Jefferson Airplane Volunteers
CD, 2013, Limited Edition, Re-Release, Remastered, Cardsleeve

Herstellungsland USA
Veröffentlichungs-Jahr 2013
Orig. Release 1969
Zeit 44:14
EAN-Nr. 819514010302
Label/Labelcode k.A.
Plattenfirma/Katalog-Nr. Culture Factory USA, Inc. / nicht vorhanden
Musikrichtung Rock: Psychedelic Rock
Sammlungen Gesucht Flohmarkt
2 (1 privat) 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD
Track Titel Zeit Besonderheit
Gesamtzeit 44:14  
1. We Can Be Together 5:47
2. Good Shepherd 4:22
3. The Farm 3:11
4. Hey Frederick 8:31
5. Turn My Life Down 2:56
6. Wooden Ships 6:23
7. Eskimo Blue Day 6:32
8. A Song For All Seasons 3:27
9. Meadowlands 1:03 I
10. Volunteers 2:02

Infos

Comes in a special Mini-LP replica cardboard sleeve. This CD was issued with a matching obi-strip that is wrapped around the left side of the album cover.

Part of "The Legends of Rock" series.
Vinyl Replica Collection.
Collector's Edition Strictly Limited to 3000 Copies.

Audiophile Recording Remastered in High Definition 96kHz / 24-Bit

This was the sixth album recorded by the group and released as RCA Victor LSP-4238. It was also released in a Quadrophonic version in 1973 as RCA Quadradisc APD1-0320. This was the first to be wholly recorded in San Francisco, at Wally Heider's then state-of-the-art 16-track studio. Guests included Jerry Garcia on pedal steel guitar, veteran session pianist Nicky Hopkins, future Airplane drummer Joey Covington on percussion, David Crosby, and Stephen Stills. It was one of the earliest 16-track recordings. The back cover of the album shows a picture of the MM-1000 professional 16-track tape recorder built by Ampex which was used to record the album.

Volunteers embodied the revolutionary young people in 1969 with the album's strident opening and closing tracks, "We Can Be Together" and the title song. In contrast, "Good Shepherd" and "Wooden Ships" are moody and pristine. It was controversial at the time because of anti-war messages of certain songs and occasional use of profanity in the lyrics.

The album was marked with strong anti-war and pro-anarchism songs. The theme of nature, communities and ecology was also explored with the songs "The Farm" and "Eskimo Blue Day". The title track was inspired by a "Volunteers of America" garbage truck that awoke singer Marty Balin one morning. The original title of the album was intended to be Volunteers of Amerika, a corruption of Volunteers of America, an American version of the Salvation Army charity; the term being in vogue as an ironic expression of dissatisfaction with America; however the charity objected so the name was shortened to Volunteers.

The album provoked even more controversy with lyrics such as "Up against the wall, motherfucker" (from the song "We Can Be Together"). The offending word was mixed lower on the 45 RPM release of the track to partially 'obscure' it, but it was still audible. The word "motherfucker" was censored on the album lyric sheet as "fred", however. At the time, RCA Records was refusing to allow "fuck" on the album until they were confronted with the fact that they had already set precedent on the Cast Recording Soundtrack of "Hair". "Eskimo Blue Day" was also a point of contention with the chorus line of "doesn't mean shit to a tree" repeated throughout.

Musically, the album is characterized by lead guitarist Jorma Kaukonen's razor-sharp guitar work (the dueling solos on "Hey Frederick", plus "Good Shepherd" and "Wooden Ships") and the distinctive piano playing of Nicky Hopkins. It also featured that band dabbling in a country rock sound, particularly in "The Farm" and "Song For All Seasons".

Despite its controversies, the album was a commercial success becoming the band's fourth top twenty hit record and went gold within two months of its release.

This was to be both Jefferson Airplane's founder Marty Balin and drummer Spencer Dryden's last album with the group, signifying the end of the best-remembered "classic" lineup. It was to be the last all-new LP for two years.

Even though the album was released in late 1969, the cover photo dates back to 1967, and features the band wearing disguises, and was taken during the filming of a promotional film made for their single "Martha".

In 2003, the album was ranked number 370 on Rolling Stone magazine's list of the 500 greatest albums of all time.

The album was released again in 2009 along with the entirety of the Airplane's live performance at the Woodstock Festival in 1969 as Jefferson Airplane Woodstock Experience.

Grace Slick – vocals, piano on "The Farm", "Hey Frederick", "Eskimo Blue Day", and "Volunteers", organ on "Meadowlands", recorder on "Eskimo Blue Day"
Paul Kantner – vocals, rhythm guitar
Marty Balin – vocals, percussion
Jorma Kaukonen – lead guitar, vocals
Jack Casady – bass
Spencer Dryden – drums, percussion

Nicky Hopkins – piano on "We Can Be Together", "Hey Frederick", "Wooden Ships", "A Song for All Seasons", and "Volunteers"
Stephen Stills – hammond organ on "Turn My Life Down"
Jerry Garcia – pedal steel guitar on "The Farm"
Joey Covington – congas on "Turn My Life Down", chair on "Eskimo Blue Day"
David Crosby – sailboat on "Wooden Ships"
Ace of Cups – vocals on "The Farm" and "Turn My Life Down"
Bill Laudner – lead vocals on "A Song for All Seasons"

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

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