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Iron & Wine
Archive Series Volume No. 5
LP, 2021
| Herstellungsland | USA |
|---|---|
| Veröffentlichungs-Jahr | 2021 |
| Zeit | k.A. |
| EAN-Nr. | 098787140415 |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | Sub Pop Records / SP1404 |
| Musikrichtung | Rock: Country Rock, Folk Rock, Pop-Rock |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| A 1. | Why Hate The Winter | ||
| A 2. | This Solemn Day | ||
| A 3. | Loaning Me Secrets | ||
| A 4. | John's Glass Eye | ||
| A 5. | Calm On The Valley | ||
| B 6. | Ex-Lover Lucy Jones | ||
| B 7. | Elizabeth | ||
| B 8. | Show Him The Ground | ||
| B 9. | Straight And Tall | ||
| B 10. | Cold Town | ||
| B 11. | Valentine | ||
Infos
Printed Innersleeve
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From subpop.com:
"Archive Series Volume No. 5: Tallahassee is the lost-in-time debut album from Iron & Wine. A collection of songs recorded three years prior to his official Sub Pop debut, The Creek Drank the Cradle (2002). A period before the concept of Iron & Wine existed and principal songwriter Sam Beam was studying at Florida State University with the intent of pursuing a career in film. Tallahassee documents the very first steps on a journey that would lead to a career as one of America’s most original and distinctive singer-songwriters.
Creek arrived like a thief in the night with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being too young to know better and too naïve to give a shit. The recordings themselves are more polished than Creek and give a peak into what a studio version of that record might have offered up.
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From subpop.com:
"Archive Series Volume No. 5: Tallahassee is the lost-in-time debut album from Iron & Wine. A collection of songs recorded three years prior to his official Sub Pop debut, The Creek Drank the Cradle (2002). A period before the concept of Iron & Wine existed and principal songwriter Sam Beam was studying at Florida State University with the intent of pursuing a career in film. Tallahassee documents the very first steps on a journey that would lead to a career as one of America’s most original and distinctive singer-songwriters.
Creek arrived like a thief in the night with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being too young to know better and too naïve to give a shit. The recordings themselves are more polished than Creek and give a peak into what a studio version of that record might have offered up.
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