputnik Sound.
Mastered at Bernie Grundman Mastering Studios.
Major parts of this album were produced in a hen coop which was rebuilt into a production studio somewhere deep in the backwaters of California.
"Chocolate Jesus" features some of the chicken folk that was obviously around.
℗&© 1999 Anti, Inc. Manufactured and disributed by Epitaph Europe
Barcode and Other Identifiers
Barcode: 8714092654714
Matrix / Runout (Side A): 0840884201A1 6547-A
Matrix / Runout (Side B): 0840884201B1 6547-B
Matrix / Runout (Side C): 0840884201C1 6547-C
Matrix / Runout (Side D): 0840884201D1 6547-D
Rights Society: BIEM / STEMRA
Label Code: LC 02576
Other: 310 P