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The Mountain Will Fall
CD, 2016, Digisleeve
| Herstellungsland | USA |
|---|---|
| Veröffentlichungs-Jahr | 2016 |
| Zeit | 49:38 |
| EAN-Nr. | 812814020354 |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | Mass Appeal / Liquid Amber / MSAP0034 |
| Musikrichtung | Rap/Hip Hop: Trip Hop |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 4 (1 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 49:38 | ||
| 1. | The Mountain Will Fall | 4:36 | |
| 2. | Nobody Speak (Feat. Run The Jewels) | 3:15 | |
| 3. | Three Ralphs | 3:37 | |
| 4. | Bergschrund (Feat. Nils Frahm) | 4:10 | |
| 5. | The Sideshow (Feat. Ernie Fresh) | 3:28 | |
| 6. | Depth Charge | 4:53 | |
| 7. | Mambo | 3:03 | |
| 8. | Ashes To Oceans (Feat. Matthew Halsall) | 6:16 | |
| 9. | Pitter Patter (Feat. G Jones & Bleep Bloop) | 3:24 | |
| 10. | California | 4:29 | |
| 11. | Ghost Town | 3:51 | |
| 12. | Suicide Pact | 4:36 | |
Infos
Issued in a 3-panels cardboard digisleeve, together with a sticker sheet and a stencil. Pre-orders of the CD received an email to download the MP3 @ 320 kpbs album. Tracks length not to printed on release, retrieved using a computer.
All tracks published by New Futility Music, ASCAP, except:
2: Definitive Jux Music/Pulse Music, SESAC, Aniyah's Music/Royalty Network, ASCAP
4: Manners McDade
5: Copyright Control
8: Copyright Control, MCPS/PRS
9: Michele Publ. Co., BMI, Bleep Bloop Music, ASCAP, G Jones Music, ASCAP
1 Contains interpolation of "Prima Alba" by Dario Baldan Bembo (Come Il Vento, 1975).
2: Brass recorded at Thrum Studio, London.
Contains interpolation of "Ol' Man River" by Caterina Valente (London Records, 1968).
5: Vocal treatments recorded at Circuit Studios, SF.
Contains a sample of "Every Day Is The Weekend" by Celly Cel (Jive Records, 1998).
8: Live instrumentation recorded at 80 Hertz Studios, Manchester.
9: Contains interpolation of "Pitter Patter" by The Birdies (CRC Charter, 1965).
10: Contains interpolation of "Color Blind" by Ice Cube (Priority Records, 1991).
11: (P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V.
For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender
Thanks Jack Dangers @ Tape Lab for the use of the Synthi 100.
In booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC.
On back sleeve: © 2016 New Futility Music (ASCAP), all rights worldwide administered exclusively by Kobalt Songs Music Publishing.
Barcode und andere Identifikationsmerkmale
Barcode (Text): 8 12814 02035 4
Barcode (Scanned): 812814020354
Matrix / Runout: SOUND PERFORMANCE 15133-CD-0268 16-127-16
Rights Society: ASCAP
Rights Society: SESAC
Rights Society: MCPS/PRS
Rights Society: BMI
All tracks published by New Futility Music, ASCAP, except:
2: Definitive Jux Music/Pulse Music, SESAC, Aniyah's Music/Royalty Network, ASCAP
4: Manners McDade
5: Copyright Control
8: Copyright Control, MCPS/PRS
9: Michele Publ. Co., BMI, Bleep Bloop Music, ASCAP, G Jones Music, ASCAP
1 Contains interpolation of "Prima Alba" by Dario Baldan Bembo (Come Il Vento, 1975).
2: Brass recorded at Thrum Studio, London.
Contains interpolation of "Ol' Man River" by Caterina Valente (London Records, 1968).
5: Vocal treatments recorded at Circuit Studios, SF.
Contains a sample of "Every Day Is The Weekend" by Celly Cel (Jive Records, 1998).
8: Live instrumentation recorded at 80 Hertz Studios, Manchester.
9: Contains interpolation of "Pitter Patter" by The Birdies (CRC Charter, 1965).
10: Contains interpolation of "Color Blind" by Ice Cube (Priority Records, 1991).
11: (P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V.
For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender
Thanks Jack Dangers @ Tape Lab for the use of the Synthi 100.
In booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC.
On back sleeve: © 2016 New Futility Music (ASCAP), all rights worldwide administered exclusively by Kobalt Songs Music Publishing.
Barcode und andere Identifikationsmerkmale
Barcode (Text): 8 12814 02035 4
Barcode (Scanned): 812814020354
Matrix / Runout: SOUND PERFORMANCE 15133-CD-0268 16-127-16
Rights Society: ASCAP
Rights Society: SESAC
Rights Society: MCPS/PRS
Rights Society: BMI