André Previn What Headphones?
CD, 1993

Herstellungsland USA
Veröffentlichungs-Jahr 1993
Zeit 51:27
EAN-Nr. 077775491722
Label/Labelcode Angel / LC 0110
Plattenfirma/Katalog-Nr. Angel International Records / 7 54917 2 2
Musikrichtung Jazz: Bebop, Cool Jazz, Latin-/Afro-Cuban Jazz, Swing
Sammlungen Gesucht Flohmarkt
1 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD
Track Titel Zeit Besonderheit
Gesamtzeit 51:27  
1. What Headphones? 6:08
2. You Are My All 5:26
3. Take The A Train 4:50
4. Outside The Cafe 3:10
5. All Is Well 4:42
6. A Portrait Of Bert Williams 4:13
7. Warm Valley 5:29
8. Holy Spirit In Me 3:20
9. I'm Beginning To See The Light 5:18
10. You're Gonna Hear From Me 4:19
11. You Never Gave Up On Me 4:32

Infos

[Frontcover:] P R E V I N
What Headphones?
J A Z Z

RAY BROWN • GRADY TATE • MUNDELL LOWE
WARREN VACHÉ • JIM PUGH • RICHARD TODD
ANTIOCH BAPTIST CHOIR

Produced by: Phil Ramone • Arranged by: Andre Previn Engineered by: Phil Ramone and John Patterson • Mixed by: Don Hahn at Westlake Studios, Los Angeles Project Coordinator: Jill Dell'Abate • Recorded at: Manhattan Center Studios, NY • Mix Assistant: Bryan Carrigan Assistant Engineers: Roy Clark, Richard Clarke, Bernadette Pfeifer Mastered by: Bernie Grundman at Bernie Grundman Mastering, Los Angeles Cover Photo: Daniel Root • Art Director: Bob Abriola • Recording Session Photos: Daniel Root

© ℗ 1993 Angel Records. Made in the U.S.A. Printed in U.S.A. ALL RIGHTS RESERVED. UNAUTHORIZED DUPLICATION IS A VIOLATION OF APPLICABLE LAWS. MANUFACTURED BY CAPITOL RECORDS INC. A SUBSIDIARY OF CAPITOL EMI, INC. HOLLYWOOD AND VINE STREETS, HOLLYWOOD, CA.

Angel® International - Trademark of Angel Records

STEREO

[SPARS-Code:] [DDD]


[8seitiges englischsprachiges Booklet enthält 6 Photos - siehe Abbildungen]


Dedication

QUITE NEAR MY HOME IN BEDFORD HILLS, NEW YORK, THERE IS THE ANTIOCH BAPTIST CHURCH. I WAS MADE AWARE OF THEIR CHORUS BY CAROLYN REED, A GOOD FRIEND OF MY FAMILY. SHE KNEW I LOVED GOSPEL SINGING, AND SHE ASSURED ME THAT THIS PARTICULAR CHORUS WAS A PRIME EXAMPLE OF THAT ART. CAROLYN TOOK ME TO A SERVICE, AND I WAS GENUINELY KNOCKED OUT BY THE SINGING. AS LED BY THEIR CHORUS MASTER EARL BROWN, AND HIS TWO TALENTED DAUGHTERS, THE SINGERS PRODUCED FERVENT, JOYOUS, AND BEAUTIFUL SOUNDS, AND I WAS INSTANTLY OVERCOME WITH THE WISH TO PLAY AND RECORD WITH THEM. I WAS HAPPY WHEN IT TURNED OUT THAT THEY WERE WILLING, AND SUBSEQUENTLY, ANGEL RECORDS AND PHIL RAMONE MADE IT POSSIBLE FOR ALL OF US TO GET TOGETHER IN MANHATTAN CENTER AND MAKE FOUR TRACKS. TO MY GREAT REGRET, CAROLYN COULD NOT BE THERE TO TAKE PRIDE IN THE CHORUS THAT DAY; SHE HAD LEFT US, BUT I AM HAPPY TO DEDICATE THIS RECORD TO HER MEMORY.

-ANDRÉ PREVIN


André Previn

André Previn was born in Berlin, but emigrated with his family to California shortly before the Second World War. He continued his musical studies, including composition with Joseph Achron and Mario Castelnuovo-Tedesco and conducting with Pierre Monteux. As a young man, he made a name for himself as a brilliantly successful composer of film music and as a pianist, in concerts, chamber music and jazz. Mr. Previn's conducting career now extends over the last 25 years and encompasses every major orchestra in the world. Long term relationships have included the Music Directorship of the Houston Symphony, the Principal Conductorship of the London Symphony Orchestra, a position he held for 11 years and the Music Directorship of the Pittsburgh Symphony. From 1985 – 1989 he was Music Director of the Los Angeles Philharmonic. At the same time, he served as Musical Director of the Royal Philharmonic Orchestra.
His work with other orchestras — and in particular, with the LSO, has taken him on innumerable tours around the globe and has resulted in an enormous catalogue of recordings covering every conceivable part of the orchestral repertoire. Mr. Previn's work on television has also been definitive: his regular series of programs with the LSO in the 1970's had a major impact on audiences throughout Britain and did much to create a new public for classical music. He appears with the Vienna Philharmonic every season and has regularly conducted the Berlin Philharmonic, New York Philharmonic, Boston Symphony and Philadelphia Orchestras. Recent engagements have included concerts with the Cleveland, New York, Pittsburgh and San Francisco Symphony Orchestras, as well as the Royal Concertgebouw and Dresden Staatskapelle Orchestras. The 1992/93 season sees Andre Previn return to the London Symphony Orchestra as Conductor Laureate.
Mr. Previn not only manages to find time to play chamber music on the piano, but also to play occasional concertos. He has also continued to be active as a composer and his works include "Principals," commissioned by the Pittsburgh Symphony and "Reflections," commissioned by the Philadelphia Orchestra. Other successful works have included "Every Good Boy Deserves Favour," written by him jointly with Tom Stoppard and by now, performed all over the world; a piano concerto commissioned by Vladimir Ashkenazy; a song-cycle premiered in London by Dame Janet Baker, and a song-cycle written for Kathleen Battle entitled "Honey & Rue," which was recently premiered at Carnegie Hall and received great critical acclaim. In March 1993, Mr. Previn's new cello sonata for Yo Yo Ma was given its premiere in Amsterdam by the composer and Yo Yo Ma.
Mr. Previn lives in the USA with his wife, Heather and their children.

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.