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Limo
2-LP, 1977, Gatefold
| Herstellungsland | USA |
|---|---|
| Veröffentlichungs-Jahr | 1977 |
| Zeit | 105:01 |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | Warner Brothers Records Inc. / PRO 691 |
| Musikrichtung | Rock |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP 1 | ||||
|---|---|---|---|---|
| Track | Künstler/Band | Titel | Zeit | Besonderheit |
| Gesamtzeit | 53:05 | |||
| A 1. | Ry Cooder | Alimony | 4:36 | |
| A 2. | Sandford And Townshend | Moolah Moo Mazuma (Sin City Wahh-Oo) | 3:56 | |
| A 3. | Jonathan Cain Band | Windy City Breakdown | 4:17 | |
| A 4. | Bonnie Raitt | Runaway | 3:51 | |
| A 5. | Little Feat | Red Streamliner | 4:41 | |
| A 6. | Van Morrison | Flamingos Fly | 4:39 | |
| B 7. | Leo Sayer | You Make Me Feel Like Dancing | 3:40 | |
| B 8. | Al Jarreau | Better Than Anything | 5:07 | |
| B 9. | Kate & Anna McGarrigle | Walking Song | 3:31 | |
| B 10. | Danny O'Keefe | The Runaway | 4:18 | |
| B 11. | Eddie Hazel | California Dreamin’ | 6:13 | |
| B 12. | Fleetwood Mac | Dreams | 4:16 | |
| LP 2 | ||||
|---|---|---|---|---|
| Track | Künstler/Band | Titel | Zeit | Besonderheit |
| Gesamtzeit | 51:56 | |||
| A 1. | Mylon LeFevre | Goodbye Miss Sadness | 3:26 | |
| A 2. | Chunky, Novi & Ernie | Didn’T Wanna Hurt Cha For Another Guy | 3:35 | |
| A 3. | Jesse Winchester | Nothing But A Breeze | 4:05 | |
| A 4. | Wendy Waldman | Living Is Good | 3:29 | |
| A 5. | Jesse Colin Young | Higher & Higher | 3:15 | |
| A 6. | Deaf School | What A Way To End It All | 2:54 | |
| A 7. | The Gabby Pahinui Hawaiian Band | Aloha Ka Manini | 2:30 | |
| A 8. | Henhouse Five Plus Too | In The Mood | 2:40 | |
| B 9. | Hirth Martinez | Nothin’ Iz New | 3:12 | |
| B 10. | Emmylou Harris | She | 3:13 | |
| B 11. | Gary Wright | Phantom Writer | 3:29 | |
| B 12. | Attitudes | In A Stranger’S Arms | 3:55 | |
| B 13. | Ted Nugent & The Amboy Dukes | Call Of The Wild | 4:43 | |
| B 14. | The Doobie Brothers | You’Re Made That Way | 3:30 | |
| B 15. | Rod Stewart | Tonight’S The Night (Gonna Be Alright) | 4:00 | |
Infos
aus der Serie: Loss Leaders
Limo is a Loss Leader mixture of some of WB’s favorite artists (Ry Cooder, Bonnie Raitt, Little Feat, The Doobies) along with some new blood (Jonathan Cain Band, Kate & Anna McGarrigle, Deaf School & The Gabby Pahinui Hawaiian Band). Only the 45, “In The Mood,” by Henhouse Five Plus Too (featuring the clucking vocals of Ray Stevens) is a non-LP rarity, and it’s obviously a favorite of Dr. Demento, who returns to compile and annotate this set. The good doctor’s liner notes provide way too many fun quotes and tidbits to count… like Bonnie Raitt’s reasoning for doing so many charity concerts (“I just want to throw something back to the community, rather than buy a new pair of racing gloves for my Ferrari”); how Little Feat got their name (ex-Mother Jimmy Carl Black commenting on co-founder Lowell George’s shoe size); the origins of Leo Sayer’s “You Make Me Feel Like Dancing” (a bass riff from session master Willie Weeks, who didn’t get a songwriting credit, by the way); the tale of Funkadelic’s Eddie Hazel biting an air marshall who was trying to calm him after he saw a UFO while in mid-flight – resulting in Hazel spending a year in jail (is that true?); how Jesse Winchester was discovered in Canada by The Band’s Robbie Robertson (after moving there as a Vietnam draft resister); that Derek Taylor (The Beatles’ former press officer) signed Deaf School to WB; that Gary Wright (the Dream Weaver himself) was a child actor; how Attitudes (featuring Danny Kortchmar, David Foster, Paul Stallworth and Jim Keltner) was signed by George Harrison’s Dark Horse Records, and… Chicago (the locale) is only the 16th windiest city in America. (http://www.willardswormholes.com/archives/29272)
The Warner/Reprise Loss Leaders were a series of promotional sampler compilation albums released by Warner Bros. Records throughout the 1970s. Each album (usually a 2-record set) contained a wide variety of tracks by artists under contract to Warner Bros. and its subsidiary labels (primarily Reprise Records); often these were singles, B-sides, non-hit album tracks, or otherwise obscure material, all designed to arouse interest in the artists' regular albums. Also found on some were humorous, bizarre interstitial audio material—clips from old records and movies, short skits, found sound, etc.--and most albums featured clever, humorous cover art and liner notes. Most of the '70s albums were compiled and annotated by Barry Hansen, aka Dr. Demento.
Die Serie in der Übersicht:
#01 1969 PRO331 – THE 1969 WARNER/REPRISE SONGBOOK
#02 1969 PRO336 – THE 1969 WARNER/REPRISE RECORD SHOW
#03 1969 PRO351 – OCTOBER 10, 1969 (1LP)
#04 1970 PRO358 – THE BIG BALL
#05 1970 PRO359 – SCHLAGERS!
#06 1970 PRO368 – ZAPPÉD (1LP) (Two Versions)
#07 1970 PRO423 – LOONEY TUNES AND MERRIE MELODIES (3LP)
#08 1971 PRO443 – NON-DAIRY CREAMER (1LP)
#09 1971 PRO474 – HOT PLATTERS
#10 1971 PRO486 – TOGETHER (1LP)
#11 1972 PRO512 – THE WHOLE BURBANK CATALOG
#12 1972 PRO525 – MIDDLE OF THE ROAD
#13 1972 PRO529 – BURBANK
#14 1972 PRO540 – THE DAYS OF WINE AND VINYL
#15 1973 PRO569 – APPETIZERS
#16 1973 PRO573 – ALL SINGING – ALL TALKING – ALL ROCKING
#17 1974 PRO583 – HARD GOODS
#18 1974 PRO588 – PEACHES
#19 1974 PRO591 – DEEP EAR
#20 1975 PRO596 – THE FORCE
#21 1975 PRO604 – ALL MEAT
#22 1975 PRO605 – PEACHES VOL. 2
#23 1975 PRO608 – I DIDN’T KNOW THEY STILL MADE RECORDS LIKE THIS
#24 1975 PRO610 – THE WORKS
#25 1976 PRO630 – SUPERGROUP
#26 1976 PRO645 – THE PEOPLE’S RECORD
#27 1977 PRO660 – COOK BOOK
#28 1977 PRO691 – LIMO
#29 1978 PRO-A-726 – COLLECTUS INTERRUPTUS
#30 1979 PRO-A-773 – PUMPING VINYL
#31 1979 PRO-A-794 – A LA CARTE
#32 1979 PRO-A-796 – MONSTERS
#33 1980 PRO-A-828 – ECLIPSE
#34 1980 PRO-A-850 – MUSIC WITH 58 MUSICIANS, VOLUME ONE
#35 1980 PRO-A-857 – TROUBLEMAKERS
Limo is a Loss Leader mixture of some of WB’s favorite artists (Ry Cooder, Bonnie Raitt, Little Feat, The Doobies) along with some new blood (Jonathan Cain Band, Kate & Anna McGarrigle, Deaf School & The Gabby Pahinui Hawaiian Band). Only the 45, “In The Mood,” by Henhouse Five Plus Too (featuring the clucking vocals of Ray Stevens) is a non-LP rarity, and it’s obviously a favorite of Dr. Demento, who returns to compile and annotate this set. The good doctor’s liner notes provide way too many fun quotes and tidbits to count… like Bonnie Raitt’s reasoning for doing so many charity concerts (“I just want to throw something back to the community, rather than buy a new pair of racing gloves for my Ferrari”); how Little Feat got their name (ex-Mother Jimmy Carl Black commenting on co-founder Lowell George’s shoe size); the origins of Leo Sayer’s “You Make Me Feel Like Dancing” (a bass riff from session master Willie Weeks, who didn’t get a songwriting credit, by the way); the tale of Funkadelic’s Eddie Hazel biting an air marshall who was trying to calm him after he saw a UFO while in mid-flight – resulting in Hazel spending a year in jail (is that true?); how Jesse Winchester was discovered in Canada by The Band’s Robbie Robertson (after moving there as a Vietnam draft resister); that Derek Taylor (The Beatles’ former press officer) signed Deaf School to WB; that Gary Wright (the Dream Weaver himself) was a child actor; how Attitudes (featuring Danny Kortchmar, David Foster, Paul Stallworth and Jim Keltner) was signed by George Harrison’s Dark Horse Records, and… Chicago (the locale) is only the 16th windiest city in America. (http://www.willardswormholes.com/archives/29272)
The Warner/Reprise Loss Leaders were a series of promotional sampler compilation albums released by Warner Bros. Records throughout the 1970s. Each album (usually a 2-record set) contained a wide variety of tracks by artists under contract to Warner Bros. and its subsidiary labels (primarily Reprise Records); often these were singles, B-sides, non-hit album tracks, or otherwise obscure material, all designed to arouse interest in the artists' regular albums. Also found on some were humorous, bizarre interstitial audio material—clips from old records and movies, short skits, found sound, etc.--and most albums featured clever, humorous cover art and liner notes. Most of the '70s albums were compiled and annotated by Barry Hansen, aka Dr. Demento.
Die Serie in der Übersicht:
#01 1969 PRO331 – THE 1969 WARNER/REPRISE SONGBOOK
#02 1969 PRO336 – THE 1969 WARNER/REPRISE RECORD SHOW
#03 1969 PRO351 – OCTOBER 10, 1969 (1LP)
#04 1970 PRO358 – THE BIG BALL
#05 1970 PRO359 – SCHLAGERS!
#06 1970 PRO368 – ZAPPÉD (1LP) (Two Versions)
#07 1970 PRO423 – LOONEY TUNES AND MERRIE MELODIES (3LP)
#08 1971 PRO443 – NON-DAIRY CREAMER (1LP)
#09 1971 PRO474 – HOT PLATTERS
#10 1971 PRO486 – TOGETHER (1LP)
#11 1972 PRO512 – THE WHOLE BURBANK CATALOG
#12 1972 PRO525 – MIDDLE OF THE ROAD
#13 1972 PRO529 – BURBANK
#14 1972 PRO540 – THE DAYS OF WINE AND VINYL
#15 1973 PRO569 – APPETIZERS
#16 1973 PRO573 – ALL SINGING – ALL TALKING – ALL ROCKING
#17 1974 PRO583 – HARD GOODS
#18 1974 PRO588 – PEACHES
#19 1974 PRO591 – DEEP EAR
#20 1975 PRO596 – THE FORCE
#21 1975 PRO604 – ALL MEAT
#22 1975 PRO605 – PEACHES VOL. 2
#23 1975 PRO608 – I DIDN’T KNOW THEY STILL MADE RECORDS LIKE THIS
#24 1975 PRO610 – THE WORKS
#25 1976 PRO630 – SUPERGROUP
#26 1976 PRO645 – THE PEOPLE’S RECORD
#27 1977 PRO660 – COOK BOOK
#28 1977 PRO691 – LIMO
#29 1978 PRO-A-726 – COLLECTUS INTERRUPTUS
#30 1979 PRO-A-773 – PUMPING VINYL
#31 1979 PRO-A-794 – A LA CARTE
#32 1979 PRO-A-796 – MONSTERS
#33 1980 PRO-A-828 – ECLIPSE
#34 1980 PRO-A-850 – MUSIC WITH 58 MUSICIANS, VOLUME ONE
#35 1980 PRO-A-857 – TROUBLEMAKERS