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The New Orleans Blue Serenaders
One Mo' Time
LP, 1980, Live
| Herstellungsland | USA |
|---|---|
| Veröffentlichungs-Jahr | 1980 |
| Zeit | k.A. |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | Warner Bros. Records / HS 3454 |
| Musikrichtung | Musical |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| A 1. | Down In Honky Tonk Town | L | |
| A 2. | Kiss Me Sweet | L | |
| A 3. | Miss Jenny's Ball | L | |
| A 4. | Cake Walkin' Babies From Home | L | |
| A 5. | I've Got What It Takes | L | |
| A 6. | C. C. Rider | L | |
| A 7. | The Graveyard | L | |
| A 8. | He's Funny That Way | L | |
| A 9. | Kitchen Man | L | |
| A 10. | Wait Till You See My Baby Do The Charleston | L | |
| B 11. | Love | L | |
| B 12. | Louise | L | |
| B 13. | New Orleans Hop Scop Blues | L | |
| B 14. | Everybody Loves My Baby | L | |
| B 15. | You've Got The Right Key But The Wrong Keyhole | L | |
| B 16. | After You've Gone | L | |
| B 17. | My Man Blues | L | |
| B 18. | Papa De Da Da | L | |
| B 19. | Muddy Water | L | |
| B 20. | There'll Be A Hot Time In The Old Town Tonight | L | |
Infos
One Mo' Time
An evening of 1920s Black Vaudeville:
Conceived and directed by Vernel Bagneris. Music - various.
Village Gate Theatre, New York - 1980
This long running Off Broadway show revived, to acclaim in the 2002 Broadway season, had audiences rockin’ the rafters and dancin’ in the aisles, thrilling to this artful recreation of old time, 1920s Black vaudeville. This show’s powerful mix of music, including the Charleston, the black bottom, and the cakewalk, had one reviewer proclaiming “the mercury leaves the thermometer.
One Mo’ Time is a hot, wild, ribald and rousing delight."-- Time Magazine.
One Mo' Time was conceived as an entertainment in celebration of the Chicago Lyric Theater, which was destroyed by a fire in 1927. It was one of the last stopovers of the Theatre Owners' Booking Agency, then called the T.O.B.A. circuit.
Bessie Smith and Ma Rainey played there, and so did Sweet Mama Stringbean, who became known as Ethel Waters.
Tickets then cost 25 cents, members of the audience wandered up and down the aisles whenever they wanted, performers were exploited (overworked and underpaid) and contracts were constantly violated by unscrupulous theater owners.
This off-Broadway production emphasises talent in the rough, with a touch of the tacky. Sometimes it borders on amateurishness for the sake of authenticity.
An evening of 1920s Black Vaudeville:
Conceived and directed by Vernel Bagneris. Music - various.
Village Gate Theatre, New York - 1980
This long running Off Broadway show revived, to acclaim in the 2002 Broadway season, had audiences rockin’ the rafters and dancin’ in the aisles, thrilling to this artful recreation of old time, 1920s Black vaudeville. This show’s powerful mix of music, including the Charleston, the black bottom, and the cakewalk, had one reviewer proclaiming “the mercury leaves the thermometer.
One Mo’ Time is a hot, wild, ribald and rousing delight."-- Time Magazine.
One Mo' Time was conceived as an entertainment in celebration of the Chicago Lyric Theater, which was destroyed by a fire in 1927. It was one of the last stopovers of the Theatre Owners' Booking Agency, then called the T.O.B.A. circuit.
Bessie Smith and Ma Rainey played there, and so did Sweet Mama Stringbean, who became known as Ethel Waters.
Tickets then cost 25 cents, members of the audience wandered up and down the aisles whenever they wanted, performers were exploited (overworked and underpaid) and contracts were constantly violated by unscrupulous theater owners.
This off-Broadway production emphasises talent in the rough, with a touch of the tacky. Sometimes it borders on amateurishness for the sake of authenticity.