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The Beatles
The Beatles (White Album)
2-LP, 2014, Mono, Nummeriert, Re-Release, Remastered, Gatefold, 180 Gramm Vinyl
| Herstellungsland | Europäische Union |
|---|---|
| Veröffentlichungs-Jahr | 2014 |
| Orig. Release | 1968 |
| Zeit | k.A. |
| EAN-Nr. | 602537734535 |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | Apple / EMI / PMC 7067/7068 |
| Musikrichtung | Rock: Beat, Blues Rock, Hardrock |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 15 (6 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP 1 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| A 1. | Back In The U.S.S.R. | ||
| A 2. | Dear Prudence | ||
| A 3. | Glass Onion | ||
| A 4. | Ob-La-Di, Ob-La-Da | ||
| A 5. | Wild Honey Pie | ||
| A 6. | The Continuing Story Of Bungalow Bill | ||
| A 7. | While My Guitar Gently Weeps | ||
| A 8. | Happiness Is A Warm Gun | ||
| B 9. | Martha My Dear | ||
| B 10. | I'm So Tired | ||
| B 11. | Blackbird | ||
| B 12. | Piggies | ||
| B 13. | Rocky Raccoon | ||
| B 14. | Don't Pass Me By | ||
| B 15. | Why Don't We Do It In The Road? | ||
| B 16. | I Will | ||
| B 17. | Julia | ||
| LP 2 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| A 1. | Birthday | ||
| A 2. | Yer Blues | ||
| A 3. | Mother Nature's Son | ||
| A 4. | Everybody's Got Something To Hide Except Me And My Monkey | ||
| A 5. | Sexy Sadie | ||
| A 6. | Helter Skelter | ||
| A 7. | Long, Long, Long | ||
| B 8. | Revolution I | ||
| B 9. | Honey Pie | ||
| B 10. | Savoy Truffle | ||
| B 11. | Cry Baby Cry | ||
| B 12. | Revolution 9 | ||
| B 13. | Good Night | ||
Infos
Mono Remaster 2014
Toploader gatefold individually numbered, includes portaits of each Beatle (pictures 5-8), a poster with lyrics on backside (picture 4) and a sheet with individial mastering notes (picture 9+10).
EAN only on sticker on shrinkwrap.
No playtimes on cover or label.
The Beatles’ mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.
Working in the same room at Abbey Road where most of The Beatles’ albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.
Manufactured for the world at Optimal Media in Germany.
Toploader gatefold individually numbered, includes portaits of each Beatle (pictures 5-8), a poster with lyrics on backside (picture 4) and a sheet with individial mastering notes (picture 9+10).
EAN only on sticker on shrinkwrap.
No playtimes on cover or label.
The Beatles’ mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.
Working in the same room at Abbey Road where most of The Beatles’ albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.
Manufactured for the world at Optimal Media in Germany.