The Sounds Of Monsterism Island Volume One
CD, 2005, Digipak

Herstellungsland Niederlande
Veröffentlichungs-Jahr 2005
Zeit 61:46
EAN-Nr. 094633910928
Label/Labelcode EMI / LC 0542
Plattenfirma/Katalog-Nr. Forever Heavenly / FHVN 3LPCD / 00946 339109 2 8
Musikrichtung Rock
Sammlungen Gesucht Flohmarkt
1 (1 privat) 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD
Track Künstler/Band Titel Zeit Besonderheit
Gesamtzeit 61:46  
1. The Millennium The Island [as Millennium] 3:10
2. Martin Denny Sake Rock 2:06
3. The United States Of America The Garden Of Earthly Delights 2:36
4. White Noise Love Without Sound 3:04
5. The West Coast Pop Art Experimental Band A Child's Guide To Good And Evil 2:22
6. John Baker Milky Whey 1:37
7. Martin Denny Quiet Village 3:47
8. Sagittarius The Keeper Of The Games 1:54
9. East Of Eden Jig-A-Jig 3:21
10. Dead Meadow Indian Bones 6:35
11. The Rattles The Witch 2:35
12. Silver Apples Program 4:03
13. Aphrodite's Child Funky Mary 4:11
14. Mandingo Black Rite 4:03
15. Clarence "Frogman" Henry Ain't Got No Home 2:23
16. Rod Freeman & The Blue Men The Bulblight 2:26
17. Manfred Mann Chapter Three One Way Glass [as Manfred Mann] 3:28
18. Martin Denny Enchanted Sea 2:17
19. Eden Ahbez Full Moon 2:51
20. Harpers Bizarre Cotton Candy Sandman (Sandman's Coming) 2:57

Infos

MONSTERISM island ™ | MONSTERISM Stereo "SOUND YOU CAN SEE" | www.Monsterism.net | Heavenly | PETE FOWLER | Forever Heavenly | EMI | LC0542 | Music from EMI // (p)/(c) 2005 EMI Records Ltd.



www.Monsterism.net / Pete Fowler
CD is dedicated to Martin Denny 1911-2005.

- "Label/Labelcode EMI / LC 0542" Label: Forever Heavenly ~ used logo: Forever Heavenly (Bild 10)


AMG:
Assembled by Monsterism toy and sleeve designer Pete Fowler and envisioned as the soundtrack to an imaginary tropical paradise, The Sounds of Monsterism Island, Vol. 1 is an uncommonly exemplary compilation, recalling Toru Hashimoto's endlessly inventive Café Apres-midi series in both sound and spirit. As might be expected given the DayGlo kitsch of Fowler's creepy-cute characters, his musical tastes skew toward the offbeat, embracing the pastel tones of psychedelia, exotica, and sunshine pop. He likes his electric Kool-Aid with as much sugar as acid, and understands that too much exposure to the sun can fry your brain like bacon in a pan. These 20 songs originate from a record collection hipper and bigger than yours, and they fit together like pieces of a child's puzzle.

Track 1: Since Music Publishing Inc. ℗ 1968 The copyright in this sound recording is owned by Sony Music Entertainment Inc. Licensed courtesy of Sony BMG Music.
- recorded March 11, 15, 22, 26, & 31, 1968
prod. by Curt Boettcher & Keith Olsen
for Mee-Moo Prod. Ltd.
Columbia album “Begin” CS 9663 released July 1968

Track 2: Exotica Music. (From the Liberty Single F-55199 Martinique/Sake Rock) 1959 (From the Liberty Album “Quiet Village”-LRP-3122) 1961 ℗ 1959 The copyright in this sound recording is owned by Capitol Records Inc.

Track 3: EMI Blackwood Music , Blackwood Music Inc. ℗ 1968 The copyright in this sound recording is owned by Sony Music Entertainment Inc. Licensed courtesy of Sony BMG Music.

Track 4: Island Music Ltd. ℗ 1969 The copyright in this sound recording is owned by Island Records Ltd. Music Corp. (Originally issued on the Liberty single “The Enchanted Sea”. Licensed courtesy of Universal Music Licensing.

Track 5: Copyright Control. Licensed courtesy of Warner Strategic Marketing, UK. ℗ 1968 The copyright in this sound recording is owned by WEA International Inc

Track 6: Released by arrangement with BBC Music. Recorded for the BBC Radiophonic Workshop. ℗ 1967 The copyright in this sound recording is owned by BBC.

Track 7: EMI Harmonies Ltd , Criterion Music Corporation. Digital Remaster. ℗ 1997 The copyright in this sound recording is owned by Capitol Records Inc.

Track 8: Acuff Rose Publishing Inc, Fifth World Music (BMI) ℗ 1968 The copyright in this sound recording is owned by Sony Music Entertainment Inc. Licensed courtesy of Sony BMG Music.
- single 'Keeper of the Games / I'm Not Living Here' released 1968 Columbia / 4-44613

Track 9: Uncle Doris Music Ltd. ℗ 1971 The copyright in this sound recording is owned by Decca Music Group Ltd. Licensed courtesy of Universal Music Licensing.

Track 10: Floating Camels (SESAC). Licensed courtesy of Dead Meadow. ℗ 1968 The copyright in this sound recording is owned by Dead Meadow Partnership.

Track 11: Copyright Control. ℗ 1970 The copyright in this sound recording is owned by Decca Music Group Ltd. Licensed courtesy of Universal Music Licensing.

Track 12: Copyright Control. ℗ 1968 The copyright in this sound recording is owned by UMG Recordings Inc. Licensed courtesy of Universal Music Licensing.

Track 13: Tutti Intersong Editions Musicales SRL, Tub Editions Musicales Soc. ℗ 1969 The copyright in this sound recording is owned by Universal International Music BV. Licensed courtesy of Universal Music Licensing.
Track 14: Elcien Music Ltd (MCPS). ℗ 1973 The copyright in this sound recording is owned by EMI Records Ltd.
Track 15: Arc Music Corporation. Courtesy of MCA Records, a division of UMG Recordings, Inc. ℗ 1956 The copyright in this sound recording is owned by UMG Recordings Inc.

Track 16: Copyright Control. ℗ 1960 The copyright in this sound recording is owned by Rod Freeman Estate under exclusive license to RPM Productions Ltd.

Rod Freeman & The Blue Men aka The Blue Men with Rod Freeman | The Blue Men |
Rod Freeman | The Cavaliers

Track 17: is taken from Vertigo's third Album Release "Manfred Mann Chapter Three"
Carlin Music Corp. ℗ 1973 The copyright in this sound recording is owned by Mercury Records Ltd. Licensed courtesy of Universal Music Licensing.
Track 18: Nadel Music, Frank Metis Music, September Music Corp. (Originally issued on the Liberty single “ The Enchanted Sea” #55212) 1959 (From the Liberty LP “The Enchanted Sea” LST-7141) 1959 (From the CD “Paradise” CDL-57307) 1990. ℗ 1959 The copyright in this sound recording is owned by Capitol Records Inc.

Track 19: Copyright Control. Licensed courtesy of Warner Strategic Marketing UK. ℗ 1960 The copyright in this sound recording is owned by WEA International Inc.

Track 20: Copyright Control. Licensed courtesy of Warner Strategic Marketing UK. ℗ 1967 The copyright in this sound recording is owned by WEA International Inc.

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.