Count Basie The Columbia Years - America's #1 Band!
4-CD, 2003, Compilation, Pappschuber

Herstellungsland Österreich
Veröffentlichungs-Jahr 2003
Zeit 277:47
EAN-Nr. 5099751289227
Label/Labelcode COLUMBIA / LC 00162
Plattenfirma/Katalog-Nr. Columbia / Legacy / COL 512892 2
Musikrichtung Jazz: Bigband/Orchester, Swing
Sammlungen Gesucht Flohmarkt
1 (1 privat) 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD 1
Track Titel Zeit Besonderheit
Gesamtzeit 66:53  
1. Shoe Shine Boy 3:00 I
2. Evenin' 2:56
3. Boogie Woogie (I May Be Wrong) 3:16
4. Oh, Lady Be Good 3:08 I
5. I Ain't Got Nobody 2:58 I
6. Goin' To Chicago Blues 3:09
7. Live And Love Tonight 3:11 I
8. Love Me Or Leave Me 2:34 I
9. Dickie's Dream 3:10 I
10. Lester Leaps In 3:13 I
11. How Long Blues 3:00 I
12. Royal Garden Blues 3:09 I
13. Bugle Blues 2:23 I
14. Sugar Blues 2:59 I
15. Farewell Blues 3:19 I
16. Café Society Blues 3:19 I
17. Way Back Blues 3:30 I
18. St. Louis Blues 3:22 I
19. Neal's Deal 2:47 I
20. Bluebeard Blues 3:05 I
21. The Golden Bullet 2:29 I
22. You're My Baby, You 2:56 I
CD 2
Track Titel Zeit Besonderheit
Gesamtzeit 66:45  
1. Song Of The Islands 2:53 I
2. These Foolish Things (Remind Me Of You) 3:01 I
3. I'm Confessin' (That I Love You) 3:13 I
4. One O'clock Jump 2:53 I
5. I Ain't Got Nobody 3:09 I
6. Little White Lies 3:10 I
7. I'll Remember April 2:35 I
8. Tootie 2:49 I
9. Rock-A-Bye Basie 3:06 I
10. One Hour 3:02
11. Taxi War Dance 2:51 I
12. Twelfth Street Rag 3:05 I
13. Miss Thing, Part 1 2:56 I
14. Miss Thing, Part 2 2:44 I
15. Nobody Knows [Take 1] 2:50
16. Pound Cake 2:46 I
17. Song Of The Islands 3:04 I
18. Clap Hands! Here Comes Charlie 2:31 I
19. Tickle Toe 2:39 I
20. Louisiana 2:27 I
21. Easy Does It 3:29 I
22. Somebody Stole My Gal 2:54
23. I Want A Little Girl 2:38
CD 3
Track Titel Zeit Besonderheit
Gesamtzeit 70:59  
1. Five O'clock Whistle 3:06 I
2. Broadway 3:02 I
3. It's The Same Old South 3:10
4. Jump The Blues Away 3:04 I
5. The Jitters 2:48 I
6. 9:20 Special 3:12 I
7. Goin' To Chicago Blues 3:26
8. Harvard Blues 3:22
9. One O'clock Jump 3:04 I
10. It's Sand, Man 3:09 I
11. Ain't It The Truth 2:56 I
12. Taps Miller 3:20 I
13. Avenue C 3:06 I
14. Blue Skies 2:54
15. Queer Street 3:05 I
16. Lazy Lady Blues 3:06
17. Rambo 3:20 I
18. The King 3:08 I
19. Hob Nail Boogie 2:26 I
20. Mutton Leg 3:20 I
21. Stay On It 3:29 I
22. Little Pony 2:29 I
23. Beaver Junction 2:57 I
CD 4
Track Titel Zeit Besonderheit
Gesamtzeit 73:10  
1. One O'clock Jump 1:19 I L
2. Swingin' The Blues 4:26 I L
3. Rock-A-Bye Basie 3:42 I L
4. Don't Worry 'bout Me 3:10 L
5. Time Out 3:05 I L
6. Boogie Woogie Blues 3:17 L
7. Roseland Shuffle 2:13 I L
8. White Sails 2:12 L
9. Clap Hands! Here Comes Charlie 3:35 I L
10. One O'clock Jump 3:08 I L
11. They Can't Take That Away From Me 3:24 L
12. Swing, Brother, Swing 1:50 L
13. I Can't Get Started 2:47 L
14. Moten Swing 4:23 I L
15. Ebony Rhapsody 3:11 I L
16. Darn That Dream 3:56 L
17. Take It, Pres 3:40 I L
18. Baby, Don't Tell On Me 3:46 L
19. I Got Rhythm 5:23 I L
20. 9:20 Special 3:25 I L
21. Elmer's Tune 2:58 I L
22. Jumpin' At The Woodside 4:20 I L

Infos

CD 1:
#1-4: as Jones-Smith, Inc., Chicago, November 9, 1936
Carl Smith - trumpet, Lester Young - tenor sax, Count Basie - piano, Walter Page - bass, Jo Jones - drums, Jimmy Rushing (#2, 3) - vocal

#5-8: as Basie's Bad Boys, Chicago, February 13, 1939
Buck Clayton, Shad Collins - trumpets, Dickie Wells (#6) - trombone, Lester Young - tenor sax, Count Basie - piano (#5, 8) / organ (#6, 7), Freddie Green - guitar, Walter Page - bass, Jo Jones - drums, Jimmy Rushing (#6) - vocal

#9-10: as Count Basie's Kansas City Seven, New York, September 5, 1939
Buck Clayton - trumpet, Dickie Wells - trombone, Lester Young - tenor sax, Count Basie - piano, Freddie Green - guitar, Walter Page - bass, Jo Jones - drums

#11-18: as Count Basie & his All-American Rhythm Section, New York, July 24, 1942
Buck Clayton (#12-14, 18) - trumpet, Don Byas (#12-14, 18) - tenor sax, Count Basie - piano, Freddie Green - guitar, Walter Page - bass, Jo Jones - drums

#19-22: as Count Basie Octet. New York, May 16, 1950
Clark Terry - trumpet, Buddy DeFranco - clarinet, Charlie Rouse - tenor sax, Serge Chaloff - baritone sax, Count Basie - piano, Freddie Green - guitar, Jimmy Lewis - bass, Buddy Rich - drums

CD 2:
#1-8: as Count Basie Octet, New York, November 2 (#1-4) and 3 (#5-8), 1950
Clark Terry - trumpet, Buddy DeFranco - clarinet, Wardell Gray - tenor sax, Rudy Rutherford - baritone sax, Count Basie - piano, Freddie Green - guitar, Jimmy Lewis - bass, Gus Johnson - drums

#9-23: as Count Basie and his Orchestra; #9-11: New York, March 19, 1939; #12-14: Chicago, April 5, 1939; #15-16: Chicago, May 19, 1939; #17-18: New York, August 4, 1939, #19-20: New York, March 19,1940; #21-22: New York, March 20, 1940; #23: Chicago, August 8, 1940
Buck Clayton, Shad Collins (#9-18), Harry Edison, Ed Lewis, Al Kilian (#19-23) - trumpets, Dan Minor, Benny Morton (#9-18), Dickie Wells, Vic Dickenson (#19-23) - trombones, Earle Warren - alto sax, Lester Young, Buddy Tate - tenor sax, Jack Washington - baritone sax, Count Basie - piano, Freddie Green - guitar, Walter Page - bass, Jo Jones - drums, Helen Humes (10), Jimmy Rushing (15, 22) - vocal

CD 3: as Count Basie & his Orchestra
#1--2: New York, November 19, 1940; #3: New York, December 13, 1940; #4-5: New York, January 28, 1941; #6-7: Chicago, April 10, 1941
Buck Clayton, Al Killian, Harry Edison, Ed Lewis - trumpets, Dan Minor, Vic Dickenson (#1-3), Ed Cuffee (#4-7), Dickie Wells - trombones, Tab Smith (#3-7) - soprano sax / alto sax, Earle Warren - alto sax, Lester Young (#1, 2), Paul Bascomb (#3), Don Byas (#4-7), Buddy Tate, Coleman Hawkins (#6) - tenor sax, Jack Washington - baritone sax, Count Basie - piano, Freddie Green - guitar, Walter Page - bass, Jo Jones - drums, Jimmy Rushing (#3, 7) - vocal

#8: New York, November 17, 1941; #9: New York, January 21 ,1942; #10-11: Los Angeles, July 27, 1942
Buck Clayton, Harry Edison, Al Killian, Ed Lewis - trumpets, Dickie Wells, Robert Scott, Eli Robinson - trombones, Tab Smith (#8, 9) - soprano sax / alto sax, Coughey Roberts (#10, 11) - alto sax, Buddy Tate, Don Byas - tenor sax, Jack Washington - baritone sax, Count Basie - piano, Freddie Green - gutar, Walter Page - bass, Jo Jones - drums, Jimmy Rushing (#8) - vocal

#12: New York, December 6, 1944; #13: New York, February 26, 1945
Harry Edison, Al Killian, Joe Newman, Al Stearns (#12), Ed Lewis (#13) - trumpets, Dickie Wells, Ted Donnelly, Eli Robinson, Louis Taylor - trombone, Earle Warren, Jimmy Powell - alto sax, Buddy Tate, Lucky Thompson - tenor sax, Rudy Rutherford - clarinet / baritone sax, Count Basie - piano, Freddie Green - guitar, Rodney Richardson - bass, Shadow Wilson - drums

#14-15: Los Angeles, Octobr 9, 1945; #16-18: New York, February 4, 1946
Emmett Berry, Snooky Young (#14, 15), Joe Newman (#16-18), Harry Edison, Ed Lewis - tp, Dickie Wells (#14, 15), George Matthews (#16-18), Ted Donnelly, Eli Robinson, J.J.Johnson - tb, George Dorsey (#14, 15), Jimmy Powell (#16-18), Preston Love - as, Illinois Jacquet, Buddy Tate - ts, Rudy Rutherford - clarinet / baritone sax, Count Basie - piano, Freddie Green - guitar, Rodney Richardson - bass, Shadow Wilson (#14, 15), Jo Jones (#16-18) - drums, Jimmy Rushing (#15/17) - vocal

19-21: New York, July 31, 1946
Emmett Berry, Harry Edison, Ed Lewis, Joe Newman, Snooky Young - trumpet, J.J.Johnson, Ted Donnelly, George Matthews, Eli Robinson - trombone, Rudy Rutherford - clainet / alto sax, Preston Love - alto sax, Buddy Tate, Illinois Jacquet - tenor sax, Jack Washington - baritone sax, Count Basie - piano, Freddie Green - guitar, Walter Page - bass, Jo Jones - drums

#22-23: New York, April 10, 1951
Bob Mitchell, AlPorcino, Clark Terry, Lamar Wright - trumpet, Leon Comegys, Matthew Gee, Booty Wood - trombone, Marshall Royal, Rubin Phillips - alto sax, Wardell Gray, Lucky Thompson - tenor sax, Charlie Fowlkes - baritone sax, Jimmy Lewis - bass, Gus Johnson - drums

CD 4: as Count Basie & his Orchestra
#1-10: The Famous Door, New York City, July 15, 1939; #14: The Panther Room, Hotel Sherman, Chicago, June 5, 1939
Buck Clayton, Shad Collins, Harry Edison, Ed Lewis - trumpets, Dan Minor, Benny Morton, Dickie Wells - trombones, Earle Warren - alto sax, Buddy Tate, Lester Young - tenor sax, Jack Washington - baritone sax, Count Basie - piano, Freddie Green - guitar, Walter Page - bass, Jo Jones - drums, Helen Humes (#4, 8), Jimmy Rushing (#6) - vocal

#11-12: The Savoy Ballroom, New York City, June 30, 1937; #13: The Meadowbrook Lounge, Cedar Grove, New Jersey, November 3, 1937
Buck Clayton, Bobbie Moore, Ed Lewis - trumpet, Dan Minor, George Hunt (#11, 12), Eddie Durham (#13), Bennie Moten (#13) - tb, Earle Warren - alto sax, Lester Young, Herschel Evans - tenor sax, Jack Washington - baritone sax, Count Basie - piano, Freddie Green - green, Walter Page - bass, Jo Jones - drums, Billie Holiday - vocal

#15-19: The Southland Theatre Restaurant, Boston, February 20, 1940
Buck Clayton, Al Killian, Harry Edison, Ed Lewis - trumpets, Dan Minor, Vic Dickenson, Dickie Wells - trombone, Earle Warren - alto sax, Buddy Tate, Lester Young - tenor sax, Jack Washington - baritone sax, Count Basie - piano, Freddie Green - guitar, Walter Page - bass, Jo Jones - drums, Helen Humes (#16), Jimmy Rushing (#18) - vocal

#20-22: Café Society Uptown, New York City, September 20 (#20), October 10 (#21), September 29 (#22), 1941
Buck Clayton, Harry Edison, Al Killian, Ed Lewis - trumpet, Dickie Wells, Eli Robinson, Robert Scott - trombone, Tab Smith - soprano sax / alto sax, Earle Warren - alto sax, Don Byas, Buddy Tate - tenor sax, Jack Washington - baritone sax, Count Basie - piano, Freddie Green - guitar, Walter Page - bass, Jo Jones - drums
Passwort vergessen?

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

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