Mojo Presents In My Room
CD, 2006, Heftbeilage, Tribute

Herstellungsland Belgien
Veröffentlichungs-Jahr 2006
Zeit 45:24
EAN-Nr. nicht vorhanden
Label/Labelcode nicht vorhanden
Plattenfirma/Katalog-Nr. MOJO / MOJBEACHBOYSJAN06
Musikrichtung Pop
Sammlungen Gesucht Flohmarkt
6 (2 privat) 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD
Track Künstler/Band Titel Zeit Besonderheit
Gesamtzeit 45:24  
1. The Who Barbara Ann 1:58 C
2. The Beach Boys Hang On To Your Ego 3:10
3. Curt Boettcher It's a Sad World 2:48 C
4. The High Llamas Leaf and Lime 3:27
5. The Superimposers Would It Be Possible 3:52
6. Steve Almaas & Ali Smith The Lonely Sea 3:24 C
7. Jan & Dean Like a Summer Rain 2:28
8. Epicycle Wake the World 1:45 C
9. Doleful Lions H.E.L.P. Is on the Way 2:25 C
10. The Apples In Stereo Submarine Dream 4:28
11. The Mockers God Only Knows 3:29 C
12. Elf Power All the World Is Waiting 3:03
13. The Mark Wirtz Orchestra & Chorus I Can Hear Music 3:10 C
14. The Langley Schools Music Project In My Room 2:24 C
15. The Barracudas His Last Summer 3:33

Infos

MOJO | MOJO 158 | MOJO Presents | MOJO January 2007 | A High Fidelity Recording | RESPECT The Value Of MUSIC // A 23 Ears Production for MOJO magazine

matrix: ifpi LK46 MOJBEACHBOYSJAN06 SP ifpi 5M05

MOJO Presents In
My Room
Featuring
RARE
Beach
Boys
Track!

A Tribute to the Genius of Brian Wilson



released December 1, 2006

Psychedelic Pop


taken from ~
1 - The Who - A Quick One

2 - The Beach Boys - Pet Sounds 40th Anniversary Edition: Tracks 1-13 are presented in their original mono mixes. Track 14 (Hang On To Your Ego) is mono: Lead vocal: Brian Wilson.
Recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA.
Mixed from the original four-track master tape by Larry Walsh and Mark Linett at Capitol Records, Hollywood, CA, December 1987.
- Pet Sounds album originally was released on May 16, 1966, as Capitol album T 2458

3 - Curt Boettcher - Chicken Little Was Right // The Ballroom song
- released 2004 Rev-Ola / CRREV73 (Notes: Recordings and demos by Curt Boettcher and Web Burrell after their first album "There's An Innocent Face" (1973))
- released June 30. 2004 Sonic Past / SCM 9016
- Sonic Past: While the album was never completely finished, these re-mastered tracks retain the warmth found in Curt's best material. Producer and composer Curt Boettcher was among the principal architects of the sunshine pop sound of the mid-'60s, his harmony laden, melody rich approach gracing the Top Ten hits of the Association as well as his own projects, including Sagittarius and the Millennium. Born and raised in Wisconsin, he began his career as a folksinger, co-founding the GoldeBriars in 1962; the group's self-titled debut album appeared on Epic two years later. Although the GoldeBriars' complex harmonies anticipated the style of Boettcher's subsequent work, the foursome dissolved after a second LP, Straight Ahead; he then turned to studio work, in 1966 arranging the Association's breakthrough hit "Along Comes Mary." The chart-topping "Cherish" followed and Boettcher also produced the band's debut album And Then, Along Comes the Association; however, the collaboration soon ended and in between producing material for Tommy Roe, Boettcher turned his focus to his own group the Ballroom, recording a long-unreleased LP which finally saw release three decades later on Rev-Ola under the title Preparing for the Millennium. Boettcher then signed on with producer Gary Usher's studio super group Sagittarius; 1967's Present Tense also featured contributions from the Beach Boys' Bruce Johnston and Glen Campbell, the latter assuming lead vocals on the classic "My World Fell Down." While recording Present Tense, Boettcher formed the Millennium, which issued its sole album Begin -- the product of what was then the most costly recording session in the history of Columbia Records -- in 1968.
- The Ballroom: Preparing for the Millennium released 1998 Rev-Ola / CREV058CD:
It's a Sad World (Demo) (Dinovi-Mauer) 3:14
- Magic Time: The Millennium/Ballroom Recordings released 2001 Sundazed / SC 11102:
It's a Sad World (Dinovi-Mauer) 3:48 from unreleased Columia LP (1967)
recorded November, 1966
produced by Curt Boettcher
It's a Sad World (Instr.) (Dinovi-Mauer) 3:49
recorded September 16, 1966
produced by Curt Boettcher

4 - The High Llamas - Beet, Maize & Corn

5 - The Superimposer - The Superimposer

6 - Steve Almaas & Ali Smith - You Showed Me releasedOctober 2006 Parasol / PAR-CD-102

7 - Jan & Dean - Save For A Rainy Day
8 - Epicycle - The Best Of Epicycle

9 - exclusive to MOJO magazine

10 - The Apples In Stereo - The Discovery Of A World Inside The Moone

11 - The Mockers - The Lonesome Death Of Electric Campfire

12 - Elf Power - Back To The Web

13 - Mark Wirtz Orchestra & Chorus - The Go-Go Music Of The Mark Wirtz Orchestra & Chorus
- taken from the album 'The MARK WIRTZ Orchestra & Chorus: Come Back & Shake Me: Teenage Dancing Made in England' released 1969 Decca / SLK 16613-P

14 - The Langley Schools Music Project - Innocence & Despair
15 - The Barracudas - Drop Out With The Barracudas

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.