The Clarke & Ware Experiment House Of Illustrious
10-CD, 2012, Compilation, Limited Edition, Nummeriert

10er CD-Set in einer Plexiglasspindel. Umkarton aus schwarzen Schaumstoff.
Nummerierte Auflage von 1.000 Stück. Handsigniert von Vince Clarke und Martyn Ware. Nur über Lexermusic erhältlich.
Das Boxset enthält 8 CDs mit bisher unveröffentlichen Material und den Alben "Pretentious" und "Spectrum Pursuit Vehicle".

[Trackinfos]
1.1
Written by Vincent Clarke/Martyn Ware
Year: 2000
Client: Sony / Private party im Royal Arsenal, Woolwich.
Notes: A 3D soundscape realisation of the 'Third Place': a 'mashup' of sound elements from many Sony PlayStation games creating a surrealistic party ambience.

1.2
Written by Vincent Clarke/Martyn Ware
Year: 2001
Client: Very Much So Productions / Film soundtrack montage
Notes: Soundtrack to accompany award winning documentary about the North Korean football team in the 1966 World Cup.

2.1 - 2.5
Written by Vincent Clarke/Martyn Ware
Year: 2002
Client: Royal Ballet / Dance performance
Notes: Collaboration with Royal Ballet choreographer and dancer Vanessa Fenton, performed in the Clore Theatre, London.

2.6
Written by Vincent Clarke/Martyn Ware
Year: 2003
Client: Venice Art Biennale / Gallery installation
Notes: Installation featuring surrealist glass sculptures created by artist Philip Tsiaras and the master Venetian glass maker Silvano Signoretti, accompanied by a 3D soundscape of the typical sounds of Venice.

2.7
Written by Vincent Clarke/Martyn Ware
Year: 2003
Client: Interfaith Center, NY / Sound installation
Notes: Installation where the public were asked to phone a number and answer a question: 'What is your wish?'. The responses were integrated into the soundscape.

2.8
Written by Vincent Clarke/Martyn Ware
Year: 2004
Client: Royel Ballet / Dance performance
Notes: The second collaboration with Vanessa Fenton, featuring a new compsotion and choreography about the story of Petrushka the tragic clown (voiced in the final scene by Erasures's Andy Bell), performed in the Linbury Theatre at the Royal Opera House, London.

3.1
Written by Martyn Ware/Asa Bennett
Year: 2005
Client: Royal Ballet / Dance performance
Notes: The third Royal Ballet collaboration was a series of electronic pieces created to accompany a choreography work by student Christina Sundt, inspired by traditional maypole songs.

3.2
Written by Martyn Ware
Year: 2005
Client: V&A Museum, London / Shed installation
Notes: A series of sheds were installed in the garden at the rear of the V&A in London and 12 artists asked to modify the sheds according to their taste. Illustrious created a 3D sound shed featuring the sound of the British countryside, very rudely interrupted every 15 minutes by extreme urban cacophony.

3.3
Written by Vincent Clarke/Martyn Ware/Asa Bennett
Year: 2005
Client: BP / Awards compositions montage
Notes: A series of compositions in 3D sound to accompany the BP Helios Awards, which are given for archievement in various brand fields, including 'Partnership', 'Green', and 'Innovation'.

3.4
Written by Vincent Clarke/Martyn Ware
Year: 2005
Client: Amensty International / Art installation
Notes: A modified version of 'Virtual Wishing Tree' installation [see 2.7], this time asking the question 'What would the world be like if there were no violence towards women?'. The 3D soundscape was installed in the Barge House on London's South Bank.

3.5
Written by Vincent Clarke/Martyn Ware
Year: 2005
Client: Sound Oasis, Mexico / Outdoor installation with curator Francesca Rivero-Lake
Notes: An epic 3D soundscape: 24 hours in 12 x 2-hour pieces by different sound artists responding to the sounds of Mexico City. Illustrious' composition was based around the tonalities of the barrel-organ gringers in the gardens of the Palacio Di Belle Artes.

4.1
Written by Martyn Ware/Asa Bennett
Year: 2005
Client: V&A Millenium Galeries, Sheffield / Gallery installation
Notes: A 3D soundscape in the Metalwork Gallery based on the sounds of manufacture and use of cutlery with field recordings made at most of the last remaining cutlery manufacturers in Sheffield.

5.1
Written by Martyn Ware/Asa Bennett
Year: 2005
Client: Christian Aid / Gallery installation with Timon Botez and Malcolm Garrett
Notes: A powerful immersive accompaniment to an exhibition reflecting on the aftermath and recovery one year from the Asian tsunami, staged by the Truman Gallery, London.

5.2
Written by Martyn Ware/Asa Bennett
Year: 2006
Client: British Council / Accompaniment montage to informatics by Malcolm Garrett.
Notes: One of three different 3D soundscapes created as part of 'Echo City', a conceptual mediation on the nature of urban experience based on the city of Sheffield, curated by Jeremy Till in the British Pavilion at the Venice Architectural Biennale.

5.3
Written by Martyn Ware
Year: 2007
Client: Skrapic/Kenzo / Retail installation
Notes: A five senses installation in Paris to launch the new Kenzo perfume 'Tokyo'. A collaboration with Skrapic Consulting, creating a fully interactive, multisensory impression of contemporary Tokyo.

5.4
Written by Vincent Clarke/Martyn Ware
Year: 2006
Client: DTS / Demonstration of HD audio in 7.1 format
Notes: An immersive piece for DTS at AES in Las Vegas, USA demonstrating their new HD Audio.

5.5
Written by Martyn Ware
Year: 2006
Client: BFI / 3D soundtrack for a film by D-Fuse
Notes: A visual and spatial mashup of films about London from the new digital archive at the BFI. 300 metre long projections were enhanced by a 3D soundscape outside the National Theatre, London.

5.6
Written by Martyn Ware/Asa Bennett
Year: 2007
Client: V&A Museum, London / Soundart installation in the Cast Courts.
Notes: Bringing the gallery to life was a self-initiated brief to reanimate the amazing Cast Courts at the V&A. Mixing and matching different periods of history and geographical locations, this installation ran for one night only.

6.1
Written by Vincent Clarke/Martyn Ware/Asa Bennett
Year: 2007
Client: Royal Observatory Greewich / 7.1 format soundtrack to Planetarium show.
Notes: An interlocking series of soundscapes for the newly renovated Space Galleries, and the first presentation in the new Planetarium - initially presented to HM Queen Elizabeth II.

6.2 - 6.4
Written by Vincent Clarke/Martyn Ware
Year: 2008
Client: AT&T / Gallery instalation
Notes: A contemplative series of 3D soundscapes composed to create a semi-hypnotic and futuristic ambience at the new Global Network Operations Center for AT&T in New Jersey, USA.

6.5
Written by Vincent Clarke/Martyn Ware
Year: 2008
Client: MoMA, New York / Collaboration with Greg Lynn, Alex McDowell and imaginary Forces
Notes: An immersive 'cave' with back projection. 3D soundscape and animations. It explored the concept of the whole world's population being sited in oine giant city, and the consequences, manifested as a conceptual website.

7.1
Written by Martyn Ware/Asa Bennett
Year: 2009
Client: City of Westminster / Outdoor instalation. Supported by Arts Council England.
Notes: An hour long 3D soundscape occupying the whole of Leicester Square Garden, distilling the sound life of London, with the help of various community groups, youth clubs, ethnic associations and reminiscence groups.

7.2
Written by Martyn Ware/Asa Bennett
Year: 2010
Client: Radio 4 / Radio programme
Notes: A soundscape inspired by the celebrated Coleridge poem 'Kubla Khan'.

7.3
Written by Martyn Ware/Asa Bennett
Year: 2010
Client: Design Bridge, London / Gallery installation
Notes: An exhibition about Clerkenwell in London featuring both objects and 3D sound.

8.1
Written by Martyn Ware
Year: 2008
Client: Hearts on Fire / Retail store installation
Notes: A hypnotic and engaging 3D soundscape for an installation in newly opened retail stores selling the world's most expensive diamonds.

8.2
Written by Vincent Clarke/Martyn Ware
Year: 2002
Client: Science Museum, London / Montage of compositions for an interactive film.
Notes: A collaboration with the Science Museum and BNFL examining the issues surrounding the use of nuclear power to generate electricity, and its place within the context of wider global energy concerns. it was one of a number of exhibits at the Sellafield Visitors Centre, created by Immersion Studios, Toronto and art directed by Malcolm Garrett.

8.3
Written by Martyn Ware
Year: 2008
Client: Fabrica / Automaticactivity 3D soundscape generated by webcam.
Notes: A series of expermients automatically generated by a piece of software called Remote, created by Andy Cameron from Fabrica. Webcams are analysed for luminance and movement, which generates a soundscape based on sound palettes created by Illustrious.

9.1 - 9.8
Written by Vincent Clarke/Martyn Ware
Year: 2000
Client: National Centre for Popular Music / Gallery installation
Notes: "Music for Multiple Dimensions" was the first piece of music commissioned by and composed for the National Centre for Popular Music, Sheffield. It was performed several times daily in the soundscape auditorium.

0.1 - 0.6
Written by Vincent Clarke/Martyn Ware
Year: 1999
Client: Leonardo Agency / Event installation
Notes: The original 2-hour version of this work was performed only once in the Undercroft of the Roundhouse, London. It featured a circular white cloth-lines room 12 metres in diameter, suffused with the colours referred to in the title of each segment. The colours were programmed to corss-fade imperceptibly, thereby achieving an almost infinite variation of hue during the event.
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[Herstellungsland: SID-Code (AAH** = Promese, NL)]
[Tracklängen: Cover]
[Booklet: Tracklist, Linernotes, Weitere Infos]
[Auflage: 1.000 / nummeriert / handsigniert]
[VÖ: 26. November 2012]
[LC27959]
[CDText: Als Artist wird "Illustrious" genannt / CD10 ohne]

[CD1]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD1]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: IFPI AAHY2]

[CD2]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD2]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: n/v]

[CD3]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD3]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: n/v]

[CD4]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD4]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: n/v]
[CDText: Track 1 betitelt als "Disk 4 bnc"]

[CD5]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD5]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: IFPI AAHY2]

[CD6]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD6]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: n/v]

[CD7]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD7]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: n/v]

[CD8]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD8]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: IFPI AAHY2]

[CD9: Pretendious]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD9]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: n/v]
[CDText: Artist: The Clarke & Ware Experiment / Track 1 betitelt als "Music For Multiple Dimensions (initiationcommunicationtraveltechnologypanicrelease)"]

[CD0: Spectrum Pursuit Vehicle]
[Matrixnummer: (K)KEY PRODUCTION www.keyproduction.co.uk CDSTUMM351CD10]
[SID-Code CD-Master: IFPI LP76]
[SID-Code Presswerk: n/v]