Ry Cooder Boomer's Story
CD, 1991, Re-Release

Herstellungsland Deutschland
Veröffentlichungs-Jahr 1991
Orig. Release 1972
Zeit 38:38
EAN-Nr. 075992639828
Label/Labelcode Reprise Records / LC 0322
Plattenfirma/Katalog-Nr. Reprise Records / WEA International Inc. / 7599-26398-2
Musikrichtung Blues
Sammlungen Gesucht Flohmarkt
18 (8 privat) 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD
Track Titel Zeit Besonderheit
Gesamtzeit 38:38  
1. Boomer's Story 4:13
2. Cherry Ball Blues 4:10 I C
3. Crow Black Chicken 2:14 C
4. Ax Sweet Mama 4:23 C
5. Maria Elena 4:30 I C
6. Dark End Of The Street 3:25 I C
7. Rally 'round The Flag 3:34
8. Comin' In On A Wing And A Prayer 3:00 C
9. President Kennedy 4:39 C
10. Good Morning Mr. Railroad Man 4:30

Infos

Boomer's Story (trad.) "The Railroad Boomer" was recorded several times, including by Bud Billings (Frank Luther) and Carson Robison ['29, Victor V40139, and other versions], George Riley (Goebel Reeves) ['30, "The Railroad Bum", Banner 32098]. Moonshine Kate ['30, "The Poor Girl's Story", Okeh 45547]. the Pine Ridge Boys ['41, Bluebird B8671], the Rice Brothers Gang ['41, Decca 5971], and Riley Puckett ['41, Bluebird B8989]. Cisco Houston included it in his 1952 LP 900 Miles [Folkways FA 2013] (as "The Rambler"); see "Good Morning Mr. Railroad Man" below. Cooder's flat black album cover for Boomer's Story seems to be modeled after Houston's 900 Miles as well.

Cherry Ball Blues (Skip James) Skip James ['31, Paramount 13065, and in the '60s several versions, including Skip James Today!, '66, Vanguard VRS 9219].

Crow Black Chicken (Lawrence Wilson) Leake County Revelers ['28, Columbia 15318- D]. Covered by the New Lost City Ramblers ['61, Tom Paley, John Cohen, Mike Seeger sing Songs of the New Lost City Ramblers, Folkways FA 2494; '62, Volume 4, FA 2399; '64, Old Timey Music, FF 102]

Ax Sweet Mama (Sleepy John Estes) This seems to be a different song from Estes' "Sweet Mama" ['30, Victor 23318]. Liner notes give the copyright as 1972, and since Estes performed on one of the songs on the album, it could have been learned directly by Cooder from Estes.This song was recorded by Sleepy John Estes with the title Milk Cow Blues.

Maria Elena (Lorenzo Barcelata) A hit guitar instrumental from 1963 by the Brazilian duo Los Indios Tabajaros [RCA 8216] It is a Mexican song first recorded in 1934 by the Hermanos Castilla [Victor]. Other Spanish-language versions include Orquesta Pajara Azul [‘34], Felix Tamez [‘34], Cuarteto Carrey, vocal by Panchito Riset [‘36], and the song’s writer Lorenzo Barcelata [‘40]. When English lyrics were added (by Russell in 1940) the song became a hit in several versions: first by Lawrence Welk [rec. 9/40, Okeh 9939], then by Jimmy Dorsey [Decca 3698], Wayne King [Victor 26767] and Tony Pastor [Bluebird 11127]; and other versions were recorded by Adolph Hofner & his Texans [2/40, Bluebird B-8416] and Gene Autry [‘41, Okeh 06435].

Dark End of the Street (Dan Penn, Chips Moman) An often-recorded song introduced by James Carr ['67, Goldwax 317]. It appeared on the Flying Burrito Brothers classic LP The Gilded Palace of Sin ['69, A&M SP-4175].

Rally 'Round the Flag (trad.) Rypens reports that it was "originally written as "The Battle Cry Of Freedom", introduced in Chicago by the Lombard Brothers and spread all over America by The Hutchinson Family (1850s). In modern times, it was sung by Miriam Hopkins in the 1940 film Virginia City (again, from Rypens), and recorded by the Weavers ['63, Weavers' Almanac, Vanguard VSD-2101].

Comin' In On a Wing and a Prayer (Harold Adamson, Jimmie McHugh) A big hit from 1943, by the Song Spinners [Decca 18553], with other versions by Willie Kelly [Hit 7046], R&B group the Four Vagabonds [Bluebird 30-0815], and gospel group the Golden Gate Quartet [Okeh 6713]. Also recorded by Joseph Spence ['59,Bahamian Folk Guitar, Folkways FS 3844; and '72, Good Morning, Mr. Walker, Arhoolie 1061].

President Kennedy (Sleepy John Estes) Also with a 1972 copyright, this was also performed by Estes in 1969 at the Memphis Blues Festival ["President Kennedy Stayed Away Too Long", Blue Thumb BT 6000]. It originated as "Blues for J..F.K." in 1964 on Delmark DL611.

Good Morning Mr. Railroad Man (trad.) "Danville Girl" was one of Woody Guthrie's Asch recordings from 1944; the CD liner notes (Asch Recordings Vol. 2) state that "the lyrics are from the "Poor Boy" family and sung to the traditional "Cannonball Blues" melody." One website (ciscohouston.com) reports that Alan Lomax pulled it together from various sources and published it in his 1934 American Ballads and Folk Songs [Macmillan]. The same website reports that Cisco Houston included it in his 1952 LP 900 Miles [Folkways FA 2013] (as "The Gambler") and his 1962 LP I Ain't Got No Home (aka The Legendary Cisco Houston) [Vanguard VSD-2107]. It was recorded by Pete Seeger on his 1950 Darling Corey [Folkways FA 2003] and the New Lost City Ramblers ['63, Gone to the Country, Folkways FA2491]. Earlier sources may include "Danville Girl" by Dock Boggs ['27, Brunswick 132] - at least one verse is the same. This was a variation of a song frequently recorded in the '20s under various titles, such as "Wild and Reckless Hobo" and "Ten Thousand Miles from Home" (See Meade, Spottswood & Meade).

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.