Richard Thompson + Fairport Convention + Richard & Linda Thompson (Guitar, Vocal) A Collection Of Unreleased And Rare Material 1967-1976
Split-2-LP, 1976, Compilation

Herstellungsland Großbritannien
Veröffentlichungs-Jahr 1976
Zeit 68:21
EAN-Nr. nicht vorhanden
Label/Labelcode nicht vorhanden
Plattenfirma/Katalog-Nr. Island Records / ICD 8
Musikrichtung Rock: Industrial Rock
Sammlungen Gesucht Flohmarkt
2 (3 privat) 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
LP 1
Track Künstler/Band Titel Zeit Besonderheit
Gesamtzeit 36:17  
A 1. Fairport Convention Time Will Show the Wiser 3:03
A 2. Fairport Convention Throwaway Street Puzzle 3:18
A 3. Fairport Convention Mr Lacey 2:53
A 4. Fairport Convention The Ballad of Easy Rider 4:34
A 5. Fairport Convention Poor Will and the Jolly Hangman 5:23
B 6. Fairport Convention Sweet Little Rock'n'Roller 4:18 L C
B 7. Richard & Linda Thompson A Heart Needs a Home 4:04
B 8. Richard & Linda Thompson The Dark End of the Street 4:22 L C
B 9. Richard & Linda Thompson It'll Be Me 4:22 L
LP 2
Track Künstler/Band Titel Zeit Besonderheit
Gesamtzeit 32:04  
A 1. Richard Thompson Flee as a Bird 3:11
A 2. Richard & Linda Thompson Night Comes In 12:24 L
B 3. Richard Thompson The Pitfall/The Excursion 3:02
B 4. Richard & Linda Thompson Calvary Cross 13:27

Infos

LP 1
[1]
(Emitt Rhodes) Fairport Convention
Judy Dyble, Ian Matthews (vocals)
Richard Thompson (Gibson 175D guitar)
Simon Nicol (electric 12-string guitar)
Ashley Hutchings (bass guitar)
Martin Lamble (drums)
Recorded at Sound Techniques Studio, London (4-track) in late 1967
Engineer: John Wood. Produced by Joe Boyd & Todd Lloyd.. Originally released on "Fairport Convention" LP (Polydor).

[2]
(Hutchings/Thompson) Fairport Convention
Sandy Denny, Ian Matthews (vocals)
Richard Thompson (Gibson Les Paul guitar)
Simon Nicol (guitar, Mellotron)
Pete Ross (harmonica)
Ashley Hutchings (bass guitar)
Martin Lamble (drums)
Recorded at Kingsway Recorders, London, and Olympic Studios, London (8-track) in 1968; remixed at Basing Street Studios, London on March 15, 1976.
Recording and remix engineer: John Wood. Produced by Joe Boyd.
Originally released as the B-side of "Meet On The Ledge" 45 (Island)

[3]
(Hutchings) Fairport Convention
Sandy Denny, Ian Matthews (vocals)
Richard Thompson (Gibson Les Paul guitar)
Simon Nicol (guitar)
Ashley Hutchings (bass guitar)
Martin Lamble (drums)
Recorded by the BBC at Aeolian Hall, London, in mono on December 2, 1968.
Reprocessed by John Wood at Sound Techniques in 1976. Originally transmitted on the Stuart Henry Show: previously unreleased on record.

[4]
(Roger McGuinn) Fairport Convention
Sandy Denny (vocal)
Richard Thompson (Gibson Les Paul guitar)
Simon Nicol (guitar)
Ashley Hutchings (bass guitar)
Dave Mattacks (drums)
Recorded at Sound Techniques (8-track) in 1969 as part of the "Liege & Lief" album sessions. Engineer: John Wood. Produced by Joe Boyd. Previously unreleased.

[5]
(Thompson/Swarbrick) Fairport Convention
Richard Thompson (Fender Stratocaster guitar, vocal)
Linda Thompson (backing vocal)
Dave Swarbrick (mandolin)
Simon Nicol (guitar)
Dave Pegg (bass guitar)
Dave Mattacks (drums)
Recorded at Sound Techniques (8-track) in 1970 as part of the "Full House" album sessions. Vocals added at Sound Techniques in March 1975.
Engineer: John Wood. Rhythm track produced by Joe Boyd. Previously released on "The Electric Muse" LP (Island/Transatlantic)

[6]
(Chuck Berry) Fairport Convention
Richard Thompson (Fender Stratocaster guitar, vocal)
Simon Nicol (guitar)
Dave Swarbrick (violin)
Dave Pegg (bass guitar)
Dave Mattacks (drums)
Recorded live at The Troubadour, Los Angeles, in early 1970 on the Larraby Sound 8-track remote unit.
Engineer: John Wood. Produced by Joe Boyd. Previously unreleased.

[7]
(Thompson) Richard & Linda Thompson
Linda Thompson (vocals)
Richard Thompson (guitars)
Ian Whiteman (electric piano, harmonium)
Pat Donaldson (bass guitar)
Timmy Donald (drums)
Recorded at Sound Techniques (16-track) in November 1974.
Recording engineer: Vic Gramm. Mixing Engineer: John Wood.
Produced by Richard Thompson & John Wood. This is a different arrangement of the song from that appearing on the "Hokey Pokey" LP and is previously unreleased.

[8]
(Dan Penn/Chips Moman) Richard & Linda Thompson
Richard Thompson (Martin 00018 guitar, vocal)
Linda Thompson (vocal)
Recorded at the Queen Elizabeth Hall, London, on April 25, 1975.
Taped in mono directly from the PA mixer by Bernard Docherty. Reprocessed at Basing Street by John Wood. Previously unreleased.

[9]
(Jack Clement) Richard & Linda Thompson
Richard Thompson (Fender Stratocaster guitar, vocal)
Linda Thompson (backing vocal)
John Kirkpatrick (button accordion)
Dave Pegg (bass guitar)
Dave Mattacks (drums)
Recorded live at Oxford Polytechnic on November 27, 1975 with the Island mobile recording truck (24-track). Remixed at Sound Techniques in February 1976. Recording and remix engineer: John Wood. Previously unreleased.

LP 2
[1]
(Trad. arr. Thompson) Richard Thompson
Richard Thompson (Martin 00018 guitars)
Recorded at Basing Street on March 15, 1976.
Engineer: John Wood. Previously unreleased.

[2]
(Thompson) Richard & Linda Thompson
Musicians and recording details as LP 1 [9]
Previously unreleased

[3]
(Thompson) Richard Thompson
Richard Thompson (Martin 00018 guitars, Appalachian dulcimer, Gibson Mandolin)
Recorded at Basing Street on April 14, 1976.
Engineer: John Wood
Previously unreleased

[4]
(Thompson) Richard & Linda Thompson
Musicians and details as LP 1 [9]
Passwort vergessen?

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.