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Fletcher Henderson & Louis Armstrong
Fletcher Henderson And Louis Armstrong 1924 1925
CD, 1991, Compilation, Mono
| Herstellungsland | Niederlande |
|---|---|
| Veröffentlichungs-Jahr | 1991 |
| Zeit | 52:50 |
| EAN-Nr. | 8711458100335 |
| Label/Labelcode | ti (timeless) / LC 5326 |
| Plattenfirma/Katalog-Nr. | Timeless Records / CBC 1-003 |
| Musikrichtung | Jazz: Bigband/Orchester |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 2 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 52:50 | ||
| 1. | Money Blues | 3:34 | I C |
| 2. | Why Couldn't It Be Poor Little Me? | 1:22 | I C |
| 3. | I'll See You In My Dreams | 1:42 | I C |
| 4. | Tell Me, Dreamy Eyes | 1:01 | I C |
| 5. | My Rose Marie | 1:16 | I C |
| 6. | Poplar Street Blues | 1:36 | I C |
| 7. | Shanghai Shuffle | 3:17 | I C |
| 8. | Mandy Make Up Your Mind | 1:10 | I C |
| 9. | Go 'Along Mule | 3:08 | I C |
| 10. | Memphis Bound | 2:57 | I C |
| 11. | How Come You Do Me Like You Do? | 1:41 | I C |
| 12. | Alabamy Bound | 2:01 | I C |
| 13. | Copenhagen | 3:00 | I C |
| 14. | The Meanest Kind Of Blues | 3:03 | I C |
| 15. | I Miss My Swiss | 0:52 | C |
| 16. | Alone At Last | 0:57 | C |
| 17. | Shanghai Shuffle | 2:54 | I C |
| 18. | When You Do What You Do | 1:39 | I C |
| 19. | Words | 1:27 | I C |
| 20. | Carolina Stomp | 3:14 | I C |
| 21. | Bye And Bye | 1:22 | I C |
| 22. | Naughty Man | 1:55 | I C |
| 23. | Play Me Slow | 0:37 | I C |
| 24. | T.N.T. | 2:53 | I C |
| 25. | One Of These Days | 1:52 | I C |
| 26. | Sugar Foot Stomp | 2:20 | I |
Infos
Fletcher Henderson and his Orchestra (#1-13, 16-19, 21-23, 25, 26):
Louis Armstrong, Howard Scott, Elmer Chambers - tp, corn
Charlie Green - tb
possibly Cecil Scott - cl, as
Don Redman - cl, as
Coleman Hawkins - cl, ts
Fletcher Henderson - p, ld
Charlie Dixon - bj
Ralph Escudero - tu
Kaiser Marshall - dr
New York, 7, 10, 13, 30 October, 7, 10, 14, 17 (or 22) November, early December 1924, 23, 30 (or 2 February), 4 February, 18 April, 19, 29 May 1925
The Southern Serenaders (#14, 15):
Probably the Fletcher Henderson Orchestra as mentioned above. Including some members of the Sam Lanin Orchestra although at that time a racially mixed group is unlikely.
Billy Jones - voc
New York, 7 August 1925
Fletcher Henderson and his Orchestra (#20, 24):
as 29 May 1925
Coleman Hawkins also bsx
New York, 21 October 1925
Compiled: Chris Barber
Editing and Rearrangements: John R.T: Davies
Audio Restoration: John R.T: Davies
Original Material: John R.T: Davies and Chris Barber
All these selections are edited versions (except 7, 9, 10, 13, 14, 17, 20, 24); all reduced (except 1, 19). In some cases parts may have been used from more than one take. Where two takes are specified a longer performance has been constructed using parts of both.
Louis Armstrong, Howard Scott, Elmer Chambers - tp, corn
Charlie Green - tb
possibly Cecil Scott - cl, as
Don Redman - cl, as
Coleman Hawkins - cl, ts
Fletcher Henderson - p, ld
Charlie Dixon - bj
Ralph Escudero - tu
Kaiser Marshall - dr
New York, 7, 10, 13, 30 October, 7, 10, 14, 17 (or 22) November, early December 1924, 23, 30 (or 2 February), 4 February, 18 April, 19, 29 May 1925
The Southern Serenaders (#14, 15):
Probably the Fletcher Henderson Orchestra as mentioned above. Including some members of the Sam Lanin Orchestra although at that time a racially mixed group is unlikely.
Billy Jones - voc
New York, 7 August 1925
Fletcher Henderson and his Orchestra (#20, 24):
as 29 May 1925
Coleman Hawkins also bsx
New York, 21 October 1925
Compiled: Chris Barber
Editing and Rearrangements: John R.T: Davies
Audio Restoration: John R.T: Davies
Original Material: John R.T: Davies and Chris Barber
All these selections are edited versions (except 7, 9, 10, 13, 14, 17, 20, 24); all reduced (except 1, 19). In some cases parts may have been used from more than one take. Where two takes are specified a longer performance has been constructed using parts of both.