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Ludwig van Beethoven
Beethoven 2020 - The New Complete Edition
118-CD + 2-DVD + 3-Blu-ray Disc, 2019, Box, Compilation, Limited Edition, Remastered, Cardsleeve, Cardsleeve
| Herstellungsland | Europäische Union |
|---|---|
| Veröffentlichungs-Jahr | 2019 |
| Zeit | 10575:08 |
| EAN-Nr. | 028948367672 |
| Label/Labelcode | Deutsche Grammophon / LC 0173 |
| Plattenfirma/Katalog-Nr. | Deutsche Grammophon / 4836767 |
| Musikrichtung | Klassik: Chor, Kammermusik, Klavierkonzert, Konzert, Messe, Oper, Sinfonie, Solokonzert |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 (1 privat) | 1 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD 1 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 70:58 | ||
| 1. | Symphony No. 1 In C Major, Op. 21: I. Adagio Molto - Allegro Con Brio | 70:58 | |
| 2. | Symphony No. 1 In C Major, Op. 21: II. Andante Cantabile Con Moto | ||
| 3. | Symphony No. 1 In C Major, Op. 21: III. Menuetto. Allegro Molto E Vivace | ||
| 4. | Symphony No. 1 In C Major, Op. 21: IV. Adagio - Allegro Molto E Vivace | ||
| 5. | Overture “Die Geschöpfe Des Prometheus”, Op. 43 | ||
| 6. | Symphony No. 2 In D Major, Op. 36: I. Adagio Molto - Allegro Con Brio | ||
| 7. | Symphony No. 2 In D Major, Op. 36: II. Larghetto | ||
| 8. | Symphony No. 2 In D Major, Op. 36: III. Scherzo. Allegro | ||
| 9. | Symphony No. 2 In D Major, Op. 36: IV. Allegro Molto | ||
| 10. | Overture Leonore No. 3, Op. 72b: Adagio - Allegro | ||
| CD 2 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 82:37 | ||
| 1. | Symphony No. 3 In E-Flat, Op. 55 "Eroica": I. Allegro Con Brio | 82:37 | |
| 2. | Symphony No. 3 In E-Flat, Op. 55 "Eroica": II. Marcia Funebre. Adagio Assai | ||
| 3. | Symphony No. 3 In E-Flat, Op. 55 "Eroica": III. Scherzo. Allegro Vivace | ||
| 4. | Symphony No. 3 In E-Flat, Op. 55 "Eroica": IV. Finale. Allegro Molto | ||
| 5. | Symphony No. 4 In B-Flat, Op. 60: I. Adagio – Allegro Vivace | ||
| 6. | Symphony No. 4 In B-Flat, Op. 60: II. Adagio | ||
| 7. | Symphony No. 4 In B-Flat, Op. 60: III. Allegro Vivace | ||
| 8. | Symphony No. 4 In B-Flat, Op. 60: IV. Allegro Ma Non Troppo | ||
| CD 3 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:00 | ||
| 1. | Overture “Coriolan”, Op. 62: Allegro Con Brio | 83:00 | |
| 2. | Symphony No. 5 In C, Op. 67: I. Allegro Con Brio | ||
| 3. | Symphony No. 5 In C, Op. 67: II. Andante Con Moto | ||
| 4. | Symphony No. 5 In C, Op. 67: III. Allegro - Attacca | ||
| 5. | Symphony No. 5 In C, Op. 67: IV. Allegro | ||
| 6. | Symphony No. 6 In F, Op. 68 “Pastoral”: I. Allegro Ma Non Troppo “Erwachen Heiterer Gefühle Bei Der Ankunft Auf Dem Lande” | ||
| 7. | Symphony No. 6 In F, Op. 68 “Pastoral”: II. Andante Molto Mosso “Szene Am Bach” | ||
| 8. | Symphony No. 6 In F, Op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein Der Landleute” | ||
| 9. | Symphony No. 6 In F, Op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm” | ||
| 10. | Symphony No. 6 In F, Op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, Dankbare Gefühle Nach Dem Sturm” | ||
| CD 4 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 79:01 | ||
| 1. | Symphony No. 7 In A, Op. 92: I. Poco Sostenuto - Vivace | 79:01 | |
| 2. | Symphony No. 7 In A, Op. 92: II. Allegretto | ||
| 3. | Symphony No. 7 In A, Op. 92: III. Presto | ||
| 4. | Symphony No. 7 In A, Op. 92: IV. Allegro Con Brio | ||
| 5. | Symphony No. 8 In F, Op. 93: I. Allegro Vivace E Con Brio | ||
| 6. | Symphony No. 8 In F, Op. 93: II. Allegretto Scherzando | ||
| 7. | Symphony No. 8 In F, Op. 93: III. Tempo Di Menuetto | ||
| 8. | Symphony No. 8 In F, Op. 93: IV. Allegro Vivace | ||
| 9. | Overture (In C) "Zur Namensfeier", Op. 115: Maestoso - Allegro Assai | ||
| 10. | Wellingtons Sieg Oder Die Schlacht Bei Vittoria, Op. 91 | ||
| CD 5 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 66:48 | ||
| 1. | Symphony No. 9 In D, Op. 125: I. Allegro Ma Non Troppo, Un Poco Maestoso | 66:48 | |
| 2. | Symphony No. 9 In D, Op. 125: II. Molto Vivace | ||
| 3. | Symphony No. 9 In D, Op. 125: III. Adagio Molto E Cantabile | ||
| 4. | Symphony No. 9 In D, Op. 125: IV. Presto - Allegro Assai - | ||
| 5. | Symphony No. 9 In D, Op. 125: IV. Presto - “O Freunde, Nicht Diese Töne!” - Allegro Assai: “Freude, Schöner Götterfunken” - Allegro Assai Vivace... | ||
| CD 6 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 85:43 | ||
| 1. | Symphony No. 1 In C, Op. 21: I. Adagio Molto – Allegro Con Brio | 85:43 | |
| 2. | Symphony No. 1 In C, Op. 21: II. Andante Cantabile Con Moto | ||
| 3. | Symphony No. 1 In C, Op. 21: III. Menuetto. Allegro Molto E Vivace | ||
| 4. | Symphony No. 1 In C, Op. 21: IV. Adagio – Allegro Molto E Vivace | ||
| 5. | Symphony No. 2 In D, Op. 36: I. Adagio – Allegro Con Brio | ||
| 6. | Symphony No. 2 In D, Op. 36: II. Larghetto | ||
| 7. | Symphony No. 2 In D, Op. 36: III. Scherzo. Allegro | ||
| 8. | Symphony No. 2 In D, Op. 36: IV. Allegro Molto | ||
| 9. | Music To Johann Wolfgang Von Goethe's Tragedy "Egmont", Op. 84 (Excerpts): Overture. Sostenuto, Ma Non Troppo - Allegro | ||
| 10. | Music To Johann Wolfgang Von Goethe's Tragedy "Egmont", Op. 84 (Excerpts): No. 1 Lied: “Die Trommel Gerühret” Vivace (Clärchen) | ||
| 11. | Music To Johann Wolfgang Von Goethe's Tragedy "Egmont", Op. 84 (Excerpts): No. 2 Entr'acte I: Andante - Allegro Con Brio | ||
| 12. | Music To Johann Wolfgang Von Goethe's Tragedy "Egmont", Op. 84 (Excerpts): No. 3 Entr'acte II: Larghetto | ||
| 13. | Music To Johann Wolfgang Von Goethe's Tragedy "Egmont", Op. 84 (Excerpts): No. 4 Lied: “Freudvoll Und Leidvoll” Andante Con Moto - Allegro Assai Viva. | ||
| 14. | Music To Johann Wolfgang Von Goethe's Tragedy "Egmont", Op. 84 (Excerpts): No. 9 Siegessymphonie (Victory Symphony). Allegro Con Brio | ||
| CD 7 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:41 | ||
| 1. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: I. Allegro Con Brio | 84:41 | |
| 2. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: II. Marcia Funebre. Adagio Assai | ||
| 3. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: III. Scherzo. Allegro Vivace | ||
| 4. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: IV. Finale. Allegro Molto | ||
| 5. | Symphony No. 4 In B-Flat, Op. 60: I. Adagio - Allegro Vivace | ||
| 6. | Symphony No. 4 In B-Flat, Op. 60: II. Adagio | ||
| 7. | Symphony No. 4 In B-Flat, Op. 60: III. Allegro Vivace | ||
| 8. | Symphony No. 4 In B-Flat, Op. 60: IV. Allegro Ma Non Troppo | ||
| CD 8 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 71:52 | ||
| 1. | Symphony No. 5 In C, Op. 67: I. Allegro Con Brio | 71:52 | |
| 2. | Symphony No. 5 In C, Op. 67: II. Andante Con Moto | ||
| 3. | Symphony No. 5 In C, Op. 67: III. Allegro - | ||
| 4. | Symphony No. 5 In C, Op. 67: IV. Allegro | ||
| 5. | Symphony No. 7 In A, Op. 92: I. Poco Sostenuto – Vivace | ||
| 6. | Symphony No. 7 In A, Op. 92: II. Allegretto | ||
| 7. | Symphony No. 7 In A, Op. 92: III. Presto | ||
| 8. | Symphony No. 7 In A, Op. 92: IV. Allegro Con Brio | ||
| CD 9 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:00 | ||
| 1. | Symphony No. 6 In F, Op. 68 “Pastoral”: I. Allegro Ma Non Troppo “Erwachen Heiterer Gefühle Bei Der Ankunft Auf Dem Lande” | 72:00 | |
| 2. | Symphony No. 6 In F, Op. 68 “Pastoral”: II. Andante Molto Mosso “Szene Am Bach” | ||
| 3. | Symphony No. 6 In F, Op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein Der Landleute” | ||
| 4. | Symphony No. 6 In F, Op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm” | ||
| 5. | Symphony No. 6 In F, Op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, Dankbare Gefühle Nach Dem Sturm” | ||
| 6. | Symphony No. 8 In F, Op. 93: I. Allegro Vivace E Con Brio | ||
| 7. | Symphony No. 8 In F, Op. 93: II. Allegretto Scherzando | ||
| 8. | Symphony No. 8 In F, Op. 93: III. Tempo Di Menuetto | ||
| 9. | Symphony No. 8 In F, Op. 93: IV. Allegro Vivace | ||
| CD 10 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 70:52 | ||
| 1. | Symphony No. 9 In D, Op. 125: I. Allegro Ma Non Troppo, Un Poco Maestoso | 70:52 | |
| 2. | Symphony No. 9 In D, Op. 125: II. Molto Vivace | ||
| 3. | Symphony No. 9 In D, Op. 125: III. Adagio Molto E Cantabile | ||
| 4. | Symphony No. 9 In D, Op. 125: IV. Presto - Allegro Assai - | ||
| 5. | Symphony No. 9 In D, Op. 125: V. Presto - “O Freunde, Nicht Diese Töne!” – Allegro Assai - Allegro Assai: “Freude, Schöner Götterfunken” - Allegro... | ||
| CD 11 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 57:28 | ||
| 1. | Symphony No. 1 In C, Op. 21: I. Adagio Molto - Allegro Con Brio | 57:28 | |
| 2. | Symphony No. 1 In C, Op. 21: II. Andante Cantabile Con Moto | ||
| 3. | Symphony No. 1 In C, Op. 21: III. Menuetto. Allegro Molto E Vivace | ||
| 4. | Symphony No. 1 In C, Op. 21: IV. Adagio - Allegro Molto E Vivace | ||
| 5. | Symphony No. 2 In D, Op. 36: I. Adagio Molto - Allegro Con Brio | ||
| 6. | Symphony No. 2 In D, Op. 36: II. Larghetto | ||
| 7. | Symphony No. 2 In D, Op. 36: III. Scherzo. Allegro | ||
| 8. | Symphony No. 2 In D, Op. 36: IV. Allegro Molto | ||
| CD 12 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 76:34 | ||
| 1. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: I. Allegro Con Brio | 76:34 | |
| 2. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: II. Marcia Funebre. Adagio Assai | ||
| 3. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: III. Scherzo. Allegro Vivace | ||
| 4. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: IV. Finale. Allegro Molto | ||
| 5. | Symphony No. 4 In B-Flat, Op. 60: I. Adagio - Allegro Vivace | ||
| 6. | Symphony No. 4 In B-Flat, Op. 60: II. Adagio | ||
| 7. | Symphony No. 4 In B-Flat, Op. 60: III. Allegro Vivace | ||
| 8. | Symphony No. 4 In B-Flat, Op. 60: IV. Allegro Ma Non Troppo | ||
| CD 13 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:45 | ||
| 1. | Symphony No. 5 In C, Op. 67: I. Allegro Con Brio | 72:45 | |
| 2. | Symphony No. 5 In C, Op. 67: II. Andante Con Moto | ||
| 3. | Symphony No. 5 In C, Op. 67: III. Allegro - | ||
| 4. | Symphony No. 5 In C, Op. 67: IV. Allegro | ||
| 5. | Symphony No. 6 In F, Op. 68 “Pastoral”: I. Allegro Ma Non Troppo “Erwachen Heiterer Gefühle Bei Der Ankunft Auf Dem Lande” | ||
| 6. | Symphony No. 6 In F, Op. 68 “Pastoral”: II. Andante Molto Mosso “Szene Am Bach” | ||
| 7. | Symphony No. 6 In F, Op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein Der Landleute” | ||
| 8. | Symphony No. 6 In F, Op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm” | ||
| 9. | Symphony No. 6 In F, Op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, Dankbare Gefühle Nach Dem Sturm” | ||
| CD 14 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 62:43 | ||
| 1. | Symphony No. 7 In A, Op. 92: I. Poco Sostenuto - Vivace | 62:43 | |
| 2. | Symphony No. 7 In A, Op. 92: II. Allegretto | ||
| 3. | Symphony No. 7 In A, Op. 92: III. Presto | ||
| 4. | Symphony No. 7 In A, Op. 92: IV. Allegro Con Brio | ||
| 5. | Symphony No. 8 In F, Op. 93: I. Allegro Vivace E Con Brio | ||
| 6. | Symphony No. 8 In F, Op. 93: II. Allegretto Scherzando | ||
| 7. | Symphony No. 8 In F, Op. 93: III. Tempo Di Menuetto | ||
| 8. | Symphony No. 8 In F, Op. 93: IV. Allegro Vivace | ||
| CD 15 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 77:40 | ||
| 1. | Symphony No. 9 In D, Op. 125: I. Allegro Ma Non Troppo, Un Poco Maestoso | 77:40 | |
| 2. | Symphony No. 9 In D, Op. 125: II. Molto Vivace | ||
| 3. | Symphony No. 9 In D, Op. 125: III. Adagio Molto E Cantabile | ||
| 4. | Symphony No. 9 In D, Op. 125: IV. Presto - Allegro Assai - | ||
| 5. | Symphony No. 9 In D, Op. 125: V. Presto - “O Freunde! Nicht Diese Töne!” - Allegro Assai: “Freude, Schöner Götterfunken” - Allegro Assai Vivace. ... | ||
| 6. | Fantasia For Piano, Chorus And Orchestra In C, Op. 80 (“Choral Fantasy”): Adagio | ||
| 7. | Fantasia For Piano, Chorus And Orchestra In C, Op. 80 (“Choral Fantasy”): Finale. Allegro - Meno Allegro (Allegretto) - Allegro Molto - Adagio Ma Non | ||
| CD 16 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:50 | ||
| 1. | Piano Concerto E-Flat, Woo 4: I. Allegro Moderato | 84:50 | |
| 2. | Piano Concerto E-Flat, Woo 4: II. Larghetto | ||
| 3. | Piano Concerto E-Flat, Woo 4: III. Rondo. Allegretto | ||
| 4. | Piano Concerto No. 2 In B-Flat, Op. 19: I. Allegro Con Brio | ||
| 5. | Piano Concerto No. 2 In B-Flat, Op. 19: II. Adagio | ||
| 6. | Piano Concerto No. 2 In B-Flat, Op. 19: III. Rondo. Molto Allegro | ||
| 7. | Piano Concerto No. 1 In C, Op. 15: I. Allegro Con Brio | ||
| 8. | Piano Concerto No. 1 In C, Op. 15: II. Largo | ||
| 9. | Piano Concerto No. 1 In C, Op. 15: III. Rondo. Allegro | ||
| CD 17 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 69:15 | ||
| 1. | Piano Concerto No. 3 In C, Op. 37: I. Allegro Con Brio | 69:15 | |
| 2. | Piano Concerto No. 3 In C, Op. 37: II. Largo | ||
| 3. | Piano Concerto No. 3 In C, Op. 37: III. Rondo. Allegro | ||
| 4. | Piano Concerto No. 4 In G, Op. 58: I. Allegro Moderato | ||
| 5. | Piano Concerto No. 4 In G, Op. 58: II. Andante Con Moto | ||
| 6. | Piano Concerto No. 4 In G, Op. 58: III. Rondo. Vivace | ||
| CD 18 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 86:26 | ||
| 1. | Piano Concerto No. 4 In G, Op. 58: III. Rondo. Vivace | 86:26 | |
| 2. | Piano Concerto No. 5 In E-Flat, Op. 73 “Emperor”: II. Adagio Un Poco Moto - Attacca | ||
| 3. | Piano Concerto No. 5 In E-Flat, Op. 73 “Emperor”: III. Rondo. Allegro | ||
| 4. | Violin Concerto In D, Op. 61: I. Allegro Ma Non Troppo (Cadenza: Fritz Kreisler) | ||
| 5. | Violin Concerto In D, Op. 61: II. Larghetto - Attacca | ||
| 6. | Violin Concerto In D, Op. 61: III. Rondo. Allegro (Cadenza: Fritz Kreisler) | ||
| CD 19 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 69:03 | ||
| 1. | Violin Concerto In D, Op. 61: I. Allegro Ma Non Troppo | 69:03 | |
| 2. | Violin Concerto In D, Op. 61: II. Larghetto - Attacca | ||
| 3. | Violin Concerto In D, Op. 61: III. Rondo. Allegro | ||
| 4. | Romance For Violin And Orchestra No. 1 In G, Op. 40: Andante | ||
| 5. | Romance For Violin And Orchestra No. 2 In F, Op. 50: Andante Cantabile | ||
| 6. | Romance Cantabile For Piano, Flute And Bassoon Accompanied By 2 Oboes And Strings In E, Woo 207: Andante Cantabile | ||
| CD 20 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 76:48 | ||
| 1. | Piano Concerto No. 1 In C, Op. 15: I. Allegro Con Brio | 76:48 | |
| 2. | Piano Concerto No. 1 In C, Op. 15: II. Largo | ||
| 3. | Piano Concerto No. 1 In C, Op. 15: III. Rondo. Allegro Scherzando | ||
| 4. | Piano Concerto No. 2 In B, Op. 19: I. Allegro Con Brio | ||
| 5. | Piano Concerto No. 2 In B, Op. 19: II. Adagio | ||
| 6. | Piano Concerto No. 2 In B, Op. 19: I. Rondo. Molto Allegro | ||
| 7. | Rondo For Piano And Orchestra In B, Woo 6: Allegro | ||
| 8. | Cadenza For Piano Concerto No. 1, Hess 76 | ||
| CD 21 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 86:28 | ||
| 1. | Piano Concerto No. 3 In C, Op. 37: I. Allegro Con Brio | 86:28 | |
| 2. | Piano Concerto No. 3 In C, Op. 37: II. Largo | ||
| 3. | Piano Concerto No. 3 In C, Op. 37: III. Rondo. Allegro | ||
| 4. | Piano Concerto No. 4 In G, Op. 58: I. Allegro Moderato | ||
| 5. | Piano Concerto No. 4 In G, Op. 58: II. Andante Con Moto | ||
| 6. | Piano Concerto No. 4 In G, Op. 58: III. Rondo. Vivace | ||
| 7. | Fantasia For Piano, Chorus And Orchestra In C, Op. 80: Adagio | ||
| 8. | Fantasia For Piano, Chorus And Orchestra In C, Op. 80: Finale. Allegro - Meno Allegro (Allegretto) - Allegro Molto - Adagio Ma Non Troppo - Marcia... | ||
| CD 22 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:31 | ||
| 1. | Piano Concerto No. 5 In E-Flat, Op. 73 “Emperor”: I. Allegro | 83:31 | |
| 2. | Piano Concerto No. 5 In E-Flat, Op. 73 “Emperor”: II. Adagio Un Poco Mosso - Attacca | ||
| 3. | Piano Concerto No. 5 In E-Flat, Op. 73 “Emperor”: III. Rondo. Allegro | ||
| 4. | Piano Concerto In D, Op. 61a: I. Allegro Ma Non Troppo | ||
| 5. | Piano Concerto In D, Op. 61a: II. Larghetto - Attacca | ||
| 6. | Piano Concerto In D, Op. 61a: III. Rondo. Allegro | ||
| CD 23 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:33 | ||
| 1. | Concerto For Piano, Violin, Cello, And Orchestra In C, Op. 56 (“Triple Concerto”): I. Allegro | 83:33 | |
| 2. | Concerto For Piano, Violin, Cello, And Orchestra In C, Op. 56 (“Triple Concerto”): II. Largo – Attacca | ||
| 3. | Concerto For Piano, Violin, Cello, And Orchestra In C, Op. 56 (“Triple Concerto”): III. Rondo Alla Polacca | ||
| 4. | Violin Concerto Movement In C, Woo 5 (Completed By Fischer [+ Urakawa Cadenza]) | ||
| 5. | Wolfgang Amadeus Mozart Piano Concerto No. 20 In D, K. 466: I. Allegro [Cadenza For The Allegro Of Mozart's Piano Concerto No. 20, Woo 58 No. 1] | ||
| 6. | Wolfgang Amadeus Mozart Piano Concerto No. 20 In D, K. 466: II. Romance | ||
| 7. | Wolfgang Amadeus Mozart Piano Concerto No. 20 In D,K.466: III.Rondo.Allegro Assai [Cadenza For The Rondo Of Mozart's Piano Concerto No. 20, Woo 58no.2 | ||
| CD 24 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 79:22 | ||
| 1. | Ritterballett, Woo 1: No. 1 Marsch | 79:22 | |
| 2. | Ritterballett, Woo 1: No. 2 Deutscher Gesang. Allegro Moderato | ||
| 3. | Ritterballett, Woo 1: No. 3 Jagdlied. Allegretto | ||
| 4. | Ritterballett, Woo 1: Deutscher Gesang (Da Capo) | ||
| 5. | Ritterballett, Woo 1: No. 4 Romanze [Minnelied]. Andantino | ||
| 6. | Ritterballett, Woo 1: Deutscher Gesang (Da Capo) | ||
| 7. | Ritterballett, Woo 1: No. 5 Kriegslied. Allegro Assai Con Brio | ||
| 8. | Ritterballett, Woo 1: Deutscher Gesang (Da Capo) | ||
| 9. | Ritterballett, Woo 1: No. 6 Trinklied [“Mihi Est Propositum”]. Allegro Con Brio | ||
| 10. | Ritterballett, Woo 1: Deutscher Gesang (Da Capo) | ||
| 11. | Ritterballett, Woo 1: No. 7 Deutscher Tanz [Tanzlied]. Walzer | ||
| 12. | Ritterballett, Woo 1: No. 8 Coda. Allegro Vivace - Andantino - Tempo I | ||
| 13. | Die Geschöpfe Des Prometheus, Op. 43: Overtura: Adagio - Allegro Molto E Con Brio - Attacca | ||
| 14. | Die Geschöpfe Des Prometheus, Op. 43: [Introduzione] La Tempesta. Allegro Non Troppo - (Attacca) | ||
| 15. | Die Geschöpfe Des Prometheus, Op. 43: No. 1 Poco Adagio - Allegro Con Brio - Poco Adagio - Allegro Con Brio | ||
| 16. | Die Geschöpfe Des Prometheus, Op. 43: No. 2 Adagio - Allegro Con Brio | ||
| 17. | Die Geschöpfe Des Prometheus, Op. 43: No. 3 Allegro Vivace | ||
| 18. | Die Geschöpfe Des Prometheus, Op. 43: No. 4 Maestoso - Andante | ||
| 19. | Die Geschöpfe Des Prometheus, Op. 43: No. 5 Adagio - Andante Quasi Allegretto | ||
| 20. | Die Geschöpfe Des Prometheus, Op. 43: No. 6 Un Poco Adagio - Allegro - (Attacca) | ||
| 21. | Die Geschöpfe Des Prometheus, Op. 43: No. 7 Grave - (Attacca) | ||
| 22. | Die Geschöpfe Des Prometheus, Op. 43: No. 8 Allegro Con Brio - Presto | ||
| 23. | Die Geschöpfe Des Prometheus, Op. 43: No. 9 Adagio - Adagio - Allegro Molto | ||
| 24. | Die Geschöpfe Des Prometheus, Op. 43: No. 10 Pastorale. Allegro | ||
| 25. | Die Geschöpfe Des Prometheus, Op. 43: No. 11 Coro Di Gioja. Andante - (Attacca) | ||
| 26. | Die Geschöpfe Des Prometheus, Op. 43: No. 12 Solo Di Gioja. Maestoso - Adagio - Allegro | ||
| 27. | Die Geschöpfe Des Prometheus, Op. 43: No. 13 Terzettino - Grotteschi. Allegro - Comodo - Coda | ||
| 28. | Die Geschöpfe Des Prometheus, Op. 43: No. 14 Solo Della Signora Cassentini. Andante - Adagio - Allegro - Allegretto | ||
| 29. | Die Geschöpfe Des Prometheus, Op. 43: No. 15 Coro (E) Solo De Viganzò. Andantino - Adagio - Allegro | ||
| 30. | Die Geschöpfe Des Prometheus, Op. 43: No. 16 Finale. Allegretto - Allegro Molto - Presto | ||
| CD 25 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 79:58 | ||
| 1. | 12 Minuets For Orchestra, Woo 7: No. 1 In D | 79:58 | |
| 2. | 12 Minuets For Orchestra, Woo 7: No. 2 In B‐Flat | ||
| 3. | 12 Minuets For Orchestra, Woo 7: No. 3 In G | ||
| 4. | 12 Minuets For Orchestra, Woo 7: No. 4 In E‐Flat | ||
| 5. | 12 Minuets For Orchestra, Woo 7: No. 5 In C | ||
| 6. | 12 Minuets For Orchestra, Woo 7: No. 6 In A | ||
| 7. | 12 Minuets For Orchestra, Woo 7: No. 7 In D | ||
| 8. | 12 Minuets For Orchestra, Woo 7: No. 8 In B‐Flat | ||
| 9. | 12 Minuets For Orchestra, Woo 7: No. 9 In G | ||
| 10. | 12 Minuets For Orchestra, Woo 7: No. 10 In E‐Flat | ||
| 11. | 12 Minuets For Orchestra, Woo 7: No. 11 In C | ||
| 12. | 12 Minuets For Orchestra, Woo 7: No. 12 In F | ||
| 13. | 12 German Dances, Woo 8: No. 1 In C | ||
| 14. | 12 German Dances, Woo 8: No. 2 In A | ||
| 15. | 12 German Dances, Woo 8: No. 3 In F | ||
| 16. | 12 German Dances, Woo 8: No. 4 In B‐Flat | ||
| 17. | 12 German Dances, Woo 8: No. 5 In E‐Flat | ||
| 18. | 12 German Dances, Woo 8: No. 6 In G | ||
| 19. | 12 German Dances, Woo 8: No. 7 In C | ||
| 20. | 12 German Dances, Woo 8: No. 8 In A | ||
| 21. | 12 German Dances, Woo 8: No. 9 In F | ||
| 22. | 12 German Dances, Woo 8: No. 10 In D | ||
| 23. | 12 German Dances, Woo 8: No. 11 In G | ||
| 24. | 12 German Dances, Woo 8: No. 12 In C - Coda | ||
| 25. | 12 Contredances For Orchestra, Woo 14: No. 1 In C | ||
| 26. | 12 Contredances For Orchestra, Woo 14: No. 2 In A | ||
| 27. | 12 Contredances For Orchestra, Woo 14: No. 3 In D | ||
| 28. | 12 Contredances For Orchestra, Woo 14: No. 4 In B‐Flat | ||
| 29. | 12 Contredances For Orchestra, Woo 14: No. 5 In E‐Flat | ||
| 30. | 12 Contredances For Orchestra, Woo 14: No. 6 In C | ||
| 31. | 12 Contredances For Orchestra, Woo 14: No. 7 In E‐Flat | ||
| 32. | 12 Contredances For Orchestra, Woo 14: No. 8 In C | ||
| 33. | 12 Contredances For Orchestra, Woo 14: No. 9 In A | ||
| 34. | 12 Contredances For Orchestra, Woo 14: No. 10 In C | ||
| 35. | 12 Contredances For Orchestra, Woo 14: No. 11 In G | ||
| 36. | 12 Contredances For Orchestra, Woo 14: No. 12 In E‐Flat | ||
| 37. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 1 In D | ||
| 38. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 2 In D | ||
| 39. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 3 In D | ||
| 40. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 4 In D | ||
| 41. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 5 In D | ||
| 42. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 6 In D | ||
| 43. | March No. 1 In F For Military Band, Woo 18 (“Für Die Böhmische Landwehr” / “Yorck March”) | ||
| 44. | March No. 2 In F For Military Band, Woo 19 (With Trio In F, C. 1822) | ||
| 45. | March In C For Military Band, Woo 20 (“Zapfenstreich”; With Trio In F, C. 1822) | ||
| 46. | Polonaise In D For Military Band, Woo 21 | ||
| 47. | Ecossaise In D For Military Band, Woo 22 | ||
| 48. | March In D For Military Band, Woo 24 | ||
| CD 26 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 82:04 | ||
| 1. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: Overture. Sostenuto, Ma Non Troppo - Allegro | 82:04 | |
| 2. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 1 Song: “Die Trommel Gerühret” (Clärchen). Vivace | ||
| 3. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 2 Entr’acte I. Andante - Allegro Con Brio “Es Ist Keine Falsche Ader An Ihm”... | ||
| 4. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 3 Entr’acte II. Larghetto | ||
| 5. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 4 Song: “Freudvoll Und Leidvoll” (Clärchen). Andante Con Moto - Allegro Assai ... | ||
| 6. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 5 Entr’acte III. Allegro - Marcia. Vivace. “Der König Meint” (Regent) | ||
| 7. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 6 Entr’acte IV. Poco Sostenuto E Risoluto - Larghetto - Andante Agitato | ||
| 8. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 7 Clärchen’s Death. Larghetto. “Arme Seele!” (Egmont) | ||
| 9. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 8 Melodrama. “Süßer Schlaf! Du Kommst Wie Ein Reines Glück” (Egmont). Poco ... | ||
| 10. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: No. 9 Victory Symphony. Allegro Con Brio | ||
| 11. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: Overture. Andante Con Moto - Allegro Ma Non Troppo | ||
| 12. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: No. 1 Chorus: “Tochter Des Mächtigen Zeus”. Andante Poco Sostenuto | ||
| 13. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: No. 2 Duet: “Ohne Verschulden Knechtschaft Dulden”. Andante Con Moto... | ||
| 14. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: No. 3 Chorus Of Dervishes: “Du Hast In Deines Ärmels Falten Den Mond... | ||
| 15. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: No. 4 Marcia Alla Turca. Vivace / [No. 5 Offstage Music: “Es Wandelt... | ||
| 16. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: No. 6. March And Chorus: “Schmückt Die Altäre!”. Assai Moderato | ||
| 17. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: Recitative: “Mit Reger Freude, Die Nie Erkaltet”. Poco Adagio (High... | ||
| 18. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: No. 7 Chorus: “Wir Tragen Empfängliche Herzen Im Busen”. Allegretto,... | ||
| 19. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: Aria With Chorus: “Will Unser Genius Noch Einen Wunsch Gewähren”. ... | ||
| 20. | Music To August Von Kotzebue's Festival Play “Die Ruinen Von Athen”, Op. 113: No. 8 Chorus: “Heil Unserm König! Heil!”. Allegro Con Fuoco | ||
| 21. | Minuet For Orchestra In E‐Flat, Woo 3 (“Gratulations-Menuett”): Tempo Di Menuetto Quasi Allegretto | ||
| CD 27 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 76:42 | ||
| 1. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: Overture. Andante Con Moto - Presto | 76:42 | |
| 2. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 1 Chorus: “Ruhend Von Seinen Taten”. ... | ||
| 3. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 2 Chorus: “Auf Dunkelm Irrweg In Finst... | ||
| 4. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 3 Siegesmarsch / Feurig Und Stolz/Ihr.... | ||
| 5. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 4 Chorus:Wo Die Unschuld Blumen Streut... | ||
| 6. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 5 Melodrama: “Du Hast Dein Vaterland, ... | ||
| 7. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 6 Chorus: “Eine Neue Strahlende Sonne”. V | ||
| 8. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 7 Melodrama: “Ihr Edlen Ungarn! Hört ... | ||
| 9. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 8 Ecclesiastical March, Chorus And ... | ||
| 10. | Music To August Von Kotzebue's Festive Prologue “König Stephan Oder Ungarns Erster Wohltäter", Op. 117: No. 9 Final Chorus: “Heil! Heil Unsern Enkeln | ||
| 11. | Triumphal March From Christoph Kuffner's Tragedy “Tarpeja”, Woo 2a: Marcia. Lebhaft Und Stolz | ||
| 12. | Music For Carl Meisl's Occasional Play “Die Weihe Des Hauses”: Overture, Op. 124. Maestoso E Sostenuto - Allegro Con Brio | ||
| 13. | Music For Carl Meisl's Occasional Play “Die Weihe Des Hauses”: [No. 5] Chorus With Soprano Solo, Woo 98: “Wo Sich Die Pulse Jugendlich Jagen ... | ||
| 14. | Music For Carl Meisl's Occasional Play “Die Weihe Des Hauses”: No. 6 March And Chorus, Op. 114: “Schmückt Die Altäre!”. Assai Moderato | ||
| 15. | Music For Carl Meisl's Occasional Play “Die Weihe Des Hauses”: No. 7 Offstage Music [Melodrama], Op. 113 No. 5: “Es Wandelt Schon Das Volk Im Feier.. | ||
| 16. | Music To Johann Friedrich Duncker's Play “Leonore Prohaska”, Woo 96: No. 1 Chorus Of Warriors: “Wir Bauen Und Sterben” | ||
| 17. | Music To Johann Friedrich Duncker's Play “Leonore Prohaska”, Woo 96: No. 2 Romance: “Es Blüht Eine Blume Im Garten Mein” (Soprano). In Gehender Bew.. | ||
| 18. | Music To Johann Friedrich Duncker's Play “Leonore Prohaska”, Woo 96: No. 3 Melodrama: “Du, Dem Sie Gewunden” (Recitant). Feierlich, Doch Nicht Schl.. | ||
| 19. | Music To Johann Friedrich Duncker's Play “Leonore Prohaska”, Woo 96: No. 4 Trauermarsch. In Gehender, Annehmlicher Bewegung | ||
| CD 28 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 66:39 | ||
| 1. | Leonore, Hess 109: Overture “Leonore” No. 2 | 66:39 | |
| 2. | Leonore, Hess 109: Act I. “Twas In Truth An Hour Of Universal Ferment” (Erzähler) | ||
| 3. | Leonore, Hess 109: Act I. No. 1 Aria: “O Wär’ Ich Schon Mit Dir Vereint” (Marzelline) | ||
| 4. | Leonore, Hess 109: Act I. “Beharrlich Bleibt Auf Dem Liebespfad” (Erzähler) | ||
| 5. | Leonore, Hess 109: Act I. No. 2 Duet: “Jetzt Schätzchen, Jetzt Sind Wir Allein” (Jaquino, Marzelline) | ||
| 6. | Leonore, Hess 109: Act I. “Der Kerkermeister, Rocco, Der Vater” (Erzähler) | ||
| 7. | Leonore, Hess 109: Act I. No. 3 Trio: “Ein Mann Ist Bald Genommen” (Rocco, Marzelline, Jaquino) | ||
| 8. | Leonore, Hess 109: Act I. “Fidelio Kam - Und Niemand Weiß Woher” (Erzähler) | ||
| 9. | Leonore, Hess 109: Act I. No. 4 Quartet: “Mir Ist So Wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | ||
| 10. | Leonore, Hess 109: Act I. “Gefühl Ist Gut, Doch Geld Ist Besser” (Erzähler) | ||
| 11. | Leonore, Hess 109: Act I. No. 5 Aria: “Hat Man Nicht Auch Gold Beineben” (Rocco) | ||
| 12. | Leonore, Hess 109: Act I. “Unantastbar Klar Birgt Leonores Brust” (Erzähler) | ||
| 13. | Leonore, Hess 109: Act I. No. 6 Trio: “Gut, Söhnchen, Gut” (Rocco, Leonore, Marzelline) | ||
| 14. | Leonore, Hess 109: Act II. No. 7 Introduction, Woo 2b | ||
| 15. | Leonore, Hess 109: Act II. “Der Gouverneur Ist Da” (Erzähler) | ||
| 16. | Leonore, Hess 109: Act II. No. 8 Aria With Chorus: “Ha! Welch Ein Augenblick!” (Pizarro, Guards) | ||
| 17. | Leonore, Hess 109: Act II. “Postiert Eine Trompete Auf Dem Wachturm!” (Erzähler) | ||
| 18. | Leonore, Hess 109: Act II. No. 9 Duet: “Jetzt, Alter, Hat Es Eile!” (Pizarro, Rocco) | ||
| 19. | Leonore, Hess 109: Act II. “Und Leonore Begegnet Marzelline” (Erzähler) | ||
| 20. | Leonore, Hess 109: Act II. No. 10 Duet: “Um In Der Ehe Froh Zu Leben” (Marzelline, Leonore) | ||
| 21. | Leonore, Hess 109: Act II. “Die Ernsten Steine Des Dumpfen Gemäuers” (Erzähler) | ||
| 22. | Leonore, Hess 109: Act II. No. 14 Recitative And Aria: “Ach, Brich Noch Nicht, Du Mattes Herz! ... Komm, Hoffnung, Lass Den Letzten Stern Des Müden.. | ||
| CD 29 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 70:24 | ||
| 1. | Leonore, Hess 109: Act II. No. 12 Finale: “O Welche Lust, In Freier Luft Den Atem Leicht Zu Heben” (Prisoners, First Prisoner, Second Prisoner) | 70:24 | |
| 2. | Leonore, Hess 109: Act II. No. 12 Finale: [Recitative]: “Entfernt Euch Jetzt! Nun, Könnt Ihr Eilen?” (Rocco) / “Nun Sprecht, Wie Ging’s?” (Leonore... | ||
| 3. | Leonore, Hess 109: Act II. No. 12 Finale: [Duet]: “Wir Müssen Gleich Zu Werke Schreiten” (Rocco, Leonore) / [Quartet]: “Ach Vater, Eilt!” (Marzelline | ||
| 4. | Leonore, Hess 109: Act II. No. 12 Finale: [Aria]: “Auf Euch Nur Will Ich Bauen” (Pizarro, Officers And Soldiers) | ||
| 5. | Leonore, Hess 109: Act III. “Florestans Not Im Dunkel Tauber Einsamkeit” (Erzähler) | ||
| 6. | Leonore, Hess 109: Act III. No. 13 Recitative And Aria: “Gott! Welch Dunkel Hier! ... In Des Lebens Frühlingstagen” (Florestan) | ||
| 7. | Leonore, Hess 109: Act III. No. 14 Melodrama And Duet: “Wie Kalt Ist Es In Diesem Unterirdischen Gewölbe!” (Leonore, Rocco) | ||
| 8. | Leonore, Hess 109: Act III. No. 14 Melodrama And Duet: [Duet]: “Nur Hurtig Fort, Nur Frisch Gegraben” (Rocco, Leonore) | ||
| 9. | Leonore, Hess 109: Act III. “Dort, In Der Tiefe” (Erzähler) | ||
| 10. | Leonore, Hess 109: Act III. No. 15 Trio: “Euch Werde Lohn In Bessern Welten” (Florestan, Rocco, Leonore) | ||
| 11. | Leonore, Hess 109: Act III. “Und Rocco Eilt” (Erzähler) | ||
| 12. | Leonore, Hess 109: Act III. No. 16 Quartet: “Er Sterbe! Doch Er Soll Erst Wissen” (Pizarro, Florestan, Leonore, Rocco) | ||
| 13. | Leonore, Hess 109: Act III. “Oh Leonore! Alles Was Dein Mut Gewagt - Verloren!” (Erzähler) | ||
| 14. | Leonore, Hess 109: Act III. No. 17 Recitative And Duet: “Ich Kann Mich Noch Nicht Fassen ... O Namenlose Freude!” (Leonore, Florestan) | ||
| 15. | Leonore, Hess 109: Act III. No. 18 Finale: “Zur Rache! Zur Rache!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople, Leonore, Florestan, Rocco | ||
| 16. | Leonore, Hess 109: Act III. No. 18 Finale: “O Gott! O Welch Ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Don Fernando, Rocco, Don Fer.. | ||
| 17. | Leonore, Hess 109: Act III. No. 18 Finale: “So Müssen Endlich Aufgeklärte Und Unaufgeklärte” (Erzähler) | ||
| 18. | Leonore, Hess 109: Act III. No. 18 Finale: “Doch Höre Erst, Du Bösewicht” (Don Fernando, His Retinue, Guards, Prisoners, Townspeople) | ||
| 19. | Leonore, Hess 109: Act III. No. 18 Finale: “Dann Herrscht Allgemeine Freiheit Und Gleichheit Der Geister” (Erzähler) | ||
| 20. | Leonore, Hess 109: Act III. No. 18 Finale: “Nein, Nein, Nein! Er Ist Noch Zu Gering Bestraft!” (Don Fernando's Retinue, Guards, Prisoners, Townspeopl | ||
| 21. | Leonore, Hess 109: Act III. No. 18 Finale: “Ein Höherer Geist, Vom Himmel Gesandt” (Erzähler) | ||
| 22. | Leonore, Hess 109: Act III. No. 18 Finale: [Recitative]: “Der König Wird Dein Richter Sein!” (Don Fernando, His Retinue, Guards, Prisoners, Townspeop | ||
| 23. | Leonore, Hess 109: Act III. No. 18 Finale: “Wer Ein Holdes Weib Errungen, Stimm In Unsern Jubel Ein!” (Marzelline, Jaquino, Rocco, Don Fernando, ... | ||
| 24. | Leonore, Hess 109: Appendix. No. 7a March In B-Flat (Alternative Version) | ||
| CD 30 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 68:35 | ||
| 1. | Fidelio, Op. 72: Overture | 68:35 | |
| 2. | Fidelio, Op. 72: Act 1. No. 1 Duet: “Jetzt, Schätzchen, Jetzt Sind Wir Allein” (Jaquino, Marzelline) | ||
| 3. | Fidelio, Op. 72: Act 1. Monologue: “Seit Fidelio Bei Uns Ist, Ist Die Welt Wie Verwandelt” (Marzelline) | ||
| 4. | Fidelio, Op. 72: Act 1. No. 2 Aria: “O Wär' Ich Schon Mit Dir Vereint” (Marzelline) | ||
| 5. | Fidelio, Op. 72: Act 1. Monologue: “Ich Täusche Die Menschen, Die Mich Ernähren” (Leonore, Rocco) | ||
| 6. | Fidelio, Op. 72: Act 1. No. 3 Quartet: “Mir Ist So Wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | ||
| 7. | Fidelio, Op. 72: Act 1. Monologue: “Marzelline Und Fidelio Haben Sich Offensichtlich Recht Lieb” (Rocco) | ||
| 8. | Fidelio, Op. 72: Act 1. No. 4 Aria: “Hat Man Nicht Auch Gold Beineben” (Rocco) | ||
| 9. | Fidelio, Op. 72: Act 1. Monologue: “In Den Finstersten Gewölben Sitzt Ein Gefangener” (Rocco) | ||
| 10. | Fidelio, Op. 72: Act 1. No. 5 Trio: “Gut, Söhnchen, Gut”(Rocco, Leonore, Marzelline) | ||
| 11. | Fidelio, Op. 72: Act 1. No. 6 Marsch | ||
| 12. | Fidelio, Op. 72: Act 1. Dialogue: “Was Neues Vorgefallen?” (Pizarro, Rocco) | ||
| 13. | Fidelio, Op. 72: Act 1. No. 7 Aria With Chorus: “Ha! Welch Ein Augenblick!” (Pizarro, Guards) | ||
| 14. | Fidelio, Op. 72: Act 1. Dialogue: “Und Nun Zu Dir Mein Lieber Rocco!” (Pizarro, Rocco) | ||
| 15. | Fidelio, Op. 72: Act 1. No. 8 Duet: “Jetzt, Alter, Hat Es Eile!” (Pizarro, Rocco) | ||
| 16. | Fidelio, Op. 72: Act 1. No. 9 Recitative And Aria: “Abscheulicher! Wo Eilst Du Hin? ... Komm, Hoffnung, Lass Den Letzten Stern Der Müden Nicht Erblei | ||
| 17. | Fidelio, Op. 72: Act 1. Monologue: “Wie Fidelio Das Wieder Geschafft Hatte, War Mir Ein Rätsel” (Jaquino) | ||
| 18. | Fidelio, Op. 72: Act 1. No. 10 Finale: “O Welche Lust, In Freier Luft Den Atem Leicht Zu Heben!” (Prisoners, First Prisoner, Second Prisoner) | ||
| 19. | Fidelio, Op. 72: Act 1. No. 10 Finale: [Recitative And Duet]: “Nun Sprecht, Wie Ging's? ... Noch Heute, Noch Heute!” (Leonore, Rocco) | ||
| 20. | Fidelio, Op. 72: Act 1. No. 10 Finale: “Ach, Vater, Eilt!” (Marzelline, Rocco, Jaquino, Leonore) | ||
| 21. | Fidelio, Op. 72: Act 1. No. 10 Finale: “Verwegener Alter! Welche Rechte Legst Du Dir Frevelnd Selber Bei?” (Pizarro, Rocco) | ||
| 22. | Fidelio, Op. 72: Act 1. No. 10 Finale: “Leb Wohl, Du Warmes Sonnenlicht” (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) | ||
| CD 31 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:11 | ||
| 1. | Fidelio Op. 72: Act 2. No. 11 Introduction And Aria: “Gott! Welch Dunkel Hier! ... In Des Lebens Frühlingstagen” (Florestan) | 83:11 | |
| 2. | Fidelio Op. 72: Act 2. No. 12 Melodrama And Duet: “Wie Kalt Ist Es Diesem Unterirdischen Gewölbe! ... Nur Hurtig Fort, Nur Frisch Gegraben” (Leonore, | ||
| 3. | Fidelio Op. 72: Act 2. Dialogue: “Ihr Habt Wieder Geruht?” (Rocco, Florestan, Leonore) | ||
| 4. | Fidelio Op. 72: Act 2. No. 13 Trio: “Euch Werde Lohn In Bessern Welten” (Florestan, Rocco, Leonore) | ||
| 5. | Fidelio Op. 72: Act 2. Dialogue: “Ist Alles Bereit?” (Pizarro, Rocco) | ||
| 6. | Fidelio Op. 72: Act 2. No. 14 Quartet: “Er Sterbe!” (Pizarro, Florestan, Leonore, Rocco) | ||
| 7. | Fidelio Op. 72: Act 2. No. 15 Duet: “O Namenlose Freude!” (Leonore, Florestan) | ||
| 8. | Fidelio Op. 72: Act 2. No. 16 Finale: “Heil Sei Dem Tag ... Des Besten Königs Wink Und Wille ... Wer Ein Holdes Weib Errungen, Stimm In Unsern Jubel. | ||
| 9. | Overture “Leonore” No. 1, Op. 138 | ||
| 10. | Two Insertion Arias For Ignaz Umlauf's Singspiel “Die Schöne Schusterin, Oder Die Pücefarbenen Schuhe”, Woo 91: “O Welch Ein Leben!” | ||
| 11. | Two Insertion Arias For Ignaz Umlauf's Singspiel “Die Schöne Schusterin, Oder Die Pücefarbenen Schuhe”, Woo 91: “Soll Ein Schuh Nicht Drücken” | ||
| 12. | Scene [I] From “Vestas Feuer”, Unv 15 [Hess 115] For Vocal Quartet And Orchestra: “Blick, O Herr, Durch Diese Bäume ... Liebe Freundin, Lebe Wohl!” | ||
| 13. | “Germania”, Woo 94: Final Number From Friedrich Treitschke's Singspiel “Die Gute Nachricht” For Bass, Chorus And Orchestra | ||
| 14. | “Es Ist Vollbracht”, Woo 97: Final Number From Friedrich Treitschke Singspiel “Die Ehrenpforten” For Bass, Chorus And Orchestra | ||
| CD 32 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 65:13 | ||
| 1. | Sonata No. 1 In F, Op. 2 No. 1: I. Allegro | 65:13 | |
| 2. | Sonata No. 1 In F, Op. 2 No. 1: II. Adagio | ||
| 3. | Sonata No. 1 In F, Op. 2 No. 1: III. Menuetto. Allegretto | ||
| 4. | Sonata No. 1 In F, Op. 2 No. 1: IV. Prestissimo | ||
| 5. | Sonata No. 2 In A, Op. 2 No. 2: I. Allegro Vivace | ||
| 6. | Sonata No. 2 In A, Op. 2 No. 2: II. Largo Appassionato | ||
| 7. | Sonata No. 2 In A, Op. 2 No. 2: III. Scherzo. Allegretto | ||
| 8. | Sonata No. 2 In A, Op. 2 No. 2: IV. Rondo. Grazioso | ||
| 9. | Sonata No. 3 In C, Op. 2 No. 3: I. Allegro Con Brio | ||
| 10. | Sonata No. 3 In C, Op. 2 No. 3: II. Adagio | ||
| 11. | Sonata No. 3 In C, Op. 2 No. 3: III. Scherzo. Allegro | ||
| 12. | Sonata No. 3 In C, Op. 2 No. 3: IV. Allegro Assai | ||
| CD 33 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:43 | ||
| 1. | Sonata No. 4 In E-Flat, Op. 7: I. Allegro Molto E Con Brio | 84:43 | |
| 2. | Sonata No. 4 In E-Flat, Op. 7: II. Largo, Con Gran Espressione | ||
| 3. | Sonata No. 4 In E-Flat, Op. 7: III. Allegro | ||
| 4. | Sonata No. 4 In E-Flat, Op. 7: IV. Rondo. Poco Allegretto E Grazioso | ||
| 5. | Sonata No. 5 In C, Op. 10 No. 1: I. Allegro Molto E Con Brio | ||
| 6. | Sonata No. 5 In C, Op. 10 No. 1: II. Adagio Molto | ||
| 7. | Sonata No. 5 In C, Op. 10 No. 1: III. Finale. Prestissimo | ||
| 8. | Sonata No. 6 In F, Op. 10 No. 2: I. Allegro | ||
| 9. | Sonata No. 6 In F, Op. 10 No. 2: II. Allegretto | ||
| 10. | Sonata No. 6 In F, Op. 10 No. 2: III. Presto | ||
| 11. | Sonata No. 8 In C, Op. 13 "Pathétique": I. Grave - Allegro Di Molto E Con Brio | ||
| 12. | Sonata No. 8 In C, Op. 13 "Pathétique": II. Adagio Cantabile | ||
| 13. | Sonata No. 8 In C, Op. 13 "Pathétique": III. Rondo. Allegro | ||
| CD 34 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 78:20 | ||
| 1. | Sonata No. 7 In D, Op. 10 No. 3: I. Presto | 78:20 | |
| 2. | Sonata No. 7 In D, Op. 10 No. 3: II. Largo E Mesto | ||
| 3. | Sonata No. 7 In D, Op. 10 No. 3: III. Menuetto. Allegro | ||
| 4. | Sonata No. 7 In D, Op. 10 No. 3: IV. Rondo. Allegro | ||
| 5. | Sonata No. 9 In E, Op. 14 No. 1: I. Allegro | ||
| 6. | Sonata No. 9 In E, Op. 14 No. 1: II. Allegretto | ||
| 7. | Sonata No. 9 In E, Op. 14 No. 1: III. Rondo. Allegro Comodo | ||
| 8. | Sonata No. 10 In G, Op. 14 No. 2: I. Allegro | ||
| 9. | Sonata No. 10 In G, Op. 14 No. 2: II. Andante | ||
| 10. | Sonata No. 10 In G, Op. 14 No. 2: III. Scherzo. Allegro Assai | ||
| 11. | Sonata No. 11 In B-Flat, Op. 22: I. Allegro Con Brio | ||
| 12. | Sonata No. 11 In B-Flat, Op. 22: II. Adagio Con Molto Espressione | ||
| 13. | Sonata No. 11 In B-Flat, Op. 22: III. Menuetto | ||
| 14. | Sonata No. 11 In B-Flat, Op. 22: IV. Rondo. Allegretto | ||
| CD 35 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 81:47 | ||
| 1. | Sonata No. 12 In A-Flat, Op. 26: I. Andante Con Variazioni | 81:47 | |
| 2. | Sonata No. 12 In A-Flat, Op. 26: II. Scherzo. Allegro Molto | ||
| 3. | Sonata No. 12 In A-Flat, Op. 26: III. Marcia Funebre Sulla Morte D'un Eroe | ||
| 4. | Sonata No. 12 In A-Flat, Op. 26: IV. Allegro | ||
| 5. | Sonata No. 13 In E-Flat, Op. 27 No. 1 (Sonata Quasi Una Fantasia): I. Andante - Allegro - Tempo I | ||
| 6. | Sonata No. 13 In E-Flat, Op. 27 No. 1 (Sonata Quasi Una Fantasia): II. Allegro Molto E Vivace - | ||
| 7. | Sonata No. 13 In E-Flat, Op. 27 No. 1 (Sonata Quasi Una Fantasia): III. Adagio Con Espressione - | ||
| 8. | Sonata No. 13 In E-Flat, Op. 27 No. 1 (Sonata Quasi Una Fantasia): IV. Allegro Vivace - Tempo I - Presto | ||
| 9. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight” (Sonata Quasi Una Fantasia): I. Adagio Sostenuto | ||
| 10. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight” (Sonata Quasi Una Fantasia): II. Allegretto | ||
| 11. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight” (Sonata Quasi Una Fantasia): III. Presto Agitato | ||
| 12. | Sonata No. 15 In D, Op. 28 (“Pastoral”): I. Allegro | ||
| 13. | Sonata No. 15 In D, Op. 28 (“Pastoral”): II. Andante | ||
| 14. | Sonata No. 15 In D, Op. 28 (“Pastoral”): III. Scherzo. Allegro Vivace | ||
| 15. | Sonata No. 15 In D, Op. 28 (“Pastoral”): IV. Rondo. Allegro Ma Non Troppo | ||
| 16. | Sonata No. 19 In G, Op. 49 No. 1: I. Andante | ||
| 17. | Sonata No. 19 In G, Op. 49 No. 1: II. Rondo. Allegro | ||
| CD 36 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 80:28 | ||
| 1. | Sonata No. 16 In G, Op. 31 No. 1: I. Allegro Vivace | 80:28 | |
| 2. | Sonata No. 16 In G, Op. 31 No. 1: II. Adagio Grazioso | ||
| 3. | Sonata No. 16 In G, Op. 31 No. 1: III. Rondo. Allegretto | ||
| 4. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): I. Largo - Allegro | ||
| 5. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): II. Adagio | ||
| 6. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): III. Allegretto | ||
| 7. | Sonata No. 18 In E-Flat, Op. 31 No. 3: I. Allegro | ||
| 8. | Sonata No. 18 In E-Flat, Op. 31 No. 3: II. Scherzo. Allegretto Vivace | ||
| 9. | Sonata No. 18 In E-Flat, Op. 31 No. 3: III. Menuetto. Moderato E Grazioso | ||
| 10. | Sonata No. 18 In E-Flat, Op. 31 No. 3: IV. Presto Con Fuoco | ||
| 11. | Sonata No. 20 In G, Op. 49 No. 2: I. Allegro Ma Non Troppo | ||
| 12. | Sonata No. 20 In G, Op. 49 No. 2: II. Tempo Di Menuetto | ||
| CD 37 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:06 | ||
| 1. | Sonata No. 21 In C, Op. 53 “Waldstein”: I. Allegro Con Brio | 83:06 | |
| 2. | Sonata No. 21 In C, Op. 53 “Waldstein”: Introduzione. Adagio Molto - | ||
| 3. | Sonata No. 21 In C, Op. 53 “Waldstein”: Rondo. Allegretto Moderato - Prestissimo | ||
| 4. | Sonata No. 22 In F, Op. 54: I. In Tempo D'un Menuetto | ||
| 5. | Sonata No. 22 In F, Op. 54: II. Allegretto | ||
| 6. | Sonata No. 23 In F, Op. 57 “Appassionata”: I. Allegro Assai | ||
| 7. | Sonata No. 23 In F, Op. 57 “Appassionata”: II. Andante Con Moto | ||
| 8. | Sonata No. 23 In F, Op. 57 “Appassionata”: III. Allegro Ma Non Troppo | ||
| 9. | Sonata No. 24 In F-Sharp, Op. 78: I. Adagio Cantabile - Allegro Ma Non Troppo | ||
| 10. | Sonata No. 24 In F-Sharp, Op. 78: II. Allegro Vivace | ||
| 11. | Sonata No. 25 In G, Op. 79: I. Presto Alla Tedesca | ||
| 12. | Sonata No. 25 In G, Op. 79: II. Andante | ||
| 13. | Sonata No. 25 In G, Op. 79: III. Vivace | ||
| CD 38 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 79:54 | ||
| 1. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: I. Adagio - Allegro (Lebewohl) | 79:54 | |
| 2. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: II. Andante Espressivo (Abwesenheit) | ||
| 3. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: III. Vivacissimamente (Das Wiedersehn) | ||
| 4. | Sonata No. 27 In E, Op. 90: I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck | ||
| 5. | Sonata No. 27 In E, Op. 90: II. Nicht Zu Geschwind Und Sehr Singbar Vorzutragen | ||
| 6. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: I. Allegro | ||
| 7. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: II. Scherzo. Assai Vivace | ||
| 8. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: III. Adagio Sostenuto, Appassionato E Con Molto Sentimento | ||
| 9. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: IV. Largo - Allegro Risoluto | ||
| CD 39 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 62:53 | ||
| 1. | Sonata No. 28 In A, Op. 101: I. Erwas Lebhaft Und Mit Der Innigsten Empfindung (Allegro Ma Non Troppo) | 62:53 | |
| 2. | Sonata No. 28 In A, Op. 101: II. Lebhaft. Marschmäßig (Vivace All Marcia) | ||
| 3. | Sonata No. 28 In A, Op. 101: III. Langsam Und Sehnsuchtsvoll (Adagio Ma Non Troppo, Con Affetto) - | ||
| 4. | Sonata No. 28 In A, Op. 101: IV. Geschwind, Doch Nicht Zu Sehr, Und Mit Entschlossenheit (Allegro) | ||
| 5. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: I. Allegro | ||
| 6. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: II. Scherzo. Assai Vivace | ||
| 7. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: III. Adagio Sostenuto, Appassionato E Con Molto Sentimento | ||
| 8. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: IV. Large - Allegro Risoluto | ||
| CD 40 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 61:52 | ||
| 1. | Sonata No. 30 In E, Op. 109: I. Vivace, Ma Non Troppo - Adagio Espressivo - Tempo I | 61:52 | |
| 2. | Sonata No. 30 In E, Op. 109: II. Prestissimo | ||
| 3. | Sonata No. 30 In E, Op. 109: III. Andante, Molto Cantabile Ed Espressivo (Gesangvoll, Mit Innigster Empfindung) | ||
| 4. | Sonata No. 31 In A-Flat, Op. 110: I. Moderato Cantabile, Molto Espressivo | ||
| 5. | Sonata No. 31 In A-Flat, Op. 110: II. Allegro Molto | ||
| 6. | Sonata No. 31 In A-Flat, Op. 110: III. Adagio, Ma Non Troppo - Arioso Dolente - Fuga. Allegro, Ma Non Troppo - L'istesso Tempo Di Arioso - L'inversio | ||
| 7. | Sonata No. 32 In C, Op. 111: I. Maestoso - Allegro Con Brio Ed Appassionato | ||
| 8. | Sonata No. 32 In C, Op. 111: II. Arietta. Adagio Molto Semplice E Cantabile | ||
| CD 41 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 81:31 | ||
| 1. | Sonata No. 8 In C, Op. 13 “Pathétique”: I. Grave - Allegro Di Molto E Con Brio | 81:31 | |
| 2. | Sonata No. 8 In C, Op. 13 “Pathétique”: II. Adagio Cantabile | ||
| 3. | Sonata No. 8 In C, Op. 13 “Pathétique”: III. Rondo. Allegro | ||
| 4. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight”: I. Adagio Sostenuto | ||
| 5. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight”: II. Allegretto | ||
| 6. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight”: III. Presto Agitato | ||
| 7. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): I. Largo - Allegro | ||
| 8. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): II. Adagio | ||
| 9. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): III. Allegretto | ||
| 10. | Sonata No. 21 In C, Op. 53 “Waldstein”: I. Allegro Con Brio | ||
| 11. | Sonata No. 21 In C, Op. 53 “Waldstein”: II. Introduzione. Adagio Molto - | ||
| 12. | Sonata No. 21 In C, Op. 53 “Waldstein”: III. Rondo. Allegretto Moderato - Prestissimo | ||
| CD 42 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 78:54 | ||
| 1. | Sonata No. 21 In C, Op. 53 “Waldstein”: III. Rondo. Allegretto Moderato - Prestissimo | 78:54 | |
| 2. | Sonata No. 23 In F, Op. 57 “Appassionata”: II. Andante Con Moto | ||
| 3. | Sonata No. 23 In F, Op. 57 “Appassionata”: III. Allegro Ma Non Troppo | ||
| 4. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: I. Adagio - Allegro (Lebewohl) | ||
| 5. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: II. Andante Espressivo (Abwesenheit) | ||
| 6. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: III. Vivacissimamente (Das Wiedersehn) | ||
| 7. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: I. Allegro | ||
| 8. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: II. Scherzo. Assai Vivace | ||
| 9. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: III. Adagio Sostenuto, Appassionato E Con Molto Sentimento | ||
| 10. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: IV. Largo - Allegro Risoluto | ||
| CD 43 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 68:03 | ||
| 1. | Sonata No. 30 In E, Op. 109: I. Vivace, Ma Non Troppo - Adagio Espressivo - Tempo I | 68:03 | |
| 2. | Sonata No. 30 In E, Op. 109: II. Prestissimo | ||
| 3. | Sonata No. 30 In E, Op. 109: III. Andante, Molto Cantabile Ed Espressivo (Gesangvoll, Mit Innigster Empfindung) | ||
| 4. | Sonata No. 30 In E, Op. 109: III. Variation I: Molto Espressivo | ||
| 5. | Sonata No. 30 In E, Op. 109: III. Variation II: Leggiermente | ||
| 6. | Sonata No. 30 In E, Op. 109: III. Variation III: Allegro Vivace | ||
| 7. | Sonata No. 30 In E, Op. 109: III. Variation IV: Erwas Langsamer Als Das Thema | ||
| 8. | Sonata No. 30 In E, Op. 109: III. Variation V: Allegro, Ma Non Troppo | ||
| 9. | Sonata No. 30 In E, Op. 109: III. Variation VI: Tempo I Del Tema | ||
| 10. | Sonata No. 31 In A-Flat, Op. 110: I. Moderato Cantabile, Molto Espressivo | ||
| 11. | Sonata No. 31 In A-Flat, Op. 110: II. Allegro Molto | ||
| 12. | Sonata No. 31 In A-Flat, Op. 110: III. Adagio, Ma Non Troppo - Arioso Dolente - | ||
| 13. | Sonata No. 31 In A-Flat, Op. 110: III. Fuga. Allegro, Ma Non Troppo - L'istesso Tempo Di Arioso - L'inversione Della Fuga | ||
| 14. | Sonata No. 32 In C, Op. 111: I. Maestoso - Allegro Con Brio Ed Appassionato | ||
| 15. | Sonata No. 32 In C, Op. 111: II. Arietta. Adagio Molto Semplice E Cantabile | ||
| CD 44 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 66:16 | ||
| 1. | 7 Bagatelles, Op. 33: Andante Grazioso, Quasi Allegretto | 66:16 | |
| 2. | 7 Bagatelles, Op. 33: Scherzo. Allegro | ||
| 3. | 7 Bagatelles, Op. 33: Allegretto | ||
| 4. | 7 Bagatelles, Op. 33: Andante | ||
| 5. | 7 Bagatelles, Op. 33: Allegro, Ma Non Troppo | ||
| 6. | 7 Bagatelles, Op. 33: Allegretto Quasi Andante | ||
| 7. | 7 Bagatelles, Op. 33: Presto | ||
| 8. | 11 Bagatelles, Op. 119: No. 1 Allegretto | ||
| 9. | 11 Bagatelles, Op. 119: No. 2 Andante Con Brio | ||
| 10. | 11 Bagatelles, Op. 119: No. 3 À L'allemande | ||
| 11. | 11 Bagatelles, Op. 119: No. 4 Andante Cantabile | ||
| 12. | 11 Bagatelles, Op. 119: No. 5 Risoluto | ||
| 13. | 11 Bagatelles, Op. 119: No. 6 Andante - Allegretto Leggiermente | ||
| 14. | 11 Bagatelles, Op. 119: No. 7 Allegro Ma Non Troppo | ||
| 15. | 11 Bagatelles, Op. 119: No. 8 Moderato Cantabile | ||
| 16. | 11 Bagatelles, Op. 119: No. 9 Vivace Moderato | ||
| 17. | 11 Bagatelles, Op. 119: No. 10 Allegramente | ||
| 18. | 11 Bagatelles, Op. 119: No. 11 Andante, Ma Non Troppo | ||
| 19. | 6 Bagatelles, Op. 126: No. 1 Andante Con Moto | ||
| 20. | 6 Bagatelles, Op. 126: No. 2 Allegro | ||
| 21. | 6 Bagatelles, Op. 126: No. 3 Andante Cantabile E Grazioso | ||
| 22. | 6 Bagatelles, Op. 126: No. 4 Presto | ||
| 23. | 6 Bagatelles, Op. 126: No. 5 Quasi Allegretto | ||
| 24. | 6 Bagatelles, Op. 126: No. 6 Presto - Andante Amabile E Con Moto - Tempo I | ||
| 25. | Bagatelle In C, Woo 56: Allegretto | ||
| 26. | Bagatelle In A, Woo 59 “Für Elise”: Poco Moto | ||
| 27. | “Lustig-Traurig” In C/C, Woo 54 | ||
| 28. | Klavierstück (Bagatelle) In B-Flat, Woo 60: Ziemlich Lebhaft | ||
| 29. | Allemande In A, Woo 81 | ||
| 30. | Allegretto In C, Woo 214 [Hess 69] | ||
| CD 45 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 76:11 | ||
| 1. | Sonata No. 1 In E-Flat, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): I. Allegro Cantabile | 76:11 | |
| 2. | Sonata No. 1 In E-Flat, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): II. Andante | ||
| 3. | Sonata No. 1 In E-Flat, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): III. Rondo Vivace | ||
| 4. | Sonata No. 2 In F, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): I. Larghetto Maestoso - Allegro Assai | ||
| 5. | Sonata No. 2 In F, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): II. Andante | ||
| 6. | Sonata No. 2 In F, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): III. Presto | ||
| 7. | Sonata No. 3 In D, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): I. Allegro | ||
| 8. | Sonata No. 3 In D, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): II. Menuetto. Sostenuto - Var. I-VI | ||
| 9. | Sonata No. 3 In D, Woo 47 (“Kurfürstensonaten” / “Electoral Sonatas”): III. Scherzando. Allegro, Ma Non Troppo | ||
| 10. | Rondo In C, Woo 48: Allegretto | ||
| 11. | Rondo In A, Woo 49: Allegretto | ||
| 12. | Sonatina In F, Woo 50: I. | ||
| 13. | Sonatina In F, Woo 50: II. Allegretto | ||
| 14. | Sonata In C, Woo 51: I. Allegro | ||
| 15. | Sonata In C, Woo 51: II. Adagio | ||
| 16. | Bagatelle In C, Woo 52: Presto | ||
| 17. | Allegretto In C, Woo 53 | ||
| 18. | Andante In F, Woo 57 (“Andante Favori”): Andante Grazioso Con Moto | ||
| 19. | Rondo A Capriccio In G, Op. 129 (“Die Wut Über Den Verlornen Groschen” / “The Rage Over The Lost Penny”): Allegro Vivace | ||
| CD 46 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 78:08 | ||
| 1. | Rondo In C, Op. 51 No. 1: Moderato E Grazioso | 78:08 | |
| 2. | Rondo In G, Op. 51 No. 2: Andante Cantabile E Grazioso | ||
| 3. | Fantasie In G, Op. 77: Allegro - Poco Adagio - Allegro Ma Non Troppo - Allegro Con Brio - Adagio - Presto - Adagio - Allegretto - Adagio | ||
| 4. | Polonaise In C, Op. 89: Alla Polacca, Vivace | ||
| 5. | 6 Minuets, Woo 10: No. 1 In C, | ||
| 6. | 6 Minuets, Woo 10: No. 2 In G | ||
| 7. | 6 Minuets, Woo 10: No. 3 In E-Flat | ||
| 8. | 6 Minuets, Woo 10: No. 4 In B-Flat | ||
| 9. | 6 Minuets, Woo 10: No. 5 In D | ||
| 10. | 6 Minuets, Woo 10: No. 6 In C | ||
| 11. | 7 Ländler In D, Woo 11 | ||
| 12. | 12 Deutsche Tänze, Woo 13: No. 1 In D / No. 2 In B-Flat / No. 3 In G / No. 4 In D / No. 5 In F / No. 6 B-Flat / No. 7 In D / No. 8 In G / No. 9 In E- | ||
| 13. | Prelude In F, Woo 55 | ||
| 14. | Klavierstück (Allegretto) In B, Woo 61 | ||
| 15. | Allegretto Quasi Andante In G, Woo 61a | ||
| 16. | Minuet In E-Flat, Woo 82: Moderato | ||
| 17. | 6 Ecossaises In E-Flat, Woo 83 | ||
| 18. | Waltz In E-Flat, Woo 84 | ||
| 19. | Waltz In D, Woo 85 | ||
| 20. | Ecossaise In E-Flat, Woo 86 | ||
| 21. | 3-Part Fugue In C, Woo 215 [Hess 64] | ||
| 22. | Minuet In C, Woo 218 [Biamonti 74] | ||
| CD 47 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 78:47 | ||
| 1. | 9 Variations (In C) On A March By Ernst Christoph Dressler, Woo 63: Thema. Maestoso / Var. I-VIII / Var. IX (In C) Allegro | 78:47 | |
| 2. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Thema. Allegretto | ||
| 3. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. I | ||
| 4. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. II | ||
| 5. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. III | ||
| 6. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. IV | ||
| 7. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. V | ||
| 8. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. VI | ||
| 9. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. VII | ||
| 10. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. VIII | ||
| 11. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. IX | ||
| 12. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. X | ||
| 13. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XI | ||
| 14. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XII | ||
| 15. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XIII | ||
| 16. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XIV Allegretto - Adagio | ||
| 17. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XV | ||
| 18. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XVI | ||
| 19. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XVII | ||
| 20. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XVIII | ||
| 21. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XIX | ||
| 22. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XX Scherzando | ||
| 23. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XXI | ||
| 24. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XXII | ||
| 25. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XXIII Adagio Sostenuto | ||
| 26. | 24 Variations (In D) On Vincenzo Righini's Arietta “Venni Amore”, Woo 65: Var. XXIV Allegro - Allegro Stringendo - Presto Assai | ||
| 27. | 13 Variations (In A) On The Arietta “Es War Einmal Ein Alter Mann” From Ditterdorf's Singspiel “Das Rote Käppchen”, Woo 66: Thema. Allegretto | ||
| 28. | 6 Variations In F On A Swiss Song, Woo 64: Thema. Andante Con Moto / Var. I-VI | ||
| 29. | 12 Variations (In C) On The “Menuett À La Viganò” From Jakob Haibel's Ballet “Le Nozze Disturbate”, Woo 68: Thema. Allegretto / Var. I-XI / Var. XII. | ||
| 30. | 9 Variations (In A) On The Aria “Quant'è Più Bello” From Giovanni Paisiello's Opera “La Molinara”, Woo 69: Thema. Allegretto / Var. I-III / Var. IV.. | ||
| 31. | 6 Variations (In G) On The Duet “Nel Cor Più Non Mi Sento” From Giovanni Paisiello's Opera “La Molinara”, Woo 70: Thema. Andantino / Var. I-VI | ||
| 32. | 12 Variations (In A) On A Russian Dance From Paul Wranitzky's Ballet “Das Waldmädchen”, Woo 71: Thema. Allegretto | ||
| CD 48 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 82:23 | ||
| 1. | 8 Variations (In C) On The Romance “Une Fièvre Brûlante” From Grétry's Opera “Richard Cœur De Lion”, Woo 72: Thema. Allegretto / Var. I-III / Var. IV | 82:23 | |
| 2. | 10 Variations (In B-Flat) On The Duet “La Stessa, La Stessissima” From Antonio Salieri's Opera “Falstaff”, Woo 73: Thema. Andante Con Moto / Var. I-I | ||
| 3. | 7 Variations (In F) On The Quartet “Kind, Willst Du Ruhig Schlafen?” From Peter Winter's Opera “Das Unterbrochene Opferfest”, Woo 75: Thema. Allegret | ||
| 4. | 8 Variations (In F) On The Trio “Tändeln Und Scherzen” From Franz X. Süssmayr's Opera “Soliman Ii”, Woo 76: Thema. Andante, Quasi Allegretto / Var. I | ||
| 5. | 6 Variations (In G) On An Original Theme, Woo 77: Thema. Andante, Quasi Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI | ||
| 6. | 6 Variations (In F) On An Original Theme, Op. 34: Thema. Adagio | ||
| 7. | 6 Variations (In F) On An Original Theme, Op. 34: Var. I | ||
| 8. | 6 Variations (In F) On An Original Theme, Op. 34: Var. II Allegro Ma Non Troppo | ||
| 9. | 6 Variations (In F) On An Original Theme, Op. 34: Var. III Allegretto | ||
| 10. | 6 Variations (In F) On An Original Theme, Op. 34: Var. IV Tempo Di Minuetto | ||
| 11. | 6 Variations (In F) On An Original Theme, Op. 34: Var. V Marcia. Allegretto | ||
| 12. | 6 Variations (In F) On An Original Theme, Op. 34: Var. VI Allegretto - Adagio Molto | ||
| 13. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Introduzione Coil Basso Del Tema. Allegretto Vivace | ||
| 14. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Tema | ||
| 15. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. I | ||
| 16. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. II | ||
| 17. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. III | ||
| 18. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. IV | ||
| 19. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. V | ||
| 20. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. VI | ||
| 21. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. VII Canone All'ottava | ||
| 22. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. VIII | ||
| 23. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. IX | ||
| 24. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. X | ||
| 25. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XI | ||
| 26. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XII | ||
| 27. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XIII | ||
| 28. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XIV Minore | ||
| 29. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XV Maggiore. Largo | ||
| 30. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. Coda | ||
| 31. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Finale. All Fuga. Allegro Con Brio - Andante Con Moto | ||
| CD 49 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:00 | ||
| 1. | 32 Variations (In C) On An Original Theme, Woo 80: Thema. Allegretto / Var. I-XI / Var. XII-XVI Maggiore / Var. XVII-XXXII Minore | 84:00 | |
| 2. | 7 Variations (In C) On “God Save The King”, Woo 78: Thema / Var. I-V / Var. VI Allegro. Alla Marcia / Var. VII [Allegro] - Adagio - Allegro | ||
| 3. | 5 Variations (In D) On “Rule, Britannia” (From Thomas Arne's Masque “Alfred”), Woo 79: Thema: Tempo Moderato / Var. I-V | ||
| 4. | 6 Variations (In D) On An Original Theme, Op. 76: Thema. Allegro Risoluto / Var. I-V / Var. VI. Presto - Tempo I | ||
| 5. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Tema. Vivace / Var. I Alla Marcia Maestoso | ||
| 6. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. II Poco Allegro | ||
| 7. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. III L'istesso Tempo | ||
| 8. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. IV Un Poco Più Vivace | ||
| 9. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. V Allegro Vivace | ||
| 10. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. VI Allegro Ma Non Troppo E Serioso | ||
| 11. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. VII Un Poco Più Allegro | ||
| 12. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. VIII Poco Vivace | ||
| 13. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. IX Allegro Pesante E Risoluto | ||
| 14. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. X Presto | ||
| 15. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XI Allegretto | ||
| 16. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XII Un Poco Più Moto | ||
| 17. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XIII Vivace | ||
| 18. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XIV Grave E Maestoso | ||
| 19. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XV Presto Scherzando | ||
| 20. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XVI Allegro | ||
| 21. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XVII Allegro | ||
| 22. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XVIII Poco Moderato | ||
| 23. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XIX Presto | ||
| 24. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XX Andante | ||
| 25. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXI Allegro Con Brio - Meno Allegro | ||
| 26. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXII Allegro Molto (Alla “Notte E Giorno Faticar” Di Mozart) | ||
| 27. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXIII Allegro Assai | ||
| 28. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXIV Fughetta. Andante | ||
| 29. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXV Allegro | ||
| 30. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXVI (Piacevole) | ||
| 31. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXVII Vivace | ||
| 32. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXVIII Allegro | ||
| 33. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXIX Adagio Ma Non Troppo | ||
| 34. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXX Andante, Sempre Cantabile | ||
| 35. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXXI Largo, Molto Espressivo | ||
| 36. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXXII Fuga. Allegro - Poco Adagio | ||
| 37. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXXIII Tempo Di Minuetto, Moderato | ||
| CD 50 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 80:00 | ||
| 1. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Tema. Vivace / Var. I Alla Marcia Maestoso | 80:00 | |
| 2. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. II Poco Allegro | ||
| 3. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. III L'istesso Tempo | ||
| 4. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. IV Un Poco Più Vivace | ||
| 5. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. V Allegro Vivace | ||
| 6. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. VI Allegro Ma Non Troppo E Serioso | ||
| 7. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. VII Un Poco Più Allegro | ||
| 8. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. VIII Poco Vivace | ||
| 9. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. IX Allegro Pesante E Risoluto | ||
| 10. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. X Presto | ||
| 11. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XI Allegretto | ||
| 12. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XII Un Poco Più Moto | ||
| 13. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XIII Vivace | ||
| 14. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XIV Grave E Maestoso | ||
| 15. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XV Presto Scherzando | ||
| 16. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XVI Allegro | ||
| 17. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XVII Allegro | ||
| 18. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XVIII Poco Moderato | ||
| 19. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XIX Presto | ||
| 20. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XX Andante | ||
| 21. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXI Allegro Con Brio - Meno Allegro | ||
| 22. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXII Allegro Molto (Alla “Notte E Giorno Faticar” Di Mozart) | ||
| 23. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXIII Allegro Assai | ||
| 24. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXIV Fughetta. Andante | ||
| 25. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXV Allegro | ||
| 26. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXVI (Piacevole) | ||
| 27. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXVII Vivace | ||
| 28. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXVIII Allegro | ||
| 29. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXIX Adagio Ma Non Troppo | ||
| 30. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXX Andante, Sempre Cantabile | ||
| 31. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXXI Largo, Molto Espressivo | ||
| 32. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXXII Fuga. Allegro - Poco Adagio | ||
| 33. | 33 Variations (In C) On A Waltz By Diabelli, Op. 120: Var. XXXIII Tempo Di Minuetto, Moderato | ||
| 34. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Introduzione Col Basso Del Tema. Allegretto Vivace | ||
| 35. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. I | ||
| 36. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. II | ||
| 37. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. III | ||
| 38. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. IV | ||
| 39. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. V | ||
| 40. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. VI | ||
| 41. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. VII Canone All'ottava | ||
| 42. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. VIII | ||
| 43. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. IX | ||
| 44. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. X | ||
| 45. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XI | ||
| 46. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XII | ||
| 47. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XIII | ||
| 48. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XIV Minore | ||
| 49. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. XV Maggiore. Largo - Coda | ||
| 50. | 15 Variations And A Fugue (In E-Flat) On An Original Theme (“Eroica” Variations), Op. 35: Var. Finale. Alla Fuga. Allegro Con Brio - Andante Con Moto | ||
| CD 51 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:31 | ||
| 1. | 8 Variations (In C) On A Theme By Count Waldstein, Woo 67: Thema. Andante Con Moto / Var. I-VII / Var. VIII Un Poco Adagio - Capriccio - Allegro - Ad | 84:31 | |
| 2. | Sonata In D, Op. 6: I. Allegro Molto | ||
| 3. | Sonata In D, Op. 6: II. Ronda. Moderato | ||
| 4. | 3 Marches, Op. 45: No. 1 In C. Allegro Ma Non Troppo | ||
| 5. | 3 Marches, Op. 45: No. 2 In E-Flat. Vivace | ||
| 6. | 3 Marches, Op. 45: No. 3 In D. Vivace | ||
| 7. | Grosse Fuge In B-Flat (Beethoven's Arrangement For Piano Duet Of The “Grosse Fuge” For String Quartet, Op. 133), Op. 134: Overtura. Allegro - Meno Mo | ||
| 8. | 6 Variations (In D) On The Lied “Ich Denke Dein”, Woo 74: Lied. Andantino Cantabile / Var. I-VI | ||
| 9. | 2 Preludes Through All 12 Major Keys For Piano Or Organ, Op. 39 No. 1 | ||
| 10. | 2 Preludes Through All 12 Major Keys For Piano Or Organ, Op. 39 No. 2 | ||
| 11. | Fugue In D For Organ, Woo 31 | ||
| 12. | 5 Pieces For Mechanical Clock, Woo 33: No. 1 In F. Adagio Assai | ||
| 13. | 5 Pieces For Mechanical Clock, Woo 33: No. 2 In G. Scherzo. Allegro | ||
| 14. | 5 Pieces For Mechanical Clock, Woo 33: No. 3 In G. Allegro | ||
| 15. | 5 Pieces For Mechanical Clock, Woo 33: No. 4 In C. Allegro Non Più Molto | ||
| 16. | 5 Pieces For Mechanical Clock, Woo 33: No. 5 In C. Menuett. Allegretto | ||
| 17. | Grenadier March In F For Mechanical Clock, Hess 107 | ||
| 18. | 6 Variations In F On A Swiss Song For Piano Or Harp, Woo 64: Thema. Andante Con Moto / Var. I-VI | ||
| CD 52 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:29 | ||
| 1. | Sonata No. 1 For Piano And Violin In D, Op. 12 No. 1: I. Allegro Con Brio | 72:29 | |
| 2. | Sonata No. 1 For Piano And Violin In D, Op. 12 No. 1: II. Tema Con Variazioni. Andante Con Moto | ||
| 3. | Sonata No. 1 For Piano And Violin In D, Op. 12 No. 1: III. Rondo. Allegro | ||
| 4. | Sonata No. 2 For Piano And Violin In A. Op. 12. No. 2: I. Allegro Vivace | ||
| 5. | Sonata No. 2 For Piano And Violin In A. Op. 12. No. 2: II. Andante Più Tosto Allegretto | ||
| 6. | Sonata No. 2 For Piano And Violin In A. Op. 12. No. 2: III. Allegro Piacevole | ||
| 7. | Sonata No. 3 For Piano And Violin In E-Flat, Op. 12 No. 3: I. Allegro Con Spirito | ||
| 8. | Sonata No. 3 For Piano And Violin In E-Flat, Op. 12 No. 3: II. Adagio Con Molta Espressione | ||
| 9. | Sonata No. 3 For Piano And Violin In E-Flat, Op. 12 No. 3: III. Rondo. Allegro Molto | ||
| 10. | Sonata No. 4 For Piano And Violin In A, Op. 23: I. Presto | ||
| 11. | Sonata No. 4 For Piano And Violin In A, Op. 23: II. Andante Scherzoso Più Allegretto | ||
| 12. | Sonata No. 4 For Piano And Violin In A, Op. 23: III. Allegro Molto | ||
| CD 53 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:35 | ||
| 1. | Sonata No. 5 For Piano And Violin In F, Op. 24 “Spring”: I. Allegro | 72:35 | |
| 2. | Sonata No. 5 For Piano And Violin In F, Op. 24 “Spring”: II. Adagio Molto Espressivo | ||
| 3. | Sonata No. 5 For Piano And Violin In F, Op. 24 “Spring”: III. Scherzo. Allegro Molto | ||
| 4. | Sonata No. 5 For Piano And Violin In F, Op. 24 “Spring”: IV. Rondo. Allegro Ma Non Troppo | ||
| 5. | Sonata No. 6 For Piano And Violin In A, Op. 30 No. 1: I. Allegro | ||
| 6. | Sonata No. 6 For Piano And Violin In A, Op. 30 No. 1: II. Adagio Molto Espressivo | ||
| 7. | Sonata No. 6 For Piano And Violin In A, Op. 30 No. 1: III. Allegretto Con Variazioni (I-VI) | ||
| 8. | 12 Variations For Piano And Violin In F On “Se Vuol Ballare” From Mozart's Opera “Le Nozze Di Figaro”, Woo 40: Thema. Allegretto - Var. I-XII - Coda | ||
| 9. | Rondo For Piano And Violin In G, Woo 41: Allegro | ||
| 10. | 6 German Dances For Piano And Violin, Woo 42 | ||
| CD 54 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 70:40 | ||
| 1. | Sonata No. 7 For Piano And Violin In C, Op. 30 No. 2: I. Allegro Con Brio | 70:40 | |
| 2. | Sonata No. 7 For Piano And Violin In C, Op. 30 No. 2: II. Adagio Cantabile | ||
| 3. | Sonata No. 7 For Piano And Violin In C, Op. 30 No. 2: III. Scherzo. Allegro | ||
| 4. | Sonata No. 7 For Piano And Violin In C, Op. 30 No. 2: IV. Finale. Allegro - Presto | ||
| 5. | Sonata No. 9 For Piano And Violin In A, Op. 47 “Kreutzer”: I. Adagio Sostenuto - Presto | ||
| 6. | Sonata No. 9 For Piano And Violin In A, Op. 47 “Kreutzer”: II. Andante Con Variazioni I-IV | ||
| 7. | Sonata No. 9 For Piano And Violin In A, Op. 47 “Kreutzer”: III. Finale. Presto | ||
| CD 55 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:01 | ||
| 1. | Sonata No. 8 For Piano And Violin In G, Op. 30 No. 3: I. Allegro Assai | 83:01 | |
| 2. | Sonata No. 8 For Piano And Violin In G, Op. 30 No. 3: II. Tempo Di Minuetto, Ma Molto Moderato E Grazioso | ||
| 3. | Sonata No. 8 For Piano And Violin In G, Op. 30 No. 3: III. Allegro Vivace | ||
| 4. | Sonata No. 9 For Piano And Violin In A, Op. 47 “Kreutzer”: I. Adagio Sostenuto - Presto | ||
| 5. | Sonata No. 9 For Piano And Violin In A, Op. 47 “Kreutzer”: II. Andante Con Variazioni I-IV | ||
| 6. | Sonata No. 9 For Piano And Violin In A, Op. 47 “Kreutzer”: III. Finale. Presto | ||
| 7. | Sonata No. 10 For Piano And Violin In G, Op. 96: I. Allegro Moderato | ||
| 8. | Sonata No. 10 For Piano And Violin In G, Op. 96: II. Adagio Espressivo | ||
| 9. | Sonata No. 10 For Piano And Violin In G, Op. 96: III. Scherzo. Allegro | ||
| 10. | Sonata No. 10 For Piano And Violin In G, Op. 96: IV. Poco Allegretto | ||
| CD 56 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 65:37 | ||
| 1. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Theme: Allegretto | 65:37 | |
| 2. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation I | ||
| 3. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation II | ||
| 4. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation III | ||
| 5. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation IV | ||
| 6. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation V | ||
| 7. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation VI | ||
| 8. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation VII | ||
| 9. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation VIII | ||
| 10. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation IX | ||
| 11. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation X. Adagio | ||
| 12. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation XI. Poco Adagio, Quasi Anda | ||
| 13. | 12 Variations For Piano And Cello On “Ein Mädchen Oder Weibchen” From Mozart's Opera “Die Zauberflöte”, Op. 66: Variation XII. Allegro | ||
| 14. | Sonata No. 1 For Piano And Cello In F, Op. 5 No. 1: I. Adagio Sostenuto - | ||
| 15. | Sonata No. 1 For Piano And Cello In F, Op. 5 No. 1: I. Allegro - | ||
| 16. | Sonata No. 1 For Piano And Cello In F, Op. 5 No. 1: I. Adagio - Presto - Tempo Primo | ||
| 17. | Sonata No. 1 For Piano And Cello In F, Op. 5 No. 1: II. Allegro Vivace | ||
| 18. | Sonata No. 2 For Piano And Cello In G, Op. 5 No. 2: I. Adagio Sostenutoed Espressivo - Attacca: | ||
| 19. | Sonata No. 2 For Piano And Cello In G, Op. 5 No. 2: I. Allegro Molto Più Tosto Presto | ||
| 20. | Sonata No. 2 For Piano And Cello In G, Op. 5 No. 2: II. Rondo. Allegro | ||
| 21. | 7 Variations For Piano And Cello On “Bei Mäannern, Welche Leibe Fühlen” From Mozart's Opera “Die Zauberflöte”, Woo 46: Theme: Andante | ||
| 22. | 7 Variations For Piano And Cello On “Bei Mäannern, Welche Leibe Fühlen” From Mozart's Opera “Die Zauberflöte”, Woo 46: Variation I | ||
| 23. | 7 Variations For Piano And Cello On “Bei Mäannern, Welche Leibe Fühlen” From Mozart's Opera “Die Zauberflöte”, Woo 46: Variation II | ||
| 24. | 7 Variations For Piano And Cello On “Bei Mäannern, Welche Leibe Fühlen” From Mozart's Opera “Die Zauberflöte”, Woo 46: Variation III | ||
| 25. | 7 Variations For Piano And Cello On “Bei Mäannern, Welche Leibe Fühlen” From Mozart's Opera “Die Zauberflöte”, Woo 46: Variation IV | ||
| 26. | 7 Variations For Piano And Cello On “Bei Mäannern, Welche Leibe Fühlen” From Mozart's Opera “Die Zauberflöte”, Woo 46: Variation V. Si Prenda Il Temp | ||
| 27. | 7 Variations For Piano And Cello On “Bei Mäannern, Welche Leibe Fühlen” From Mozart's Opera “Die Zauberflöte”, Woo 46: Variation VI. Adagio - Attacca | ||
| 28. | 7 Variations For Piano And Cello On “Bei Mäannern, Welche Leibe Fühlen” From Mozart's Opera “Die Zauberflöte”, Woo 46: Variation VII. Allegro, Ma Non | ||
| CD 57 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 73:23 | ||
| 1. | Sonata No. 3 For Piano And Cello In A, Op. 69: I. Allegro Ma Non Troppo | 73:23 | |
| 2. | Sonata No. 3 For Piano And Cello In A, Op. 69: II. Scherzo. Allegro Molto | ||
| 3. | Sonata No. 3 For Piano And Cello In A, Op. 69: III. Adagio Cantabile - | ||
| 4. | Sonata No. 3 For Piano And Cello In A, Op. 69: III. Allegro Vivace | ||
| 5. | Sonata No. 4 For Piano And Cello In C, Op. 102 No. 1: I. Andante - | ||
| 6. | Sonata No. 4 For Piano And Cello In C, Op. 102 No. 1: I. Allegro Vivace | ||
| 7. | Sonata No. 4 For Piano And Cello In C, Op. 102 No. 1: II. Adagio - Tempo D'andante - | ||
| 8. | Sonata No. 4 For Piano And Cello In C, Op. 102 No. 1: II. Allegro Vivace | ||
| 9. | Sonata No. 5 For Piano And Cello In D, Op. 102 No. 2: I. Allegro Con Brio | ||
| 10. | Sonata No. 5 For Piano And Cello In D, Op. 102 No. 2: II. Adagio Con Molto Sentimento D'affetto - Attacca: | ||
| 11. | Sonata No. 5 For Piano And Cello In D, Op. 102 No. 2: III. Allegro - Allegro Fugato | ||
| 12. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Theme: Allegretto | ||
| 13. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation I | ||
| 14. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation II | ||
| 15. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation III | ||
| 16. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation IV | ||
| 17. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation V | ||
| 18. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation VI | ||
| 19. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation VII | ||
| 20. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation VIII | ||
| 21. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation IX | ||
| 22. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation X. Allegro | ||
| 23. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation XI. Adagio | ||
| 24. | 12 Variations For Piano And Cello On “See The Conqu'ring Hero Comes” From Handel's Oratorio “Judas Maccabaeus”, Woo 45: Variation XII. Allegro3 | ||
| CD 58 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 71:59 | ||
| 1. | 6 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 105: 1. Air Écossais: “The Cottage Maid”: Tema. Andantino Quasi Allegretto - V | 71:59 | |
| 2. | 6 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 105: 2. Air Écossais: “Von Edlem Geschlecht War Schinkin”: Tema. Allegretto Sc | ||
| 3. | 6 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 105: 3. Air Autrichien: “A Schüsserl Und A Reindl”: Tema. Andantino - Var. I-I | ||
| 4. | 6 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 105: 4. Air Écossais: “The Last Rose Of Summer”: Tema. Andante Espressive Assa | ||
| 5. | 6 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 105: 5. Air Écossais: “Chiling O'guiry”: Tema. Allegretto Spiritoso - Var. I-I | ||
| 6. | 6 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 105: 6. Air Écossais: “Paddy Whack”: Tema. Allegretto Più Tosto Vivace - Var. | ||
| 7. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 1. Air Tirolien: “I Bin A Tiroler Bua”: Tema. Moderato - Var. I-III - Va | ||
| 8. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 2. Air Écossais: “Bonnie Laddie, Highland Laddie”: Tema. Allegretto, Qua | ||
| 9. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 3. Volkslied Aus Kleinrussland: Tema. Vivace - Var. I-IV - Var. V. Adagi | ||
| 10. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 4. Air Écossais “St. Patrick's Day”: Tema. Allegretto Scherzoso - Var. I | ||
| 11. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 5. Air Tirolien: “A Madel, Ja A Madel”: Tema. Moderato - Var. I-II - Var | ||
| 12. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 6. Air Écossais: “Peggy's Daughter”: Tema. Andante Comodo - Var. I-III - | ||
| 13. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 7. Air Russe: “Schöne Minka”: Tema. Andante - Var. I-IV - Var. V. Andan | ||
| 14. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 8. Air Écossais: “O Mary At Thy Window Be”: Tema. Andantino Quasi Allegr | ||
| 15. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 9. Air Écossais: “Oh, Thou Art The Lad Of My Heart”: Tema. Allegretto Pi | ||
| 16. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107: 10. Air Écossais: “The Highland Watch”: Tema. Spirituoso E Marziale - Va | ||
| 17. | Duo For 2 Flutes In G, Woo 26: Allegro Con Brio | ||
| 18. | Duo For 2 Flutes In G, Woo 26: Minuetto Quasi Allegretto | ||
| CD 59 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 65:41 | ||
| 1. | Sonata For Piano And Horn (Or Cello) In F, Op. 17: I. Allegro Moderato | 65:41 | |
| 2. | Sonata For Piano And Horn (Or Cello) In F, Op. 17: II. Poco Adagio, Quasi Andante | ||
| 3. | Sonata For Piano And Horn (Or Cello) In F, Op. 17: III. Rondo. Allegro Moderato | ||
| 4. | Sonatina For Mandolin And Piano In C, Woo 43a: Adagio | ||
| 5. | Adagio For Mandolin And Piano In E-Flat, Woo 43b: Adagio (Ma Non Troppo) | ||
| 6. | Sonatina For Mandolin And Piano In C, Woo 44a: Allegro | ||
| 7. | Variations For Mandolin And Piano In D, Woo 44b: Andante Con Variazioni | ||
| 8. | Duet For Viola And Cello In E-Flat, Woo 32 “Duet With Two Obbligato Eyeglasses”: I. Allegro | ||
| 9. | Duet For Viola And Cello In E-Flat, Woo 32 “Duet With Two Obbligato Eyeglasses”: II. Allegretto | ||
| 10. | Piece For 2 Violins In A, Woo 34 | ||
| 11. | Small Piece In A (Probably For 2 Violins), Woo 35 | ||
| 12. | Sonata For Piano And (Horn Or) Cello In F, Op. 17: I. Allegro Moderato | ||
| 13. | Sonata For Piano And (Horn Or) Cello In F, Op. 17: II. Poco Adagio, Quasi Andante | ||
| 14. | Sonata For Piano And (Horn Or) Cello In F, Op. 17: III. Rondo. Allegro Moderato | ||
| CD 60 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:22 | ||
| 1. | Piano Trio No. 9 In E-Flat, Woo 38: I. Allegro Moderato | 84:22 | |
| 2. | Piano Trio No. 9 In E-Flat, Woo 38: II. Scherzo. Allegro Ma Non Troppo | ||
| 3. | Piano Trio No. 9 In E-Flat, Woo 38: III. Rondo. Allegretto | ||
| 4. | Piano Trio No. 1 In E-Flat, Op. 1 No. 1: I. Allegro | ||
| 5. | Piano Trio No. 1 In E-Flat, Op. 1 No. 1: II. Adagio Cantabile | ||
| 6. | Piano Trio No. 1 In E-Flat, Op. 1 No. 1: III. Scherzo. Allegro Assai | ||
| 7. | Piano Trio No. 1 In E-Flat, Op. 1 No. 1: IV. Finale. Presto | ||
| 8. | Piano Trio No. 2 In G, Op. 1 No. 2: I. Adagio - Allegro Vivace | ||
| 9. | Piano Trio No. 2 In G, Op. 1 No. 2: II. Largo Con Espressione | ||
| 10. | Piano Trio No. 2 In G, Op. 1 No. 2: III. Scherzo. Allegro | ||
| 11. | Piano Trio No. 2 In G, Op. 1 No. 2: IV. Finale. Presto | ||
| 12. | Trio Movement In E-Flat, Unv 9 [Hess 48]: Allegretto | ||
| CD 61 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 79:14 | ||
| 1. | Piano Trio No. 3 In C, Op. 1 No. 3: I. Allegro Con Brio | 79:14 | |
| 2. | Piano Trio No. 3 In C, Op. 1 No. 3: II. Andante Cantabile Con Variazioni | ||
| 3. | Piano Trio No. 3 In C, Op. 1 No. 3: III. Menuetto. Quasi Allegro | ||
| 4. | Piano Trio No. 3 In C, Op. 1 No. 3: IV. Finale. Prestissimo | ||
| 5. | Piano Trio No. 5 In D, Op. 70 No. 1 “Ghost”: I. Allegro Vivace E Con Brio | ||
| 6. | Piano Trio No. 5 In D, Op. 70 No. 1 “Ghost”: II. Large Assai Ed Espressivo | ||
| 7. | Piano Trio No. 5 In D, Op. 70 No. 1 “Ghost”: III. Presto | ||
| 8. | Piano Trio No. 6 In E-Flat, Op. 70 No. 2: I. Poco Sostenuto - Allegro Ma Non Troppo | ||
| 9. | Piano Trio No. 6 In E-Flat, Op. 70 No. 2: II. Allegretto | ||
| 10. | Piano Trio No. 6 In E-Flat, Op. 70 No. 2: III. Allegretto Ma Non Troppo | ||
| 11. | Piano Trio No. 6 In E-Flat, Op. 70 No. 2: IV. Finale. Allegro | ||
| CD 62 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 75:32 | ||
| 1. | 14 Variations For Piano, Violin And Cello On “Ja, Ich Muss Mich Von Ihr Scheiden“ From The Opera “Das Rote Käppchen” By Carl Ditters Von Dittersdorf | 75:32 | |
| 2. | 10 Variations For Piano, Violin And Cello On The Song “Ich Bin Der Schneider Kakadu” From Wenzel Müller's Singspiel “Die Schwestern Von Prag” (Piano | ||
| 3. | Piano Trio No. 8 In B-Flat, Woo 39: Allegretto | ||
| 4. | Piano Trio No. 7 In B-Flat, Op. 97 “Archduke”: I. Allegro Moderato | ||
| 5. | Piano Trio No. 7 In B-Flat, Op. 97 “Archduke”: II. Scherzo. Allegro | ||
| 6. | Piano Trio No. 7 In B-Flat, Op. 97 “Archduke”: III. Andante Cantabile - Poco Più Adagio - Tempo I | ||
| 7. | Piano Trio No. 7 In B-Flat, Op. 97 “Archduke”: IV. Allegro Moderato | ||
| CD 63 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:22 | ||
| 1. | Piano Trio No. 4 In B-Flat (For Piano, Violin And Cello), Op. 11 “Gassenhauer”: I. Allegro Con Brio | 83:22 | |
| 2. | Piano Trio No. 4 In B-Flat (For Piano, Violin And Cello), Op. 11 “Gassenhauer”: II. Adagio | ||
| 3. | Piano Trio No. 4 In B-Flat (For Piano, Violin And Cello), Op. 11 “Gassenhauer”: III. Tema “Pria Ch'io L'impegno”. Allegretto - Allegro | ||
| 4. | Piano Trio In E-Flat, Op. 38 (After The Septet Op. 20): I. Adagio - Allegro Con Brio | ||
| 5. | Piano Trio In E-Flat, Op. 38 (After The Septet Op. 20): II. Adagio Cantabile | ||
| 6. | Piano Trio In E-Flat, Op. 38 (After The Septet Op. 20): III. Tempo Di Menuetto | ||
| 7. | Piano Trio In E-Flat, Op. 38 (After The Septet Op. 20): IV. Andante Con Variazioni | ||
| 8. | Piano Trio In E-Flat, Op. 38 (After The Septet Op. 20): V. Scherzo. Allegro Molto E Vivace | ||
| 9. | Piano Trio In E-Flat, Op. 38 (After The Septet Op. 20): VI. Andante Con Moto Alla Marcia - Presto | ||
| 10. | Piano Trio No. 4 In B-Flat (For Piano, Clarinet And Cello), Op. 11 “Gassenhauer”: I. Allegro Con Brio | ||
| 11. | Piano Trio No. 4 In B-Flat (For Piano, Clarinet And Cello), Op. 11 “Gassenhauer”: II. Adagio | ||
| 12. | Piano Trio No. 4 In B-Flat (For Piano, Clarinet And Cello), Op. 11 “Gassenhauer”: III. Tema “Pria Ch'io L'impegno”. Allegretto - Allegro | ||
| CD 64 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 55:26 | ||
| 1. | Trio For Piano, Flute And Bassoon In G, Woo 37: I. Allegro | 55:26 | |
| 2. | Trio For Piano, Flute And Bassoon In G, Woo 37: II. Adagio | ||
| 3. | Trio For Piano, Flute And Bassoon In G, Woo 37: III. Tema Andante Con Variazioni | ||
| 4. | Trio For 2 Oboes And Cor Anglais In C, Op. 87: I. Allegro | ||
| 5. | Trio For 2 Oboes And Cor Anglais In C, Op. 87: II. Adagio Cantabile | ||
| 6. | Trio For 2 Oboes And Cor Anglais In C, Op. 87: III. Menuetto. Allegro Molto. Scherzo | ||
| 7. | Trio For 2 Oboes And Cor Anglais In C, Op. 87: IV. Finale. Presto | ||
| 8. | 8 Variations For 2 Oboes And Cor Anglais In C On “Là CI Darem La Mano” From Mozart's Opera “Don Giovanni”, Woo 28: Thema. Andante / Variation I. Alle | ||
| CD 65 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 66:12 | ||
| 1. | String Trio No. 1 In E-Flat, Op. 3: I. Allegro Con Brio | 66:12 | |
| 2. | String Trio No. 1 In E-Flat, Op. 3: II. Andante | ||
| 3. | String Trio No. 1 In E-Flat, Op. 3: III. Menuetto. Allegretto | ||
| 4. | String Trio No. 1 In E-Flat, Op. 3: IV. Adagio | ||
| 5. | String Trio No. 1 In E-Flat, Op. 3: V. Menuetto. Moderato | ||
| 6. | String Trio No. 1 In E-Flat, Op. 3: VI. Finale. Allegro | ||
| 7. | Serenade For Violin, Viola And Cello In D (String Trio No. 2), Op. 8: I. Marcia. Allegro - Adagio | ||
| 8. | Serenade For Violin, Viola And Cello In D (String Trio No. 2), Op. 8: II. Menuetto. Allegretto | ||
| 9. | Serenade For Violin, Viola And Cello In D (String Trio No. 2), Op. 8: III. Adagio - Scherzo. Allegro Molto - Adagio - Allegro Molto - Adagio | ||
| 10. | Serenade For Violin, Viola And Cello In D (String Trio No. 2), Op. 8: IV. Allegretto Alla Polacca | ||
| 11. | Serenade For Violin, Viola And Cello In D (String Trio No. 2), Op. 8: V. Thema Con Variazioni. Andante Quasi Allegretto - Variationen I-IV - Marcia. | ||
| CD 66 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:52 | ||
| 1. | String Trio No. 3 In G, Op. 9 No. 1: I. Adagio - Allegro Con Brio | 72:52 | |
| 2. | String Trio No. 3 In G, Op. 9 No. 1: II. Adagio, Ma Non Tanto, E Cantabile | ||
| 3. | String Trio No. 3 In G, Op. 9 No. 1: III. Scherzo. Allegro | ||
| 4. | String Trio No. 3 In G, Op. 9 No. 1: IV. Presto | ||
| 5. | String Trio No. 4 In D, Op. 9 No. 2: I. Allegretto | ||
| 6. | String Trio No. 4 In D, Op. 9 No. 2: II. Andante Quasi Allegretto | ||
| 7. | String Trio No. 4 In D, Op. 9 No. 2: III. Menuetto. Allegro | ||
| 8. | String Trio No. 4 In D, Op. 9 No. 2: IV. Rondo. Allegro | ||
| 9. | String Trio No. 5 In C, Op. 9 No. 3: I. Allegro Con Spirito | ||
| 10. | String Trio No. 5 In C, Op. 9 No. 3: II. Adagio Con Espressione | ||
| 11. | String Trio No. 5 In C, Op. 9 No. 3: III. Scherzo. Allegro Molto E Vivace | ||
| 12. | String Trio No. 5 In C, Op. 9 No. 3: IV. Finale. Presto | ||
| CD 67 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 48:58 | ||
| 1. | Serenade For Flute, Violin And Viola In D, Op. 25: I. Entrada. Allegro | 48:58 | |
| 2. | Serenade For Flute, Violin And Viola In D, Op. 25: II. Tempo Ordinario D'un Minuetto | ||
| 3. | Serenade For Flute, Violin And Viola In D, Op. 25: III. Allegro Molto | ||
| 4. | Serenade For Flute, Violin And Viola In D, Op. 25: IV. Andante Con Variazioni | ||
| 5. | Serenade For Flute, Violin And Viola In D, Op. 25: V. Allegro Scherzando E Vivace | ||
| 6. | Serenade For Flute, Violin And Viola In D, Op. 25: VI. Adagio - Allegro Vivace E Disinvolto | ||
| 7. | Prelude And Fugue For 2 Violins And Cello In E, Hess 29: I. Prelude | ||
| 8. | Prelude And Fugue For 2 Violins And Cello In E, Hess 29: II. Fugue | ||
| 9. | 6 Minuets For 2 Violins And Bass, Woo 9: No. 1 In E-Flat | ||
| 10. | 6 Minuets For 2 Violins And Bass, Woo 9: No. 2 In G | ||
| 11. | 6 Minuets For 2 Violins And Bass, Woo 9: No. 3 In C | ||
| 12. | 6 Minuets For 2 Violins And Bass, Woo 9: No. 4 In F | ||
| 13. | 6 Minuets For 2 Violins And Bass, Woo 9: No. 5 In D | ||
| 14. | 6 Minuets For 2 Violins And Bass, Woo 9: No. 5 In G | ||
| 15. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 1 In D | ||
| 16. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 2 In D | ||
| 17. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 3 In D | ||
| 18. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 4 In D | ||
| 19. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 5 In D | ||
| 20. | 6 Ländler For 2 Violins And Bass, Woo 15: No. 6 In D | ||
| CD 68 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:11 | ||
| 1. | String Quartet No. 1 In D, Op. 18 No. 3: I. Allegro | 72:11 | |
| 2. | String Quartet No. 1 In D, Op. 18 No. 3: II. Andante Con Moto | ||
| 3. | String Quartet No. 1 In D, Op. 18 No. 3: III. Allegro | ||
| 4. | String Quartet No. 1 In D, Op. 18 No. 3: IV. Presto | ||
| 5. | String Quartet No. 2 In F, Op. 18 No. 1: I. Allegro Con Brio | ||
| 6. | String Quartet No. 2 In F, Op. 18 No. 1: II. Adagio Affettuoso Ed Appassionato | ||
| 7. | String Quartet No. 2 In F, Op. 18 No. 1: III. Scherzo. Allegro Molto | ||
| 8. | String Quartet No. 2 In F, Op. 18 No. 1: IV. Allegro | ||
| 9. | String Quartet No. 3 In G, Op. 18 No. 2: I. Allegro | ||
| 10. | String Quartet No. 3 In G, Op. 18 No. 2: II. Adagio Cantabile - Allegro - Tempo I | ||
| 11. | String Quartet No. 3 In G, Op. 18 No. 2: III. Scherzo. Allegro | ||
| 12. | String Quartet No. 3 In G, Op. 18 No. 2: IV. Allegro Molto, Quasi Presto | ||
| CD 69 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 73:02 | ||
| 1. | String Quartet No. 4 In C, Op. 18 No. 4: I. Allegro Ma Non Tanto | 73:02 | |
| 2. | String Quartet No. 4 In C, Op. 18 No. 4: II. Andante Scherzoso Quasi Allegretto | ||
| 3. | String Quartet No. 4 In C, Op. 18 No. 4: III. Menuetto. Allegretto | ||
| 4. | String Quartet No. 4 In C, Op. 18 No. 4: IV. Allegro - Prestissimo | ||
| 5. | String Quartet No. 5 In A, Op. 18 No. 5: I. Allegro | ||
| 6. | String Quartet No. 5 In A, Op. 18 No. 5: II. Menuetto | ||
| 7. | String Quartet No. 5 In A, Op. 18 No. 5: III. Andante Cantabile | ||
| 8. | String Quaretet No. 5 In A, Op. 18 No. 5: IV. Allegro | ||
| 9. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: I. Allegro Con Brio | ||
| 10. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: II. Adagio Ma Non Troppo | ||
| 11. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: III. Scherzo. Allegro | ||
| 12. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: IV. La Malinconia. Adagio - Allegretto Quasi Allegro | ||
| CD 70 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 71:40 | ||
| 1. | String Quartet No. 7 In F, Op. 59 No. 1 “Razumovsky”: I. Allegro | 71:40 | |
| 2. | String Quartet No. 7 In F, Op. 59 No. 1 “Razumovsky”: II. Allegretto Vivace E Sempre Scherzando | ||
| 3. | String Quartet No. 7 In F, Op. 59 No. 1 “Razumovsky”: III. Adagio Molto E Mesto - Attacca: | ||
| 4. | String Quartet No. 7 In F, Op. 59 No. 1 “Razumovsky”: IV. Thème Russe. Allegro | ||
| 5. | String Quartet No. 8 In E, Op. 59 No. 2 “Razumovsky”: I. Allegro | ||
| 6. | String Quartet No. 8 In E, Op. 59 No. 2 “Razumovsky”: II. Molto Adagio. Si Tratta Questo Pezzo Con Molto Di Sentimento | ||
| 7. | String Quartet No. 8 In E, Op. 59 No. 2 “Razumovsky”: III. Allegretto - Maggiore (Thème Russe) | ||
| 8. | String Quartet No. 8 In E, Op. 59 No. 2 “Razumovsky”: IV. Finale. Presto | ||
| CD 71 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 58:47 | ||
| 1. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: I. Introduzione. Andante Con Moto - Allegro Vivace | 58:47 | |
| 2. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: II. Andante Con Moto Quasi Allegretto | ||
| 3. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: III. Menuetto (Grazioso) - Attacca: | ||
| 4. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: IV. Allegro Molto | ||
| 5. | String Quartet No. 10 In E-Flat, Op. 74 “Harp”: I. Poco Adagio - Allegro | ||
| 6. | String Quartet No. 10 In E-Flat, Op. 74 “Harp”: II. Adagio Ma Non Troppo | ||
| 7. | String Quartet No. 10 In E-Flat, Op. 74 “Harp”: III. Presto - Più Presto Quasi Prestissimo - Attacca: | ||
| 8. | String Quartet No. 10 In E-Flat, Op. 74 “Harp”: IV. Allegretto Con Variazioni | ||
| CD 72 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 77:54 | ||
| 1. | String Quartet No. 11 In F, Op. 95 “Quartett[O] Serioso”: I. Allegro Con Brio | 77:54 | |
| 2. | String Quartet No. 11 In F, Op. 95 “Quartett[O] Serioso”: II. Allegretto Ma Non Troppo - Attacca: | ||
| 3. | String Quartet No. 11 In F, Op. 95 “Quartett[O] Serioso”: III. Allegro Assai Vivacema Serioso | ||
| 4. | String Quartet No. 11 In F, Op. 95 “Quartett[O] Serioso”: IV. Larghetto Espressivo - Allegretto Agitato - Allegro | ||
| 5. | String Quartet No. 13 Iin B-Flat, Op. 130: I. Adagio Ma Non Troppo - Allegro | ||
| 6. | String Quartet No. 13 Iin B-Flat, Op. 130: II. Presto | ||
| 7. | String Quartet No. 13 Iin B-Flat, Op. 130: III. Andante Con Moto, Ma Non Troppo | ||
| 8. | String Quartet No. 13 Iin B-Flat, Op. 130: IV. Alla Danza Tedesca. Allegro Assai | ||
| 9. | String Quartet No. 13 Iin B-Flat, Op. 130: V. Cavatina. Adagio Molto Espressivo | ||
| 10. | Grosse Fuge, Op. 133 (Original Finale For Op. 130): Overtura. Allegro - Meno Mosso E Moderato - Allegro - Fuga: Allegro - Meno Mosso E Moderato - All | ||
| 11. | Grosse Fuge, Op. 133 (Original Finale For Op. 130): IV. Finale. Allegro / (Alternative Finale) | ||
| CD 73 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 74:02 | ||
| 1. | String Quartet No. 12 In E-Flat, Op. 127: I. Maestoso - Allegro | 74:02 | |
| 2. | String Quartet No. 12 In E-Flat, Op. 127: II. Adagio, Ma Non Troppo E Molto Cantabile - Andante Con Moto - Adagio Molto Espressivo - Tempo I | ||
| 3. | String Quartet No. 12 In E-Flat, Op. 127: III. Scherzando. Vivace | ||
| 4. | String Quartet No. 12 In E-Flat, Op. 127: IV. Allegro - Allegro Comodo | ||
| 5. | String Quartet No. 14 In C-Sharp, Op. 131: I. Adagio, Ma Non Troppo E Molto Espressivo - Attacca: | ||
| 6. | String Quartet No. 14 In C-Sharp, Op. 131: II. Allegro Molto Vivace - Attacca: | ||
| 7. | String Quartet No. 14 In C-Sharp, Op. 131: III. Allegro Moderato - Attacca: | ||
| 8. | String Quartet No. 14 In C-Sharp, Op. 131: IV. Andante, Ma Non Troppo E Molto Cantabile - Più Mosso - Andante Moderato E Lusinghiero - Adagio - Alleg | ||
| 9. | String Quartet No. 14 In C-Sharp, Op. 131: V. Presto - Molto Poco Adagio - Attacca: | ||
| 10. | String Quartet No. 14 In C-Sharp, Op. 131: VI. Adagio Quasi Un Poco Andante - Attacca: | ||
| 11. | String Quartet No. 14 In C-Sharp, Op. 131: VII. Allegro | ||
| CD 74 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 67:15 | ||
| 1. | String Quartet No. 15 In A, Op. 132: I. Assai Sostenuto - Allegro | 67:15 | |
| 2. | String Quartet No. 15 In A, Op. 132: II. Allegro Ma Non Tanto | ||
| 3. | String Quartet No. 15 In A, Op. 132: III. Heiliger Dankgesang Eines Genesenen An Die Gottheit, In Der Lydischen Tonart. Molto Adagio - Neue Kraft Füh | ||
| 4. | String Quartet No. 15 In A, Op. 132: IV. Alla Marcia, Assai Vivace - Più Allegro - Attacca: | ||
| 5. | String Quartet No. 15 In A, Op. 132: V. Allegro Appassionato - Presto | ||
| 6. | String Quartet No. 16 In F, Op. 135: I. Allegretto | ||
| 7. | String Quartet No. 16 In F, Op. 135: II. Vivace | ||
| 8. | String Quartet No. 16 In F, Op. 135: III. Lento Assai, Cantante E Tranquillo | ||
| 9. | String Quartet No. 16 In F, Op. 135: IV. Der Schwer Gefasste Entschluss. Grave, Ma Non Troppo Tratto (“Muss Es Sein?”) - Allegro (“Es Muss Sein!”) - | ||
| CD 75 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 75:04 | ||
| 1. | String Quartet No. 12 In E-Flat, Op. 127: I. Maestoso - Allegro | 75:04 | |
| 2. | String Quartet No. 12 In E-Flat, Op. 127: II. Adagio, Ma Non Troppo E Cantabile - Andante Con Moto - Adagio Molto Espressivo - Tempo I | ||
| 3. | String Quartet No. 12 In E-Flat, Op. 127: III. Scherzando. Vivace | ||
| 4. | String Quartet No. 12 In E-Flat, Op. 127: IV. Allegro - Allegro Comodo | ||
| 5. | String Quartet No. 15 In A, Op. 132: I. Assai Sostenuto - Allegro | ||
| 6. | String Quartet No. 15 In A, Op. 132: II. Allegro Ma Non Tanto | ||
| 7. | String Quartet No. 15 In A, Op. 132: III. Heiliger Dankgesang Eines Genesenen An Die Gottheit, In Der Lydischen Tonart. Molto Adagio - Neue Kraft Füh | ||
| 8. | String Quartet No. 15 In A, Op. 132: IV. Alla Marcia, Assai Vivace - Più Allegro - Attacca: | ||
| 9. | String Quartet No. 15 In A, Op. 132: V. Allegro Appassionato - Presto | ||
| CD 76 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 86:16 | ||
| 1. | String Quartet No. 13 In B-Flat, Op. 130: I. Adagio Ma Non Troppo - Allegro | 86:16 | |
| 2. | String Quartet No. 13 In B-Flat, Op. 130: II. Presto | ||
| 3. | String Quartet No. 13 In B-Flat, Op. 130: III. Andante Con Moto, Ma Non Troppo | ||
| 4. | String Quartet No. 13 In B-Flat, Op. 130: IV. Alla Danza Tedesca. Allegro Assai | ||
| 5. | String Quartet No. 13 In B-Flat, Op. 130: V. Cavatina. Adagio Molto Espressivo | ||
| 6. | Grosse Fuge, Op. 133 (Original Finale For Op. 130): Overtura. Allegro - Meno Mosso E Moderato - Allegro - Fuga: Allegro - Meno Mosso E Moderato - All | ||
| 7. | String Quartet No. 14 In C-Sharp, Op. 131: I. Adagio, Ma Non Troppo E Molto Espressivo - Attacca: | ||
| 8. | String Quartet No. 14 In C-Sharp, Op. 131: II. Allegro Molto Vivace - Attacca: | ||
| 9. | String Quartet No. 14 In C-Sharp, Op. 131: III. Allegro Moderato - Attacca: | ||
| 10. | String Quartet No. 14 In C-Sharp, Op. 131: IV. Andante, Ma Non Troppo E Molto Cantabile - Più Mosso - Andante Moderato E Lusinghiero - Adagio - Alleg | ||
| 11. | String Quartet No. 14 In C-Sharp, Op. 131: V. Presto - Molto Poco Adagio - Attacca: | ||
| 12. | String Quartet No. 14 In C-Sharp, Op. 131: VI. Adagio Quasi Un Poco Andante - Attacca: | ||
| 13. | String Quartet No. 14 In C-Sharp, Op. 131: VII. Allegro | ||
| CD 77 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 78:58 | ||
| 1. | String Quartet No. 16 In F, Op. 135: I. Allegretto | 78:58 | |
| 2. | String Quartet No. 16 In F, Op. 135: II. Vivace | ||
| 3. | String Quartet No. 16 In F, Op. 135: III. Lento Assai, Cantante E Tranquillo | ||
| 4. | String Quartet No. 16 In F, Op. 135: IV. Der Schwer Gefasste Entschluss. Grave, Ma Non Troppo Tratto (“Muss Es Sein?”) - Allegro (“Es Muss Sein!”) - | ||
| 5. | String Quartet In F, Hess 32 (1st Version Of Op. 18 No. 1): I. Allegro Con Brio | ||
| 6. | String Quartet In F, Hess 32 (1st Version Of Op. 18 No. 1): II. Adagio Molto | ||
| 7. | String Quartet In F, Hess 32 (1st Version Of Op. 18 No. 1): III. Scherzo. Allegro | ||
| 8. | String Quartet In F, Hess 32 (1st Version Of Op. 18 No. 1): IV. Allegretto | ||
| 9. | Minuet For String Quartet In A-Flat, Woo 209 | ||
| 10. | String Quartet In F, Hess 34 (After Piano Sonata In E, Op. 14 No. 1): I. Allegro Moderato | ||
| 11. | String Quartet In F, Hess 34 (After Piano Sonata In E, Op. 14 No. 1): II. Allegretto | ||
| 12. | String Quartet In F, Hess 34 (After Piano Sonata In E, Op. 14 No. 1): III. Allegro | ||
| 13. | Prelude And Fugue For String Quartet In F, Hess 30: Prelude | ||
| 14. | Prelude And Fugue For String Quartet In F, Hess 30: Fugue | ||
| 15. | Prelude And Fugue For String Quartet In C, Hess 31: Prelude | ||
| 16. | Prelude And Fugue For String Quartet In C, Hess 31: Fugue | ||
| CD 78 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 63:30 | ||
| 1. | Quartet For Piano, Violin, Viola And Cello In E-Flat, Woo 36 No. 1: I. Adagio Assai - Attacca: | 63:30 | |
| 2. | Quartet For Piano, Violin, Viola And Cello In E-Flat, Woo 36 No. 1: II. Allegro Con Spirito | ||
| 3. | Quartet For Piano, Violin, Viola And Cello In E-Flat, Woo 36 No. 1: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto | ||
| 4. | Quartet For Piano, Violin, Viola And Cello In D, Woo 36 No. 2: I. Allegro Moderato | ||
| 5. | Quartet For Piano, Violin, Viola And Cello In D, Woo 36 No. 2: II. Andante Con Moto | ||
| 6. | Quartet For Piano, Violin, Viola And Cello In D, Woo 36 No. 2: III. Rondo. Allegro | ||
| 7. | Quartet For Piano, Violin, Viola And Cello In C, Woo 36 No. 3: I. Allegro Vivace | ||
| 8. | Quartet For Piano, Violin, Viola And Cello In C, Woo 36 No. 3: II. Adagio Con Espressione | ||
| 9. | Quartet For Piano, Violin, Viola And Cello In C, Woo 36 No. 3: III. Rondo. Allegro | ||
| 10. | 3 Equali For 4 Trombones, Woo 30: No. 1 Andante In D | ||
| 11. | 3 Equali For 4 Trombones, Woo 30: No. 2 Poco Adagio In D | ||
| 12. | 3 Equali For 4 Trombones, Woo 30: No. 3 Poco Sostenuto In B-Flat | ||
| CD 79 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 77:55 | ||
| 1. | Quintet For 2 Violins, 2 Violas And Cello In C, Op. 29: I. Allegro | 77:55 | |
| 2. | Quintet For 2 Violins, 2 Violas And Cello In C, Op. 29: II. Adagio Molto Espressivo | ||
| 3. | Quintet For 2 Violins, 2 Violas And Cello In C, Op. 29: III. Scherzo. Allegro | ||
| 4. | Quintet For 2 Violins, 2 Violas And Cello In C, Op. 29: IV. Presto | ||
| 5. | Fugue For String Quintet In D, Op. 137 | ||
| 6. | Prelude For String Quintet In D, Unv 7 [Hess 40] | ||
| 7. | Fugue In B-Flat For String Quintet, Hess 38 (Arranged From Bach's “Well-Tempered Clavier”) | ||
| 8. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16: I. Grave - Allegro, Ma Non Troppo | ||
| 9. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16: II. Andante Cantabile | ||
| 10. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16: III. Rondo. Allegro, Ma Non Troppo | ||
| 11. | Quintet For Oboe, 3 Horns And Bassoon In E-Flat, Woo 208 [Hess 19] (Fragment, Completed By Leopold Zellner): I. Allegro | ||
| 12. | Quintet For Oboe, 3 Horns And Bassoon In E-Flat, Woo 208 [Hess 19] (Fragment, Completed By Leopold Zellner): II. Adagio Mesto | ||
| 13. | Quintet For Oboe, 3 Horns And Bassoon In E-Flat, Woo 208 [Hess 19] (Fragment, Completed By Leopold Zellner): III. Menuetto | ||
| CD 80 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 80:45 | ||
| 1. | String Quintet In E-Flat, Op. 4: I. Allegro Con Brio | 80:45 | |
| 2. | String Quintet In E-Flat, Op. 4: II. Andante | ||
| 3. | String Quintet In E-Flat, Op. 4: III. Menuetto Allegretto | ||
| 4. | String Quintet In E-Flat, Op. 4: IV. Presto | ||
| 5. | String Quintet In C, Op. 104 (Arrangement Of Piano Trio Op. 1 No. 3; Revised 1817): I. Allegro Con Brio | ||
| 6. | String Quintet In C, Op. 104 (Arrangement Of Piano Trio Op. 1 No. 3; Revised 1817): II. Andante Cantabile Con Variazioni | ||
| 7. | String Quintet In C, Op. 104 (Arrangement Of Piano Trio Op. 1 No. 3; Revised 1817): III. Menuetto. Quasi Allegro | ||
| 8. | String Quintet In C, Op. 104 (Arrangement Of Piano Trio Op. 1 No. 3; Revised 1817): IV. Finale. Prestissimo | ||
| 9. | Sextet For 2 Clarinets, 2 Bassoons And 2 Horns In E-Flat, Op. 71: I. Adagio - Allegro | ||
| 10. | Sextet For 2 Clarinets, 2 Bassoons And 2 Horns In E-Flat, Op. 71: II. Adagio | ||
| 11. | Sextet For 2 Clarinets, 2 Bassoons And 2 Horns In E-Flat, Op. 71: III. Menuetto. Quasi Allegretto | ||
| 12. | Sextet For 2 Clarinets, 2 Bassoons And 2 Horns In E-Flat, Op. 71: IV. Rondo. Allegro | ||
| 13. | March For 2 Clarinets, 2 Bassoons And 2 Horns In B-Flat, Woo 29 | ||
| CD 81 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:47 | ||
| 1. | Sextet For 2 Horns, 2 Violins, Viola And Cello In E-Flat, Op. 81b: I. Allegro Con Brio | 83:47 | |
| 2. | Sextet For 2 Horns, 2 Violins, Viola And Cello In E-Flat, Op. 81b: II. Adagio | ||
| 3. | Sextet For 2 Horns, 2 Violins, Viola And Cello In E-Flat, Op. 81b: III. Rondo. Allegro | ||
| 4. | Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E-Flat, Op. 20: I. Adagio - Allegro Con Brio | ||
| 5. | Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E-Flat, Op. 20: II. Adagio Cantabile | ||
| 6. | Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E-Flat, Op. 20: III. Tempo Di Menuetto | ||
| 7. | Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E-Flat, Op. 20: IV. Tema (Andante) Con Variazioni | ||
| 8. | Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E-Flat, Op. 20: V. Scherzo. Allegro Molto E Vivace | ||
| 9. | Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E-Flat, Op. 20: VI. Andante Con Moto Alla Marcia - Presto | ||
| 10. | Octet For 2 Oboes, 2 Clarinets, 2 Horns And 2 Bassoons In E-Flat, Op. 103: I. Allegro | ||
| 11. | Octet For 2 Oboes, 2 Clarinets, 2 Horns And 2 Bassoons In E-Flat, Op. 103: II. Andante | ||
| 12. | Octet For 2 Oboes, 2 Clarinets, 2 Horns And 2 Bassoons In E-Flat, Op. 103: III. Menuetto | ||
| 13. | Octet For 2 Oboes, 2 Clarinets, 2 Horns And 2 Bassoons In E-Flat, Op. 103: IV. Finale. Presto | ||
| 14. | Rondo For 2 Oboes, 2 Clarinets, 2 Horns And 2 Bassoons In E-Flat, Woo 25 (Rondino): Andante | ||
| CD 82 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 75:45 | ||
| 1. | An Die Hoffnung, Op. 32: “Die Du So Gern In Heil'gen Nächten Feierst” [Lyricist: Christoph August Tiedge] | 75:45 | |
| 2. | Adelaide, Op. 46: “Einsam Wandelt Dein Freund Im Frühlingsgarten” [Lyricist: Friedrich Von Matthisson] | ||
| 3. | 6 Lieder, Op. 48: 1. Bitten: “Gott, Deine Güte Reicht So Weit” [Lyricist: Christian Fürchtegott Gellert] | ||
| 4. | 6 Lieder, Op. 48: 2. Die Liebe Des Nächsten: “So Jemand Spricht: Ich Liebe Gott!” [Lyricist: Christian Fürchtegott Gellert] | ||
| 5. | 6 Lieder, Op. 48: 3. Vom Tode: “Meine Lebenzeit Verstreicht” [Lyricist: Christian Fürchtegott Gellert] | ||
| 6. | 6 Lieder, Op. 48: 4. Die Ehre Gottes Aus Der Natur: “Die Himmel Rühmen Des Ewigen Ehre” [Lyricist: Christian Fürchtegott Gellert] | ||
| 7. | 6 Lieder, Op. 48: 5. Gottes Macht Und Vorsehung: “Gott Ist Mein Lied!” [Lyricist: Christian Fürchtegott Gellert] | ||
| 8. | 6 Lieder, Op. 48: 6. Bußlied: “An Dir Allein, An Dir Hab'ich Gesündigt” [Lyricist: Christian Fürchtegott Gellert] | ||
| 9. | 3 Gesänge, Op. 83: 1. Wonne Der Wehmut: “Trocknet Nicht, Trocknet Nicht, Tränen Der Ewigen Liebe!” [Lyricist: Johann Wolfgang Von Goethe] | ||
| 10. | 3 Gesänge, Op. 83: 2. Sehnsucht: “Was Zieht Mir Das Herz So?” [Lyricist: Johann Wolfgang Von Goethe] | ||
| 11. | 3 Gesänge, Op. 83: 3. Mit Einem Gemalten Band: “Kleine Blumen, Kleine Blätter” [Lyricist: Johann Wolfgang Von Goethe] | ||
| 12. | Vita Felice, Op. 88: “Beato Quei Che Fìdo Amor” [Lyricist: Anon.] | ||
| 13. | An Die Hoffnung, Op. 94: “Ob Ein Gott Sei?” [Lyricist: Christian August Tiedge] | ||
| 14. | An Die Ferne Geliebte, Op. 98: 1. Auf Dem Hügel Sitz' Ich, Spähend [Lyricist: Alois Jeitteles] | ||
| 15. | An Die Ferne Geliebte, Op. 98: 2. Wo Die Berge So Blau [Lyricist: Alois Jeitteles] | ||
| 16. | An Die Ferne Geliebte, Op. 98: 3. Leichte Segler In Den Höhen [Lyricist: Alois Jeitteles] | ||
| 17. | An Die Ferne Geliebte, Op. 98: 4. Diese Wolken In Den Höhen [Lyricist: Alois Jeitteles] | ||
| 18. | An Die Ferne Geliebte, Op. 98: 5. Es Kehret Der Maien, Es Blühet Die Au [Lyricist: Alois Jeitteles] | ||
| 19. | An Die Ferne Geliebte, Op. 98: 6. Nimm Sie Hin Denn, Diese Lieder [Lyricist: Alois Jeitteles] | ||
| 20. | Der Kuss, Op. 128: “Ich War Bei Cloen Ganz Allein” [Lyricist: Christian Felix Weiße] | ||
| 21. | Schilderung Eines Mädchens, Woo 107: “Schildern, Willst Du, Freund!” [Lyricist: Anon.] | ||
| 22. | Seufzer Eines Ungeliebten - Gegenliebe, Woo 118: “Hast Due Nicht Liebe Zugemessen” / “Wüsst' Ich, Wüsst' Ich, Dass Du Mich” [Lyricist: G. A. Bürger] | ||
| 23. | Zärtliche Liebe, Woo 123: “Ich Liebe Dich, So Wie Du Mich” [Lyricist: Karl Friedrich Wilhelm Herrosee] | ||
| 24. | La Partenza, Woo 124: “Ecco Quel Fìero Istante” [Lyricist: Pietro Metastasio] | ||
| 25. | Opferlied, Woo 126: “Die Flamme Lodert, Milder Schein” [Lyricist: Friedrich Von Matthisson] | ||
| 26. | Der Wachtelschlag, Woo 129: “Horch, Wie Schallt's Dorten So Lieblich Hervor!” [Lyricist: Samuel Friedrich Sauter] | ||
| 27. | Als Die Geliebte Sich Trennen Wollte, Woo 132: “Der Hoffnung Letzter Schimmer Sinkt Dahin!” [Lyricist: Stephan Von Breuning After F.-B. Hoffmann | ||
| CD 83 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:10 | ||
| 1. | 8 Lieder, Op. 52: 1. Urians Reise Um Die Welt: “Wenn Jemand Eine Reise Tut” | 83:10 | |
| 2. | 8 Lieder, Op. 52: 2. Feuerfarb': “Ich Weiß Eine Farbe, Der Bin Ich So Hold” | ||
| 3. | 8 Lieder, Op. 52: 3. Das Liedchen Von Der Ruhe: “Im Arm Der Liebe Ruht Sich's Wohl” | ||
| 4. | 8 Lieder, Op. 52: 4. Maigesang: “Wie Herrlich Leuchtet Mir Die Natur!” | ||
| 5. | 8 Lieder, Op. 52: 5. Mollys Abschied: “Lebe Wohl, Du Mann Der Lust Und Schmerzen!” | ||
| 6. | 8 Lieder, Op. 52: 6. Die Liebe: “Ohne Liebe Lebe, Wer Da Kann” | ||
| 7. | 8 Lieder, Op. 52: 7. Marmotte: “Ich Komme Schon Durch Manches Land” | ||
| 8. | 8 Lieder, Op. 52: 8. Dan Blümchen Wunderhold: “Es Blüht Ein Blümchen Irgendwo” | ||
| 9. | 6 Gesänge, Op. 75 (1809): 1. Kennst Du Das Land | ||
| 10. | 6 Gesänge, Op. 75 (1809): 2. Neue Liebe, Neues Leben: “Herz, Main Herz, Was Soll Das Geben” (2nd Version) | ||
| 11. | 6 Gesänge, Op. 75 (1809): 3. Aus Goethes Faust (Mephistos Flohlied): “Es War Einmail Ein König, Der Hatt' Einen Großen Floh” | ||
| 12. | 6 Gesänge, Op. 75 (1809): 4. Gretels Warnung: “Mit Liebesblick Und Spiel Und Sang” | ||
| 13. | 6 Gesänge, Op. 75 (1809): 5. An Den Fernen Geliebten: “Einst Wohnten Süße Ruh' Und Goldner Frieden” (2nd Version) | ||
| 14. | 6 Gesänge, Op. 75 (1809): 6. Der Zufriedene: “Zwar Schuf Das Glück Hienieden” | ||
| 15. | 6 Gesänge, Op. 75 (1809): 5. An Den Fernen Geliebten: “Einst Wohnten Süße Ruh' Und Goldner Frieden” (1st Version) | ||
| 16. | 4 Arietten Und Ein Duett, Op. 82: 1. Dimmi, Ben Mio Che M'ami | ||
| 17. | 4 Arietten Und Ein Duett, Op. 82: 2. T'intendo Sì, Mio Cor | ||
| 18. | 4 Arietten Und Ein Duett, Op. 82: 3. L'amante Impaziente: “Che Fa Il Mio Bene?”. Arietta Buffa | ||
| 19. | 4 Arietten Und Ein Duett, Op. 82: 4. L'amante Impaziente: “Che Fa Il Mio Bene?”. Aretta Assai Seriosa | ||
| 20. | 4 Arietten Und Ein Duett, Op. 82: 5. Duet: Odi L'aura Che Dolce Sospira | ||
| 21. | Der Mann Von Wort, Op. 99: “Du Sagtest, Freund, An Diesen Ort Komm' Ich Zurück” | ||
| 22. | Merkenstein, Op. 100 (Lied For 2 Voices And Piano) (2nd Setting) | ||
| 23. | In Questa Tomba Oscura, Woo 133 (Ariette) | ||
| 24. | Die Laute Klage, Woo 135: “Turteltaube, Du Klagest So Laut” | ||
| 25. | Andenken, Woo 136: “Ich Denke Dein” | ||
| 26. | Gesang Aus Der Ferne, Woo 137: “Als Mir Die Träne Der Sehnsucht Nicht Floss” | ||
| 27. | Der Jüngling In Der Fremde, Woo 138: “Der Frühling Entblühet Dem Schoß Der Natur” | ||
| 28. | Der Liebende, Woo 139: “Welch Ein Wunderbares Leben” | ||
| 29. | Der Bardengeist, Woo 142: “Dort Auf Dem Hohen Felsen” | ||
| 30. | Das Geheimnis, Woo 145: “Wo Blüht Das Blümchen, Das Nie Verblüht?” | ||
| 31. | Sehnsucht, Woo 146: “Die Stille Nacht Umdunkelt Erquickend Tal Und Höh'” | ||
| 32. | Ruf Vom Berge, Woo 147: “Wenn Ich Ein Vöglen Wär” | ||
| 33. | Resignation, Woo 149: “Kisch Aus, Mein Licht!” | ||
| 34. | Abendlied Unterm Gestirnten Himmel, Woo 150: “Wenn Die Sonne Nieder Sinket” | ||
| CD 84 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 63:07 | ||
| 1. | An Einen Säugling, Woo 108: “Noch Weißt Du Nicht, Wes Kind Du Bist” | 63:07 | |
| 2. | Trinklied (Beim Abschied Zu Singen), Woo 109: “Erhebt Das Glas Mit Froher Hand” | ||
| 3. | Elegie Auf Den Tod Eines Pudels, Woo 110: “Stirb Immerhin, Es Welken Ja So Viele” | ||
| 4. | Punschliend, Woo 111: “Wer Nicht, Wenn Warm Von Hand Zu Hand” | ||
| 5. | An Laura, Woo 112: “Freud' Umblühe Dich Auf Allen Wegen” | ||
| 6. | Klage, Woo 113: “Dein Silber Schien Durch Eichengrün” | ||
| 7. | Ein Selbstgespräch, Woo 114: “Ich, Der Mit Flatterndem Sinn” | ||
| 8. | An Minna, Woo 115: “Nur Bei Dir, An Deinem Herzen” | ||
| 9. | Que Le Temps Me Dure, Woo 116 (1st Version, [Hess 129]) | ||
| 10. | Que Le Temps Me Dure, Woo 116 (2nd Version, [Hess 130]) | ||
| 11. | Der Freie Mann, Woo 117: “Wer Ist Ein Freier Mann?” | ||
| 12. | Oh Care Selve. Woo 119 (Canzonetta) | ||
| 13. | Man Strebt, Die Flamme Zu Verhehlen, Woo 120 | ||
| 14. | Abschiedsgesang An Wiens Bürger, Woo 121: “Keine Klage Soll Erschallen” | ||
| 15. | Kriegslied Der Österrecher, Woo 122: “Wir Streiten Nicht Für Ruhm Und Sold” | ||
| 16. | La Tiranna, Woo 125: “Ah Grief To Think! Ah Woe To Name” | ||
| 17. | Neue Liebe, Neues Leben, Woo 127 (1st Version): “Herz, Mein Herz, Was Soll Das Geben?” | ||
| 18. | Plaisir D'aimer, Woo 128 | ||
| 19. | Gedenke Mein!, Woo 130 | ||
| 20. | Sehnsucht, Woo 134: “Nur Wer Die Sehnsucht Kennt, Weiß, Was Ich Leide!”. 1st Setting | ||
| 21. | Sehnsucht, Woo 134: “Nur Wer Die Sehnsucht Kennt, Weiß, Was Ich Leide!”. 2nd Setting | ||
| 22. | Sehnsucht, Woo 134: “Nur Wer Die Sehnsucht Kennt, Weiß, Was Ich Leide!”. 3rd Setting | ||
| 23. | Sehnsucht, Woo 134: “Nur Wer Die Sehnsucht Kennt, Weiß, Was Ich Leide!”. 4th Setting | ||
| 24. | An Die Geliebte, Woo 140 (2nd Version): “Oh, Dass Ich Dir Vom Stillen Auge” | ||
| 25. | An Die Geliebte, Woo 140 (3rd Version) | ||
| 26. | Der Gesang Der Nachtigall, Woo 141: “Höre, Die Nachtigall Singt” | ||
| 27. | Des Kriegers Abschied, Woo 143: “Ich Zieh' Ins Feld, Von Lieb' Entbrannt” | ||
| 28. | Merkenstein, Woo 144 (1st Setting) | ||
| 29. | So Oder So, Woo 148: “Nord Oder Süd! Wenn Nur Im Warmen Busen” | ||
| 30. | Der Edle Mensch, Woo 151: “Der Edle Mensch Sei Hülfreich Und Gut!” | ||
| 31. | Lied Aus Der Ferne, Woo 137 (1st Version): “Als Mir Noch Die Träne Der Sehnsucht Nicht Floss” | ||
| 32. | Das Liebe Kätzchen, Hess 133: “Unsa Kaz Had Kazln G'habt” | ||
| 33. | Der Knabe Auf Dem Berge, Hess 134: “Duart Ob'n Af'm Beargerk Gu Gu!” | ||
| CD 85 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 69:47 | ||
| 1. | “Bei Labbri, Che Amore”, Woo 99/1 [Hess 211] | 69:47 | |
| 2. | “Sei Mio Ben”, Woo 99/4 [Hess 231] | ||
| 3. | “Scrivo In Te”, Woo 99/8 [Hess 215] | ||
| 4. | “Fra Tutte Le Pene”, Woo 99/11a [Hess 208] | ||
| 5. | “Salvo Tu Vuoi Lo Sposo?”, Woo 99/12b [Hess 228] | ||
| 6. | “Ma Tu Tremi”, Woo 99/2 [Hess 212] | ||
| 7. | “Giura Il Nocchier”, Woo 99/5a [Hess 227] | ||
| 8. | “Per Te D'amico Aprile”, Woo 99/9 [Hess 216] | ||
| 9. | “Fra Tutte Le Pene”, Woo 99/11b [Hess 225] | ||
| 10. | “Quella Cetra Ah Pur Tu Sei”, Woo 99/13a [Hess 218] | ||
| 11. | “Chi Mai Di Questo Core”, Woo 99/7 [Hess 214] | ||
| 12. | “Già La Notte S'avvicina”, Woo 99/14a [Hess 223] | ||
| 13. | “Nei Campi E Nelle Selve”, Woo 99/10a [Hess 217] (1st Version) | ||
| 14. | “Nei Campi E Nelle Selve”, Woo 99/10b [Hess 220] (2nd Version) | ||
| 15. | “Fra Tutte Le Pene”, Woo 99/11c [Hess 224] (1st Version) | ||
| 16. | “Fra Tutte Le Pene”, Woo 99/11c [Hess 210] (2nd Version) | ||
| 17. | “Quella Cetra Ah Pur Tu Sei”, Woo 99/13c [Hess 213] (1st Version) | ||
| 18. | “Quella Cetra Ah Pur Tu Sei”, Woo 99/13b [Hess 219] (2nd Version) | ||
| 19. | “Giura Il Nocchier”, Woo 99/5b [Hess 230] (1st Version) | ||
| 20. | “Giura Il Nocchier”, Woo 99/5c [Hess 221] (2nd Version) | ||
| 21. | “Già La Notte S'avvicina”, Woo 99/14b [Hess 222] | ||
| 22. | Abschiedsgesang, Woo 102 (For Tenor And Two Basses) | ||
| 23. | Cantata Campestre, Woo 103 (Cantata For Four Voices And Piano): “Un Liete Brindisi” | ||
| 24. | Gesang Der Mönche, Woo 104 (From Friedrich Von Schiller's Wilhelm Tell For Three Male Voices): “Rasch Tritt Der Tod Den Menschen An” | ||
| 25. | Hochzeitslied, Woo 105 (For Voice, Mixed Chorus And Piano) | ||
| 26. | Lobkowitz-Kantate, Woo 106 (For Soprano, Chorus, And Piano): “Es Lebe Unser Teurer Fürst!” | ||
| 27. | Chor Auf Die Verbündeten Fürsten, Woo 95: “Ihr Weisen Gründer Glücklicher Staaten” | ||
| 28. | Lob Auf Den Dicken, Woo 100 (Musical Joke For 3 Solo Voices And Chorus): “Schuppanzigh Ist Ein Lump” | ||
| 29. | “Graf Liebster Graf”, Woo 101 (Musical Joke) | ||
| 30. | “Im Arm Der Liebe Ruht Rich's Wohl”, Woo 159 (3-Part Canon) | ||
| 31. | “Ewig Dein”, Woo 161 (3-Part Canon) | ||
| 32. | “Kurz Ist Der Schmerz”, Woo 163 (3-Part Canon) (1st Setting) | ||
| 33. | “Freundschaft Ist Die Quelle Wahrer Glückselighkeit”, Woo 164 (3-Part Canon) | ||
| 34. | “Glück Zem Neuen Jahr!”, Woo 165 (4-Part Canon) | ||
| 35. | “Kurz Ist Der Schmerz”, Woo 166 (3-Part Canon) (2nd Setting) | ||
| 36. | “Brauchle, Linke”, Woo 167 (3-Part Canon) | ||
| 37. | Das Schweigen, Woo 168a (Puzzle Canon) | ||
| 38. | Das Reden, Woo 168b (3-Part Canon) | ||
| 39. | “Ich Küsse Sie”, Woo 169 (2-Part Puzzle Canon) | ||
| 40. | “Ars Longa, Vita Brevis”, Woo 170 (2-Part Canon) (1st Setting) | ||
| 41. | “Ich Bitt' Dich, Schreib Mir Die Es-Scala Auf”, Woo 172 (3-Part Canon) | ||
| 42. | “Hoi' Euch Der Teufel! B'hüt' Euch Gott!”, Woo 173 (2-Part Canon) | ||
| 43. | “Glaube Und Hoffe!”, Woo 174 (For 4 Voices, Not Canonic) | ||
| 44. | “Sankt Petrus War Ein Fels”, Woo 175 (2-Part Canon) | ||
| 45. | “Glück Zum Neuen Jahr”, Woo 176 (3-Part Canon) | ||
| 46. | “Bester Magistrat, Ihr Friert”, Woo 177 (4-Part Canon) | ||
| 47. | “Signor Abate, Woo 178 (3-Part Canon)” | ||
| 48. | “Seiner Kaiserlichen Hoheit ... Alles Gute”, Woo 179 (Non-Canonic Introduction And 4-Part Canon) | ||
| 49. | Auf Einen, Welcher Hoffmann Geheißen (“Hoffman, Sei Ja Kein Hoffmann”), Woo 180 (2-Part Canon) | ||
| 50. | “O Tobias!”, Woo 182 (3-Part Canon) | ||
| 51. | “Bester Graf, Sie Sind Ein Schaf!”, Woo 183 (4-Part Canon) | ||
| 52. | “Falstafferel, Lass Dich Sehen”, Woo 184 (5-Part Canon) | ||
| 53. | “Edel Sei Der Mensch”, Woo 185 (6-Part Canon) | ||
| 54. | “Te Solo Adoro”, Woo 186 (2-Part Canon) | ||
| 55. | Auf Einen, Welcher Schwencke Geheißen (“Schwenke Dich Ohne Schwänke!”), Woo 187 (4-Part Canon) | ||
| 56. | “Gott Ist Eine Feste Burg”, Woo 188 (2-Part Canon) | ||
| 57. | “Doktor Sperrt Das Tor Dem Tod”, Woo 189 (4-Part Canon) | ||
| 58. | “Ich War Hier, Doktor, Ich War Hier”, Woo 190 (2-Part Canon) | ||
| 59. | “Kühl, Nicht Lau”, Woo 191 (3-Part Canon) | ||
| 60. | “Ars Longa, Vita Brevis”, Woo 192 (4-Part Canon) (2nd Setting) | ||
| 61. | “Ars Longa, Vita Brevis”, Woo 193 (Canon) (3rd Setting) | ||
| 62. | “Si Non Per Portas, Per Muros”, Woo 194 (Puzzle Canon) | ||
| 63. | “Freu Dich Des Lebens!”, Woo 195 (2-Part Canon) | ||
| 64. | “Es Muss Sein!”, Woo 196 (4-Part Canon) | ||
| 65. | “Da Ist Das Werk”, Woo 197 (5-Part Canon) | ||
| 66. | “Wir Irren Allesamt”, Woo 198 (Puzzle Canon) | ||
| 67. | “Das Schöne Zum Guten”, Woo 202 (Non-Canonic) | ||
| 68. | “Das Schöne Zu Dem Guten”, Woo 203 (Puzzle Canon) | ||
| 69. | “Herr Graf, Ich Komme Zu Fragen”, Woo 221 [Hess 276] (3-Part Canon) | ||
| 70. | “Esel Aller Esel”, Woo 227 [Hess 277] (3-Part Canon) | ||
| CD 86 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 76:50 | ||
| 1. | 25 Scottish Songs, Op. 108: 9. “Behold, My Love, How Green The Groves” | 76:50 | |
| 2. | 25 Scottish Songs, Op. 108: 10. Sympathy | ||
| 3. | 25 Scottish Songs, Op. 108: 11. “Oh! Thou Art The Lad Of My Heart, Willy” | ||
| 4. | 25 Scottish Songs, Op. 108: 12. “Oh, Had My Fate Been Join'd With Thine” | ||
| 5. | 25 Scottish Songs, Op. 108: 13. “Come Fill, Fill, My Good Fellow!” | ||
| 6. | 25 Scottish Songs, Op. 108: 14. “O, How Can I Be Blithe And Glad” | ||
| 7. | 25 Scottish Songs, Op. 108: 15. “O Cruel Was My Father” | ||
| 8. | 25 Scottish Songs, Op. 108: 16. “Could This Ill World Have Been Contriv'd” | ||
| 9. | 25 Scottish Songs, Op. 108: 1. Music, Love And Wine | ||
| 10. | 25 Scottish Songs, Op. 108: 2. Sunset | ||
| 11. | 25 Scottish Songs, Op. 108: 3. “O Sweet Were The Hours” | ||
| 12. | 25 Scottish Songs, Op. 108: 4. The Maid Of Isla | ||
| 13. | 25 Scottish Songs, Op. 108: 5. “The Sweetest Lad Was Jamie” | ||
| 14. | 25 Scottish Songs, Op. 108: 6. “Dim, Dim Is My Eye” | ||
| 15. | 25 Scottish Songs, Op. 108: 7. “Bonny Laddie, Highland Laddie” | ||
| 16. | 25 Scottish Songs, Op. 108: 8. “The Lovely Lass Of Inverness” | ||
| 17. | 25 Scottish Songs, Op. 108: 17. “O Mary, At Thy Window Be” | ||
| 18. | 25 Scottish Songs, Op. 108: 18. “Enchantress, Farewell” | ||
| 19. | 25 Scottish Songs, Op. 108: 19. “O Swiftly Glides The Bonny Boat” | ||
| 20. | 25 Scottish Songs, Op. 108: 20. Faithfu' Johnie | ||
| 21. | 25 Scottish Songs, Op. 108: 21. Jeanie's Distress | ||
| 22. | 25 Scottish Songs, Op. 108: 22. The Highland Watch | ||
| 23. | 25 Scottish Songs, Op. 108: 23. The Shepherd's Song | ||
| 24. | 25 Scottish Songs, Op. 108: 24. “Again, My Lyre, Yet Once Again” | ||
| 25. | 25 Scottish Songs, Op. 108: 25. Sally In Our Alley | ||
| CD 87 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 73:35 | ||
| 1. | 25 Irish Songs, Woo 152: 1. The Return To Ulster | 73:35 | |
| 2. | 25 Irish Songs, Woo 152: 7. “His Boat Comes On The Sunny Tide” | ||
| 3. | 25 Irish Songs, Woo 152: 4. “The Morning Air Plays On My Face” | ||
| 4. | 25 Irish Songs, Woo 152: 2. “Sweet Power Of Song!” | ||
| 5. | 25 Irish Songs, Woo 152: 5. On The Massacre Of Glencoe | ||
| 6. | 25 Irish Songs, Woo 152: 10. The Deserter | ||
| 7. | 25 Irish Songs, Woo 152: 12. English Bulls, Or The Irishman In London | ||
| 8. | 25 Irish Songs, Woo 152: 6. “What Shall I Do To Shew How Much I Love Her?” | ||
| 9. | 25 Irish Songs, Woo 152: 21. “Morning A Cruel Turmoiler Is” | ||
| 10. | 25 Irish Songs, Woo 152: 3. “Once More I Hail Thee” | ||
| 11. | 25 Irish Songs, Woo 152: 8. “Come Draw We Round A Cheerful Ring” | ||
| 12. | 25 Irish Songs, Woo 152: 9. “Our Bugles Sung Truce”, Or The Soldier's Dream | ||
| 13. | 25 Irish Songs, Woo 152: 18. “They Bid Me Slight My Dermot Dear” | ||
| 14. | 25 Irish Songs, Woo 152: 13. “Musing On The Roaring Ocean” | ||
| 15. | 25 Irish Songs, Woo 152: 14. Dermot And Shelah | ||
| 16. | 25 Irish Songs, Woo 152: 25. “O Harp Of Erin” (1st Setting) | ||
| 17. | 25 Irish Songs, Woo 152: 22. “From Garyone, My Happy Home” (1st Setting) | ||
| 18. | 25 Irish Songs, Woo 152: 11. “Thou Emblem Of Faith” (Upon Returning A Ring) | ||
| 19. | 25 Irish Songs, Woo 152: 15. “Let Brain-Spinning Swains” | ||
| 20. | 25 Irish Songs, Woo 152: 16. “Hide Not Thy Anguish” | ||
| 21. | 25 Irish Songs, Woo 152: 19. Wife, Children And Friends | ||
| 22. | 25 Irish Songs, Woo 152: 17. “In Vain To This Desert My Fate I Deplore” | ||
| CD 88 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 66:33 | ||
| 1. | 25 Irish Songs, Woo 152: 23. “A Wand'ring Gypsey, Sirs, Am I” | 66:33 | |
| 2. | 25 Irish Songs, Woo 152: 20. “Farewell Bliss And Farewell Nancy” | ||
| 3. | 25 Irish Songs, Woo 152: 24. The Traugh Welcome | ||
| 4. | 20 Irish Songs, Woo 153: 6. “Sad And Luckless Was The Season” [Woo 153/32] | ||
| 5. | 20 Irish Songs, Woo 153: 3. The British Light Dragoons, Or The Plain Of Badajos [Woo 152/28] | ||
| 6. | 20 Irish Songs, Woo 153: 1. “When Eve's Last Rays In Twilight Die” [Woo152/26] | ||
| 7. | 20 Irish Songs, Woo 153: 4. “Since Greybeards Inform Us That Youth Will Decay” [Woo 152/29] | ||
| 8. | 20 Irish Songs, Woo 153: 2. “No Riches From His Scanty Store” [Woo 152/27] | ||
| 9. | 20 Irish Songs, Woo 153: 5. “I Dream'd I Lay Where Flowr's Were Springing” [Woo 153/30] | ||
| 10. | 20 Irish Songs, Woo 153: 9. “The Kiss, Dear Maid, Thy Lip Has Left” [Woo 153/36] | ||
| 11. | 20 Irish Songs, Woo 153: 7. “O Soothe My, My Lyre” [Woo 153/33] | ||
| 12. | 20 Irish Songs, Woo 153: 15. “'tis But In Vain, For Nothing Thrives” [Woo 153/49 (2nd Version)] | ||
| 13. | 20 Irish Songs, Woo 153: 11. “When Far From The Home” [Woo 153/40] | ||
| 14. | 20 Irish Songs, Woo 153: 13. Sunshine [Woo 153/44] | ||
| 15. | 20 Irish Songs, Woo 153: 8. Norah Of Balamagairy (“Farewell Mirth And Hilarity”) [Woo 153/35] | ||
| 16. | 20 Irish Songs, Woo 153: 19. “Judy, Lovely, Matchless Creature” [Woo 153/57] | ||
| 17. | 20 Irish Songs, Woo 153: 12. “I'll Praise The Saints With Early Song” [Woo 153/41 (1st Version)] | ||
| 18. | 20 Irish Songs, Woo 153: 18. “No More, My Mary, I Sigh For Splendour” [Woo 153/56] | ||
| 19. | 20 Irish Songs, Woo 153: 20. “Thy Ship Must Sail, My Henry Dear” [Woo 153/58] | ||
| 20. | 20 Irish Songs, Woo 153: 14. “Paddy O'rafferty, Merry And Vigorous” [Woo 153/47] | ||
| 21. | 20 Irish Songs, Woo 153: 16. “O Might I But My Patrick Love!” [Woo 153/53] | ||
| 22. | 20 Irish Songs, Woo 153: 10. The Hapless Solder [Woo 153/38] | ||
| 23. | 20 Irish Songs, Woo 153: 17. “Come, Darby Dear! Easy, Be Easy!” [Woo 153/54] | ||
| CD 89 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 74:28 | ||
| 1. | 12 Irish Songs, Woo 154: 2. “O Harp Of Erin” (2nd Setting) [Woo 152/25] | 74:28 | |
| 2. | 12 Irish Songs, Woo 154: 12. “He Promis'd Me At Parting” [Woo 153/52] | ||
| 3. | 12 Irish Songs, Woo 154: 4. “The Pulse Of An Irishman” [Woo 153/46] | ||
| 4. | 12 Irish Songs, Woo 154: 3. The Farewell Song [Woo 153/59] | ||
| 5. | 12 Irish Songs, Woo 154: 8. “Save Me From The Grave And Wise” [Woo 153/50] | ||
| 6. | 12 Irish Songs, Woo 154: 9. “Oh! Would I Were But That Sweet Linnet!” [Woo 153/48 (2nd Version)] | ||
| 7. | 12 Irish Songs, Woo 154: 10. “The Hero May Perish His Country To Save” [Woo 153/31] | ||
| 8. | 12 Irish Songs, Woo 154: 6. “Put Round The Bright Wine” [Woo 153/42] | ||
| 9. | 12 Irish Songs, Woo 154: 5. “Oh! Who, My Dear Dermot” [Woo 153/45] | ||
| 10. | 12 Irish Songs, Woo 154: 7. “From Garyone, My Happy Home” (2nd Setting) [Woo 152/22] | ||
| 11. | 12 Irish Songs, Woo 154: 11. The Soldier In A Foreign Land [Woo 153/55] | ||
| 12. | 12 Irish Songs, Woo 154: 1. The Elfin Fairies [Woo 153/39] | ||
| 13. | 12 Songs Of Various Nationalities, Woo 157: 1. God Save The King [Woo 157/3] | ||
| 14. | 12 Songs Of Various Nationalities, Woo 157: 2. The Soldier [Woo 153/37] | ||
| 15. | 12 Songs Of Various Nationalities, Woo 157: 3. “O Charlie Is My Darling” [Woo 156/16] | ||
| 16. | 12 Songs Of Various Nationalities, Woo 157: 4. “O Sanctissima” [Woo 158/26] | ||
| 17. | 12 Songs Of Various Nationalities, Woo 157: 5. The Miller Of Fee [Woo ]157/4 | ||
| 18. | 12 Songs Of Various Nationalities, Woo 157: 6. “A Health To The Brave” [Woo 153/51] | ||
| 19. | 12 Songs Of Various Nationalities, Woo 157: 9. Highlander's Lament [Woo 156/20] | ||
| 20. | 12 Songs Of Various Nationalities, Woo 157: 8. “By The Side Of The Shannon” [Woo 153/3] | ||
| 21. | 12 Songs Of Various Nationalities, Woo 157: 11. The Wandering Minstrel [Woo 153/43] | ||
| 22. | 12 Songs Of Various Nationalities, Woo 157: 10. “Sir Johnie Cope” [Woo 156/7] | ||
| 23. | 12 Songs Of Various Nationalities, Woo 157: 7. “Since All Thy Vows” [Woo 154/63] | ||
| 24. | 12 Songs Of Various Nationalities, Woo 157: 12. La Gondoletta [Woo 158/27] | ||
| CD 90 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 76:57 | ||
| 1. | 26 Welsh Songs, Woo 155: 1. Sion, The Son Of Evan | 76:57 | |
| 2. | 26 Welsh Songs, Woo 155: 4. Love Without Hope | ||
| 3. | 26 Welsh Songs, Woo 155: 17. The Dairy House | ||
| 4. | 26 Welsh Songs, Woo 155: 15. “When Mortals All To Rest Retire” | ||
| 5. | 26 Welsh Songs, Woo 155: 3. The Cottage Maid | ||
| 6. | 26 Welsh Songs, Woo 155: 14. The Dream | ||
| 7. | 26 Welsh Songs, Woo 155: 7. “O Let The Night My Blushes Hide” | ||
| 8. | 26 Welsh Songs, Woo 155: 19. The Vale Of Clwyd | ||
| 9. | 26 Welsh Songs, Woo 155: 11. Merch Megan, Or Peggy's Daughter | ||
| 10. | 26 Welsh Songs, Woo 155: 2. The Monks Of Bangor's March | ||
| 11. | 26 Welsh Songs, Woo 155: 10. Ned Pugh's Farewell | ||
| 12. | 26 Welsh Songs, Woo 155: 13. Helpless Woman | ||
| 13. | 26 Welsh Songs, Woo 155: 20. To The Blackbird | ||
| 14. | 26 Welsh Songs, Woo 155: 16. The Damsels Of Cardigan | ||
| 15. | 26 Welsh Songs, Woo 155: 9. To The Aeolian Harp | ||
| 16. | 26 Welsh Songs, Woo 155: 12. “Waken, Lords And Ladies Gay” | ||
| 17. | 26 Welsh Songs, Woo 155: 22. Constancy | ||
| 18. | 26 Welsh Songs, Woo 155: 5. The Golden Robe | ||
| 19. | 26 Welsh Songs, Woo 155: 6. The Fair Maid Of Mona | ||
| 20. | 26 Welsh Songs, Woo 155: 8. “Farewell, Thou Noisy Town” | ||
| 21. | 26 Welsh Songs, Woo 155: 18. Sweet Richard | ||
| 22. | 26 Welsh Songs, Woo 155: 21. Cupid's Kindness | ||
| 23. | 26 Welsh Songs, Woo 155: 23. The Old Strain | ||
| 24. | 26 Welsh Songs, Woo 155: 24. Three Hundred Pounds | ||
| 25. | 26 Welsh Songs, Woo 155: 25. The Parting Kiss | ||
| 26. | 26 Welsh Songs, Woo 155: 26. Good Night | ||
| CD 91 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 65:11 | ||
| 1. | 12 Scottish Songs, Woo 156: 4. “Ye Shepherds Of This Pleasant Vale” [Woo 156/13 Low Down In The Broom] | 65:11 | |
| 2. | 12 Scottish Songs, Woo 156: 3. “Up! Quit Thy Bower” [Woo 156/17] | ||
| 3. | 12 Scottish Songs, Woo 156: 7. Polly Stewart [Woo 156/15] | ||
| 4. | 12 Scottish Songs, Woo 156: 10. Glencoe [Woo 156/18] | ||
| 5. | 12 Scottish Songs, Woo 156: 2. “Duncan Gray” [Woo 156/9] | ||
| 6. | 12 Scottish Songs, Woo 156: 8. Womankind [Woo 156/10 She's Fair And Fause] | ||
| 7. | 12 Scottish Songs, Woo 156: 1. The Banner Of Buccleuch [Woo 156/19] | ||
| 8. | 12 Scottish Songs, Woo 156: 6. Highland Harry [Woo 156/4] | ||
| 9. | 12 Scottish Songs, Woo 156: 12. The Quaker's Wife [Dark Was The Morn] | ||
| 10. | 12 Scottish Songs, Woo 156: 9. Lochnagar [Woo 156/8 Sweet Annie] | ||
| 11. | 12 Scottish Songs, Woo 156: 5. “Cease Your Funning” [Woo 157/2] | ||
| 12. | 12 Scottish Songs, Woo 156: 11. Auld Lang Syne | ||
| 13. | 7 British Songs, Woo 158b: 1. “Adieu My Lov'd Harp” [Woo 154/61] | ||
| 14. | 7 British Songs, Woo 158b: 7. Lament For Owen Roe O'neill [Woo 154/60] (Piano Trio) | ||
| 15. | 7 British Songs, Woo 158b: 5. Erin, Oh Erin [Woo 156/2] | ||
| 16. | 7 British Songs, Woo 158b: 4. “Red Gleams The Sun On Yon Hill Tap” [Woo 156/6] | ||
| 17. | 7 British Songs, Woo 158b: 2. Castle O'neill [Woo 154/62] (Piano Trio) | ||
| 18. | 7 British Songs, Woo 158b: 6. “O Mary, Ye's Be Clad In Silk” [Woo ]156/3 | ||
| 19. | 7 British Songs, Woo 158b: 3. “O Was I Not A Weary Wight!” (Oh Onochri) [Woo 156/5] | ||
| 20. | 6 Songs Of Various Nationalities, Woo 158c: 3. “Mark Yonder Pomp Of Costly Fashion” [Woo 156/21] | ||
| 21. | 6 Songs Of Various Nationalities, Woo 158c: 1. “When My Hero In Court Appears” [Woo 157/1] | ||
| 22. | 6 Songs Of Various Nationalities, Woo 158c: 4. “Bonnie Wee Thing” [Woo 156/22] | ||
| 23. | 6 Songs Of Various Nationalities, Woo 158c: 5. “From Thee, Eliza, I Must Go” [Woo 156/14] | ||
| 24. | 6 Songs Of Various Nationalities, Woo 158c: 6. Untitled [Woo 156/1] (Piano Trio) | ||
| 25. | 6 Songs Of Various Nationalities, Woo 158c: 2. “Non, Non, Colette, N'est Point Trompeuse” [Woo 158/24] | ||
| CD 92 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 48:07 | ||
| 1. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 6. “A Madel, Ja A Madel” | 48:07 | |
| 2. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 21. Tiranilla Española | ||
| 3. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 7. “Wer Solche Buema Afipackt” | ||
| 4. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 2. “Horch Auf, Mein Liebchen” | ||
| 5. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 10. “Poszła Baba Po Popiół” | ||
| 6. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 16. “Schöne Minka, Ich Muss Scheiden” | ||
| 7. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 18. “An Ä Bergli Bin I Gesässe” | ||
| 8. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 15. “Kak Pošli Naši Podružki” | ||
| 9. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 5. Teppichkrämer-Lied | ||
| 10. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 14. “Akh, Rečen'ki, Rečen'ki” | ||
| 11. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 3. “Wegen Meiner Bleib D'fräula” | ||
| 12. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 13. “Vo Lesočke Komaročkov Mnogo Urodilos'” | ||
| 13. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 23. “Da Brava, Catina” | ||
| 14. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 1. Ridder Stigs Runer | ||
| 15. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 11. “Yo No Quiero Embarcarme” | ||
| 16. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 17. “Lilla Carl” | ||
| 17. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 20. “Como La Mariposa Soy” | ||
| 18. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 9. “Oj, Oj Upiłem Się W Karczmie” | ||
| 19. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 19. “Una Paloma Blanca” | ||
| 20. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 22. “Édes Kinos Emlékezet” | ||
| 21. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 4. “Wann I In Der Früh Aufsteh” | ||
| 22. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 12. “Seus Lindos Olhos” | ||
| 23. | 23 Songs Of Various Nationalities, Woo 158a [Woo 158]: 8. “Ih Mag Di Nit Nehma” | ||
| CD 93 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 79:29 | ||
| 1. | Elegischer Gesang, Op. 118 (For Chorus And Orchestra) | 79:29 | |
| 2. | Opferlied, Op. 121b (For Soprano With Chorus And Orchestra) | ||
| 3. | Bundeslied, Op. 122 (2nd Version, 1824) (For 2 Solo Voices, Chorus, 2 Clarinets, 2 Bassoons And 2 Horns) | ||
| 4. | “Ah! Perfido”, Op. 65 (Scena And Aria For Soprano And Orchestra) | ||
| 5. | Prüfung Des Küssens, Woo 89 (Aria For Bass And Orchestra) | ||
| 6. | “Mit Mädeln Sich Vertragen”, Woo 90 (Aria For Bass And Orchestra) | ||
| 7. | “Primo Amore”, Woo 92 (Scena And Aria For Soprano And Orchestra) | ||
| 8. | “No, Non Turbarti”, Woo 92a (Scena And Aria For Soprano And String Orchestra) | ||
| 9. | “Ne' Giorni Tuoi Felici”, Woo 93 (Duet For Soprano And Tenor With Orchestra) | ||
| 10. | “Tremate, Empi, Tremate”, Op. 116 (Trio For Soprano, Tenor And Bass With Orchestral Accompaniment) | ||
| CD 94 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 71:39 | ||
| 1. | Cantata On The Death Of Emperor Joseph II For Solo Voices, Chorus And Orchestra, Woo 87: No. 1 Chorus: “Tot! Tot, Stöhnt Es Durch Die Öde Nacht” ... | 71:39 | |
| 2. | Cantata On The Death Of Emperor Joseph II For Solo Voices, Chorus And Orchestra, Woo 87: No. 2 Recitative: “Ein Ungeheuer, Sein Name Fanatismus” ... | ||
| 3. | Cantata On The Death Of Emperor Joseph II For Solo Voices, Chorus And Orchestra, Woo 87: No. 3 Aria: “Da Kam Joseph” (Bass) | ||
| 4. | Cantata On The Death Of Emperor Joseph II For Solo Voices, Chorus And Orchestra, Woo 87: No. 4 Aria With Chorus: “Da Stiegen Die Menschen An's Licht” | ||
| 5. | Cantata On The Death Of Emperor Joseph II For Solo Voices, Chorus And Orchestra, Woo 87: No. 5 Recitative: “Er Schläft, Von Den Sorgen Seiner Welten | ||
| 6. | Cantata On The Death Of Emperor Joseph II For Solo Voices, Chorus And Orchestra, Woo 87: No. 6 Aria: “Hier Schlummert Seinen Stillen Frieden Der Groß | ||
| 7. | Cantata On The Death Of Emperor Joseph II For Solo Voices, Chorus And Orchestra, Woo 87: No. 7 Chorus: “Tot! Tot, Stöhnt Es Durch Die Öde Nacht” (Cho | ||
| 8. | Cantata On The Accession Of Emperor Leopold II For Solo Voices, Chorus And Orchestra, Woo 88: No. 1 Recitative: “Er Schlummert” (Soprano, Chorus) | ||
| 9. | Cantata On The Accession Of Emperor Leopold II For Solo Voices, Chorus And Orchestra, Woo 88: No. 2 Aria: “Fließe, Wonnezähre, Fließe!” (Soprano) | ||
| 10. | Cantata On The Accession Of Emperor Leopold II For Solo Voices, Chorus And Orchestra, Woo 88: No. 3 Recitative: “Ihr Staunt, Völker Der Erde!” (Bass) | ||
| 11. | Cantata On The Accession Of Emperor Leopold II For Solo Voices, Chorus And Orchestra, Woo 88: No. 4 Recitative: “Wie Bebt Mein Herz Vor Wonne!” (Teno | ||
| 12. | Cantata On The Accession Of Emperor Leopold II For Solo Voices, Chorus And Orchestra, Woo 88: No. 5 Trio: “Ihr, Die Joseph Ihren Vater Nannten” (Teno | ||
| 13. | Cantata On The Accession Of Emperor Leopold II For Solo Voices, Chorus And Orchestra, Woo 88: No. 6 Chorus: “Heil! Stürzet Nieder, Millionen” (Chorus | ||
| CD 95 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:06 | ||
| 1. | Der Glorreiche Augenblick, Op. 136: No. 1 Chorus: “Europa Steht!” | 83:06 | |
| 2. | Der Glorreiche Augenblick, Op. 136: No. 2 Recitative And Chorus: “O Seht Nah Und Näher Treten!” (Führer Des Volkes, Genius) / “Vienna!” (Chorus) | ||
| 3. | Der Glorreiche Augenblick, Op. 136: No. 3 Recitative And Aria With Chorus: “O Himmel, Welch' Entzücken!” (Vienna) / “Alle Die Herrscher Darf Ich Grüß | ||
| 4. | Der Glorreiche Augenblick, Op. 136: No. 4 Recitative And Aria With Chorus: “Das Auge Schaut” (Seherin) / “Dem Die Erste Zähre” (Seherin, Chorus) | ||
| 5. | Der Glorreiche Augenblick, Op. 136: No. 5 Recitative And Quartet: “Der Den Bund Im Sturme Festgehalten” (Seherin, Vienna, Führer Des Volkes, Genius) | ||
| 6. | Der Glorreiche Augenblick, Op. 136: No. 6 Chorus: “Es Treten Vor Die Scharen Der Frauen” | ||
| 7. | Meeresstille Und Glückliche Fahrt, Op. 112 (Cantata For Mixed Chorus And Orchestra): Meeresstille (Sostenuto): “Tiefe Stille Herrscht Im Wasser” / Gl | ||
| 8. | Mass In C, Op. 86: I. Kyrie (Andante Con Moto Assai Vivace Quasi Allegretto Ma Non Troppo) | ||
| 9. | Mass In C, Op. 86: II. Gloria (Allegro Con Brio - Andante Mosso - Allegro Ma Non Troppo) | ||
| 10. | Mass In C, Op. 86: III. Credo (Allegro Con Brio - Adagio - Allegro Ma Non Troppo - Vivace) | ||
| 11. | Mass In C, Op. 86: IV. Sanctus (Adagio - Allegro - Allegretto Ma Non Troppo - Allegro) | ||
| 12. | Mass In C, Op. 86: Agnus Dei (Poco Andante - Allegro Ma Non Troppo - Andante Con Moto, Tempo Del Kyrie) | ||
| CD 96 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 71:08 | ||
| 1. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): I. Kyrie (Assai Sostenuto. Mit Andacht - Andante Assai Ben Marcat | 71:08 | |
| 2. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): II. Gloria (Allegro Vivace - Allegro Maestoso - Allegro, Ma Non T | ||
| 3. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): III. Credo (Allegro Ma Non Troppo - Adagio - Allegro - Allegro Mo | ||
| 4. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): IV. Sanctus (Adagio. Mit Andacht - Allegro Pesante - Presto - And | ||
| 5. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): V. Agnus Dei (Adagio - Allegretto Vivace - Presto) | ||
| CD 97 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 86:07 | ||
| 1. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): I. Kyrie (Assai Sostenuto. Mit Andacht - Andante Assai Ben Marcat | 86:07 | |
| 2. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): II. Gloria (Allegro Vivace - Allegro Maestoso - Allegro, Ma Non T | ||
| 3. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): III. Credo (Allegro Ma Non Troppo - Adagio - Allegro - Allegro Mo | ||
| 4. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): IV. Sanctus (Adagio. Mit Andacht - Allegro Pesante - Presto - And | ||
| 5. | Mass In D For 4 Solo Voices, Chorus, Orchestra And Organ, Op. 123 (Missa Solemnis): V. Agnus Dei (Adagio - Allegretto Vivace - Presto) | ||
| CD 98 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 56:18 | ||
| 1. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 1 Introduction. Grave - Adagio | 56:18 | |
| 2. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 1 Recitative: “Jehova, Du Mein Vater!” (Jesus) | ||
| 3. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 1 Aria: “Meine Seele Ist Erschüttert” (Jesus) | ||
| 4. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 2 Recitative: “Erzittre, Erde, Jehovas Sohn Liegt Hier!” (Seraph) | ||
| 5. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 2 Aria: “Priest Des Erlösers Güte” (Seraph) / Chorus Of Angels: “ | ||
| 6. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 3 Recitative: “Verkündet, Seraph, Mir Dein Mund Erbarmen” (Jesus, | ||
| 7. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 3 Duet: “So Ruhe Denn Mit Ganzer Schwere” (Jesus, Seraph) | ||
| 8. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 4 Recitative: “Willkommen, Tod” (Jesus) | ||
| 9. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 4 Chorus Of Soldiers: “Wir Haben Ihn Gesehen” | ||
| 10. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 5 Recitative: “Die Mich Zu Gangen Ausgezogen Sind” (Jesus) | ||
| 11. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 5 Chorus Of Soldiers: “Hier Ist Er, Der Verbannte” / No. 5 Chorus | ||
| 12. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 6 Recitative: “Nicht Ungestraft Soll Der Verweg'nen Schar” (Petru | ||
| 13. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 6 Trio: “In Meinen Adern Wühlen Gerechter Zorn Und Wut” (Petrus, | ||
| 14. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 6 Chorus Of Soldiers: “Auf, Auf! Ergreifet Den Verräter” / Chorus | ||
| 15. | Christus Am Ölberge, Op. 85 (Oratorio For 3 Solo Voices, Chorus And Orchestra): No. 6 Chorus Of Angels: “Welten Singen Dank Und Ehre” | ||
| CD 99 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:55 | ||
| 1. | Andante In C, Woo 211 [Biamonti 52] (C. 1790-92) | 72:55 | |
| 2. | Anglaise In D, Woo 212 [Hess 61] (1793) | ||
| 3. | 2 Bagatelles, Woo 216 (Landsberg 7 Sketchbook) (?December 1800): No. 1 In C [Hess 73]. [No Tempo Marking] | ||
| 4. | 2 Bagatelles, Woo 216 (Landsberg 7 Sketchbook) (?December 1800): No. 2 In E-Flat [Hess 74]. Allegro | ||
| 5. | Minuet In F, Woo 217 [Biamonti 66] (C. 1794) | ||
| 6. | Bagatelle In C, Hess 57 (1824) | ||
| 7. | Piece In F, Kullak Sketchbook F.51/52 (1826) | ||
| 8. | Bagatelles, Woo 213 "Bagatellen" Portfolio Nos. 7, 8, 9 & 11: No. 1 Andante In D-Flat | ||
| 9. | Bagatelles, Woo 213 "Bagatellen" Portfolio Nos. 7, 8, 9 & 11: No. 2 Finale In G | ||
| 10. | Bagatelles, Woo 213 "Bagatellen" Portfolio Nos. 7, 8, 9 & 11: No. 3 Allegro In A | ||
| 11. | Bagatelles, Woo 213 "Bagatellen" Portfolio Nos. 7, 8, 9 & 11: No. 4 Rondo In A | ||
| 12. | Bagatelle In A, Woo 59 (Revised Version Of “Für Elise”) (1822) "Bagatellen" Portfolio No. 12 | ||
| 13. | Waltz In C, Woo 219 [Hess 68], Wielhorsky Sketchbook (1803) | ||
| 14. | Variations In B-Flat “Zur Übung Der Faust”, Hess 58 Kafka Sketch Miscellany (C. 1792). Theme - Variation I | ||
| 15. | Allegretto In A/A, Kafka Sketch Miscellany F.47v | ||
| 16. | Piano Piece In A, Kafka Sketch Miscellany F.160r Staves 1-6 | ||
| 17. | Piano Piece In A, Kafka Sketch Miscellany F.41v Staves 13-16 | ||
| 18. | Piano Piece In C, Kafka Sketch Miscellany F.47v Staves 5-8 | ||
| 19. | Piano Piece (Minuet) In C, Hess 59 (C. 1794-95) | ||
| 20. | Adagio Ma Non Molto In G, Hess 70 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04) | ||
| 21. | Molto Adagio In G, Hess 71 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04) | ||
| 22. | Theme And Variation In A, Hess 72 Landsberg 6 Sketchbook, Fragment (1803-04) | ||
| 23. | 2 German Dances, Hess 67 Petter Sketchbook (1812): No. 1 In F / No. 2 In F | ||
| 24. | Minuet In A-Flat, Woo 209 [Hess 88] (1790-92) | ||
| 25. | Piano Sonata In D/D, Unv 12 [Biamonti 213] (C. 1793), Fragment | ||
| 26. | On “Dona Nobis Pacem” (Haydn), Hess Anh. 57: Piano Arrangement By Julia Ronge Of A 4-Part Fugue For Voices A Cappela (C. 1795) | ||
| 27. | “O Hoffnung, Du Stählst Die Herzen, Du Milderst Die Schmerzen”, Woo 200 [Hess 75] (Spring 1818) | ||
| 28. | Wellingtons Sieg Oder Die Schlacht Bei Vittoria, Op. 91 Piano Transcription By Beethoven, Hess 97 (1813): Part I: Schlacht. Trommeln Und Trompeten An | ||
| 29. | Andante Maestoso In C, Woo 62 “Letzter Musikalischer Gedanke” Arrangement For Piano By Anton Diabelli Of Movement I Of An Incomplete String Quintet I | ||
| 30. | Symphony No. 7 In A, Op. 92 Piano Arrangement By Beethoven, Hess 96, Fragment (C. 1814): I. Poco Sostenuto | ||
| CD 100 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 80:01 | ||
| 1. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16 Arranged For Piano, Violin, Viola And Cello By Beethoven (1796-1801): I. Grave | 80:01 | |
| 2. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16 Arranged For Piano, Violin, Viola And Cello By Beethoven (1796-1801): II. Andan | ||
| 3. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16 Arranged For Piano, Violin, Viola And Cello By Beethoven (1796-1801): III. Rond | ||
| 4. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107 (1818-19): 1. Air Tirolien: “I Bin A Tiroler Bua”: Tema. Moderato - Var. | ||
| 5. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107 (1818-19): 3. Volkslied Aus Kleinrussland: Tema. Vivace - Var. I-IV - Var | ||
| 6. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107 (1818-19): 4. Air Écossais “St. Patrick's Day”: Tema. Allegretto Scherzos | ||
| 7. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107 (1818-19): 6. Air Écossais “Peggy's Daughter”: Tema. Andante Comodo - Var | ||
| 8. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107 (1818-19): 7. Air Russe “Schöne Minka”: Tema. Andante - Var.' I-IV - Var. | ||
| 9. | 10 Themes With Variations For Piano And Flute Or Violin Ad Libitum, Op. 107 (1818-19): 9. Air Écossais “Oh, Thou Art The Lad Of My Heart”: Tema. Alle | ||
| 10. | Andante Maestoso In C For String Quintet, Woo 62 “Letzter Musikalischer Gedanke” (1827) | ||
| 11. | String Quartet Arrangement Of The Fugue From The Overture To Handel's “Solomon”, Hess 36 | ||
| 12. | Violin Sonata In A, Unv 11 [Hess 46] (C. 1791) | ||
| 13. | Duo For Violin And Cello In E-Flat, Unv 8 [Gardi 2] (C. 1791) | ||
| 14. | Scherzo To String Trio Op. 9 No. 1 With Alternative Trio (1797-98): Scherzo - Trio II, Hess 28 - Scherzo | ||
| 15. | Allegretto For String Quartet In B, Woo 210 (1817) | ||
| 16. | Minuet In B-Flat, Hess 331, Fragment (1799) | ||
| 17. | Pastorella In D, Hess 332, Fragment (1799) | ||
| 18. | Menuetto-Scherzo, Hess 333, Fragment (1799) | ||
| 19. | Allegro In A, Hess 334, Fragment (1799) | ||
| CD 101 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 78:55 | ||
| 1. | 2-Voice Fugues, Hess 236 (1794): No. 1 In D | 78:55 | |
| 2. | 2-Voice Fugues, Hess 236 (1794): No. 2 In E Phrygian | ||
| 3. | 2-Voice Fugues, Hess 236 (1794): No. 3 In F | ||
| 4. | 2-Voice Fugues, Hess 236 (1794): No. 4 In B-Flat | ||
| 5. | 2-Voice Fugues, Hess 236 (1794): No. 5 In D | ||
| 6. | 3-Voice Fugues, Hess 237 (1794): No. 1 In G | ||
| 7. | 3-Voice Fugues, Hess 237 (1794): No. 2 In F | ||
| 8. | 3-Voice Fugues, Hess 237 (1794): No. 3 In E | ||
| 9. | 3-Voice Fugues, Hess 237 (1794): No. 4 In D | ||
| 10. | 4-Voice Fugues, Hess 238 (1794) Transcribed For String Quartet By Albert Willem Holsbergen: No. 1 In E | ||
| 11. | 4-Voice Fugues, Hess 238 (1794) Transcribed For String Quartet By Albert Willem Holsbergen: No. 2 In D | ||
| 12. | 4-Voice Fugues, Hess 238 (1794) Transcribed For String Quartet By Albert Willem Holsbergen: No. 3 In C | ||
| 13. | 4-Voice Fugues, Hess 238 (1794) Transcribed For String Quartet By Albert Willem Holsbergen: No. 4 In A | ||
| 14. | 4-Voice Fugues, Hess 238 (1794) Transcribed For String Quartet By Albert Willem Holsbergen: No. 5 In B-Flat | ||
| 15. | 4-Voice Fugues, Hess 238 (1794) Transcribed For String Quartet By Albert Willem Holsbergen: No. 6 In A | ||
| 16. | Chorale Fugues, Hess 239 (1794): No. 2 In D | ||
| 17. | Chorale Fugues, Hess 239 (1794): No. 3 In G | ||
| 18. | Double Fugues, Hess 243 (1794-95) Transcribed For String Quartet By Albert Willem Holsbergen: No. 1 In C | ||
| 19. | Double Fugues, Hess 243 (1794-95) Transcribed For String Quartet By Albert Willem Holsbergen: No. 2 In F | ||
| 20. | Double Fugues, Hess 243 (1794-95) Transcribed For String Quartet By Albert Willem Holsbergen: No. 3 In C | ||
| 21. | Double Fugues, Hess 243 (1794-95) Transcribed For String Quartet By Albert Willem Holsbergen: No. 4 In C | ||
| 22. | Double Fugues, Hess 243 (1794-95) Transcribed For String Quartet By Albert Willem Holsbergen: No. 5 In D | ||
| 23. | Triple Fugues, Hess 244 (1794-95) Transcribed For String Quartet By Albert Willem Holsbergen: No. 1 In D | ||
| 24. | Triple Fugues, Hess 244 (1794-95) Transcribed For String Quartet By Albert Willem Holsbergen: No. 2 In F | ||
| 25. | Fugue For String Quartet In D, Hess 245, Fragment (C. 1794-95) | ||
| 26. | Sonata For Piano And Flute In B-Flat, Anh. 4 [Hess A11] Probably Not Beethoven: I. Allegro | ||
| 27. | Sonata For Piano And Flute In B-Flat, Anh. 4 [Hess A11] Probably Not Beethoven: II. Polonoise - Trio | ||
| 28. | Sonata For Piano And Flute In B-Flat, Anh. 4 [Hess A11] Probably Not Beethoven: III. Largo | ||
| 29. | Sonata For Piano And Flute In B-Flat, Anh. 4 [Hess A11] Probably Not Beethoven: IV. Tema [Allegretto] Con Variazioni | ||
| 30. | 2 Sonatinas, Anh. 5: No. 1 In G. I. Moderato / II. Romance | ||
| 31. | 2 Sonatinas, Anh. 5: No. 2 In F. I. Allegro Assai / II. Rondo | ||
| 32. | 8 Variations For Piano On “Ich Hab' Ein Kleines Hüttchen Nur”, Anh. 10 Probably Not Beethoven (1790s) | ||
| CD 102 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:46 | ||
| 1. | Symphony No. 5 In C, Op. 67: I. Allegro Con Brio [Conductor: Artúr Nikisch; Berliner Philharmoniker (1931)] | 83:46 | |
| 2. | Symphony No. 7 In A, Op. 92: IV. Allegro Con Brio (Excerpt) [Conductor: Richard Strauss; Staatskapelle Berlin (1926)] | ||
| 3. | Overture “Leonore” No. 3, Op. 72b: Adagio - Allegro [Conductor: Otto Klemperer; Staatskapelle Berlin (1927)] | ||
| 4. | Symphony No. 7 In A, Op. 92: IV. Allegro Con Brio [Conductor: Herbert Von Karajan; Staatskapelle Berlin (1941)] | ||
| 5. | Overture “Leonore” No. 2, Op. 72a: Adagio - Allegro [Conductor: Fritz Busch; Dr Symfoniorkestret (1950)] | ||
| 6. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: II. Marcia Funebre. Adagio Assai [Conductor: Paul Van Kempen; Berliner Philharmoniker (1951)] | ||
| 7. | Symphony No. 8 In F, Op. 93: I. Allegro Vivace E Con Brio [Conductor: Hermann Scherchen; Royal Philharmonic Orchestra (1954)] | ||
| 8. | Symphony No. 8 In F, Op. 93: II. Allegretto Scherzando [Conductor: Hermann Scherchen; Royal Philharmonic Orchestra (1954)] | ||
| 9. | Symphony No. 8 In F, Op. 93: III. Tempo Di Menuetto [Conductor: Hermann Scherchen; Royal Philharmonic Orchestra (1954)] | ||
| 10. | Symphony No. 8 In F, Op. 93: IV. Allegro Vivace [Conductor: Hermann Scherchen; Royal Philharmonic Orchestra (1954)] | ||
| CD 103 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:11 | ||
| 1. | Music To Johann Wolfgang Von Goethe's Tragedy“Egmont”,Op.84:Overture.Sostenuto, Ma Non Troppo-Allegro [Conductor: Wilhelm Furtwängler; Berlin.Ph.1947] | 84:11 | |
| 2. | Overture “Leonore” No. 3, Op. 72b: Adagio - Allegro [Conductor: Wilhelm Furtwängler; Wiener Philharmoniker (1944)] | ||
| 3. | Overture “Coriolan”, Op. 62: Allegro Con Brio [Conductor: Wilhelm Furtwängler; Wiener Philharmoniker (1943)] | ||
| 4. | Symphony No. 5 In C, Op. 67: I. Allegro Con Brio [Conductor: Wilhelm Furtwängler; Berliner Philharmoniker (1943)] | ||
| 5. | Symphony No. 5 In C, Op. 67: II. Andante Con Moto [Conductor: Wilhelm Furtwängler; Berliner Philharmoniker (1943)] | ||
| 6. | Symphony No. 5 In C, Op. 67: III. Allegro - [Conductor: Wilhelm Furtwängler; Berliner Philharmoniker (1943)] | ||
| 7. | Symphony No. 5 In C, Op. 67: IV. Allegro [Conductor: Wilhelm Furtwängler; Berliner Philharmoniker (1943)] | ||
| 8. | Grosse Fuge, Op. 133: Overtura. Allegro - Meno Mosso E Moderato - Allegro - Fuga: [Conductor: Wilhelm Furtwängler; Berliner Philharmoniker (1952)] | ||
| CD 104 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:53 | ||
| 1. | Symphony No. 5 In C, Op. 67: I. Allegro Con Brio [Conductor: Erich Kleiber; Concertgebouw Orchestra (1953)] | 72:53 | |
| 2. | Symphony no. 5 in c, op. 67: II. Andante con moto [Conductor: Erich Kleiber; Concertgebouw Orchestra (1953)] | ||
| 3. | Symphony no. 5 in c, op. 67: III. Allegro - [Conductor: Erich Kleiber; Concertgebouw Orchestra (1953)] | ||
| 4. | Symphony no. 5 in c, op. 67: IV. Allegro [Conductor: Erich Kleiber; Concertgebouw Orchestra (1953)] | ||
| 5. | Symphony no. 6 in F, op. 68 “Pastoral”: I. Allegro ma no troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande” [wie vor] | ||
| 6. | Symphony No. 6 In F, Op. 68 “Pastoral”: II. Andante Molto Mosso “Szene Am Bach” [Conductor: Erich Kleiber; Concertgebouw Orchestra (1953)] | ||
| 7. | Symphony No. 6 In F, Op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein Der Landleute” [Conductor: Erich Kleiber; Concertgebouw Orchestra (1953) | ||
| 8. | Symphony No. 6 In F, Op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm” [Conductor: Erich Kleiber; Concertgebouw Orchestra (1953) | ||
| 9. | Symphony No. 6 In F, Op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, Dankbare Gefühl [Conductor: Erich Kleiber; Concertgebouw Orchestra (1953) | ||
| CD 105 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 77:32 | ||
| 1. | Music To Johann Wolfgang Von Goethe's Tragedy “Egmont”, Op. 84: Overture. Sostenuto, Ma Non Troppo - Allegro [Wie Folgend (1958)] | 77:32 | |
| 2. | Symphony No. 9 In D, Op. 125: I. Allegro Ma Non Troppo, Un Poco Maestoso [Conductor: Ferenc Fricsay; Berliner Philharmoniker (1957)] | ||
| 3. | Symphony No. 9 In D, Op. 125: II. Molto Vivace [Conductor: Ferenc Fricsay; Berliner Philharmoniker (1957)] | ||
| 4. | Symphony No. 9 In D, Op. 125: III. Adagio Molto E Cantabile [Conductor: Ferenc Fricsay; Berliner Philharmoniker (1957)] | ||
| 5. | Symphony No. 9 In D, Op. 125: IV. Presto - Allegro Assai - [Conductor: Ferenc Fricsay; Berliner Philharmoniker (1957)] | ||
| 6. | Symphony No. 9 In D, Op. 125: IV. Presto - “O Freunde, Nicht Diese Töne!” - Allegro Assai: “Freude, Schöner Götterfunken” - Allegro Assai [Wie Vor] | ||
| CD 106 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 81:14 | ||
| 1. | Piano Concerto No. 3 In C, Op. 37: I. Allegro Con Brio [Piano: Annie Fischer; Conductor: Ferenc Fricsay; Bayerisches Staatsorchester (1957)] | 81:14 | |
| 2. | Piano Concerto No. 3 In C, Op. 37: II. Largo [Piano: Annie Fischer; Conductor: Ferenc Fricsay; Bayerisches Staatsorchester (1957)] | ||
| 3. | Piano Concerto No. 3 In C, Op. 37: III. Rondo. Allegro [Piano: Annie Fischer; Conductor: Ferenc Fricsay; Bayerisches Staatsorchester (1957)] | ||
| 4. | Violin Concerto In D, Op. 61: I. Allegro Ma Non Troppo [Violin: Wolfgang Schneiderhan; Conductor: Eugen Jochum; Berlin Philharmonic Orchestra (1962)] | ||
| 5. | Violin Concerto In D, Op. 61: II. Larghetto [Violin: Wolfgang Schneiderhan; Conductor: Eugen Jochum; Berlin Philharmonic Orchestra (1962)] | ||
| 6. | Violin Concerto In D, Op. 61: III. Rondo. Allegro [Violin: Wolfgang Schneiderhan; Conductor: Eugen Jochum; Berlin Philharmonic Orchestra (1962)] | ||
| CD 107 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 82:26 | ||
| 1. | Sonata No. 30 In E, Op. 109: I. Vivace, Ma Non Troppo - Adagio Espressivo - Tempo I [Piano: Artur Schnabel (1932)] | 82:26 | |
| 2. | Sonata No. 30 In E, Op. 109: II. Prestissimo [Piano: Artur Schnabel (1932)] | ||
| 3. | Sonata No. 30 In E, Op. 109: III. Andante, Molto Cantabile Ed Espressivo (Gesangvoll, Mit Innigster... [Wie Vor] | ||
| 4. | Sonata No. 8 In C, Op. 13 “Pathétique”: I. Grave - Allegro Di Molto E Con Brio [Piano: Wilhelm Kempff (1936)] | ||
| 5. | Sonata No. 8 In C, Op. 13 “Pathétique”: II. Adagio Cantabile [Piano: Wilhelm Kempff (1936)] | ||
| 6. | Sonata No. 8 In C, Op. 13 “Pathétique”: III. Rondo. Allegro [Piano: Wilhelm Kempff (1936)] | ||
| 7. | Sonata No. 31 In A-Flat, Op. 110: I. Moderato Cantabile, Molto Espressivo [Piano: Wilhelm Kempff (1951)] | ||
| 8. | Sonata No. 31 In A-Flat, Op. 110: II. Allegro Molto [Piano: Wilhelm Kempff (1951)] | ||
| 9. | Sonata No. 31 In A-Flat, Op. 110: III. Adagio, Ma Non Troppo - Arioso Dolente - Fuga. Allegro, Ma Non Troppo - L'istesso Tempo Di Arioso - [Wie Vor] | ||
| 10. | Sonata No. 23 In F, Op. 57 “Appassionata”: I. Allegro Assai [Piano: Claudio Arrau (1965)] | ||
| 11. | Sonata No. 23 In F, Op. 57 “Appassionata”: II. Andante Con Moto [Piano: Claudio Arrau (1965)] | ||
| 12. | Sonata No. 23 In F, Op. 57 “Appassionata”: III. Allegro Ma Non Troppo [Piano: Claudio Arrau (1965)] | ||
| CD 108 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 85:16 | ||
| 1. | Sonata No. 18 In E-Flat, Op. 31 No. 3: I. Allegro [Piano: Clara Haskil (1955)] | 85:16 | |
| 2. | Sonata No. 18 In E-Flat, Op. 31 No. 3: II. Scherzo. Allegretto Vivace [Piano: Clara Haskil (1955)] | ||
| 3. | Sonata No. 18 In E-Flat, Op. 31 No. 3: III. Menuetto. Moderato E Grazioso [Piano: Clara Haskil (1955)] | ||
| 4. | Sonata No. 18 In E-Flat, Op. 31 No. 3: IV. Presto Con Fuoco [Piano: Clara Haskil (1955)] | ||
| 5. | Sonata No. 11 In B-Flat, Op. 22: I. Allegro Con Brio [Piano: Sviatoslav Richter (1963)] | ||
| 6. | Sonata No. 11 In B-Flat, Op. 22: II. Adagio Con Molta Espressione [Piano: Sviatoslav Richter (1963)] | ||
| 7. | Sonata No. 11 In B-Flat, Op. 22: III. Menuetto [Piano: Sviatoslav Richter (1963)] | ||
| 8. | Sonata No. 11 In B-Flat, Op. 22: IV. Rondo. Allegretto [Piano: Sviatoslav Richter (1963)] | ||
| 9. | Sonata No. 28 In A, Op. 101: I. Erwas Lebhaft Und Mit Der Innigsten Empfindung (Allegro Ma Non Troppo) [Piano: Wilhelm Backhaus (1963)] | ||
| 10. | Sonata No. 28 In A, Op. 101: II. Lebhaft. Marschmäßig (Vivace All Marcia) [Piano: Wilhelm Backhaus (1963)] | ||
| 11. | Sonata No. 28 In A, Op. 101: III. Langsam Und Sehnsuchtsvoll (Adagio Ma Non Troppo, Con Affetto) - / IV. Geschwind, Doch Nicht Zu Sehr, Und..[Wie Vor | ||
| 12. | Sonata No. 31 In A-Flat, Op. 110: I. Moderato Cantabile, Molto Espressivo [Piano: Rudolf Serkin (1987)] | ||
| 13. | Sonata No. 31 In A-Flat, Op. 110: II. Allegro Molto [Piano: Rudolf Serkin (1987)] | ||
| 14. | Sonata No. 31 In A-Flat, Op. 110: III. Adagio, Ma Non Troppo - Arioso Dolente - Fuga. Allegro, Ma Non Troppo - L'istesso Tempo Di Arioso...[Wie Vor] | ||
| CD 109 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 82:54 | ||
| 1. | Sonata No. 15 In D, Op. 28 (“Pastoral”): I. Allegro [Piano: Friedrich Gulda (1967)] | 82:54 | |
| 2. | Sonata No. 15 In D, Op. 28 (“Pastoral”): II. Andante [Piano: Friedrich Gulda (1967)] | ||
| 3. | Sonata No. 15 In D, Op. 28 (“Pastoral”): III. Scherzo. Allegro Vivace [Piano: Friedrich Gulda (1967)] | ||
| 4. | Sonata No. 15 In D, Op. 28 (“Pastoral”): IV. Rondo. Allegro Ma Non Troppo [Piano: Friedrich Gulda (1967)] | ||
| 5. | Sonata No. 4 In E-Flat, Op. 7: I. Allegro Molto E Con Brio [Piano: Arturo Benedetti Michelangeli (1971)] | ||
| 6. | Sonata No. 4 In E-Flat, Op. 7: II. Largo, Con Gran Espressione [Piano: Arturo Benedetti Michelangeli (1971)] | ||
| 7. | Sonata No. 4 In E-Flat, Op. 7: III. Allegro [Piano: Arturo Benedetti Michelangeli (1971)] | ||
| 8. | Sonata No. 4 In E-Flat, Op. 7: IV. Rondo. Poco Allegretto E Grazioso [Piano: Arturo Benedetti Michelangeli (1971)] | ||
| 9. | Sonata No. 32 In C, Op. 111: I. Maestoso - Allegro Con Brio Ed Appassionato [Piano: Ivo Pogorelich (1981)] | ||
| 10. | Sonata No. 32 In C, Op. 111: II. Arietta. Adagio Molto Semplice E Cantabile [Piano: Ivo Pogorelich (1981)] | ||
| CD 110 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 83:25 | ||
| 1. | Sonata No. 3 For Piano And Cello In A, Op. 69: I. Allegro Ma Non Troppo [Cello: Pierre Fournier; Piano: Wilhelm Kempff (1965)] | 83:25 | |
| 2. | Sonata No. 3 For Piano And Cello In A, Op. 69: II. Scherzo. Allegro Molto [Cello: Pierre Fournier; Piano: Wilhelm Kempff (1965)] | ||
| 3. | Sonata No. 3 For Piano And Cello In A, Op. 69: III. Adagio Cantabile - Allegro Vivace [Cello: Pierre Fournier; Piano: Wilhelm Kempff (1965)] | ||
| 4. | Sonata No. 5 For Piano And Cello In D, Op. 102 No. 2: I. Allegro Con Brio [Cello: Mstislav Rostropovich; Piano: Sviatoslav Richter (1963)] | ||
| 5. | Sonata No. 5 For Piano And Cello In D, Op. 102 No. 2: II. Adagio Con Molto Sentimento D'affetto - ....[Wie Vor] | ||
| 6. | Sonata No. 5 For Piano And Cello In D, Op. 102 No. 2: III. Allegro - Allegro Fugato [Cello: Mstislav Rostropovich; Piano: Sviatoslav Richter (1963)] | ||
| 7. | Piano Trio No. 7 In B-Flat, Op. 97 “Archduke”: I. Allegro Moderato [Cello: Mstislav Rostropovich; Piano: Emil Gilels (1956)] | ||
| 8. | Piano Trio No. 7 In B-Flat, Op. 97 “Archduke”: II. Scherzo. Allegro [Cello: Mstislav Rostropovich; Piano: Emil Gilels (1956)] | ||
| 9. | Piano Trio No. 7 In B-Flat, Op. 97 “Archduke”: III. Andante Cantabile, Ma Però Con Moto - Poco Più Adagio[ Wie Vor] | ||
| 10. | Piano Trio No. 7 In B-Flat, Op. 97 “Archduke”: IV. Allegro Moderato [Cello: Mstislav Rostropovich; Piano: Emil Gilels (1956)] | ||
| CD 111 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 77:08 | ||
| 1. | String Quartet No. 13 In B-Flat, Op. 130: I. Adagio Ma Non Troppo - Allegro [String Quartet: Busch Quartet (1941)] | 77:08 | |
| 2. | String Quartet No. 13 In B-Flat, Op. 130: II. Presto [String Quartet: Busch Quartet (1941)] | ||
| 3. | String Quartet No. 13 In B-Flat, Op. 130: III. Andante Con Moto, Ma Non Troppo [String Quartet: Busch Quartet (1941)] | ||
| 4. | String Quartet No. 13 In B-Flat, Op. 130: IV. Alla Danza Tedesca. Allegro Assai [String Quartet: Busch Quartet (1941)] | ||
| 5. | String Quartet No. 13 In B-Flat, Op. 130: V. Cavatina. Adagio Molto Espressivo [String Quartet: Busch Quartet (1941)] | ||
| 6. | String Quartet No. 13 In B-Flat, Op. 130: VI. Finale: Allegro [String Quartet: Busch Quartet (1941)] | ||
| 7. | Grosse Fuge, Op. 133: Overtura. Allegro - Meno Mosso E Moderato - Allegro - Fuga: Allegro-Meno.[String Quartet: The Hollywood String Quartet (1957) | ||
| 8. | String Quartet No. 16 In F, Op. 135: I. Allegretto [String Quartet: Lindsay String Quartet (1987)] | ||
| 9. | String Quartet No. 16 In F, Op. 135: II. Vivace [String Quartet: Lindsay String Quartet (1987)] | ||
| 10. | String Quartet No. 16 In F, Op. 135: III. Lento Assai, Cantante E Tranquillo [String Quartet: Lindsay String Quartet (1987)] | ||
| 11. | String Quartet No. 16 In F, Op. 135: IV. Der Schwer Gefasste Entschluss. Grave, Ma Non Troppo Tratto (“Muss Es Sein?”) - Allegro (“Es....[Wie Vor] | ||
| CD 112 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 74:29 | ||
| 1. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: I. Allegro Con Brio [String Quartet: Quartetto Italiano (1973)] | 74:29 | |
| 2. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: II. Adagio Ma Non Troppo [String Quartet: Quartetto Italiano (1973)] | ||
| 3. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: III. Scherzo. Allegro [String Quartet: Quartetto Italiano (1973)] | ||
| 4. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: IV. La Malinconia. Adagio - Allegretto Quasi Allegro [String Quartet: Quartetto Italiano (1973)] | ||
| 5. | String Quartet No. 15 In A, Op. 132: I. Assai Sostenuto - Allegro [String Quartet: Quartetto Italiano (1967)] | ||
| 6. | String Quartet No. 15 In A, Op. 132: II. Allegro Ma Non Tanto [String Quartet: Quartetto Italiano (1967)] | ||
| 7. | String Quartet No. 15 In A, Op. 132: III. Heiliger Dankgesang Eines Genesenen An Die Gottheit, In Der Lydischen Tonart. Molto Adagio - Neue [Wie Vor] | ||
| 8. | String Quartet No. 15 In A, Op. 132: IV. Alla Marcia, Assai Vivace - Più Allegro - Attacca [String Quartet: Quartetto Italiano (1967)] | ||
| 9. | String Quartet No. 15 In A, Op. 132: V. Allegro Appassionato - Presto [String Quartet: Quartetto Italiano (1967)] | ||
| CD 113 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:52 | ||
| 1. | Adelaide, Op. 46 “Einsam Wandelt Dein Freund Im Frühlingstagen” | 84:52 | |
| 2. | An Die Ferne Geliebte, Op. 98: 1. “Auf Dem Hügel Sitz' Ich, Spähend” | ||
| 3. | An Die Ferne Geliebte, Op. 98: 2. “Wo Die Berge So Blau” | ||
| 4. | An Die Ferne Geliebte, Op. 98: 3. “Leichte Segler In Den Höhen” | ||
| 5. | An Die Ferne Geliebte, Op. 98: 4. “Diese Wolken In Den Höhen” | ||
| 6. | An Die Ferne Geliebte, Op. 98: 5. “Es Kehret Der Maien, Es Blühet Die Au” | ||
| 7. | An Die Ferne Geliebte, Op. 98: 6. “Nimm Sie Hin Denn, Diese Lieder” | ||
| 8. | La Partenza, Woo 124 “Ecco Quel Fiero Istante” | ||
| 9. | 4 Arietten, Op. 82: 3. L'amante Impaziente I: “Che Fa Il Mio Bene?”. Arietta Buffa | ||
| 10. | 4 Arietten, Op. 82: 4. L'amante Impaziente II: “Che Fa Il Mio Bene?”. Arietta Assai Seriosa | ||
| 11. | 4 Arietten, Op. 82: 2. “T'intendo Sì, Mio Cor” | ||
| 12. | 4 Arietten, Op. 82: 1. “Dimmi, Ben Mio, Che M'ami” | ||
| 13. | “In Questa Tomba Oscura”, Woo 133: Ariette | ||
| 14. | “In Questa Tomba Oscura”, Woo 133: Ariette | ||
| 15. | Fidelio, Op. 72: Act I. No. 3 Quartet: “Mir Ist So Wunderbar” | ||
| 16. | Fidelio, Op. 72: Act I. No. 7 Aria With Chorus: “Ha! Welch Ein Augenblick!” | ||
| 17. | Fidelio, Op. 72: Act I. No. 9 Recitative And Aria: “Abscheulicher! Wo Eilst Du Hin? ... Komm, Hoffnung, Lass Den Letzten Stern Der Müden Nicht Erblei | ||
| 18. | Fidelio, Op. 72: Act I. No. 10 Finale (Opening Chorus): “O Welche Lust, In Freier Luft Den Atem Leicht Zu Heben!” | ||
| 19. | Fidelio, Op. 72: Act II. No. 11 Introduction And Aria: “Gott! Welch Dunkel Hier! ... In Des Lebens Frühlingstagen” | ||
| 20. | Fidelio, Op. 72: Act II. “Meine Leonore, Was Hast Du ...” / No. 15 Duet: “O Namenlose Freude!” | ||
| 21. | Fidelio, Op. 72: Act II. No. 16 Finale: “Heil Sei Dem Tag ... Des Besten Königs Wink Und Wille ... Wer Ein Holdes Weib Errungen, Stimm In Unsern Jubel | ||
| CD 114 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 74:47 | ||
| 1. | Piano Concerto No. 2 In B-Flat, Op. 19: I. Allegro Con Brio | 74:47 | |
| 2. | Piano Concerto No. 2 In B-Flat, Op. 19: II. Adagio | ||
| 3. | Piano Concerto No. 2 In B-Flat, Op. 19: III. Rondo. Molto Allegro | ||
| 4. | Rondo For Piano And Orchestra In B-Flat, Woo 6 (Fragment): Allegro | ||
| 5. | Piano Concerto No. 1 In C, Op. 15: I. Allegro Con Brio | ||
| 6. | Piano Concerto No. 1 In C, Op. 15: II. Largo | ||
| 7. | Piano Concerto No. 1 In C, Op. 15: III. Rondo. Allegro Scherzando | ||
| CD 115 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 82:47 | ||
| 1. | Piano Concerto No. 4 In G, Op. 58: I. Allegro Moderato | 82:47 | |
| 2. | Piano Concerto No. 4 In G, Op. 58: II. Andante Con Moto | ||
| 3. | Piano Concerto No. 4 In G, Op. 58: III. Rondo. Vivace | ||
| 4. | Violin Concerto In D, Op. 61: I. Allegro Ma Non Troppo | ||
| 5. | Violin Concerto In D, Op. 61: II. Larghetto | ||
| 6. | Violin Concerto In D, Op. 61: III. Rondo. Allegro | ||
| 7. | Romance For Violin And Orchestra No. 2 In F, Op. 50: Andante Cantabile | ||
| CD 116 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 84:38 | ||
| 1. | Sonata No. 8 In C, Op. 13 “Pathétique”: I. Grave - Allegro Di Molto E Con Brio | 84:38 | |
| 2. | Sonata No. 8 In C, Op. 13 “Pathétique”: II. Adagio Cantabile | ||
| 3. | Sonata No. 8 In C, Op. 13 “Pathétique”: III. Rondo. Allegro | ||
| 4. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight” (Sonata Quasi Una Fantasia): I. Adagio Sostenuto | ||
| 5. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight” (Sonata Quasi Una Fantasia): II. Allegretto | ||
| 6. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight” (Sonata Quasi Una Fantasia): III. Presto Agitato | ||
| 7. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): I. Largo - Allegro | ||
| 8. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): II. Adagio | ||
| 9. | Sonata No. 17 In D, Op. 31 No. 2 (“The Tempest”): III. Allegretto | ||
| 10. | Seufzer Eines Ungeliebten - Gegenliebe, Woo 117: “Hast Du Nicht Liebe Zugemessen” / “Wüßt' Ich, Wüßt' Ich, Dass Du Mich” | ||
| 11. | Fantasia For Piano, Chorus And Orchestra In C, Op. 80 ("Choral Fantasy”): 1st Alternative Improvised Introduction | ||
| 12. | Der Kuss, Op. 128: “Ich War Bei Chloen Ganz Allein” | ||
| 13. | Als Die Geliebte Sich Trennen Wollte, Woo 132: “Der Hoffnung Letzter Schimmer Sinkt Dahin!” | ||
| 14. | Sehnsucht, Woo 146: “Die Stille Nacht Umdunkelt Erquickend Tal Und Höh” | ||
| 15. | An Die Geliebte, Woo 140: “Oh, Dass Ich Dir Vom Stillen Augen” (2nd Version) | ||
| 16. | Maigesang, Op. 52 No. 4: “Wie Herrlich Leuchtet Mir Die Natur!” | ||
| 17. | Sonata For Piano And Horn In F, Op. 17: I. Allegro Moderato | ||
| 18. | Sonata For Piano And Horn In F, Op. 17: II. Poco Adagio, Quasi Andante | ||
| 19. | Sonata For Piano And Horn In F, Op. 17: III. Rondo. Allegro Moderato | ||
| CD 117 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 82:47 | ||
| 1. | Piano Trio No. 5 In D, Op. 70 No. 1 “Ghost”: I. Allegro Vivace E Con Brio | 82:47 | |
| 2. | Piano Trio No. 5 In D, Op. 70 No. 1 “Ghost”: II. Largo Assai Ed Espressivo | ||
| 3. | Piano Trio No. 5 In D, Op. 70 No. 1 “Ghost”: III. Presto | ||
| 4. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: I. Introduzione. Andante Con Moto - Allegro Vivace | ||
| 5. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: II. Andante Con Moto, Quasi Allegretto | ||
| 6. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: III. Menuetto (Grazioso) - Attacca: | ||
| 7. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: IV. Allegro Molto | ||
| 8. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16: I. Grave - Allegro, Ma Non Troppo | ||
| 9. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16: II. Andante Cantabile | ||
| 10. | Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E-Flat, Op. 16: III. Rondo. Allegretto, Ma Non Troppo | ||
| CD 118 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 86:06 | ||
| 1. | Symphony No. 2 For Piano, Violin And Cello In D, Op. 36 Version For The Piano Trio By The Composer (1805): I. Adagio - Allegro Con Brio | 86:06 | |
| 2. | Symphony No. 2 For Piano, Violin And Cello In D, Op. 36 Version For The Piano Trio By The Composer (1805): II. Larghetto Quasi Andante | ||
| 3. | Symphony No. 2 For Piano, Violin And Cello In D, Op. 36 Version For The Piano Trio By The Composer (1805): III. Scherzo. Allegro | ||
| 4. | Symphony No. 2 For Piano, Violin And Cello In D, Op. 36 Version For The Piano Trio By The Composer (1805): IV. Allegro Molto | ||
| 5. | Piano Concerto No. 4 For Piano And String Quintet In G, Op. 58: I. Allegro Moderato | ||
| 6. | Piano Concerto No. 4 For Piano And String Quintet In G, Op. 58: II. Andante Con Moto | ||
| 7. | Piano Concerto No. 4 For Piano And String Quintet In G, Op. 58: III. Rondo. Vivace | ||
| 8. | “Ah! Perfido”, Op. 65: Scena And Aria For Soprano And Orchestra | ||
| 9. | Die Geschöpfe Des Prometheus, Op. 43: No. 16 Finale: Allegretto - Allegro Molto - Presto | ||
| DVD 1 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 147:00 | ||
| 1. | Fidelio, Opera In Two Acts, Op. 72: Act I. Opening Credits & Cast | 147:00 | |
| 2. | Fidelio, Opera In Two Acts, Op. 72: Act I. Overture | ||
| 3. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 1 Duet: “Jetzt, Schätzchen, Jetzt Sind Wir Allein” (Jaquino, Marzelline) | ||
| 4. | Fidelio, Opera In Two Acts, Op. 72: Act I. Dialogue: “Armer Jaquino” (Marzelline) | ||
| 5. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 2 Aria: “O Wär' Ich Schon Mit Dir Vereint” (Marzelline) | ||
| 6. | Fidelio, Opera In Two Acts, Op. 72: Act I. Dialogue: “Marzelline! - Vater!” (Rocco, Marzelline) | ||
| 7. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 3 Quartet: “Mir Ist So Wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | ||
| 8. | Fidelio, Opera In Two Acts, Op. 72: Act I. Dialogue: “Armer Fidelio!” (Rocco, Leonore, Marzelline) | ||
| 9. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 4 Aria: “Hat Man Nicht Auch Gold Beineben” (Rocco) | ||
| 10. | Fidelio, Opera In Two Acts, Op. 72: Act I. Dialogue: “Ihr Habt Recht, Vater Rocco” (Leonore, Rocco, Marzelline) | ||
| 11. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 5 Trio: “Gut, Söhnchen, Gut” (Rocco, Leonore, Marzelline) | ||
| 12. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 6 March | ||
| 13. | Fidelio, Opera In Two Acts, Op. 72: Act I. Dialogue: “Drei Schildwachen Auf Den Wall” (Pizarro, Rocco) | ||
| 14. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 7 Aria With Chorus: “Ha! Welch Ein Augenblick!” (Pizarro, Guards) | ||
| 15. | Fidelio, Opera In Two Acts, Op. 72: Act I. Dialogue: “Hauptmann!” (Pizarro, Rocco) | ||
| 16. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 8 Duet: “Jetzt, Alter, Jetzt Stern Der Müden Nicht Erbleichen!” (Leonore) | ||
| 17. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 9 Recitative And Aria: “Abscheulicher! Wo Eilst Du Hin?” (Leonore) ” | ||
| 18. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 9 Recitative And Aria: “Komm, Hoffnung, Lass Den Letzten Stern Der Müden Nicht Erbleichen!” (Leonore) | ||
| 19. | Fidelio, Opera In Two Acts, Op. 72: Act I. Dialogue: “Fidelio! - Marzelline!” (Marzelline, Rocco, Leonore) | ||
| 20. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 10 Finale: “O Welche Lust, In Freier Luft Den Atem Leicht Zu Heben!” (Prisoners, First Prisoner, Secon | ||
| 21. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 10 Finale [Recitative And Duet]: “Nun Sprecht, Wie Ging's? ... Noch Heute, Noch Heute!” (Leonore, Rocc | ||
| 22. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 10 Finale [Szene]: “Ach, Vater, Eilt!” (Marzelline, Rocco, Pizarro, Jaquino) | ||
| 23. | Fidelio, Opera In Two Acts, Op. 72: Act I. No. 10 Finale: “Leb Wohl, Du Warmes Sonnenlicht” (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) | ||
| 24. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 11 Introduction And Aria: “Gott! Welch Dunkel Hier! ... ” | ||
| 25. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 11 Introduction And Aria: “In Des Lebens Frühlingstagen” (Florestan) | ||
| 26. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 12 Melodrama And Duet: “Wie Kalt Ist Es In Diesem Unterirdischen Gewölbe!” (Leonore, Rocco) | ||
| 27. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 12 Melodrama And Duet: “Nur Hurtig Fort, Nur Frisch Gegraben” (Rocco, Leonore) | ||
| 28. | Fidelio, Opera In Two Acts, Op. 72: Act II. Dialogue: “Er Erwacht!” (Leonore, Rocco, Florestan) | ||
| 29. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 13 Trio: “Euch Werde Lohn In Bessern Welten” (Florestan, Rocco, Leonore) | ||
| 30. | Fidelio, Opera In Two Acts, Op. 72: Act II. Dialogue: “Alles Ist Bereit” (Rocco, Florestan, Leonore, Pizarro) | ||
| 31. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 14 Quartet: “Er Sterbe!” (Pizarro, Florestan, Leonore, Rocco) / Dialogue: “Vater Rocco!” (Jaquino, Ro | ||
| 32. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 15 Duet: “O Namenlose Freude!” (Leonore, Florestan) | ||
| 33. | Fidelio, Opera In Two Acts, Op. 72: Act II. Overture Leonore No. 3, Op. 72a | ||
| 34. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 16 Finale: “Heil Sei Dem Tag” (Prisoners And People) | ||
| 35. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 16 Finale: “Des Besten Königs Wink Und Wille” (Fernando, Prisoners And People, Rocco, Pizarro, Leonor | ||
| 36. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 16 Finale: “Wer Ein Holdes Weib Errungen, Stimm In Unsern Jubel Ein!” (All) | ||
| 37. | Fidelio, Opera In Two Acts, Op. 72: Act II. No. 16 Finale: Curtain Calls - Final Credits | ||
| DVD 2 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 72:00 | ||
| 1. | Titles | 72:00 | |
| 2. | Symphony No. 4 In B-Flat, Op. 60: I. Adagio - Allegro Vivace | ||
| 3. | Symphony No. 4 In B-Flat, Op. 60: II. Adagio | ||
| 4. | Symphony No. 4 In B-Flat, Op. 60: III. Allegro Vivace | ||
| 5. | Symphony No. 4 In B-Flat, Op. 60: IV. Allegro Ma Non Troppo | ||
| 6. | Titles | ||
| 7. | Symphony No. 7 In A, Op. 92: I. Poco Sostenuto - Vivace | ||
| 8. | Symphony No. 7 In A, Op. 92: II. Allegretto | ||
| 9. | Symphony No. 7 In A, Op. 92: III. Presto - Assai Meno Presto | ||
| 10. | Symphony No. 7 In A, Op. 92: IV. Allegro Con Brio | ||
| Blu-ray Disc 1 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 361:20 | ||
| 1. | Symphony No. 1 In C, Op. 21: I. Adagio Molto - Allegro Con Brio | 9:34 | |
| 2. | Symphony No. 1 In C, Op. 21: II. Andante Cantabile Con Moto | 5:53 | |
| 3. | Symphony No. 1 In C, Op. 21: III. Menuetto. Allegro Molto E Vivace | 3:58 | |
| 4. | Symphony No. 1 In C, Op. 21: IV. Adagio - Allegro Molto E Vivace | 5:41 | |
| 5. | Symphony No. 2 In D, Op. 36: I. Adagio Molto - Allegro Con Brio | 10:19 | |
| 6. | Symphony No. 2 In D, Op. 36: II. Larghetto | 10:35 | |
| 7. | Symphony No. 2 In D, Op. 36: III. Scherzo. Allegro | 3:54 | |
| 8. | Symphony No. 2 In D, Op. 36: IV. Allegro Molto | 6:26 | |
| 9. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: I. Allegro Con Brio | 14:50 | |
| 10. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: II. Marcia Funebre | 17:06 | |
| 11. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: III. Scherzo. Allegro Vivace | 5:46 | |
| 12. | Symphony No. 3 In E-Flat, Op. 55 “Eroica”: IV. Finale. Allegro Molto | 12:18 | |
| 13. | Symphony No. 4 In B-Flat, Op. 60: I. Adagio - Allegro Vivace | 9:55 | |
| 14. | Symphony No. 4 In B-Flat, Op. 60: II. Adagio | 9:58 | |
| 15. | Symphony No. 4 In B-Flat, Op. 60: III. Allegro Vivace | 5:45 | |
| 16. | Symphony No. 4 In B-Flat, Op. 60: IV. Allegro Ma Non Troppo | 5:31 | |
| 17. | Symphony No. 5 In C, Op. 57: I. Allegro Con Brio | 7:18 | |
| 18. | Symphony No. 5 In C, Op. 57: II. Andante Con Moto | 10:04 | |
| 19. | Symphony No. 5 In C, Op. 57: III. Allegro - Attacca: | 4:54 | |
| 20. | Symphony No. 5 In C, Op. 57: IV. Allegro | 8:53 | |
| 21. | Symphony No. 6 In F, Op. 68 “Pastoral”: I. Allegro Ma Non Troppo “Erwachen Heiterer Gefühle Bei Der Ankunft Auf Dem Lande” | 9:01 | |
| 22. | Symphony No. 6 In F, Op. 68 “Pastoral”: II. Andante Molto Mosso “Szene Am Bach” | 11:34 | |
| 23. | Symphony No. 6 In F, Op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein Der Landleute” | 3:01 | |
| 24. | Symphony No. 6 In F, Op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm” | 3:25 | |
| 25. | Symphony No. 6 In F, Op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, Dankbare Gefühle Nach Dem Sturm” | 8:52 | |
| 26. | Symphony No. 7 In A, Op. 92: I. Poco Sostenuto - Vivace | 11:27 | |
| 27. | Symphony No. 7 In A, Op. 92: II. Allegretto | 8:02 | |
| 28. | Symphony No. 7 In A, Op. 92: III. Presto | 7:48 | |
| 29. | Symphony No. 7 In A, Op. 92: IV. Allegro Con Brio | 6:35 | |
| 30. | Symphony No. 8 In F, Op. 93: I. Allegro Vivace E Con Brio | 9:22 | |
| 31. | Symphony No. 8 In F, Op. 93: II. Allegretto Scherzando | 3:58 | |
| 32. | Symphony No. 8 In F, Op. 93: III. Tempo Di Menuetto | 5:59 | |
| 33. | Symphony No. 8 In F, Op. 93: IV. Allegro Vivace | 7:18 | |
| 34. | Symphony No. 9 In D, Op. 125: I. Allegro Ma Non Troppo, Un Poco Maestoso | 15:30 | |
| 35. | Symphony No. 9 In D, Op. 125: II. Molto Vivace | 11:01 | |
| 36. | Symphony No. 9 In D, Op. 125: III. Adagio Molto E Cantabile | 16:26 | |
| 37. | Symphony No. 9 In D, Op. 125: IV. Presto - Allegro Assai - | 6:24 | |
| 38. | Symphony No. 9 In D, Op. 125: IV. Presto - “O Freunde, Nicht Diese Töne!” - Allegro Assai: “Freude, Schöner Götterfunken” - Allegro Assai Vivace. All | 17:43 | |
| 39. | Symphony No. 9: Rehearsal: 1. Allegro Ma Non Troppo, Un Poco Maestoso | 8:23 | |
| 40. | Symphony No. 9: Rehearsal: 3. Adagio Molto E Cantabile | 9:29 | |
| 41. | Symphony No. 9: Rehearsal: 4. Presto | 11:24 | |
| Blu-ray Disc 2 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 599:38 | ||
| 1. | Sonata No. 1 In F, Op. 2 No. 1: I. Allegro | 6:36 | |
| 2. | Sonata No. 1 In F, Op. 2 No. 1: II. Adagio | 4:42 | |
| 3. | Sonata No. 1 In F, Op. 2 No. 1: III. Menuetto. Allegretto | 3:01 | |
| 4. | Sonata No. 1 In F, Op. 2 No. 1: IV. Prestissimo | 4:59 | |
| 5. | Sonata No. 2 In A, Op. 2 No. 2: I. Allegro Vivace | 7:12 | |
| 6. | Sonata No. 2 In A, Op. 2 No. 2: II. Largo Appassionato | 6:40 | |
| 7. | Sonata No. 2 In A, Op. 2 No. 2: III. Scherzo. Allegretto | 3:24 | |
| 8. | Sonata No. 2 In A, Op. 2 No. 2: IV. Rondo. Grazioso | 6:27 | |
| 9. | Sonata No. 3 In C, Op. 2 No. 3: I. Allegro Con Brio | 9:53 | |
| 10. | Sonata No. 3 In C, Op. 2 No. 3: II. Adagio | 7:03 | |
| 11. | Sonata No. 3 In C, Op. 2 No. 3: III. Scherzo. Allegro | 3:20 | |
| 12. | Sonata No. 3 In C, Op. 2 No. 3: IV. Allegro Assai | 5:18 | |
| 13. | Sonata No. 4 In E-Flat, Op. 7: I. Allegro Molto E Con Brio | 9:04 | |
| 14. | Sonata No. 4 In E-Flat, Op. 7: II. Largo, Con Gran Espressione | 8:10 | |
| 15. | Sonata No. 4 In E-Flat, Op. 7: III. Allegro | 5:18 | |
| 16. | Sonata No. 4 In E-Flat, Op. 7: IV. Rondo. Poco Allegretto E Grazioso | 7:12 | |
| 17. | Sonata No. 5 In C, Op. 10 No. 1: I. Allegro Molto E Con Brio | 6:17 | |
| 18. | Sonata No. 5 In C, Op. 10 No. 1: II. Adagio Molto | 7:27 | |
| 19. | Sonata No. 5 In C, Op. 10 No. 1: III. Finale. Prestissimo | 4:08 | |
| 20. | Sonata No. 6 In F, Op. 10 No. 2: I. Allegro | 4:28 | |
| 21. | Sonata No. 6 In F, Op. 10 No. 2: II. Allegretto | 3:32 | |
| 22. | Sonata No. 6 In F, Op. 10 No. 2: III. Presto | 4:01 | |
| 23. | Sonata No. 7 In D, Op. 10 No. 3: I. Presto | 7:06 | |
| 24. | Sonata No. 7 In D, Op. 10 No. 3: II. Largo E Mesto | 8:47 | |
| 25. | Sonata No. 7 In D, Op. 10 No. 3: III. Menuetto. Allegro | 2:46 | |
| 26. | Sonata No. 7 In D, Op. 10 No. 3: IV. Rondo. Allegro | 3:55 | |
| 27. | Sonata No. 8 In C, Op. 13 “Pathétique”: I. Grave - Allegro Di Molto E Con Brio | 7:20 | |
| 28. | Sonata No. 8 In C, Op. 13 “Pathétique”: II. Adagio Cantabile | 4:56 | |
| 29. | Sonata No. 8 In C, Op. 13 “Pathétique”: III. Rondo. Allegro | 4:31 | |
| 30. | Sonata No. 9 In E, Op. 14 No. 1: I. Allegro | 5:12 | |
| 31. | Sonata No. 9 In E, Op. 14 No. 1: II. Allegretto | 3:33 | |
| 32. | Sonata No. 9 In E, Op. 14 No. 1: III. Rondo. Allegro Comodo | 3:48 | |
| 33. | Sonata No. 10 In G, Op. 14 No. 2: I. Allegro | 5:55 | |
| 34. | Sonata No. 10 In G, Op. 14 No. 2: II. Andante | 3:29 | |
| 35. | Sonata No. 10 In G, Op. 14 No. 2: III. Scherzo. Allegro Assai | 7:27 | |
| 36. | Sonata No. 11 In B-Flat, Op. 22: I. Allegro Con Brio | 7:27 | |
| 37. | Sonata No. 11 In B-Flat, Op. 22: II. Adagio Con Molta Espressione | 7:08 | |
| 38. | Sonata No. 11 In B-Flat, Op. 22: III. Menuetto | 3:02 | |
| 39. | Sonata No. 11 In B-Flat, Op. 22: IV. Rondo. Allegretto | 6:21 | |
| 40. | Sonata Noi. 12 In A-Flat, Op. 26: I. Andante Con Variazioni | 7:19 | |
| 41. | Sonata Noi. 12 In A-Flat, Op. 26: II. Scherzo. Allegro Molto | 3:02 | |
| 42. | Sonata Noi. 12 In A-Flat, Op. 26: III. Marcia Funebre Sulla Morte D'un Eroe | 5:35 | |
| 43. | Sonata Noi. 12 In A-Flat, Op. 26: IV. Allegro | 3:14 | |
| 44. | Sonata No. 13 In E-Flat, Op. 27 No. 1: I. Andante - Allegro - Tempo I - Attacca: | 4:15 | |
| 45. | Sonata No. 13 In E-Flat, Op. 27 No. 1: II. Allegro Molto E Vivace - Attacca: | 2:12 | |
| 46. | Sonata No. 13 In E-Flat, Op. 27 No. 1: III. Adagio Con Espressione - Attacca: | 2:34 | |
| 47. | Sonata No. 13 In E-Flat, Op. 27 No. 1: IV. Allegro Vivace | 5:30 | |
| 48. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight”: I. Adagio Sostenuto - Attacca: | 6:01 | |
| 49. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight”: II. Allegretto - Attacca: | 2:20 | |
| 50. | Sonata No. 14 In C-Sharp, Op. 27 No. 2 “Moonlight”: III. Presto Agitato | 5:30 | |
| 51. | Sonata No. 15 In D, Op. 28 (“Pastoral”): I. Allegro | 7:12 | |
| 52. | Sonata No. 15 In D, Op. 28 (“Pastoral”): II. Andante | 6:20 | |
| 53. | Sonata No. 15 In D, Op. 28 (“Pastoral”): III. Scherzo. Allegro Vivace | 2:17 | |
| 54. | Sonata No. 15 In D, Op. 28 (“Pastoral”): IV. Rondo. Allegro, Ma Non Troppo | 5:03 | |
| 55. | Sonata No. 16 In G, Op. 31 No. 1: I. Allegro Vivace | 6:27 | |
| 56. | Sonata No. 16 In G, Op. 31 No. 1: II. Andante Grazioso | 9:57 | |
| 57. | Sonata No. 16 In G, Op. 31 No. 1: III. Rondo. Allegretto | 6:33 | |
| 58. | Sonata No. 17 In D: Op. 31, No. 2 (“The Tempest”): I. Largo - Allegro | 6:27 | |
| 59. | Sonata No. 17 In D: Op. 31, No. 2 (“The Tempest”): II. Adagio | 9:57 | |
| 60. | Sonata No. 17 In D: Op. 31, No. 2 (“The Tempest”): III. Allegretto | 6:33 | |
| 61. | Sonata No. 18 In E-Flat, Op. 31 No. 3: I. Allegro | 8:22 | |
| 62. | Sonata No. 18 In E-Flat, Op. 31 No. 3: II. Scherzo | 7:07 | |
| 63. | Sonata No. 18 In E-Flat, Op. 31 No. 3: III. Menuetto. Moderato E Grazioso | 4:16 | |
| 64. | Sonata No. 18 In E-Flat, Op. 31 No. 3: IV. Presto Con Fuoco | 4:51 | |
| 65. | Sonata No. 19 In G, Op. 49 No. 1: I. Andante | 4:05 | |
| 66. | Sonata No. 19 In G, Op. 49 No. 1: II. Rondo. Allegro | 3:50 | |
| 67. | Sonata No. 20 In G, Op. 49 No. 2: I. Allegro, Ma Non Troppo | 4:33 | |
| 68. | Sonata No. 20 In G, Op. 49 No. 2: II. Tempo Di Menuetto | 3:46 | |
| 69. | Sonata No. 21 In C, Op. 53 “Waldstein”: I. Allegro Con Brio | 10:55 | |
| 70. | Sonata No. 21 In C, Op. 53 “Waldstein”: II. Introduzione: Adagio Molto - Attacca: | 3:06 | |
| 71. | Sonata No. 21 In C, Op. 53 “Waldstein”: III. Rondo. Allegretto Moderato | 9:47 | |
| 72. | Sonata No. 22 In F, Op. 54: I. In Tempo D'un Menuetto | 5:45 | |
| 73. | Sonata No. 22 In F, Op. 54: II. Allegretto | 6:16 | |
| 74. | Sonata No. 23 In D, Op. 57 “Appassionata”: I. Allegro Assai | 9:53 | |
| 75. | Sonata No. 23 In D, Op. 57 “Appassionata”: II. Andante Con Moto - Attacca: | 6:01 | |
| 76. | Sonata No. 23 In D, Op. 57 “Appassionata”: III. Allegro, Ma Non Troppo - Presto | 8:48 | |
| 77. | Sonata No. 24 In F-Sharp, Op. 78: I. Adagio Cantabile - Allegro Ma Non Troppo | 5:05 | |
| 78. | Sonata No. 24 In F-Sharp, Op. 78: II. Allegro Vivace | 3:00 | |
| 79. | Sonata No. 25 In G, Op. 79: I. Presto Alla Tedesca | 3:12 | |
| 80. | Sonata No. 25 In G, Op. 79: II. Andante | 2:41 | |
| 81. | Sonata No. 25 In G, Op. 79: III. Vivace | 2:01 | |
| 82. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: I. Das Lebewohl (Les Adieux). Adagio - Allegro | 7:06 | |
| 83. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: II. Abwesenheit (L'absence). Andante Espressivo | 2:57 | |
| 84. | Sonata No. 26 In E-Flat, Op. 81a “Les Adieux”: III. Das Wiedersehn (Le Retour). Vivacissimamente | 4:17 | |
| 85. | Sonata No. 27 In E, Op. 90: I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck | 5:17 | |
| 86. | Sonata No. 27 In E, Op. 90: II. Nicht Zu Geschwind Und Sehr Singbar Vorzutragen | 8:50 | |
| 87. | Sonata No. 28 In A, Op. 101: I. Erwas Lebhaft Und Mit Der Innigsten Empfindung. Allegretto Ma Non Troppo | 3:33 | |
| 88. | Sonata No. 28 In A, Op. 101: II. Lebhaft, Marschmäßig. Vivace Alla Marcia | 5:52 | |
| 89. | Sonata No. 28 In A, Op. 101: III. Langsam Und Sehnsuchtsvoll. Adagio, Ma Non Troppo, Con Affetto | 3:33 | |
| 90. | Sonata No. 28 In A, Op. 101: IV. Geschwinde, Doch Nicht Zu Zu Sehr Und Mit Entschlossenheit. Allegro | 5:47 | |
| 91. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: I. Allegro | 8:51 | |
| 92. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: II. Scherzo. Assai Vivace | 2:44 | |
| 93. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: III. Adagio Sostenuto. Appassionato E Con Molto Sentimento | 16:31 | |
| 94. | Sonata No. 29 In B-Flat, Op. 106 “Hammerklavier”: IV. Largo - Allegro Risoluto | 12:05 | |
| 95. | Sonata No. 30 In E, Op. 109: I. Vivace, Ma Non Troppo | 3:20 | |
| 96. | Sonata No. 30 In E, Op. 109: II. Prestissimo | 2:28 | |
| 97. | Sonata No. 30 In E, Op. 109: III. Gesangvoll, Mit Innigster Empfindung - Andante Molto Cantabile Ed Espressivo | 11:08 | |
| 98. | Sonata No. 31 In A-Flat, Op. 110: I. Moderato Cantabile, Molto Espressivo | 6:17 | |
| 99. | Sonata No. 31 In A-Flat, Op. 110: II. Allegro Molto | 2:17 | |
| 100. | Sonata No. 31 In A-Flat, Op. 110: III. Adagio, Ma Non Troppo - Fuga. Allegro, Ma Non Troppo | 9:46 | |
| 101. | Sonata No. 32 In C, Op. 111: I. Maestoso - Allegro Con Brio Ed Appassionato | 8:58 | |
| 102. | Sonata No. 32 In C, Op. 111: II. Arietta. Adagio Molto Semplice E Cantabile | 15:28 | |
| Blu-ray Disc 3 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 479:51 | ||
| 1. | String Quartet No. 1 In F, Op. 18 No. 1: I. Allegro Con Brio | 7:03 | |
| 2. | String Quartet No. 1 In F, Op. 18 No. 1: II. Adagio Affettuoso Ed Appassionato | 8:34 | |
| 3. | String Quartet No. 1 In F, Op. 18 No. 1: III. Scherzo. Allegro Molto | 3:12 | |
| 4. | String Quartet No. 1 In F, Op. 18 No. 1: IV. Allegro | 5:41 | |
| 5. | String Quartet No. 2 In G, Op. 18 No. 2: I. Allegro | 5:43 | |
| 6. | String Quartet No. 2 In G, Op. 18 No. 2: II. Adagio Cantabile - Allegro - Tempo I | 6:19 | |
| 7. | String Quartet No. 2 In G, Op. 18 No. 2: III. Scherzo. Allegro | 4:18 | |
| 8. | String Quartet No. 2 In G, Op. 18 No. 2: IV. Allegro Molto, Quasi Presto | 5:38 | |
| 9. | String Quartet No. 3 In D, Op. 18 No. 3: I. Allegro | 5:42 | |
| 10. | String Quartet No. 3 In D, Op. 18 No. 3: II. Andante Con Moto | 7:59 | |
| 11. | String Quartet No. 3 In D, Op. 18 No. 3: III. Allegro | 3:03 | |
| 12. | String Quartet No. 3 In D, Op. 18 No. 3: IV. Presto | 4:52 | |
| 13. | String Quartet No. 4 In C, Op. 18 No. 4: I. Allegro Ma Non Tanto | 6:36 | |
| 14. | String Quartet No. 4 In C, Op. 18 No. 4: II. Andante Scherzoso Quasi Allegretto | 5:37 | |
| 15. | String Quartet No. 4 In C, Op. 18 No. 4: III. Menuetto. Allegretto | 3:46 | |
| 16. | String Quartet No. 4 In C, Op. 18 No. 4: IV. Allegro - Prestissimo | 4:17 | |
| 17. | String Quartet No. 5 In A, Op. 18 No. 5: I. Allegro | 4:50 | |
| 18. | String Quartet No. 5 In A, Op. 18 No. 5: II. Menuetto - Trio | 4:55 | |
| 19. | String Quartet No. 5 In A, Op. 18 No. 5: III. Andante Cantabile - Var. I-V - Coda. Poco Adagio | 10:16 | |
| 20. | String Quartet No. 5 In A, Op. 18 No. 5: IV. Allegro | 4:58 | |
| 21. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: I. Allegro Con Brio | 4:29 | |
| 22. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: II. Adagio Ma Non Troppo | 7:37 | |
| 23. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: III. Scherzo. Allegro | 3:24 | |
| 24. | String Quartet No. 6 In B-Flat, Op. 18 No. 6: IV. La Malinconia. Adagio - Allegretto Quasi Allegro | 8:37 | |
| 25. | String Quartet No. 7 In F, Op. 59 No. 1 “Razumovsky”: I. Allegro | 10:01 | |
| 26. | String Quartet No. 7 In F, Op. 59 No. 1 “Razumovsky”: II. Allegretto Vivace E Sempre Scherzando | 8:29 | |
| 27. | String Quartet No. 7 In F, Op. 59 No. 1 “Razumovsky”: III. Adagio Molto E Mesto - Attacca: | 12:09 | |
| 28. | String Quartet No. 7 In F, Op. 59 No. 1 “Razumovsky”: IV. Thème Russe. Allegro | 6:38 | |
| 29. | String Quartet No. 8 In E, Op. 59 No. 2 “Razumovsky”: I. Allegro | 8:22 | |
| 30. | String Quartet No. 8 In E, Op. 59 No. 2 “Razumovsky”: II. Molto Adagio. Si Tratta Questo Pezzo Con Molto Di Sentimento | 11:35 | |
| 31. | String Quartet No. 8 In E, Op. 59 No. 2 “Razumovsky”: III. Allegretto - Maggiore (Thème Russe) | 7:07 | |
| 32. | String Quartet No. 8 In E, Op. 59 No. 2 “Razumovsky”: IV. Finale. Presto | 5:25 | |
| 33. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: I. Introduzione. Andante Con Moto - Allegro Vivace | 8:13 | |
| 34. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: II. Andante Con Moto, Quasi Allegretto | 9:23 | |
| 35. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: III. Menuetto (Grazioso) - Attacca: | 4:42 | |
| 36. | String Quartet No. 9 In C, Op. 59 No. 3 “Razumovsky”: IV. Allegro Molto | 6:03 | |
| 37. | String Quartet No. 10 In E-Flat, Op. 74 “Harp”: I. Poco Adagio - Allegro | 8:35 | |
| 38. | String Quartet No. 10 In E-Flat, Op. 74 “Harp”: II. Adagio Ma Non Troppo | 10:06 | |
| 39. | String Quartet No. 10 In E-Flat, Op. 74 “Harp”: III. Presto - Più Presto Quasi Prestissimo - Attacca: | 5:24 | |
| 40. | String Quartet No. 10 In E-Flat, Op. 74 “Harp”: IV. Allegretto Con Variazioni | 6:57 | |
| 41. | String Quartet No. 11 In F, Op. 95 “Quartett[O] Serioso”: I. Allegro Con Brio | 4:47 | |
| 42. | String Quartet No. 11 In F, Op. 95 “Quartett[O] Serioso”: II. Allegretto Ma Non Troppo - Attacca: | 6:53 | |
| 43. | String Quartet No. 11 In F, Op. 95 “Quartett[O] Serioso”: III. Allegro Assai Vivace Ma Serioso | 4:21 | |
| 44. | String Quartet No. 11 In F, Op. 95 “Quartett[O] Serioso”: IV. Larghetto Espressivo - Allegretto Agitato - Allegro | 4:41 | |
| 45. | String Quartet No. 12 In E-Flat, Op. 127: I. Maestoso - Allegro | 6:51 | |
| 46. | String Quartet No. 12 In E-Flat, Op. 127: II. Adagio, Ma Non Troppo E Molto Cantabile - Andante Con Moto - Adagio Molto Espressivo - Tempo I | 15:09 | |
| 47. | String Quartet No. 12 In E-Flat, Op. 127: III. Scherzando. Vivace - Presto | 8:05 | |
| 48. | String Quartet No. 12 In E-Flat, Op. 127: IV. Allegro - Allegro Comodo | 6:27 | |
| 49. | Grosse Fuge In B-Flat, Op. 133: Overtura. Allegro - Fuga | 4:41 | |
| 50. | Grosse Fuge In B-Flat, Op. 133: Meno Mosso E Moderato - | 2:54 | |
| 51. | Grosse Fuge In B-Flat, Op. 133: Allegro Molto E Con Brio - | 3:30 | |
| 52. | Grosse Fuge In B-Flat, Op. 133: Meno Mosso E Moderato - | 1:02 | |
| 53. | Grosse Fuge In B-Flat, Op. 133: Allegro Molto E Con Brio - | 1:51 | |
| 54. | Grosse Fuge In B-Flat, Op. 133: Allegro | 1:27 | |
| 55. | String Quartet No. 13 In B-Flat, Op. 130: I. Adagio Ma Non Troppo - Allegro | 8:31 | |
| 56. | String Quartet No. 13 In B-Flat, Op. 130: II. Presto | 1:54 | |
| 57. | String Quartet No. 13 In B-Flat, Op. 130: III. Andante Con Moto, Ma Non Troppo | 6:08 | |
| 58. | String Quartet No. 13 In B-Flat, Op. 130: IV. All Danza Tedesca. Allegro Assai | 2:41 | |
| 59. | String Quartet No. 13 In B-Flat, Op. 130: V. Cavatina. Adagio Molto Espressivo | 6:32 | |
| 60. | String Quartet No. 13 In B-Flat, Op. 130: VI. Finale. Allegro | 7:27 | |
| 61. | String Quartet No. 14 In C-Sharp, Op. 131: I. Adagio, Ma Non Troppo E Molto Espressivo - Attacca: | 6:58 | |
| 62. | String Quartet No. 14 In C-Sharp, Op. 131: II. Allegro Molto Vivace - Attacca: | 3:05 | |
| 63. | String Quartet No. 14 In C-Sharp, Op. 131: III. Allegro Moderato - Attacca: | 0:56 | |
| 64. | String Quartet No. 14 In C-Sharp, Op. 131: IV. Andante, Ma Non Troppo E Molto Cantabile - Più Mosso - Andante Moderato E Lusinghiero - Adagio - Alleg | 14:17 | |
| 65. | String Quartet No. 14 In C-Sharp, Op. 131: V. Presto - Molto Poco Adagio - Attacca: | 5:27 | |
| 66. | String Quartet No. 14 In C-Sharp, Op. 131: VI. Adagio Quasi Un Poco Andante - Attacca: | 2:04 | |
| 67. | String Quartet No. 14 In C-Sharp, Op. 131: VII. Allegro | 6:30 | |
| 68. | String Quartet No. 15 In A, Op. 132: I. Assai Sostenuto - Allegro | 10:26 | |
| 69. | String Quartet No. 15 In A, Op. 132: II. Allegro Ma Non Tanto | 7:41 | |
| 70. | String Quartet No. 15 In A, Op. 132: III. Heiliger Dankgesang Eines Genesenen An Die Gottheit, In Der Lydischen Tonart. Molto Adagio - Neue Kraft Füh | 15:58 | |
| 71. | String Quartet No. 15 In A, Op. 132: IV. Alla Marcia, Assai Vivace - Più Allegro - Attacca: | 2:16 | |
| 72. | String Quartet No. 15 In A, Op. 132: V. Alklegro Appassionato- Presto | 6:27 | |
| 73. | String Quartet No. 16 In F, Op. 135: I. Allegretto | 6:42 | |
| 74. | String Quartet No. 16 In F, Op. 135: II. Vivace | 3:24 | |
| 75. | String Quartet No. 16 In F, Op. 135: III. Lento Assai, Cantante E Tranquillo | 8:10 | |
| 76. | String Quartet No. 16 In F, Op. 135: IV. Der Schwer Gefasste Entschluss. Grave, Ma Non Troppo Tratto (“Muss Es Sein?”) - Allegro (“Es Muss Sein!”) - | 7:03 | |
Infos
1.-15.CD Orchesterwerke - Symphonien Nr. 1-9 (in je zwei Einspielungen); Symphonien Nr. 1-9 & Chorfantasie op. 80 (Orchestre Revolutionnaire et Romantique, John Eliot Gardiner); Prometheus-Ouvertüre op. 43; Leonore-Ouvertüre Nr. 3; Coriolan-Ouvertüre op. 62; Ouvertüre zur Namensfeier op. 115; Wellingtons Sieg op. 91; Egmont-Ouvertüre & Bühnenmusik op. 84 (Abbado, Bernstein, Böhm, Chailly, Gardiner, Giulini, Karajan, Kleiber, Monteux, Nelsons, Szell)
16.-23.CD Konzerte - Klavierkonzerte Nr. 1-5 (Nr. 1 in drei Einspielungen; Nr. 2-5 in zwei Einspielungen); Klavierkonzert Es-Dur WoO 4; Klavierkonzert nach dem Violinkonzert op. 61; Rondo B-Dur WoO 6 für Klavier & Orchester; Chorfantasie op. 80; Violinkonzert op. 61 (in zwei Einspielungen); Tripelkonzert op. 56; Konzertsatz "Allegro con brio" C-Dur für Violine & Kammerorchester; Romanzen Nr. 1 & 2 für Violine & Orchester; Romanze cantabile Hess 13 für Klavier, Flöte, Fagott, 2 Oboen, Streicher; Mozarts Klavierkonzert Nr. 20 d-moll KV 488 mit Kadenzen von Beethoven (Argerich, Barenboim, Brendel, Buchbinder, Gulda, Kempff, Mutter, Pollini, Repin, Zimerman)
24.-27.CD Ballettmusik, Bühnenmusik, Tänze & Märsche - Musik zu einem Ritterballett WoO 1; Die Geschöpfe des Prometheus op. 43; Musik zu Goethes Egmont op. 84; Die Ruinen von Athen-Ouvertüre op. 113; Gratulationsmenuett WoO 3; Bühnenmusik zu König Stephan op. 117; Bühnenmusik zu Die Weihe des Hauses op. 124; Musik zu Leonore Prohaska WoO 96; 12 Menuette WoO 7; 12 Deutsche Tänze WoO 8; 12 Contretänze WoO 14; 6 Ländler WoO 15; Yorck'scher Marsch WoO 18; Militärmärsche WoO 19 & 24; Zapfenstreich Nr. 2 WoO 20; Polonaise für Militärmusik WoO 21; Ecossaise für Militärmusik WoO 22;
Triumphmarsch WoO 2a (Abbado, Chung, Karajan, Maazel, Marriner)
28.-31.CD Leonore op. 72a (Orchestre Revolutionnaire et Romantique, John Eliot Gardiner); Fidelio op. 72 (Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado); Leonore-Ouvertüre Nr. 1; 2 Arien WoO 91 zu Ignaz Umlaufs Singspiel "Die schöne Schusterin"; Szene Hess 115 auf ein Libretto von Schickaneder; Germania, wie stehst du jetzt im Glanze da WoO 94: Es ist vollbracht WoO 97
32.-51.CD Klavier- & Orgelwerke - Klaviersonaten Nr. 1-32 (Nr. 8, 14, 17, 21, 23, 26, 29-32 in zwei Einspielungen); Klaviersonaten WoO 47 Nr. 1-3; Klaviersonate WoO 51; 2 Sonatensätze WoO 50; Sonate op. 6 für Klavier 4-händig; Fantasie op. 77; Variationen op. 34, 35, 120 (op. 35 & 120 in zwei Einspielungen); Variationen WoO 63-65, 68, 69 71-73, 75-77, 79, 80; Variationen WoO 67 & 74 für Klavier 4-händig; Andante favori WoO 57; Rondo a capriccioso op. 129 "Die Wut über den verlorenen Groschen"; Bagatellen op. 33, 119 126; WoO 52, 56, 59, 60; Lustig-traurig WoO 54; Allemande WoO 81; Allegrettos WoO 53 & Hess 69; Rondos op. 51 Nr. 1 & 2; WoO 48 & 49; Polonaise op. 89; Menuette WoO 10, 82, 218; Ländlerische Tänze WoO 11; Deutsche Tänze WoO 13; Präludien op. 39 für alle Durtonarten; Präludium WoO 55; Klavierstück WoO 61; Allegretto quasi andante WoO 61a; Ecossaisen WoO 83 & 86; Walzer WoO 84 & 85; Fugen Hess 64; Märsche op. 45; Große Fuge op. 133 für Klavier 4-händig; Fuge WoO 31 für Orgel; Orgelstücke für eine Spieluhr WoO 33; Variationen WoO 64 für Harfe (Arrau, Ashkenazy, Brendel, Cascioli, Curzon, de Larrocha, Freire, Gilels, Grimaud, Gulda, Kissin, Kocsis, Kovacevich, Lang Lang, Lupu, Perahia, Pletnev, Pollini, Uchida)
52.-55.CD Violinsonaten Nr. 1-10 (Nr. 9 in zwei Einspielungen); Mozart-Variationen WoO 40; Rondo für Violine & Klavier WoO 41; 6 Deutsche Tänze für Violine & Klavier WoO 41 (Dumay, Kremer, Menuhin, Mutter, Perlman)
56./57.CD Cellosonaten Nr. 1-5; Variationen für Cello & Klavier op. 66; WoO 45 & 46 (Mischa Maisky, Martha Argerich)
58./59.CD Kleiner besetzte Kammermusik - Variationen über Volksweisen für Flöte & Klavier op. 105 & 107; Duo WoO 26 für 2 Flöten; Hornsonate F-Dur op. 17 für Flöte & Klavier; Sonatine c-moll für Mandoline & Klavier; Adagio Es-Dur WoO 43b für Mandoline & Klavier; Sonatine C-Dur WoO 44a für Mandoline & Klavier; Variationen D-Dur WoO 44b für Mandoline & Klavier; Duett mit zwei obligaten Augengläsern WoO 32 für Viola & Cello; Duett WoO 34 für 2 Violinen; Canon A-Dur WoO 35 für 2 Violinen; Cellosonate F-Dur nach der Hornsonate (Gallois, Hagen Quartett, Tuckwell)
60.-64.CD Klaviertrios Nr. 1-11 (Nr. 4 in zwei Einspielungen); Klaviertrio op. 38 nach dem Septett op. 20; Satz für Klaviertrio Es-Dur Hess 48; Trio G-Dur WoO 37 für Klavier, Flöte, Fagott; Trio C-Dur op. 87 für 2 Oboen & Englischhorn; Variationen C-Dur WoO 28 für 2 Oboen & Englischhorn (Beaux Arts Trio, Mullova / Schiff / Previn, Szeryng / Kempff / Fournier)
65.-67.CD Streichtrios Nr. 1-5; Serenade op. 25 für Flöte, Violine, Viola; Präludium & Fuge Hess 29 für 2 Violinen & Cello; Menuette WoO 9 für 2 Violinen & Kontrabass; Ländler WoO 15 für 2 Violinen & Kontrabass (Mutter / Giuranna / Rostropovich)
68.-77.CD Streichquartette Nr. 1-16 (Nr. 12, 14-16 in zwei Einspielungen; Nr. 13 in drei Einspielungen); Streichquartett Hess 32 (1. Version des Streichquartetts Nr. 1); Streichquartett nach der Klaviersonate Nr. 9; Große Fuge op. 133 (in zwei Einspielungen); Menuett Hess 33; Präludien & Fugen Hess 30 & 31 (Emerson String Quartet, Hagen Quartett, Takacs Quartet)
78.-81.CD Größer besetzte Kammermusik - Streichquintette op. 4, 29, 104; Fuge op. 137 für Streichquintett; Präludium d-moll für Sreichquintett Unv 7 Hess 40 (unvollendet); Fuge h-moll für Streichquintett nach Bachs BWV 867; Quintett op. 16 für Klavier & Bläserquartett; Sextett op. 71 für Bläser; Septett op. 20; Oktett op. 103; Klavierquartette WoO 36 Nr. 1-3; 3 Equali für 4 Posaunen; Quintett Hess 19 für 3 Hörner, Oboe, Fagott; Marsch WoO 29 für 2 Klarinetten, 2 Hörner, 2 Fagotte; Sextett op. 81b für 2 Hörner & Streichquartett; Rondino für Bläser WoO 25 (Amadeus Quartett)
82.-85.CD Lieder - An die Hoffnung op. 32; Adelaide op. 46; 6 Geistliche Lieder op. 48; 3 Gesänge op. 83; Das Glück der Freundschaft op. 88; An die Hoffnung op. 94; An die ferne Geliebte op. 98; Der Kuss op. 128; Schilderung eines Mädchens WoO 107; Seufzer eines Ungeliebten WoO 118; Zärtliche Liebe WoO 123; La Pertenza WoO 24; Opferlied WoO 126; Der Wachtelschlag WoO 129; Als die Geliebte sich trennen wollte WoO 132; 8 Lieder op. 52; 6 Gesänge op. 75; 4 Arietten und ein Duett op. 82; Der Mann von Wort op. 99; Merkenstein op. 100 & WoO 144; In questa tromba oscura WoO 133; Die laute Klage WoO 135; Andenken WoO 136; Gesang aus der Ferne WoO 137 (in zwei Versionen); Der Jüngling in der Fremde WoO 138; Der Liebende WoO 139; Der Bardengeist WoO 142; Das Geheimnis WoO 145; Sehnsucht WoO 146; Ruf vom Berge WoO 147; Resignation WoO 149; Abendlied unterm gestirnten Himmel WoO 150; An einen Säugling WoO 108; Erhebt das Glas mit froher Hand WoO 109; Elegie auf den Tod eines Pudels WoO 110; Punschlied WoO 111; An Laura WoO 112; Klage WoO 113; Ein Selbstgespräch WoO 114; An Minna WoO 115; Que le temps me dure WoO 116 (in 2 Versionen Hess 129 & 130); Der freie Mann WoO 117; Oh care selve, oh cara WoO 119; Man strebt, die Flamme zu verhehlen WoO 120; Abschiedsgesang an Wiens Bürger WoO 121; Kriegslied der Österreicher WoO 122; La Tiranna WoO 125; Neue Liebe, neues Leben WoO 127; Romance WoO 128; Gedenke mein WoO 130; Sehnsucht WoO 134 (in vier Versionen); An die Geliebte WoO 140 (2. & 3. Version); Der Gesang der Nachtigall WoO 141; Des Kriegers Abschied WoO 143; So oder so WoO 148; Der edle Mensch WoO 151; Das liebe Kätzchen Hess 133; Der Knabe auf dem Berge Hess 134; Italienische Lieder für Vokalensemble WoO 99; Abschiedsgesang WoO 102; Cantata campestre WoO 103; Gesang der Mönche WoO 104; Hochzeitslied WoO 105; Lobkowitz-Kantate WoO 106; Chor auf die verbündeten Fürsten WoO 95; Lob auf den Dicken WoO 100; Graf, liebster Graf WoO 101; Im Arm der Liebe ruht sich's wohl WoO 159; Ewig dein WoO 161; Kurz ist der Schmerz WoO 163; Freundschaft ist die Quelle wahrer Glückseligkeit WoO 164; Glück zum neuen Jahr WoO 165; Kurz ist der Schmerz WoO 166; Brauchle, Linke WoO 167; Das Schweigen WoO 168a; Das Reden WoO 168b; Ich küsse Sie WoO 169; Ars longa, vita brevis WoO 170, 192, 193; Ich bitt' dich, schreib mir die ES-Skala auf WoO 172; Hol euch der Teufel, b'hüt euch Gott WoO 173; Glaube und hoffe WoO 174; Sankt Petrus war ein Fels WoO 175; Glück zum neuen Jahr WoO 176; Bester Magistrat, ihr friert WoO 177; Signor Abate WoO 178; Alles Gute WoO 179; Hoffmann, sei ja kein Hofmann WoO 180; O Tobias WoO 182; Bester Herr Graf, Sie sind ein Schaf WoO 183; Falstafferel, lass dich sehen WoO 184; Edel sei der Mensch WoO 185; Te solo adoro WoO 186; Schwenke dich ohne Schwänke WoO 187; Gott ist die feste Burg WoO 188; Doktor sperrt das Tor dem Tod WoO 189; Ich war hier, Doktor, ich war hier WoO 190; Kühl, nicht lau WoO 191; Si non per portas, per muros WoO 194; Freu dich des Lebens WoO 195; Es muss sein WoO 196; Das ist das Werk WoO 197; Wir irren allesamt WoO 198; Das Schöen zum Guten WoO 202 & 203; Herr Graf, ich komme zum fragen WoO 221; Esel aller Esel WoO 227
(Fischer-Dieskau, Schreier, Stolte)
86.-92.CD Volkslied-Arrangements - Schottische Lieder op. 108 & WoO 156; Irische Lieder WoO 152-154; Walisische Lieder WoO 155; Britische Lieder WoO 158b; Lieder verschiedener Nationalitäten WoO 157, WoO 158a & c (Lott, Watson, Walker, Ainsley, Murray, Allen, Maltman, Spence)
93.CD Chorwerke mit Orchester - Elegischer Gesang op. 118 für Chor & Orchester; Opferlied op. 121b; Bundeslied op. 122; Ah! Perfido op. 65; Arie "Prüfung des Küssens" WoO 89; Arie "Mit Mädeln sich vertragen" WoO 90; Szene & Arie "Primo Amore" WoO 92; Non, non turbarti WoO 92a; Ne' giorni tuoi felici WoO 93; Tremate, empi, tremante op. 116 (Abbado, Tilson Thomas)
94.-97.CD Messen & Kantaten - Missa solemnis op. 123 (in zwei Einspielungen); Messe C-Dur op. 86; Trauerkantate auf den Tod Kaiser Josephs II WoO 87; Kantate auf die Erhebung Leopolds II zur Kaiserwürde WoO 88; Der glorreiche Augenblick op. 136; Meeresstille und glückliche Fahrt op. 112 (Chung, Gardiner, Karajan, Thielemann)
98.CD Oratorium "Christus am Ölberge" op. 85 (Klee)
99.-101.CD Weltpremieren & Raritäten - Bagatellen für Klavier WoO 59 & 211; Hess 73, 74, 57; Anglaise für Klavier WoO 212; Menuett WoO 217; Klavierstück f-moll Kullack f. 51 / 52; Andante, Finale, Allegretto & Rondo für Klavier Woo 213 Nr. 1-4; Walzer WoO 219; Klavierübung Hess 58; Allegretto Kafka f. 47v; Klavierstücke Kafka f. 41v & 160r; Klavierstück Hess 59; Adagio ma non molto Hess 70 (Fragment); Molto Adagio Hess 71 (Frament); Thema & Variation Hess 72; 2 Deutsche Tänze Hess 67; Menuett & Trio WoO 209; Klaviesonate "Quasi una fantasia" UnV 12; Dona nobis pacem-Fuge für Klavier Hess Anh. 57; Übung für Erzherzog Rudolph Woo 200 (4-taktiges Thema); Wellingtons Sieg für Klavier Hess 97; Andante maestoso WoO 62 "Letzter musikalischer Gedanke" (in den Versionen für Klavier & Streichquintett); Symphonie Nr. 7 für Klavier Hess 96 (arrangiert von Beethoven); Klavierquartett op. 16 (nach dem Bläserquintett); Variationen op. 107 für Violine & Klavier; Streichquartett-Arrangement über die die Fuge aus Händels Solomon-Ouvertüre Hess 36; Violinsonate UnV 11 (Fragment); Duo für Violine & Cello UnV 8 (Fragment); Scherzo zum Streichtrio op. 9 Nr. 1 mit alternativem Trio; Allegretto für Streichquartett WoO 210; Menuett Hess 331 für Streichquartett (Fragment); Pastorella Hess 332 für Streichquartett (Fragment); Scherzo Hess 333 für Streichquartett (Fragment); Allegro Hess 334 für Streichquartett; 5 Zweistimmige Fugen für Klavier Hess 236; 4 Dreistimmige Fuge für Klavier Hess 237; 6 Fugen für Streichquartett Hess 238; Choralfugen Nr. 2 & 3 für Klavier Hess 239; Doppelfugen Hess 243 Nr. 1-5 für Streichquartett (arrangiert von Holsbergen); Tripelfugen Hess 244 Nr. 1 & 2 für Streichquartett (arrangiert von Holsbergen); Fuge Hess 245 für Streichquartett (Fragment); Flötensonate WoO Anh. 4; Sonatine für Klavier Anh. 5 Nr. 1 & 2; Variationen für Klavier Anh. 10 (Brautigam, Koch, Beck, Stern, Laredo, Ma, Ax, Hope, Knauer, Hagen Quartett)
102.-118.CD Legendäre Interpretationen, historische Aufführungspraxis, Supplement - Symphonie Nr. 5 (Berliner Philharmoniker, Furtwängler / 1943); Symphonien Nr. 5 & 6 (Concertgebouw Orchestra, Erlich Kleiber / 1953); Symphonie Nr. 8 (Royal Philharmonic Orchestra, Scherchen / 1954); Symphonie Nr. 9 (Berliner Philharmoniker, Fricsay / 1958); Klavierkonzerte Nr. 1, 2, 4 (Levin, Orchestre Revolutionnaire et Romantique, Gardiner / 1995); Klavierkonzert Nr. 3 (Fischer, Bayerisches Staatsorchester, Fricsay / 1957); Violinkonzert op. 61 (Schneiderhan, Berliner Philharmoniker, Jochum / 1962); Violinkonzert op. 61 (Zehetmair, Orchestra of the 18th Century, Brüggen / 1997); Romanze Nr. 2 für Violine & Orchester (Zehetmair, Orchestra of the 18th Century, Brüggen / 1997); Klaviersonate Nr. 4 (Benedetti Michelangeli / 1971); Klaviersonaten Nr. 8 & 31 (Kempff / 1936 / 1951); Klaviersonaten Nr. 8, 14, 17 (Lubin / 1989); Klaviersonate Nr. 11 (Richter / 1963); Klaviersonate Nr. 15 (Gulda / 1967); Klaviersonate Nr. 18 (Haskil / 1955); Klaviersonate Nr. 23 (Arrau / 1965); Klaviersonate Nr. 28 (Backhaus / 1963); Klaviersonate Nr. 30 (Schnabel / 1933); Klaviersonate Nr. 31 (Serkin / 1987); Klaviersonate Nr. 32 (Pogorelich / 1981); Cellosonate Nr. 3 (Fournier, Kempff / 1965); Cellosonate Nr. 5 (Rostropovich, Richter / 1963); Klaviertrio Nr. 7 (Rostropovich, Gilels, Kogan / 1956); Streichquartette Nr. 6 & 15 (Quartetto Italiano / 1973 / 1965); Streichquartett Nr. 9 (Schuppanzigh-Quartett / 1999); Streichquartett Nr. 13 (Busch Quartet / 1941); Streichquartett Nr. 16 (The Lindsays / 1986); Große Fuge für Streichquartett op. 133 (Hollywood String Quartet / 1957); Hornsonate op. 17 (Halstead, Levin / 1996); Klaviertrio Nr. 5 (Sepec, Queyras, Staier / 2006); Quintett op. 16 für Klavier & Bläser (Levin, Academy of Ancient Music / 1996); Symphonie Nr. 2 in der Kammermusik-Version für Klaviertrio (Levin, Hanson, Watkin / 1997); Klavierkonzert Nr. 4 in der Fassung für Klavier & Streichquintett (Levin, Hanson, Howard, George, Watkin, A. Isserlis / 1997); Finale aus Die Geschöpfe des Prometheus op. 43 (Anima Aeterna, Petrou / 2013); Adelaide op. 46 (Schreier, Schiff / 1994); An die ferne Geliebte op. 98 (Schreier, Schiff / 1994); Seufzer eines Ungeliebten und Gegenliebe WoO 118 (von Otter, Tan / 1999); Der Kuss (von Otter, Tan / 1999);
Als die Geliebte sich trennen wollte WoO 132 (von Otter, Tan / 1999); Sehnsucht WoO 146 (von Otter, Tan / 1999); An die Geliebte WoO 140 (von Otter, Tan / 1999); Maigesang op. 52 Nr. 4 (von Otter, Tan / 1999); Ah perfido op. 54 (Tilling, Gabrieli Players, McCreesh / 2004); La Partenza WoO 124 (Bartoli, Schiff / 1992);
L’Amante impaziente op. 82 Nr. 1-4 (Bartoli, Schiff / 1992); In questa tomba obscura WoO 133 (Bartoli, Schiff / 1992); In questa tomba obscura WoO 133 (Pavarotti, Philharmonia Orchestra, Gamba / 1977); Arien aus Fidelio op. 72 (Seefried, Rysanek, Frick, Adam, Nilsson, Patzak, Ludwig, Vickers, Crass, Mathis, Fricsay, Böhm, Maazel, Solti, Karajan / 1950-1969); Arthur Nikisch, Richard Strauss, Otto Klemperer, Paul van Kempen & Fritz Busch dirigieren Orchestwerke Beethovens (Aufnahmen 1913 bis 1951)
1.Blu-ray Audio Symphonien Nr. 1-9 (Berliner Philharmoniker, Herbert von Karajan / 1961)
2.Blu-ray Audio Klaviersonaten Nr. 1-32 (Wilhelm Kempff / 1964)
3.Blu-ray Audio Streichquartette Nr. 1-16; Große Fuge op. 133 (Amadeus Quartet / 1961-1963)
1.DVD Fidelio (Gundula Janowitz, Rene Kollo, Lucia Popp, Hans Sotin, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Leonard Bernstein / Eine Produktion der Wiener Staatsoper 1978 / Regie: Otto Schenk)
2.DVD Symphonien Nr. 4 & 7 (Concertgebouw Orchestra, Carlos Kleiber / 1983)
16.-23.CD Konzerte - Klavierkonzerte Nr. 1-5 (Nr. 1 in drei Einspielungen; Nr. 2-5 in zwei Einspielungen); Klavierkonzert Es-Dur WoO 4; Klavierkonzert nach dem Violinkonzert op. 61; Rondo B-Dur WoO 6 für Klavier & Orchester; Chorfantasie op. 80; Violinkonzert op. 61 (in zwei Einspielungen); Tripelkonzert op. 56; Konzertsatz "Allegro con brio" C-Dur für Violine & Kammerorchester; Romanzen Nr. 1 & 2 für Violine & Orchester; Romanze cantabile Hess 13 für Klavier, Flöte, Fagott, 2 Oboen, Streicher; Mozarts Klavierkonzert Nr. 20 d-moll KV 488 mit Kadenzen von Beethoven (Argerich, Barenboim, Brendel, Buchbinder, Gulda, Kempff, Mutter, Pollini, Repin, Zimerman)
24.-27.CD Ballettmusik, Bühnenmusik, Tänze & Märsche - Musik zu einem Ritterballett WoO 1; Die Geschöpfe des Prometheus op. 43; Musik zu Goethes Egmont op. 84; Die Ruinen von Athen-Ouvertüre op. 113; Gratulationsmenuett WoO 3; Bühnenmusik zu König Stephan op. 117; Bühnenmusik zu Die Weihe des Hauses op. 124; Musik zu Leonore Prohaska WoO 96; 12 Menuette WoO 7; 12 Deutsche Tänze WoO 8; 12 Contretänze WoO 14; 6 Ländler WoO 15; Yorck'scher Marsch WoO 18; Militärmärsche WoO 19 & 24; Zapfenstreich Nr. 2 WoO 20; Polonaise für Militärmusik WoO 21; Ecossaise für Militärmusik WoO 22;
Triumphmarsch WoO 2a (Abbado, Chung, Karajan, Maazel, Marriner)
28.-31.CD Leonore op. 72a (Orchestre Revolutionnaire et Romantique, John Eliot Gardiner); Fidelio op. 72 (Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado); Leonore-Ouvertüre Nr. 1; 2 Arien WoO 91 zu Ignaz Umlaufs Singspiel "Die schöne Schusterin"; Szene Hess 115 auf ein Libretto von Schickaneder; Germania, wie stehst du jetzt im Glanze da WoO 94: Es ist vollbracht WoO 97
32.-51.CD Klavier- & Orgelwerke - Klaviersonaten Nr. 1-32 (Nr. 8, 14, 17, 21, 23, 26, 29-32 in zwei Einspielungen); Klaviersonaten WoO 47 Nr. 1-3; Klaviersonate WoO 51; 2 Sonatensätze WoO 50; Sonate op. 6 für Klavier 4-händig; Fantasie op. 77; Variationen op. 34, 35, 120 (op. 35 & 120 in zwei Einspielungen); Variationen WoO 63-65, 68, 69 71-73, 75-77, 79, 80; Variationen WoO 67 & 74 für Klavier 4-händig; Andante favori WoO 57; Rondo a capriccioso op. 129 "Die Wut über den verlorenen Groschen"; Bagatellen op. 33, 119 126; WoO 52, 56, 59, 60; Lustig-traurig WoO 54; Allemande WoO 81; Allegrettos WoO 53 & Hess 69; Rondos op. 51 Nr. 1 & 2; WoO 48 & 49; Polonaise op. 89; Menuette WoO 10, 82, 218; Ländlerische Tänze WoO 11; Deutsche Tänze WoO 13; Präludien op. 39 für alle Durtonarten; Präludium WoO 55; Klavierstück WoO 61; Allegretto quasi andante WoO 61a; Ecossaisen WoO 83 & 86; Walzer WoO 84 & 85; Fugen Hess 64; Märsche op. 45; Große Fuge op. 133 für Klavier 4-händig; Fuge WoO 31 für Orgel; Orgelstücke für eine Spieluhr WoO 33; Variationen WoO 64 für Harfe (Arrau, Ashkenazy, Brendel, Cascioli, Curzon, de Larrocha, Freire, Gilels, Grimaud, Gulda, Kissin, Kocsis, Kovacevich, Lang Lang, Lupu, Perahia, Pletnev, Pollini, Uchida)
52.-55.CD Violinsonaten Nr. 1-10 (Nr. 9 in zwei Einspielungen); Mozart-Variationen WoO 40; Rondo für Violine & Klavier WoO 41; 6 Deutsche Tänze für Violine & Klavier WoO 41 (Dumay, Kremer, Menuhin, Mutter, Perlman)
56./57.CD Cellosonaten Nr. 1-5; Variationen für Cello & Klavier op. 66; WoO 45 & 46 (Mischa Maisky, Martha Argerich)
58./59.CD Kleiner besetzte Kammermusik - Variationen über Volksweisen für Flöte & Klavier op. 105 & 107; Duo WoO 26 für 2 Flöten; Hornsonate F-Dur op. 17 für Flöte & Klavier; Sonatine c-moll für Mandoline & Klavier; Adagio Es-Dur WoO 43b für Mandoline & Klavier; Sonatine C-Dur WoO 44a für Mandoline & Klavier; Variationen D-Dur WoO 44b für Mandoline & Klavier; Duett mit zwei obligaten Augengläsern WoO 32 für Viola & Cello; Duett WoO 34 für 2 Violinen; Canon A-Dur WoO 35 für 2 Violinen; Cellosonate F-Dur nach der Hornsonate (Gallois, Hagen Quartett, Tuckwell)
60.-64.CD Klaviertrios Nr. 1-11 (Nr. 4 in zwei Einspielungen); Klaviertrio op. 38 nach dem Septett op. 20; Satz für Klaviertrio Es-Dur Hess 48; Trio G-Dur WoO 37 für Klavier, Flöte, Fagott; Trio C-Dur op. 87 für 2 Oboen & Englischhorn; Variationen C-Dur WoO 28 für 2 Oboen & Englischhorn (Beaux Arts Trio, Mullova / Schiff / Previn, Szeryng / Kempff / Fournier)
65.-67.CD Streichtrios Nr. 1-5; Serenade op. 25 für Flöte, Violine, Viola; Präludium & Fuge Hess 29 für 2 Violinen & Cello; Menuette WoO 9 für 2 Violinen & Kontrabass; Ländler WoO 15 für 2 Violinen & Kontrabass (Mutter / Giuranna / Rostropovich)
68.-77.CD Streichquartette Nr. 1-16 (Nr. 12, 14-16 in zwei Einspielungen; Nr. 13 in drei Einspielungen); Streichquartett Hess 32 (1. Version des Streichquartetts Nr. 1); Streichquartett nach der Klaviersonate Nr. 9; Große Fuge op. 133 (in zwei Einspielungen); Menuett Hess 33; Präludien & Fugen Hess 30 & 31 (Emerson String Quartet, Hagen Quartett, Takacs Quartet)
78.-81.CD Größer besetzte Kammermusik - Streichquintette op. 4, 29, 104; Fuge op. 137 für Streichquintett; Präludium d-moll für Sreichquintett Unv 7 Hess 40 (unvollendet); Fuge h-moll für Streichquintett nach Bachs BWV 867; Quintett op. 16 für Klavier & Bläserquartett; Sextett op. 71 für Bläser; Septett op. 20; Oktett op. 103; Klavierquartette WoO 36 Nr. 1-3; 3 Equali für 4 Posaunen; Quintett Hess 19 für 3 Hörner, Oboe, Fagott; Marsch WoO 29 für 2 Klarinetten, 2 Hörner, 2 Fagotte; Sextett op. 81b für 2 Hörner & Streichquartett; Rondino für Bläser WoO 25 (Amadeus Quartett)
82.-85.CD Lieder - An die Hoffnung op. 32; Adelaide op. 46; 6 Geistliche Lieder op. 48; 3 Gesänge op. 83; Das Glück der Freundschaft op. 88; An die Hoffnung op. 94; An die ferne Geliebte op. 98; Der Kuss op. 128; Schilderung eines Mädchens WoO 107; Seufzer eines Ungeliebten WoO 118; Zärtliche Liebe WoO 123; La Pertenza WoO 24; Opferlied WoO 126; Der Wachtelschlag WoO 129; Als die Geliebte sich trennen wollte WoO 132; 8 Lieder op. 52; 6 Gesänge op. 75; 4 Arietten und ein Duett op. 82; Der Mann von Wort op. 99; Merkenstein op. 100 & WoO 144; In questa tromba oscura WoO 133; Die laute Klage WoO 135; Andenken WoO 136; Gesang aus der Ferne WoO 137 (in zwei Versionen); Der Jüngling in der Fremde WoO 138; Der Liebende WoO 139; Der Bardengeist WoO 142; Das Geheimnis WoO 145; Sehnsucht WoO 146; Ruf vom Berge WoO 147; Resignation WoO 149; Abendlied unterm gestirnten Himmel WoO 150; An einen Säugling WoO 108; Erhebt das Glas mit froher Hand WoO 109; Elegie auf den Tod eines Pudels WoO 110; Punschlied WoO 111; An Laura WoO 112; Klage WoO 113; Ein Selbstgespräch WoO 114; An Minna WoO 115; Que le temps me dure WoO 116 (in 2 Versionen Hess 129 & 130); Der freie Mann WoO 117; Oh care selve, oh cara WoO 119; Man strebt, die Flamme zu verhehlen WoO 120; Abschiedsgesang an Wiens Bürger WoO 121; Kriegslied der Österreicher WoO 122; La Tiranna WoO 125; Neue Liebe, neues Leben WoO 127; Romance WoO 128; Gedenke mein WoO 130; Sehnsucht WoO 134 (in vier Versionen); An die Geliebte WoO 140 (2. & 3. Version); Der Gesang der Nachtigall WoO 141; Des Kriegers Abschied WoO 143; So oder so WoO 148; Der edle Mensch WoO 151; Das liebe Kätzchen Hess 133; Der Knabe auf dem Berge Hess 134; Italienische Lieder für Vokalensemble WoO 99; Abschiedsgesang WoO 102; Cantata campestre WoO 103; Gesang der Mönche WoO 104; Hochzeitslied WoO 105; Lobkowitz-Kantate WoO 106; Chor auf die verbündeten Fürsten WoO 95; Lob auf den Dicken WoO 100; Graf, liebster Graf WoO 101; Im Arm der Liebe ruht sich's wohl WoO 159; Ewig dein WoO 161; Kurz ist der Schmerz WoO 163; Freundschaft ist die Quelle wahrer Glückseligkeit WoO 164; Glück zum neuen Jahr WoO 165; Kurz ist der Schmerz WoO 166; Brauchle, Linke WoO 167; Das Schweigen WoO 168a; Das Reden WoO 168b; Ich küsse Sie WoO 169; Ars longa, vita brevis WoO 170, 192, 193; Ich bitt' dich, schreib mir die ES-Skala auf WoO 172; Hol euch der Teufel, b'hüt euch Gott WoO 173; Glaube und hoffe WoO 174; Sankt Petrus war ein Fels WoO 175; Glück zum neuen Jahr WoO 176; Bester Magistrat, ihr friert WoO 177; Signor Abate WoO 178; Alles Gute WoO 179; Hoffmann, sei ja kein Hofmann WoO 180; O Tobias WoO 182; Bester Herr Graf, Sie sind ein Schaf WoO 183; Falstafferel, lass dich sehen WoO 184; Edel sei der Mensch WoO 185; Te solo adoro WoO 186; Schwenke dich ohne Schwänke WoO 187; Gott ist die feste Burg WoO 188; Doktor sperrt das Tor dem Tod WoO 189; Ich war hier, Doktor, ich war hier WoO 190; Kühl, nicht lau WoO 191; Si non per portas, per muros WoO 194; Freu dich des Lebens WoO 195; Es muss sein WoO 196; Das ist das Werk WoO 197; Wir irren allesamt WoO 198; Das Schöen zum Guten WoO 202 & 203; Herr Graf, ich komme zum fragen WoO 221; Esel aller Esel WoO 227
(Fischer-Dieskau, Schreier, Stolte)
86.-92.CD Volkslied-Arrangements - Schottische Lieder op. 108 & WoO 156; Irische Lieder WoO 152-154; Walisische Lieder WoO 155; Britische Lieder WoO 158b; Lieder verschiedener Nationalitäten WoO 157, WoO 158a & c (Lott, Watson, Walker, Ainsley, Murray, Allen, Maltman, Spence)
93.CD Chorwerke mit Orchester - Elegischer Gesang op. 118 für Chor & Orchester; Opferlied op. 121b; Bundeslied op. 122; Ah! Perfido op. 65; Arie "Prüfung des Küssens" WoO 89; Arie "Mit Mädeln sich vertragen" WoO 90; Szene & Arie "Primo Amore" WoO 92; Non, non turbarti WoO 92a; Ne' giorni tuoi felici WoO 93; Tremate, empi, tremante op. 116 (Abbado, Tilson Thomas)
94.-97.CD Messen & Kantaten - Missa solemnis op. 123 (in zwei Einspielungen); Messe C-Dur op. 86; Trauerkantate auf den Tod Kaiser Josephs II WoO 87; Kantate auf die Erhebung Leopolds II zur Kaiserwürde WoO 88; Der glorreiche Augenblick op. 136; Meeresstille und glückliche Fahrt op. 112 (Chung, Gardiner, Karajan, Thielemann)
98.CD Oratorium "Christus am Ölberge" op. 85 (Klee)
99.-101.CD Weltpremieren & Raritäten - Bagatellen für Klavier WoO 59 & 211; Hess 73, 74, 57; Anglaise für Klavier WoO 212; Menuett WoO 217; Klavierstück f-moll Kullack f. 51 / 52; Andante, Finale, Allegretto & Rondo für Klavier Woo 213 Nr. 1-4; Walzer WoO 219; Klavierübung Hess 58; Allegretto Kafka f. 47v; Klavierstücke Kafka f. 41v & 160r; Klavierstück Hess 59; Adagio ma non molto Hess 70 (Fragment); Molto Adagio Hess 71 (Frament); Thema & Variation Hess 72; 2 Deutsche Tänze Hess 67; Menuett & Trio WoO 209; Klaviesonate "Quasi una fantasia" UnV 12; Dona nobis pacem-Fuge für Klavier Hess Anh. 57; Übung für Erzherzog Rudolph Woo 200 (4-taktiges Thema); Wellingtons Sieg für Klavier Hess 97; Andante maestoso WoO 62 "Letzter musikalischer Gedanke" (in den Versionen für Klavier & Streichquintett); Symphonie Nr. 7 für Klavier Hess 96 (arrangiert von Beethoven); Klavierquartett op. 16 (nach dem Bläserquintett); Variationen op. 107 für Violine & Klavier; Streichquartett-Arrangement über die die Fuge aus Händels Solomon-Ouvertüre Hess 36; Violinsonate UnV 11 (Fragment); Duo für Violine & Cello UnV 8 (Fragment); Scherzo zum Streichtrio op. 9 Nr. 1 mit alternativem Trio; Allegretto für Streichquartett WoO 210; Menuett Hess 331 für Streichquartett (Fragment); Pastorella Hess 332 für Streichquartett (Fragment); Scherzo Hess 333 für Streichquartett (Fragment); Allegro Hess 334 für Streichquartett; 5 Zweistimmige Fugen für Klavier Hess 236; 4 Dreistimmige Fuge für Klavier Hess 237; 6 Fugen für Streichquartett Hess 238; Choralfugen Nr. 2 & 3 für Klavier Hess 239; Doppelfugen Hess 243 Nr. 1-5 für Streichquartett (arrangiert von Holsbergen); Tripelfugen Hess 244 Nr. 1 & 2 für Streichquartett (arrangiert von Holsbergen); Fuge Hess 245 für Streichquartett (Fragment); Flötensonate WoO Anh. 4; Sonatine für Klavier Anh. 5 Nr. 1 & 2; Variationen für Klavier Anh. 10 (Brautigam, Koch, Beck, Stern, Laredo, Ma, Ax, Hope, Knauer, Hagen Quartett)
102.-118.CD Legendäre Interpretationen, historische Aufführungspraxis, Supplement - Symphonie Nr. 5 (Berliner Philharmoniker, Furtwängler / 1943); Symphonien Nr. 5 & 6 (Concertgebouw Orchestra, Erlich Kleiber / 1953); Symphonie Nr. 8 (Royal Philharmonic Orchestra, Scherchen / 1954); Symphonie Nr. 9 (Berliner Philharmoniker, Fricsay / 1958); Klavierkonzerte Nr. 1, 2, 4 (Levin, Orchestre Revolutionnaire et Romantique, Gardiner / 1995); Klavierkonzert Nr. 3 (Fischer, Bayerisches Staatsorchester, Fricsay / 1957); Violinkonzert op. 61 (Schneiderhan, Berliner Philharmoniker, Jochum / 1962); Violinkonzert op. 61 (Zehetmair, Orchestra of the 18th Century, Brüggen / 1997); Romanze Nr. 2 für Violine & Orchester (Zehetmair, Orchestra of the 18th Century, Brüggen / 1997); Klaviersonate Nr. 4 (Benedetti Michelangeli / 1971); Klaviersonaten Nr. 8 & 31 (Kempff / 1936 / 1951); Klaviersonaten Nr. 8, 14, 17 (Lubin / 1989); Klaviersonate Nr. 11 (Richter / 1963); Klaviersonate Nr. 15 (Gulda / 1967); Klaviersonate Nr. 18 (Haskil / 1955); Klaviersonate Nr. 23 (Arrau / 1965); Klaviersonate Nr. 28 (Backhaus / 1963); Klaviersonate Nr. 30 (Schnabel / 1933); Klaviersonate Nr. 31 (Serkin / 1987); Klaviersonate Nr. 32 (Pogorelich / 1981); Cellosonate Nr. 3 (Fournier, Kempff / 1965); Cellosonate Nr. 5 (Rostropovich, Richter / 1963); Klaviertrio Nr. 7 (Rostropovich, Gilels, Kogan / 1956); Streichquartette Nr. 6 & 15 (Quartetto Italiano / 1973 / 1965); Streichquartett Nr. 9 (Schuppanzigh-Quartett / 1999); Streichquartett Nr. 13 (Busch Quartet / 1941); Streichquartett Nr. 16 (The Lindsays / 1986); Große Fuge für Streichquartett op. 133 (Hollywood String Quartet / 1957); Hornsonate op. 17 (Halstead, Levin / 1996); Klaviertrio Nr. 5 (Sepec, Queyras, Staier / 2006); Quintett op. 16 für Klavier & Bläser (Levin, Academy of Ancient Music / 1996); Symphonie Nr. 2 in der Kammermusik-Version für Klaviertrio (Levin, Hanson, Watkin / 1997); Klavierkonzert Nr. 4 in der Fassung für Klavier & Streichquintett (Levin, Hanson, Howard, George, Watkin, A. Isserlis / 1997); Finale aus Die Geschöpfe des Prometheus op. 43 (Anima Aeterna, Petrou / 2013); Adelaide op. 46 (Schreier, Schiff / 1994); An die ferne Geliebte op. 98 (Schreier, Schiff / 1994); Seufzer eines Ungeliebten und Gegenliebe WoO 118 (von Otter, Tan / 1999); Der Kuss (von Otter, Tan / 1999);
Als die Geliebte sich trennen wollte WoO 132 (von Otter, Tan / 1999); Sehnsucht WoO 146 (von Otter, Tan / 1999); An die Geliebte WoO 140 (von Otter, Tan / 1999); Maigesang op. 52 Nr. 4 (von Otter, Tan / 1999); Ah perfido op. 54 (Tilling, Gabrieli Players, McCreesh / 2004); La Partenza WoO 124 (Bartoli, Schiff / 1992);
L’Amante impaziente op. 82 Nr. 1-4 (Bartoli, Schiff / 1992); In questa tomba obscura WoO 133 (Bartoli, Schiff / 1992); In questa tomba obscura WoO 133 (Pavarotti, Philharmonia Orchestra, Gamba / 1977); Arien aus Fidelio op. 72 (Seefried, Rysanek, Frick, Adam, Nilsson, Patzak, Ludwig, Vickers, Crass, Mathis, Fricsay, Böhm, Maazel, Solti, Karajan / 1950-1969); Arthur Nikisch, Richard Strauss, Otto Klemperer, Paul van Kempen & Fritz Busch dirigieren Orchestwerke Beethovens (Aufnahmen 1913 bis 1951)
1.Blu-ray Audio Symphonien Nr. 1-9 (Berliner Philharmoniker, Herbert von Karajan / 1961)
2.Blu-ray Audio Klaviersonaten Nr. 1-32 (Wilhelm Kempff / 1964)
3.Blu-ray Audio Streichquartette Nr. 1-16; Große Fuge op. 133 (Amadeus Quartet / 1961-1963)
1.DVD Fidelio (Gundula Janowitz, Rene Kollo, Lucia Popp, Hans Sotin, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Leonard Bernstein / Eine Produktion der Wiener Staatsoper 1978 / Regie: Otto Schenk)
2.DVD Symphonien Nr. 4 & 7 (Concertgebouw Orchestra, Carlos Kleiber / 1983)