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Spear Of Destiny
The Collection
CD, 1991, Compilation
| Herstellungsland | Großbritannien |
|---|---|
| Veröffentlichungs-Jahr | 1991 |
| Zeit | 62:01 |
| EAN-Nr. | 5017615929720 |
| Label/Labelcode | CASTLE COMMUNICATIONS / LC 06448 |
| Plattenfirma/Katalog-Nr. | Castle / CCSCD 297 |
| Musikrichtung | Rock: Alternative Rock, Indie Rock |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 (2 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 62:01 | ||
| 1. | The Wheel | 3:08 | L |
| 2. | Flying Scotsman | 3:20 | |
| 3. | The Murder Of Love | 3:12 | |
| 4. | Grapes Of Wrath | 4:44 | |
| 5. | Rainmaker | 2:55 | |
| 6. | Young Men | 3:13 | |
| 7. | Liberator (7" Version) | 3:11 | |
| 8. | Prisoner Of Love | 3:35 | |
| 9. | Rosie | 4:38 | C |
| 10. | Attica | 2:34 | |
| 11. | Come Back (Dub) | 6:10 | |
| 12. | World Service | 4:33 | |
| 13. | All My Love (Ask Nothing) | 3:44 | |
| 14. | Mickey | 6:20 | |
| 15. | Somewhere In The East | 3:24 | |
| 16. | Cole Younger | 3:20 | |
Infos
The COLLECTOR SERIES | LC 6448 | CASTLE Communications // (c) 1991 Castle Communications Plc, released under license from Sony Music Entertainment (UK) Ltd
- "Castle Communications / LC 6448" Label: Castle ~ used logo: CASTLE Communications (Bild 10)
released February 7, 1991
Post-punk, alternative rock, indie rock
9.: 'Rosie' the traditional (group work song) arranged by K Brandon
- 1947: recorded by prisoners at Mississippi State Penitentiary's Parchman work camp
A stomp starts the song. The lead singer starts with a call, and the group/other workers respond with the second half of the phrase:
Lead Singer's Call: "Be my woman, gal, I'll-"
Group Response: " -be your man." (Ends like a melodic question.)
Repeat of the call and response. Ends with a resolution to the melodic question.
Second two-phrase unit begins, with the pattern continuing: Stomp-call, stomp-response.
Call: "Every Sunday's dollar-"
Response: "-in your hand."
Call: "In your hand, Lordy-"
Response: "-in your hand."
Call: "Every Sundays dollar-"
Response: "-in your hand."
Call: "Stick to the promise, gal, that-"
Response: "-you made me." This is sung three times, like the song's first line.
Call: "Wasn't gonna marry 'til-uh-"
Response: "-I go free."
Call: "I go free, lordy-"
Response: "I go free."
Call: "Wasn't gonna marry 'til-uh-"
Response: "-I go free."
Call: "Well, Rosie-" Notice how the melody is similar but adjusted to the new words; ornaments inflect the text.
Call: "-oh, lord, gal." A similarity in the polyvocal responses with slight variations. The vocal intensity changes with each statement, especially with the lead singer
Call: "Ah, Rosie-"
Response: "-oh, lord, gal."
Each of the next two call-and-response lines repeat twice; the two-phrase melodic units continue.
Call: "When she walks she reels and-"
Response: "-rocks behind."
Call: "Ain't that enough to worry-"
Response: "-[a] convict's mind."
A repeat of the "Well, Rosie/Ah, Rosie" lines
A repeat of the first four lines of the song: "Be my woman, gal, I'll be your man (three times)/Every Sunday's dollar in your hand."
"Well, Rosie/Ah, Rosie" lines return for the third time.
Fade out.
End.
- "Castle Communications / LC 6448" Label: Castle ~ used logo: CASTLE Communications (Bild 10)
released February 7, 1991
Post-punk, alternative rock, indie rock
9.: 'Rosie' the traditional (group work song) arranged by K Brandon
- 1947: recorded by prisoners at Mississippi State Penitentiary's Parchman work camp
A stomp starts the song. The lead singer starts with a call, and the group/other workers respond with the second half of the phrase:
Lead Singer's Call: "Be my woman, gal, I'll-"
Group Response: " -be your man." (Ends like a melodic question.)
Repeat of the call and response. Ends with a resolution to the melodic question.
Second two-phrase unit begins, with the pattern continuing: Stomp-call, stomp-response.
Call: "Every Sunday's dollar-"
Response: "-in your hand."
Call: "In your hand, Lordy-"
Response: "-in your hand."
Call: "Every Sundays dollar-"
Response: "-in your hand."
Call: "Stick to the promise, gal, that-"
Response: "-you made me." This is sung three times, like the song's first line.
Call: "Wasn't gonna marry 'til-uh-"
Response: "-I go free."
Call: "I go free, lordy-"
Response: "I go free."
Call: "Wasn't gonna marry 'til-uh-"
Response: "-I go free."
Call: "Well, Rosie-" Notice how the melody is similar but adjusted to the new words; ornaments inflect the text.
Call: "-oh, lord, gal." A similarity in the polyvocal responses with slight variations. The vocal intensity changes with each statement, especially with the lead singer
Call: "Ah, Rosie-"
Response: "-oh, lord, gal."
Each of the next two call-and-response lines repeat twice; the two-phrase melodic units continue.
Call: "When she walks she reels and-"
Response: "-rocks behind."
Call: "Ain't that enough to worry-"
Response: "-[a] convict's mind."
A repeat of the "Well, Rosie/Ah, Rosie" lines
A repeat of the first four lines of the song: "Be my woman, gal, I'll be your man (three times)/Every Sunday's dollar in your hand."
"Well, Rosie/Ah, Rosie" lines return for the third time.
Fade out.
End.