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Jean-Claude Eloy
Anâhata: Primordial Vibration - Vibration Primordiale
3-CD, 2011, Pappschuber
| Herstellungsland | Frankreich |
|---|---|
| Veröffentlichungs-Jahr | 2011 |
| Orig. Release | 1990 |
| Zeit | 172:19 |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | k.A. |
| Plattenfirma/Katalog-Nr. | Hors Territoires / HT 11-12-13 |
| Musikrichtung | World Music |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD 1 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 55:06 | ||
| 1. | Anahata I: Part I | 55:06 | |
| CD 2 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 44:13 | ||
| 1. | Anahata I: Part II | 44:13 | |
| CD 3 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 73:00 | ||
| 1. | Anahata II: Ryûteki Solo | 7:06 | |
| 2. | Electro-Acoustic, Ryûteki | 10:18 | |
| 3. | Electro-Acoustic: Hichiriki, Ryûteki | 9:22 | |
| 4. | Anahata III: Shô Solo | 3:48 | |
| 5. | "The Flower And Stars" (Shô, Electro-Acoustic) | 9:40 | |
| 6. | "The Flower In Darkness" (Sheng-Alto, Electro-Acoustic) | 9:56 | |
| 7. | "The Flower Facing In The Sea" (Ô-Shô, Electro-Acoustic) | 8:27 | |
| 8. | Electro-Acoustic (Chimes): The Sea At Vlissingen | 14:23 | |
Infos
HT 11-12-13
ANÂHATA (1984-86)
"Primordial vibration" / "Vibration primordiale"
Sound ceremonial with a contemplative character / Cérémonial sonore à caractère contemplatif
for seven soloists:
Two voices of Japanese Buddhist monk singers (Tendai and Shingon sects)
Three Japanese Gagaku instrumentalists (Ryûteki, Hichiriki, Shô)
One percussionist (with a percussion instrument orchestra)
Electro-acoustic (fixed interactive sounds)
Studio recording made during the Donaueschingen festival 1990 ("Donaueschinger Musiktage")
Enregistré en studio pendant le festival de Donaueschingen 1990 ("Donaueschinger Musiktage")
- "Âhata-Anâhata" ("struck sound - unstruck sound" / "le son frappé - le son non-frappé")
part I - part II / partie I - partie II
- "Akshara-Kshara" ("unchanging - changing" / "l'immuable - le muable")
- "Nimîlana-Unmîlana" ("that which awakens - that which slumbers" / "ce qui s'ouvre - ce qui se replie")
(short final version)
Ebihara Kôshin: monk singer from the Tendai sect / moine chateur de la secte Tendai
Arai Kôjun: monk singer from the Shingon sect / moine chateur de la secte Shingon
Shiba Sukeyasu: Ryûteki solo / soliste de Ryûteki
Yaotani Satoru: Hichiriki and Ô-Hichiriki solo / soliste de Hichiriki et de Ô-Hichiriki
Miyata Mayumi: Shô, Ô-Shô, and Alto-Sheng solo / soliste de Shô, Ô-Shô, et Sheng-Alto
Michael W. Ranta: percussions ("Asian sound")
Jean-Claude Eloy: sound projection, mixing, coordination / projection sonore, mixage, coordination
Electro-acoustic productions / Productions électroacoustique (main production / production principale):
Electronic Music Studio from the Sweelinck Conservatory, Amsterdam
Studio de Musique Electronique du Conservatoire Sweelinck, Amsterdam
With contributions and help from the following institutions / Avec des contributions et des aides des institutions suivantes:
- INA-GRM, Paris
- Technische Universität (TU), Berlin
- Studio ART, Genève
Album 3 x CDs
ANÂHATA (1984-86)
"Primordial vibration" / "Vibration primordiale"
Sound ceremonial with a contemplative character / Cérémonial sonore à caractère contemplatif
for seven soloists:
Two voices of Japanese Buddhist monk singers (Tendai and Shingon sects)
Three Japanese Gagaku instrumentalists (Ryûteki, Hichiriki, Shô)
One percussionist (with a percussion instrument orchestra)
Electro-acoustic (fixed interactive sounds)
Studio recording made during the Donaueschingen festival 1990 ("Donaueschinger Musiktage")
Enregistré en studio pendant le festival de Donaueschingen 1990 ("Donaueschinger Musiktage")
- "Âhata-Anâhata" ("struck sound - unstruck sound" / "le son frappé - le son non-frappé")
part I - part II / partie I - partie II
- "Akshara-Kshara" ("unchanging - changing" / "l'immuable - le muable")
- "Nimîlana-Unmîlana" ("that which awakens - that which slumbers" / "ce qui s'ouvre - ce qui se replie")
(short final version)
Ebihara Kôshin: monk singer from the Tendai sect / moine chateur de la secte Tendai
Arai Kôjun: monk singer from the Shingon sect / moine chateur de la secte Shingon
Shiba Sukeyasu: Ryûteki solo / soliste de Ryûteki
Yaotani Satoru: Hichiriki and Ô-Hichiriki solo / soliste de Hichiriki et de Ô-Hichiriki
Miyata Mayumi: Shô, Ô-Shô, and Alto-Sheng solo / soliste de Shô, Ô-Shô, et Sheng-Alto
Michael W. Ranta: percussions ("Asian sound")
Jean-Claude Eloy: sound projection, mixing, coordination / projection sonore, mixage, coordination
Electro-acoustic productions / Productions électroacoustique (main production / production principale):
Electronic Music Studio from the Sweelinck Conservatory, Amsterdam
Studio de Musique Electronique du Conservatoire Sweelinck, Amsterdam
With contributions and help from the following institutions / Avec des contributions et des aides des institutions suivantes:
- INA-GRM, Paris
- Technische Universität (TU), Berlin
- Studio ART, Genève
Album 3 x CDs