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The Beatles
Mono Masters
3-LP, 2014, Compilation, Mono, Re-Release, Remastered, Gatefold, 180 Gramm Vinyl
| Herstellungsland | Deutschland |
|---|---|
| Veröffentlichungs-Jahr | 2014 |
| Orig. Release | 2009 |
| Zeit | 99:00 |
| EAN-Nr. | 602537734511 |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | Calderstone Productions Limited (Universal) / Apple / 0602537734511 |
| Musikrichtung | Rock: Beat |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 10 (5 privat) | 1 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP 1 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 34:57 | ||
| A 1. | Love Me Do (Original Single Version) | 2:25 | |
| A 2. | From Me To You | 1:57 | |
| A 3. | Thank You Girl | 2:04 | |
| A 4. | She Loves You | 2:21 | |
| A 5. | I'll Get You | 2:06 | |
| A 6. | I Want To Hold Your Hand | 2:26 | |
| A 7. | This Boy | 2:16 | |
| B 8. | Komm Gib Mir Deine Hand | 2:26 | |
| B 9. | Sie Liebt Dich | 2:19 | |
| B 10. | Long Tall Sally | 2:03 | C |
| B 11. | I Call Your Name | 2:11 | |
| B 12. | Slow Down | 2:57 | C |
| B 13. | Matchbox | 1:59 | C |
| B 14. | I Feel Fine | 2:23 | |
| B 15. | She's A Woman | 3:04 | |
| LP 2 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 33:52 | ||
| A 1. | Bad Boy | 2:20 | C |
| A 2. | Yes It Is | 2:42 | |
| A 3. | I'm Down | 2:38 | |
| A 4. | Day Tripper | 2:52 | |
| A 5. | We Can Work It Out | 2:15 | |
| A 6. | Paperback Writer | 2:26 | |
| A 7. | Rain | 3:01 | |
| B 8. | Lady Madonna | 2:17 | |
| B 9. | The Inner Light | 2:36 | |
| B 10. | Hey Jude | 7:20 | |
| B 11. | Revolution | 3:25 | |
| LP 3 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 30:11 | ||
| A 1. | Only A Northern Song | 3:26 | |
| A 2. | All Together Now | 2:11 | |
| A 3. | Hey Bulldog | 3:14 | |
| A 4. | It's All Too Much | 6:22 | |
| B 5. | Get Back [With Billy Preston] | 3:11 | |
| B 6. | Don't Let Me Down [With Billy Preston] | 3:33 | |
| B 7. | Across The Universe | 3:50 | |
| B 8. | You Know My Name (Look Up The Number) | 4:24 | |
Infos
Triplefold cover with black innersleeves.
No playtimes on cover or label. Playtimes copied from another dataset.
Catalogue number from cover spine. On labels are the following numbers:
Disc1 - 5099908271518
Disc2 - 5099908271617
Disc3 - 00602537734504
Collection of non-album tracks released in mono on vinyl for the first time.
The Beatles’ mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.
Working in the same room at Abbey Road where most of The Beatles’ albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.
Manufactured for the world at Optimal Media in Germany.
No playtimes on cover or label. Playtimes copied from another dataset.
Catalogue number from cover spine. On labels are the following numbers:
Disc1 - 5099908271518
Disc2 - 5099908271617
Disc3 - 00602537734504
Collection of non-album tracks released in mono on vinyl for the first time.
The Beatles’ mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.
Working in the same room at Abbey Road where most of The Beatles’ albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.
Manufactured for the world at Optimal Media in Germany.