Marvin Bone
CD, 1992

Herstellungsland USA
Veröffentlichungs-Jahr 1992
Zeit 51:11
EAN-Nr. 018777271226
Label/Labelcode nicht vorhanden
Plattenfirma/Katalog-Nr. Restless / 7 72712-2
Musikrichtung Rock: Country Rock, Folk Rock
Sammlungen Gesucht Flohmarkt
1 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD
Track Titel Zeit Besonderheit
Gesamtzeit 51:11  
1. The Needle 0:03
2. Train Of Love 4:44
3. Hope You're Happy 4:08
4. Vanishing Breed 2:58
5. False Alarm 4:38
6. Dance Like An Animal 4:28
7. You Gotta Eat 0:24
8. Duane Drops The Needle 0:03
9. Sing Fat 0:12
10. Hot Off The Press 4:16
11. Boy Meets Devil 4:30
12. Who Calls The Shots 3:32
13. To Bone Or Not To Bone 0:26
14. X4$ 2:54
15. Senórita 1:10
16. The Naked Truth 3:51
17. Frozen In Time 5:58
18. You Believe In Money "Live" 2:56

Infos

℗ © 1992 Restless Records/Regional Records. All Rights Reserved.

[4seitiges Booklet mit allen Mitwirkenden nach Titeln aufgeschlüsselt:]

The Needle
This CD is AVD /Analog Vinyl Digital

Train of Love
Everybody wants what they can't touch
Marvin: vox, Telecaster
Duane "DJ" Jarvis: Electric Guitar (The Slider)
Donald "The Clock" Lindley: Drums
Gurf Morlix: Bass
The Marvinetz: DJ, Gurf, Willie Aron
Recorded by Milo at Hully Gully
Mixed by David Vaught at Camp David
Written by Marvin Etzioni
My Youth Music/Peer Int. Corp. [BMI]

Hope You're Happy
With all that my heart will allow
I hope you're happy now
Marvin: vox, Telecaster
DJ: Electric Guitar
The Clock: Drums
Pat Donaldson: Five String Bass
Benmont Tench: Organ + Piano
The Marvinetz: Willie Aron, Elizabeth
Recorded by Milo at Hully Gully and David Vaught at Camp David
Mixed by David Vaught at Camp David
Co-Mixed with Benmont
Written by Marvin Etzioni
Prophet Sharing Music/PSO Ltd. [ASCAP]

Vanishing Breed
The word good-bye still makes me bleed
Marvin: vox, Telecaster
DJ: Electric Guitar
The Clock: Drums
Pat Donaldson: Five String Bass
Recorded by Milo at Hully Gully
Mixed by David Vaught at Camp David
Written by Marvin Etzioni and Duane Jarvis
My Youth Music/Peer Int. Corp. [BMI] /Casa de DJ ASCAP

False Alarm
Don't cry love till you feel it burn
Marvin: vox Telecaster
DJ: Electric Guitar
The Clock: Drums
Pat Donaldson: Five String Bass
Gurf Morlix: Phantom Bass, b.g. vox
Recorded by Milo at Hully Gully
Mixed by David Vaught at Camp David
Written by Marvin Etzioni and Sam Lorber
My Youth Music/Geffen Again Music [BMI]/WB Music Corp./ Bob Montgomery Music Inc. [ASCAP]

Dance Like An Animal
Marvin: vox, Telecaster
DJ: Electric Guitar
The Clock: Drums
Pat Donaldson: Five String Bass
The Marvinetz: Willie, Marvin
Recorded by Milo at Hully Gully and Eng. Bill Hullet at Bill Hullet Recorders (Nashville)
Mixed by David Vaught at Camp David
Written by Marvin Etzioni
My Youth Music/Peer Int. Corp. [BMI]

You Gotta Eat
...You Gotta Behave
Marvin: vox, Fender Bass and Electric Octave Mandolin
The Clock: Drums
Peter Kent: Strings
Recorded by David Vaught at Camp David
Mixed by David Vaugt at Sound Castle
Written by Elan Etzioni when he was four years old
Prophet Sharing Music (ASCAP]

Duane Drops The Needle

Sing Fat
Unidentified Delivery Person: Doorbell
Casey Dolan: Electric Guitar
Recorded and Mixed by David Vaught at Camp David

Hot Off The Press
The only difference between a man and a mouse is one gets caught and the other moves out
Marvin: vox, Telecaster and keys
DJ: Electric Guitar
The Clock: Drums and a very special cameo Vocal Appearance
Pat Donaldson: Five String Bass
The Marvinetz: DJ and Willie
Radio Interference Beyond Our Control
Recorded by Milo at Hully Gully and Eng. Bill Hullet at Bill Hullet Recorders (Nashville)
Mixed by David Vaught at Camp David
Written by Marvin Etzioni
My Youth Music/Peer Int. Corp. [BMI]

Boy Meets Devil
How well she hides a heart colder than metal, Beware of the angel coming down to your level God help the boy when...
Marvin: vox, Telecaster, Fender Bass, Mandolin
DJ: Electric Guitars (The Slider Returns)
The Clock: Drums
Recorded by Milo at Hully Gully and David Vaught at Red Zone and Camp David
Mixed by David Vaught at Camp David
Written by Marvin Etzioni and Radney Foster
Prophet Sharing Music/PSO Ltd./ BMG Songs Inc./Muckleroy Music [ASCAP]

Who Call The Shots
I can't revolve my life around no ghost
Marvin: vox, Mandolin, Telecaster and Laughter
DJ: More Slide Guitars
The Clock: Drums
Pat Donaldson: Five String Bass
Phil Parlapiano: Accordion
The Marvinetz: Willie and Marvin background vocal part Inspired by Warren "Between The Buttons" Pash
Recorded by Milo at Hully Gully and David Vaught at Camp David
Mixed by David Vaught at Camp David
Written by Marvin Etzioni and Duane Jarvis
My Youth Music/Peer Int. Corp. [BMI]/ Casa de DJ [ASCAP]

To Bone Or Not To Bone
Baby don't turn me down...

X 4 $
Now I don't want it After I bought it
Marvin: vox, Telecaster, Fender Bass, Mandolin
DJ: Electric Guitar, Harmonica
The Clock: Drums
Benmont Tench: Mandolin Coach
Recorded by Milo at Hully Gully
Mixed by David Vaught at Camp David
Written by Marvin Etzioni
My Youth Music/Peer Int. Corp. [BMI]

Senorita
Marvin: vox, Telecaster, Fuzz Bass, Mandolin
DJ: Electric Guitar
The Clock: More Drums
Don Heffington: Bongos "The Nashville Bongist"
Recorded by Milo at Hully Gully and Eng. Bill Hullet at Bill Hullet Recorders (Nashville)
Mixed by David Vaught at Camp David
Written by Marvin Etzioni
My Youth Music BMI

The Naked Truth
When did you start wearing men's cologne
Marvin: vox, Telecaster, Mandolin
DJ: Slide and Revolution Guitars
The Clock: Drums
Pat Donaldson: Five String Bass
Recorded by Milo at Hully Gully
Mixed by David Vaught at Camp David
Written by Marvin Etzioni and Duane Jarvis
My Youth Music/Peer Int. Corp. [BMI]/ Casa de DJ ASCAP

Frozen In Time
Where the hell does love go when the sun comes up
Marvin: vox, Telecaster, Fender Bass
DJ: Electric Six and Twelve String Guitars
The Clock: Drums (featuring the Tambotom Sound)
Benmont Tench: The Organ Animal
Recorded by Milo at Hully Gully and David Vaught at Camp David
Mixed by David Vaught at Camp David
Written by Marvin Etzioni and Sam Lorber
Prophet Sharing Music/PSO Ltd./ Sony Tunes ASCAP

You Believe In Money
But oh honey money don't believe in you
Marvin: vox, Electric Octave Mandolin
Recorded live by Al Rogozinski on my lousy Sony Dat with one mic placed somewhere on stage, June 4, 1992 Springfield, Mo. at The Regency (Thanks; Toad, Blook, Al, Palm and Quake) Written by Marvin Etzioni and Peter Moore
Prophet Sharing Music/ Famous Music Corp. [ASCAP]/ PMS Music [SOCAN]

Produced by Marvin Etzioni for Peer-Southern Productions and Regional Records
Mixed by David Vaught
Mastered by Bernie Grundman (as was The Mandolin Man)
Art Direction: Marvin Etzioni and Pat Dillott
Photography: Joseph D'Alessio
Front Cover Drawing: Elon Etzioni age 4
Front Cover Calligraphy: Elon Etzioni age 6
DJ says Yo, GNL Guitars (Steve Grom), Seymour Duncan (Mark Spangler)
Management: Steven Rosen

Marvin Fanclub and mailorder info: P.O. Box 462094 Los Angeles, Ca. 90046

...and from Tom Petty and The Heartbreakers we got Benmont Tench. And he's wonderful.
Thank You. and Thank God.


[CD-Innenring Druckseite:] ℗ © 1992 RESTLESS RECORDS LTD. ALL RIGHTS RESERVED. MANUFACTURED IN USA. 7 72712-2
[CD-Innenring Abtastseite, alles in Spiegelschrift:] 72712-2 (V) · [gegenüber, 2zeilig:] :MASTERED: :BY NIMBUS:

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.