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The Concord Jazz Guitar Collection, Volumes 1 And 2
CD, 1990
| Herstellungsland | Deutschland |
|---|---|
| Veröffentlichungs-Jahr | 1990 |
| Orig. Release | 1981 |
| Zeit | 73:21 |
| EAN-Nr. | 4003099999121 |
| Label/Labelcode | k.A. |
| Plattenfirma/Katalog-Nr. | Concord Jazz, Inc. / CCD-4160 |
| Musikrichtung | Jazz |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
Infos
Keine IFPI's
LC 4643
Info's zur Aufnahme
1. La Petite Mambo - From Kenny Burrell's Tin Tin Deo session (CJ-45), recorded 3/77 with Reggie Johnson on bass and Carl Burnett on drums. Kenny's instrument is a Gibson Super 400.
2. Isn't This A Lovely Day - From Bluebyrd (CJ-82), recorded by the Charlie Byrd Trio 8/78 with Joe Byrd on bass and Wayne Phillips on drums. Charlie plays a 1967 Ramirez.
3. Dolphin Dance - From The Real Howard Roberts (CJ-53), with Ray Brown on bass, Ross Tompkins on piano and Jimmie Smith, drums. The guitar is a Gibson "Howard Roberts" model; recorded 8/77.
4. Zigeuner - From Ginza (CJ-94), recorded 3/79 with Benny Barth on drums and Dean Reilly on bass. Eddie Duran's guitar is a 1938 Gibson ES-100.
5. Prelude To A Kiss - From the disc Seven Come Eleven (CCD-6002), recorded live at the 1973 Concord Summer Festival. Joe Pass plays a custom electric built by James D'Aquisto. Ray Brown is the bassist, Jake Hanna the drummer.
6. I'm On My Way - Recorded 4/75 for Barney Kessel & Friends (CCD-6009), with Herbie Steward on reeds, Victor Feldman on vibes, Jimmy Rowles on piano, Chuck Domanico on bass, Jake Hanna on drums and Milt Holland, percussion. Barney played a Gibson ES-350 on this track.
7. I Can't Get Started - From Venuti-Barnes Live at the Concord Summer Festival (CJ-30). George Barnes played a 1962 custom Guild Acousti-Lectric, with Joe Venuti, violin; Ross Tompkins, piano; Ray Brown, bass; and Jake Hanna, drums. Recorded 7/77.
8. Side Track - From the Remo Palmier session (CJ-76) recorded 7/78 with Lou Levy on piano and organ, Ray Brown on bass and Jake Hanna on drums. Remo used a Gibson ES-355 with Single pick-up.
9. Georgia On My Mind - From Herb Ellis at Montreux (CJ-116), recorded live 7/79 with Ross Tompkins, Ray Brown and Jake Hanna. Herb's guitar is an Aria Pro-Il, "Herb Ellis" model.
10. Blues On My Mind - From Blues on My Mind (CJ-95). Leader Cal Collins plays a customized 1957 Gibson Super 300, with Larry Vuckovich, piano; Bob Maize, bass; and Jeff Hamilton, drums. Recorded 4/79.
11. You Don't Know What Love Is - From Tal Farlow's A Sign Of The Times recording (CJ-26) of 8/76 with Hank Jones, piano and Ray Brown. Tal's instrument is a Gibson "Tal Farlow" model #1.
12. Ciaire De Lüne Samba - From the Chamber Jazz Session (CJ-84). Laurindo Almeida plays a guitar of his own design, crafted by Julius Gido, with silver strings by DAddario. Bob Magnusson, bass and Jeff Hamilton, drums, complete the trio. Recorded 9/78.
13. Seven Come Eleven - From Seyen Come Eleven (CCD-6002), recorded live 7/73 and featuring Herb Ellis, Joe Pass, Ray Brown and Jake Hanna. Joe's guitar is a custom electric built by James DAquisto. Herb plays a Gibson ES-175.
14. When Sunny Gets Blue - From George Barnes' Blues Going Up (CJ-43), recorded live 4/77 in San Francisco. George plays his custom Guild and Duncan James' instrument is a Guild X-175. Dean Reilly and Benny Barth complete the quartet.
15. Orange, Brown and Green - Track from the Rhythm Willie recording (CCD-6010), with Herb Ellis playing his Aria Pro-Il and Freddie Green on a Gretsch Eldorado. Recorded 5/75 with Ross Tompkins, Ray Brown and Jake Hanna.
16. Don't Cry For Me Argentina - Recorded 12/80 for the Brazilian Soul disc (CCD-4150). Charlie Byrd plays a Kohno-30 and Laurindo Almeida the Julius Gido instrument. Bob Magnusson, bass, and Milt Holland, percussion, provide the accompaniment.
LC 4643
Info's zur Aufnahme
1. La Petite Mambo - From Kenny Burrell's Tin Tin Deo session (CJ-45), recorded 3/77 with Reggie Johnson on bass and Carl Burnett on drums. Kenny's instrument is a Gibson Super 400.
2. Isn't This A Lovely Day - From Bluebyrd (CJ-82), recorded by the Charlie Byrd Trio 8/78 with Joe Byrd on bass and Wayne Phillips on drums. Charlie plays a 1967 Ramirez.
3. Dolphin Dance - From The Real Howard Roberts (CJ-53), with Ray Brown on bass, Ross Tompkins on piano and Jimmie Smith, drums. The guitar is a Gibson "Howard Roberts" model; recorded 8/77.
4. Zigeuner - From Ginza (CJ-94), recorded 3/79 with Benny Barth on drums and Dean Reilly on bass. Eddie Duran's guitar is a 1938 Gibson ES-100.
5. Prelude To A Kiss - From the disc Seven Come Eleven (CCD-6002), recorded live at the 1973 Concord Summer Festival. Joe Pass plays a custom electric built by James D'Aquisto. Ray Brown is the bassist, Jake Hanna the drummer.
6. I'm On My Way - Recorded 4/75 for Barney Kessel & Friends (CCD-6009), with Herbie Steward on reeds, Victor Feldman on vibes, Jimmy Rowles on piano, Chuck Domanico on bass, Jake Hanna on drums and Milt Holland, percussion. Barney played a Gibson ES-350 on this track.
7. I Can't Get Started - From Venuti-Barnes Live at the Concord Summer Festival (CJ-30). George Barnes played a 1962 custom Guild Acousti-Lectric, with Joe Venuti, violin; Ross Tompkins, piano; Ray Brown, bass; and Jake Hanna, drums. Recorded 7/77.
8. Side Track - From the Remo Palmier session (CJ-76) recorded 7/78 with Lou Levy on piano and organ, Ray Brown on bass and Jake Hanna on drums. Remo used a Gibson ES-355 with Single pick-up.
9. Georgia On My Mind - From Herb Ellis at Montreux (CJ-116), recorded live 7/79 with Ross Tompkins, Ray Brown and Jake Hanna. Herb's guitar is an Aria Pro-Il, "Herb Ellis" model.
10. Blues On My Mind - From Blues on My Mind (CJ-95). Leader Cal Collins plays a customized 1957 Gibson Super 300, with Larry Vuckovich, piano; Bob Maize, bass; and Jeff Hamilton, drums. Recorded 4/79.
11. You Don't Know What Love Is - From Tal Farlow's A Sign Of The Times recording (CJ-26) of 8/76 with Hank Jones, piano and Ray Brown. Tal's instrument is a Gibson "Tal Farlow" model #1.
12. Ciaire De Lüne Samba - From the Chamber Jazz Session (CJ-84). Laurindo Almeida plays a guitar of his own design, crafted by Julius Gido, with silver strings by DAddario. Bob Magnusson, bass and Jeff Hamilton, drums, complete the trio. Recorded 9/78.
13. Seven Come Eleven - From Seyen Come Eleven (CCD-6002), recorded live 7/73 and featuring Herb Ellis, Joe Pass, Ray Brown and Jake Hanna. Joe's guitar is a custom electric built by James DAquisto. Herb plays a Gibson ES-175.
14. When Sunny Gets Blue - From George Barnes' Blues Going Up (CJ-43), recorded live 4/77 in San Francisco. George plays his custom Guild and Duncan James' instrument is a Guild X-175. Dean Reilly and Benny Barth complete the quartet.
15. Orange, Brown and Green - Track from the Rhythm Willie recording (CCD-6010), with Herb Ellis playing his Aria Pro-Il and Freddie Green on a Gretsch Eldorado. Recorded 5/75 with Ross Tompkins, Ray Brown and Jake Hanna.
16. Don't Cry For Me Argentina - Recorded 12/80 for the Brazilian Soul disc (CCD-4150). Charlie Byrd plays a Kohno-30 and Laurindo Almeida the Julius Gido instrument. Bob Magnusson, bass, and Milt Holland, percussion, provide the accompaniment.