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American Folk Blues Festival, Jazz House, Wiesbaden 1963
2-CD, Bootleg, Live, Mono
| Herstellungsland | Unbekannt |
|---|---|
| Veröffentlichungs-Jahr | unbekannt |
| Zeit | 119:15 |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | k.A. |
| Plattenfirma/Katalog-Nr. | Unbekannt / nicht vorhanden |
| Musikrichtung | Blues |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 0 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD 1 | ||||
|---|---|---|---|---|
| Track | Künstler/Band | Titel | Zeit | Besonderheit |
| Gesamtzeit | 61:17 | |||
| 1. | Unbekannt | Intro | 0:35 | L |
| 2. | Memphis Slim & Matt Murphy | Shuffle | 4:39 | L |
| 3. | Memphis Slim | Baby, Please Come Home (Gotta Satisfy My Baby) | 5:17 | L |
| 4. | Memphis Slim | Low Down Dirty Shame | 3:15 | L |
| 5. | Matt "Guitar" Murphy | Jamboree | 4:31 | L |
| 6. | Memphis Slim | After Hours | 7:41 | L |
| 7. | Memphis Slim | Baby Please Come Home (Alt Version) | 3:57 | L |
| 8. | Memphis Slim | I Know A Girl Like You | 5:05 | L |
| 9. | Sonny Boy Williamson II | Unreign Me/Loose Me Baby | 9:51 | L |
| 10. | Sonny Boy Williamson II | I Can’T Live Without You/That’S What I Want You To Do | 6:32 | L |
| 11. | Sonny Boy Williamson II | Tell Me What It’S All About/Your Funeral And My Trial | 9:54 | L |
| CD 2 | ||||
|---|---|---|---|---|
| Track | Künstler/Band | Titel | Zeit | Besonderheit |
| Gesamtzeit | 57:58 | |||
| 1. | Sonny Boy Williamson II | Sad To Be Lonesome | 1:46 | L |
| 2. | Sonny Boy Williamson II | I Don’T Know | 6:45 | L |
| 3. | Sonny Boy Williamson II | From The Bottom | 5:17 | L |
| 4. | Sonny Boy Williamson II | Bye, Bye Bird | 6:15 | L |
| 5. | Sonny Boy Williamson II | I Don’T Care No More | 4:31 | L |
| 6. | Sonny Boy Williamson II | Nine Below Zero | 4:24 | L |
| 7. | Sonny Boy Williamson II | Eyesight To The Blind | 5:19 | L |
| 8. | Sonny Boy Williamson II | One Way Out | 4:01 | L |
| 9. | Sonny Boy Williamson II | Trust My Baby With Unknown Guitarist (Matt “Guitar” Murphy?) | 7:23 | L |
| 10. | Sonny Boy Williamson II | C-Jam Blues | 4:00 | L |
| 11. | Sonny Boy Williamson II | Untitled | 1:47 | L |
| 12. | Memphis Slim | Untitled (Incomplete) | 6:30 | L |
Infos
American Folk Blues Festival, Wiesbaden 1963
Live at the Jazz House, Wiesbaden, November 1963.
Featuring Memphis Slim, Matt “Guitar” Murphy, Sonny Boy Williamson, Bill Stepney
Good to fairly good soundboard.
"The tour was repeated in 1963, because the whole “AFBF thing” proved to be lucrative for Lippmann & Rau. They had successfully realized an innovative idea, and so they kept on presenting the “American Folk Blues Festival”. But along with the success also came difficulties. It was no longer possible to simply walk backstage and book the musicians. You had to go through the management. And the promoters were prepared for demand from smaller venues and organized a so-called “small tour” in 1963 that also had its own slimmer tour program booklet, with the title “Folk Blues USA”.
The smaller line-up of this tour segment included Memphis Slim (again), Sonny Boy Williamson, Matt “Guitar” Murphy, and Bill Stepney on drums. This well-chosen combination featuring musicians that were quite well acquainted with each others was sent across the country. And bigger stars such as Muddy Waters and Otis Spann, who were part of the concert version of the 1963 AFBF, probably wouldn’t have agreed to do additional club dates. This quartet probably stayed on after the regular tour had been completed, which would have been the second half of November. The precise date for the appearance at the Jazz House in Wiesbaden can unfortunately not be pinpointed.
The 1963 Jazz House gig was also a very delightful evening. Witnesses report that Sonny Boy Williamson could only be lured off stage with a bottle of whiskey held out to him by the hostess. And this time, sound recordings from the evening have also survived, albeit in bad quality, but with lots of atmosphere. Albert Butz remembers with a smile: “A friend of mine sat in the kitchen in front of the reel-to-reel tape recorder and desperately tried to adjust the recording levels.” Incidentally, the titles performed that evening have nothing in common with the song titles printed in the official program booklet – maybe somebody should have shown it to the musicians… It all goes to prove that this was quite an easy-going affair, almost like in a corner bar in Chicago. Sonny Boy Williamson, who contributed immensely to the success of the whole tour, was in high spirits and had the audience in the palm of his hands." [From jazz-auction.com]
Live at the Jazz House, Wiesbaden, November 1963.
Featuring Memphis Slim, Matt “Guitar” Murphy, Sonny Boy Williamson, Bill Stepney
Good to fairly good soundboard.
"The tour was repeated in 1963, because the whole “AFBF thing” proved to be lucrative for Lippmann & Rau. They had successfully realized an innovative idea, and so they kept on presenting the “American Folk Blues Festival”. But along with the success also came difficulties. It was no longer possible to simply walk backstage and book the musicians. You had to go through the management. And the promoters were prepared for demand from smaller venues and organized a so-called “small tour” in 1963 that also had its own slimmer tour program booklet, with the title “Folk Blues USA”.
The smaller line-up of this tour segment included Memphis Slim (again), Sonny Boy Williamson, Matt “Guitar” Murphy, and Bill Stepney on drums. This well-chosen combination featuring musicians that were quite well acquainted with each others was sent across the country. And bigger stars such as Muddy Waters and Otis Spann, who were part of the concert version of the 1963 AFBF, probably wouldn’t have agreed to do additional club dates. This quartet probably stayed on after the regular tour had been completed, which would have been the second half of November. The precise date for the appearance at the Jazz House in Wiesbaden can unfortunately not be pinpointed.
The 1963 Jazz House gig was also a very delightful evening. Witnesses report that Sonny Boy Williamson could only be lured off stage with a bottle of whiskey held out to him by the hostess. And this time, sound recordings from the evening have also survived, albeit in bad quality, but with lots of atmosphere. Albert Butz remembers with a smile: “A friend of mine sat in the kitchen in front of the reel-to-reel tape recorder and desperately tried to adjust the recording levels.” Incidentally, the titles performed that evening have nothing in common with the song titles printed in the official program booklet – maybe somebody should have shown it to the musicians… It all goes to prove that this was quite an easy-going affair, almost like in a corner bar in Chicago. Sonny Boy Williamson, who contributed immensely to the success of the whole tour, was in high spirits and had the audience in the palm of his hands." [From jazz-auction.com]