Kindercore Fifty: We Thank You
3-CD, 2000, Digisleeve

Herstellungsland USA
Veröffentlichungs-Jahr 2000
Zeit 141:16
EAN-Nr. 675818005020
Label/Labelcode nicht vorhanden
Plattenfirma/Katalog-Nr. Kindercore / KC050
Musikrichtung Rock
Sammlungen Gesucht Flohmarkt
0 (1 privat) 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD 1
Track Künstler/Band Titel Zeit Besonderheit
Gesamtzeit 62:26  
1. The Apples In Stereo The Oasis 2:06
2. Masters Of The Hemisphere Anything 3:37
3. of Montreal An Ill-Treated Hiccup's View of the World [as Of Montreal] 2:23
4. Sleeping Flies Feel Like Movin' On 5:00
5. Sunshine Fix Ordinary Extraordinary 2:11
6. The Phones Tippytoes 2:41
7. Je Suis France Coming Out Party 3:42
8. Birdie Let Her Go (Single Mix) 3:46
9. Call And Response Josie and Chloe [as C.A.R.] 3:48
10. I Am The World Trade Center Better Off At Home 2:13
11. Marshmallow Coast Dead Iguana 3:27
12. Ashley Park The Painter And The Jay 1:33
13. The Real Tuesday Weld I Like It That Way [as Tuesday Weld] 3:16
14. The Essex Green Never Been To California 3:08
15. Dressy Bessy Instead 2:36
16. The Four Corners Two By Two 2:21
17. Japancakes Wisconsin 4:46
18. Kincaid Machines Can Not Beat Me 2:36
19. Babalu Let's Crash the Blue Bus 4:33
20. Vermont The Bells Of Saint Alcohol 2:43
CD 2
Track Künstler/Band Titel Zeit Besonderheit
Gesamtzeit 45:52  
1. Joe Christmas Hesitation (They Knew The Song By The Dance) 4:36
2. Kincaid Hill Street Blues 3:35
3. Masters Of The Hemisphere On The Streets The Key 4:45
4. The Catskills Christmas (Baby Please Come Home) 2:33 C
5. Vetran Sun Sneeze 3:32
6. Hi-Score Ray Vaughn 4:08
7. Serious Teeth Holeron 5 3:03
8. Summer Hymns Santa Couldn't Fit You Under My Christmas Tree 2:59
9. Beekeeper Send The Beacon Out 5:29
10. Sky Mic Pierced By A Stranger's Heart 4:48
11. Major Organ & The Adding Machine What A Wonderful World 2:06 C
12. Nipples For Days Cows In A Tornado 4:18
CD 3
Track Künstler/Band Titel Zeit Besonderheit
Gesamtzeit 32:58  
1. The Olivia Tremor Control Hide Away (World Trade Remix) 4:12
2. The Real Tuesday Weld The Days of You and Me (Remix) [as Tuesday Weld] 3:00
3. of Montreal You Are An Airplane (World Trade Remix) [as Of Montreal] 2:45
4. Crush 22 Wrapped Around (Vetran Remix) 3:41
5. Masters Of The Hemisphere Coat Of Arms (World Trade Remix) 1:38
6. Kincaid Storm King (W.C. Hart Remix) 4:12
7. The Ladybug Transistor Meadow Port Arch (World Trade Remix) 4:53
8. Japancakes Down the Elements E.P. (Electronic Watusi Boogaloo Remix) 8:37

Infos

KINDERCORE RECORDS | KINDERCORE // (c) 2006 Kindercore and Emperor Norton Records - manufactured by Emperor Norton


released December 4, 2000

stickered: 675818005020


Since first surfacing in 1996, the Athens, GA-based indie Kindercore has emerged as arguably the most consistently entertaining and appealing label in the new American underground. Records as diverse as Dressy Bessy's Pink Hearts, Yellow Moons, Kitty Craft's Beats and Breaks From the Flower Patch, and Japancakes' If I Could See Dallas compare favorably with anything issued in the late 1990s, and while much of the company's focus remains devoted to the resurgent Athens scene, releases like Etienne Charry's 36 Erreurs and the Just Another Taste of Electronic Watusi Boogaloo comp reveal an increasing international outlook all too often absent from the insular Amerindie community.



ONE

on disc one we present the new: Kindercore's newest family and friends, this is where we are today

01 - The Apples In Stereo appears courtesy of the Elephant Six Recording Company

03 - first released on Limited edition self-released Spring 2002 Tour CD 'If He Is Protecting Our Nation Then Who Will Protect Big Oil, Our Children?'

06 - The Phones aka Adrian Finch, Dances with Wolves
Adrian Finch [Member of: Elf Power, Masters of the Hemisphere, Summer Hymns]
[[ There are at least two us bands that have used the name "The Phones":
- 1) The Phones an early 1980s Arizona-based New Wave/Postpunk band
- 2) the Phones formed 1979 Minneapolis ]]
- The Phones track 'Return to Tippy Toe' released in 2000 on compilation "Build Your Own Radio" bumbleBEAR / bBR-30


07 - Je Suis France appears courtesy of Pitch-A-Trent records

16 - The Four Corners appears courtesy of their own Bad Selves

19 - Electronic Watusi Boogaloo
- Electronic Watusi Boogaloo was an imprint of Kindercore Records that was created to release material by a collective of electronic artists from Sweden including Babalu, Jivaro and Biowire. The label was folded when Kindercore was taken over by The Telegraph Company/I.D.E.A. in 2002.


TWO

on disc two we give you the classics: Out of print rarities that bring back memories of where we have been


04 - 'Christmas (Baby, Please Come Home)' written by Spector/Greenwich/Barry

08 - Summer Hymns appears courtesy of Misra records
- Summer Hymns formed 1997, Athens, GA

09 - Beekeeper appears courtesy of Empire State and Macha

11 - 'What A Wonderful World' written by Weiss / Thiele

THREE

on disc three are the remixes: A bit of the old, a bit of the new, a bit of the future...

01 -The Olivia Tremor Control 'Hideaway' appears courtesy of Flydaddy Records

04 - Crush 22 (Estelle Baruch [Member of: Brittle Stars, Crush 22], Josh Ney [Member of: Brittle Stars, Crush 22, The French Horns], Mario Lopez [Member of:Argentina, Crush 22, Human Television])

08 - Electronic Watusi Boogaloo was an imprint of Kindercore Records that was created to release material by a collective of electronic artists from Sweden including Babalu, Jivaro and Biowire. The label was folded when Kindercore was taken over by The Telegraph Company/I.D.E.A. in 2002.

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.