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Herstellungsland | Europäische Union |
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Veröffentlichungs-Jahr | 2015 |
Zeit | 3416:08 |
EAN-Nr. | 825646100552 |
Label/Labelcode | WARNER CLASSICS / LC 02822 |
Plattenfirma/Katalog-Nr. | Parlophone Records Limited / Warner Music Group / 082564610552 |
Musikrichtung | Klassik |
Sammlungen | Gesucht | Flohmarkt |
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1 (1 privat) | 0 | 0 |
CD 1 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 49:06 | |||
1. | Leoš Janáček | Glagolitc Mass - Mša Glagolskaja: I. Úvod | 49:06 | |
2. | Leoš Janáček | Glagolitc Mass - Mša Glagolskaja: II. Gospodi Pomiluj | ||
3. | Leoš Janáček | Glagolitc Mass - Mša Glagolskaja: III. Slava | ||
4. | Leoš Janáček | Glagolitc Mass - Mša Glagolskaja: IV. Vĕruju | ||
5. | Leoš Janáček | Glagolitc Mass - Mša Glagolskaja: V. Svet | ||
6. | Leoš Janáček | Glagolitc Mass - Mša Glagolskaja: VI. Agneče Božij | ||
7. | Leoš Janáček | Glagolitc Mass - Mša Glagolskaja: VII. Postludium: Varhany Sólo | ||
8. | Leoš Janáček | Glagolitc Mass - Mša Glagolskaja: VIII. Intrada | ||
9. | Benjamin Britten | War Requiem, Op. 66: I. Requiem Aeternam: Requiem Aeternam Dona Esi Domine (Chorus/Boys) | ||
10. | Benjamin Britten | War Requiem, Op. 66: I. Requiem Aeternam: What Passing Bells For These Who Die As Cattle? (Tenor) | ||
11. | Benjamin Britten | War Requiem, Op. 66: I. Requiem Aeternam: Kyrie Eleison (Chorus) |
CD 2 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 73:32 | |||
1. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Dies Irae, Dies Illa (Chorus) | 73:32 | |
2. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Bugles Sang, Saddening The Evening Air (Baritone) | ||
3. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Liber Scriptus Proferetur (Soprano/Semi-Chorus) | ||
4. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Out There, We've Walked Quite Friendly Up To Death (Tenor/Baritone) | ||
5. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Recordare Jesu Pie (Chorus) | ||
6. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Be Slowly Lifted Up, Thou Long Black Arm (Baritone) | ||
7. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Dies Irae, Dies Illa (Chorus) | ||
8. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Lacrimosa Dies Illa (Soprano/Chorus) | ||
9. | Benjamin Britten | War Requiem, Op. 66: II. Dies Irae. Move Him Into The Sun (Tenor/Soprano/Chorus) / Pie Jesu (Chorus) | ||
10. | Benjamin Britten | War Requiem, Op. 66: III. Offertorium. Domine Jesu Christe (Boys/Chorus) | ||
11. | Benjamin Britten | War Requiem, Op. 66: III. Offertorium. So Abram Rose, And Clave The Wood, And Went (Tenor/Baritone/Boys) | ||
12. | Benjamin Britten | War Requiem, Op. 66: IV. Sanctus. Sanctus, Sanctus, Sanctus (Soprano/Chorus) | ||
13. | Benjamin Britten | War Requiem, Op. 66: IV. Sanctus. Benedictus Qui Venit In Nomine Domini (Soprano/Chorus) | ||
14. | Benjamin Britten | War Requiem, Op. 66: IV. Sanctus. After The Blast Of Lightning From The East (Baritone) | ||
15. | Benjamin Britten | War Requiem, Op. 66: V. Agnus Dei (Tenor/Chorus) | ||
16. | Benjamin Britten | War Requiem, Op. 66: VI. Libera Me. Libera Me, Domine, De Morte Aeterna (Soprano/Chorus) | ||
17. | Benjamin Britten | War Requiem, Op. 66: VI. Libera Me. It Seemed That Out Of Battle I Escaped (Tenor/Baritone) | ||
18. | Benjamin Britten | War Requiem, Op. 66: VI. Libera Me. "Let Us Sleep Now...In Paradisum" (Tenor/Baritone/Boys/Soprano/Chorus) |
CD 3 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 78:09 | |||
1. | Benjamin Britten | An American Overture | 78:09 | |
2. | Benjamin Britten | Ballad Of Heroes, Op. 14: I. Funeral March (Swingler) - | ||
3. | Benjamin Britten | Ballad Of Heroes, Op. 14: II. Scherzo (Auden) - | ||
4. | Benjamin Britten | Ballad Of Heroes, Op. 14: III. Recitative And Choral (Auden/Swingler) | ||
5. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Theme - | ||
6. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var I: Recitative - | ||
7. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var. II: Romance - | ||
8. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var III. Variation 3: March - | ||
9. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var IV: Arabesque - | ||
10. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var V: Chant - | ||
11. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var VI: Nocturne - | ||
12. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var VII: Badinerie - | ||
13. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var VIII: Burlesque - | ||
14. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var IX: Toccata I - Toccata II - Cadenza - | ||
15. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var X: Adagio - | ||
16. | Benjamin Britten | Diversions, Op. 21 For Piano (Left Hand) And Orchestra: Var XI: Finale (Tarantella) | ||
17. | Benjamin Britten | The Building Of The House, Op. 79 | ||
18. | Benjamin Britten | Praise We Great Men (Ed. & Orch. By Colin Matthews): Praide We Great Men - | ||
19. | Benjamin Britten | Praise We Great Men (Ed. & Orch. By Colin Matthews): Praise We The Just - | ||
20. | Benjamin Britten | Praise We Great Men (Ed. & Orch. By Colin Matthews): (Coda) | ||
21. | Benjamin Britten | Suite On English Folk Tunes "A Time There Was", Op. 90: I. Cakes And Ale | ||
22. | Benjamin Britten | Suite On English Folk Tunes "A Time There Was", Op. 90: II. The Bitter Withy | ||
23. | Benjamin Britten | Suite On English Folk Tunes "A Time There Was", Op. 90: III. Hankin Booby | ||
24. | Benjamin Britten | Suite On English Folk Tunes "A Time There Was", Op. 90: IV. Hunt The Squirrel | ||
25. | Benjamin Britten | Suite On English Folk Tunes "A Time There Was", Op. 90: V. Lord Melbourne |
CD 4 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 77:36 | |||
1. | Benjamin Britten | Canadian Carnival, Op. 19 | 77:36 | |
2. | Benjamin Britten | Young Apollo, Op. 16 | ||
3. | Benjamin Britten | Quatre Chansons Françaises: No. 1. Les Nuits De Juin | ||
4. | Benjamin Britten | Quatre Chansons Françaises: No. 2. Sagesse | ||
5. | Benjamin Britten | Quatre Chansons Françaises: No. 3. L'enfance | ||
6. | Benjamin Britten | Quatre Chansons Françaises: No. 4. Chanson D'automne | ||
7. | Benjamin Britten | Scottish Ballad, Op. 26 | ||
8. | Benjamin Britten | Occasional Overture, Op. 38 | ||
9. | Benjamin Britten | Sinfonia Da Requiem, Op. 20: I. Lacrymosa: Andante Ben Marcato - | ||
10. | Benjamin Britten | Sinfonia Da Requiem, Op. 20: II. Dies Irae: Allegro Con Fuoco - | ||
11. | Benjamin Britten | Sinfonia Da Requiem, Op. 20: III. Requiem Aeternam: Andante Molto Tranquillo |
CD 5 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 77:59 | |||
1. | Kurt Weill | Die Sieben Todsünden: Prolog | 77:59 | |
2. | Kurt Weill | Die Sieben Todsünden: I. Faulheit (Family) | ||
3. | Kurt Weill | Die Sieben Todsünden: II. Stolz (Anna I / Family) | ||
4. | Kurt Weill | Die Sieben Todsünden: III. Zorn (Anna I & II / Family) | ||
5. | Kurt Weill | Die Sieben Todsünden: IV. Völlerei (Family) | ||
6. | Kurt Weill | Die Sieben Todsünden: V. Unzucht (Anna I & II / Family) | ||
7. | Kurt Weill | Die Sieben Todsünden: VI. Habsucht (Family) | ||
8. | Kurt Weill | Die Sieben Todsünden: VII. Neid (Anna I / Family) | ||
9. | Kurt Weill | Die Sieben Todsünden: Epilog (Anna I & II) | ||
10. | Ralph Vaughan Williams | On Wenlock Edge: No. 1. On Wenlock Edge | ||
11. | Ralph Vaughan Williams | On Wenlock Edge: No. 2. From Far, From Eve And Morning | ||
12. | Ralph Vaughan Williams | On Wenlock Edge: No. 3. Is My Team Ploughing | ||
13. | Ralph Vaughan Williams | On Wenlock Edge: No. 4. Oh, When I Was In Love With You | ||
14. | Ralph Vaughan Williams | On Wenlock Edge: No. 5. Bredon Hill | ||
15. | Ralph Vaughan Williams | On Wenlock Edge: No. 6. Clun | ||
16. | Ralph Vaughan Williams | Song Of Travel: No. 1. The Vagabond | ||
17. | Ralph Vaughan Williams | Song Of Travel: No. 2. Let Beauty Awake | ||
18. | Ralph Vaughan Williams | Song Of Travel: No. 3. The Roadside Fire | ||
19. | Ralph Vaughan Williams | Song Of Travel: No. 4. Youth And Love | ||
20. | Ralph Vaughan Williams | Song Of Travel: No. 5. In Dreams | ||
21. | Ralph Vaughan Williams | Song Of Travel: No. 6. The Infinite Shining Heavens | ||
22. | Ralph Vaughan Williams | Song Of Travel: No. 7. Whither Must I Wander | ||
23. | Ralph Vaughan Williams | Song Of Travel: No. 8. Bright Is The Ring Of Words | ||
24. | Ralph Vaughan Williams | Song Of Travel: No. 9. I Have Trod The Upward And Downward Slope |
CD 6 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 67:47 | |||
1. | Sergei Wassiljewitsch Rachmaninow | Symphonic Dances, Op. 45: I. Non Allegro | 67:47 | |
2. | Sergei Wassiljewitsch Rachmaninow | Symphonic Dances, Op. 45: II. Andante Con Moto (Tempo Di Valse) | ||
3. | Sergei Wassiljewitsch Rachmaninow | Symphonic Dances, Op. 45: III. Lento Assai - Allegro Vivace | ||
4. | Sergei Wassiljewitsch Rachmaninow | Vocalise, Op. 34 No. 14 | ||
5. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: I. Allegro Maestoso |
CD 7 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 61:55 | |||
1. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: II. Andante Moderato | 61:55 | |
2. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: III. In Ruhig Fließender Bewegung | ||
3. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: IV. Urlicht. Sehr Feierlich, Aber Schlicht | ||
4. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: V. Im Tempo Des Scherzos: Wild Herausfahrend - | ||
5. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: V. Im Tempo Des Scherzos: Wieder Sehr Breit - | ||
6. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: V. Im Tempo Des Scherzos: Ritardando...Maestoso - | ||
7. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: V. Im Tempo Des Scherzos: Wieder Zurückhaltend - | ||
8. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: V. Im Tempo Des Scherzos: Langsam. Misterioso - | ||
9. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: V. Im Tempo Des Scherzos: Etwas Bewegter - | ||
10. | Gustav Mahler | Symphony No. 2 In C Minor “Resurrection”: V. Im Tempo Des Scherzos: Mit Aufschwung Aber Nicht Eilen - |
CD 8 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:12 | |||
1. | Gustav Mahler | Das Klagende Lied: I. Waldmärchen | 65:12 | |
2. | Gustav Mahler | Das Klagende Lied: II. Der Spielmann | ||
3. | Gustav Mahler | Das Klagende Lied: III. Hochzeitsstück |
CD 9 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 68:13 | |||
1. | Arnold Schoenberg | Piano Quartet No. 1 In G Minor, Op. 25: I. Allegro (Johannes Brahms Arranged Schoenberg) | 68:13 | |
2. | Arnold Schoenberg | Piano Quartet No. 1 In G Minor, Op. 25: II. Intermezzo: Allegro, Ma Non Troppo | ||
3. | Arnold Schoenberg | Piano Quartet No. 1 In G Minor, Op. 25: III. Andante Con Moto | ||
4. | Arnold Schoenberg | Piano Quartet No. 1 In G Minor, Op. 25: IV. Rondo Alla Zingarese: Presto | ||
5. | Gustav Mahler | Symphony No. 6 In A Minor: I. Allegro Energico, Ma Non Troppo. Heftig, Aber Markig |
CD 10 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 60:30 | |||
1. | Gustav Mahler | Symphony No. 6 In A Minor: II. Andante Moderato (Conclusion) | 60:30 | |
2. | Gustav Mahler | Symphony No. 6 In A Minor: III. Scherzo: Wuchtig | ||
3. | Gustav Mahler | Symphony No. 6 In A Minor: IV. Finale: Allegro Moderato |
CD 11 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 72:16 | |||
1. | Jean Sibelius | Symphony No. 1 In E Minor, Op. 39: I. Allegro, Ma Non Troppo - Allegro Energico | 72:16 | |
2. | Jean Sibelius | Symphony No. 1 In E Minor, Op. 39: II. Andante, Ma Non Troppo Lento | ||
3. | Jean Sibelius | Symphony No. 1 In E Minor, Op. 39: III. Scherzo: Allegro | ||
4. | Jean Sibelius | Symphony No. 1 In E Minor, Op. 39: IV. Finale: Quasi Una Fantasia: Andante - Allegro Molto | ||
5. | Jean Sibelius | Symphony No. 5 In E-Flat, Op. 82: I. Tempo Molto Moderato - Largamente - Allegro Moderato - Presto | ||
6. | Jean Sibelius | Symphony No. 5 In E-Flat, Op. 82: II. Andante Mosso, Quasi Allegretto | ||
7. | Jean Sibelius | Symphony No. 5 In E-Flat, Op. 82: III. Allegro Molto - Un Pochettino Largamente |
CD 12 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 73:47 | |||
1. | Jean Sibelius | Symphony No. 2 In D, Op. 43: I. Allegretto | 73:47 | |
2. | Jean Sibelius | Symphony No. 2 In D, Op. 43: II. Tempo Andante, Ma Rubato | ||
3. | Jean Sibelius | Symphony No. 2 In D, Op. 43: III. Vivacissimo | ||
4. | Jean Sibelius | Symphony No. 2 In D, Op. 43: IV. Finale: Allegro Moderato | ||
5. | Jean Sibelius | Symphony No. 3 In C, Op. 52: I. Allegro Moderato | ||
6. | Jean Sibelius | Symphony No. 3 In C, Op. 52: II. Andantino Con Moto, Quasi Allegretto | ||
7. | Jean Sibelius | Symphony No. 3 In C, Op. 52: III. Moderato - Allegro (Ma Non Tanto) |
CD 13 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 78:06 | |||
1. | Jean Sibelius | Symphony No. 4 In A Minor, Op. 63: I. Tempo Molto Moderato, Quasi Adagio | 78:06 | |
2. | Jean Sibelius | Symphony No. 4 In A Minor, Op. 63: II. Allegro Molto Vivace | ||
3. | Jean Sibelius | Symphony No. 4 In A Minor, Op. 63: III. Il Tempo Largo | ||
4. | Jean Sibelius | Symphony No. 4 In A Minor, Op. 63: IV. Allegro | ||
5. | Jean Sibelius | Symphony No. 6 In D Minor, Op. 104: I. Allegro Molto Moderato | ||
6. | Jean Sibelius | Symphony No. 6 In D Minor, Op. 104: II. Allegretto Moderato | ||
7. | Jean Sibelius | Symphony No. 6 In D Minor, Op. 104: III. Poco Vivace | ||
8. | Jean Sibelius | Symphony No. 6 In D Minor, Op. 104: IV. Allegro - Allegro Assai | ||
9. | Jean Sibelius | The Oceanides, Op. 73 |
CD 14 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 73:29 | |||
1. | Jean Sibelius | Symphony No. 7 In C, Op. 105: I. Adagio - | 73:29 | |
2. | Jean Sibelius | Symphony No. 7 In C, Op. 105: II. Un Pochettino Meno Allegro - Vivacissimo - Adagio - | ||
3. | Jean Sibelius | Symphony No. 7 In C, Op. 105: III. Allegro Molto Moderato - | ||
4. | Jean Sibelius | Symphony No. 7 In C, Op. 105: IV. Vivace - Presto - Adagio | ||
5. | Jean Sibelius | Kuolema, Op. 44: Scene With Cranes | ||
6. | Carl Nielsen | Pan And Syrinx, Op. 49 | ||
7. | Carl Nielsen | Symphony No. 4, Op. 29 "The Inextinquishable": I. Allegro - | ||
8. | Carl Nielsen | Symphony No. 4, Op. 29 "The Inextinquishable": II. Poco Allegretto - | ||
9. | Carl Nielsen | Symphony No. 4, Op. 29 "The Inextinquishable": III. Poco Adagio Quasi Andante - | ||
10. | Carl Nielsen | Symphony No. 4, Op. 29 "The Inextinquishable": IV. Allegro |
CD 15 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 80:06 | |||
1. | Olivier Messiaen | Turangalîla-Symphonie: I. Introduction | 80:06 | |
2. | Olivier Messiaen | Turangalîla-Symphonie: II. Chant D'amour I | ||
3. | Olivier Messiaen | Turangalîla-Symphonie: III. Turangalîla I | ||
4. | Olivier Messiaen | Turangalîla-Symphonie: IV. Chant D'amour II | ||
5. | Olivier Messiaen | Turangalîla-Symphonie: V. Joie Du Sang Des Étoiles | ||
6. | Olivier Messiaen | Turangalîla-Symphonie: VI. Jardin Du Sommeil D'amour | ||
7. | Olivier Messiaen | Turangalîla-Symphonie: VII. Turangalîla II | ||
8. | Olivier Messiaen | Turangalîla-Symphonie: VIII. Développement De L'amour | ||
9. | Olivier Messiaen | Turangalîla-Symphonie: IX. Turangalîla III | ||
10. | Olivier Messiaen | Turangalîla-Symphonie: X. Final |
CD 16 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 37:44 | |||
1. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Prelude: Lento, Mistico - Moderato - Andantino - Come Prima | 37:44 | |
2. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Jesu, Maria - I Am Near To Death (Gerontius) | ||
3. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. So Pray For Me... Kyrie Eleison... Holy Mary, Pray For Him (Gerontius, Semi-Chorus, Chorus) | ||
4. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Rouse Thee, My Fainting Soul... Be Merciful (Gerontius, Chorus) | ||
5. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Sanctus Fortis, Sanctus Deus (Gerontius) | ||
6. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. I Can No More (Gerontius) | ||
7. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Rescue Him, O Lord (Chorus) | ||
8. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Novissima Hora Est (Semi-Chorus, Chorus, Gerontius) | ||
9. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Proficiscere, Anima Christiana (Priest) | ||
10. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Go In The Name Of Angels (Chorus, Priest, Semi-Chorus) | ||
11. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part I. Go Forth Upon Thy Journey (Chorus, Priest, Semi-Chorus) |
CD 17 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 57:38 | |||
1. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. (Andantino) | 57:38 | |
2. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. I Went To Sleep (Soul Of Gerontius) | ||
3. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Another Marvel | ||
4. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. My Work Is Done (Angel, Soul) | ||
5. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. It Is A Member Of That Family... A Presage Falls Upon Thee (Angel, Soul) | ||
6. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. But Hark! Upon My Senses (Soul) | ||
7. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Low-Born Clods Of Brute Earth (Chorus) | ||
8. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Dispossessed, Aside Thrust (Chorus) | ||
9. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. The Mind Bold And Independent (Chorus) | ||
10. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. I See Not Those False Spirits (Soul) | ||
11. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. There Was A Mortal (Angel) | ||
12. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Praise To The Holiest (Semi-Chorus, Chorus, Angel) | ||
13. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. The Sound Is Like The Rushing Of The Wind (Soul) | ||
14. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Glory To Him (Semi-Chorus, Chorus) | ||
15. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. They Sing Of Thy Approaching Agony (Soul, Angel, Chorus) | ||
16. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. But Hark! A Grand Mysterious Harmony (Soul, Angel, Chorus) | ||
17. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. And Now On The Threshold (Angel) | ||
18. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Praise To The Holiest (Chorus) | ||
19. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Thy Judgment Now Is Near (Angel, Soul) | ||
20. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Jesu! By That Shuddering Dread (Angel Of The Agony, Soul) | ||
21. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Be Merciful, Be Gracious (Semi-Chorus, Chorus) | ||
22. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Praise To His Name! (Angel) | ||
23. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Take Me Away (Soul) | ||
24. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Lord, Thou Hast Been Our Refuge (Chorus) | ||
25. | Edward Elgar | The Dream Of Gerontius, Op. 38: Part II. Softly And Gently (Angel, Chorus, Semi-Chorus) |
CD 18 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 56:30 | |||
1. | Igor Strawinsky | Petrushka (1947 Version): Tableau I. Fete Populaire De La Semaine Grasse | 56:30 | |
2. | Igor Strawinsky | Petrushka (1947 Version): Tableau I. Le Tour De Passe-Passe - Danse Russe | ||
3. | Igor Strawinsky | Petrushka (1947 Version): Tableau II. Chez Petrushka | ||
4. | Igor Strawinsky | Petrushka (1947 Version): Tableau III. Chez Le Maure - Danse De La Ballerine | ||
5. | Igor Strawinsky | Petrushka (1947 Version): Tableau III. Valse - La Ballerine Et Le Maure | ||
6. | Igor Strawinsky | Petrushka (1947 Version): Tableau IV. Fête Populaire De La Semaine Grasse | ||
7. | Igor Strawinsky | Petrushka (1947 Version): Tableau IV. Danse Des Nounous | ||
8. | Igor Strawinsky | Petrushka (1947 Version): Tableau IV. Paysan Et L'ours | ||
9. | Igor Strawinsky | Petrushka (1947 Version): Tableau IV. Bohémien Et Marchand Malhonnête | ||
10. | Igor Strawinsky | Petrushka (1947 Version): Tableau IV. Danse Des Cochers Et Des Palefreniers | ||
11. | Igor Strawinsky | Petrushka (1947 Version): Tableau IV. Les Déguisés | ||
12. | Igor Strawinsky | Petrushka (1947 Version): Tableau IV. Le Rixe: Le Maure Et Petrushka | ||
13. | Igor Strawinsky | Petrushka (1947 Version): Tableau IV. Mort De Petrushka | ||
14. | Igor Strawinsky | Petrushka (1947 Version):Tableau IV. Police Et L'enchanteur - Vocifération Du Double De Petrushka | ||
15. | Igor Strawinsky | Symphony In Three Movements: I. [Crotchet: 160] | ||
16. | Igor Strawinsky | Symphony In Three Movements: II. Andante - Interlude (L'istesso Tempo) | ||
17. | Igor Strawinsky | Symphony In Three Movements: III. Con Moto |
CD 19 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:14 | |||
1. | Igor Strawinsky | L'oiseau De Feu (1947 Version): Introduction | 65:14 | |
2. | Igor Strawinsky | L'oiseau De Feu (1947 Version): Tableau I. Le Jardin Enchanté De Kachtcheï - Apparition De L'oiseau De Feu Poursuivi Par Ivan Tsarévitch | ||
3. | Igor Strawinsky | L'oiseau De Feu (1947 Version): Tableau I. Danse De L'oiseau De Feu - Capture De L'oiseau De Feu Par Ivan Tsarévitch -Supplications De L'oiseau De Usw | ||
4. | Igor Strawinsky | L'oiseau De Feu (1947 Version): Tableau I. Brusque Apparition D'ivan Tsarévitch - Khorovode Des Princesses (Ronde) - Lever Du Jour-Ivan Tsarévitch Usw | ||
5. | Igor Strawinsky | L'oiseau De Feu (1947 Version): Tableau I. Danse De La Suite De Kachtcheî Enchantée Par L'oiseau De Feu - Danse Infernale De Tous Les Sujets De Usw. | ||
6. | Igor Strawinsky | L'oiseau De Feu (1947 Version): Tableau I. Berceuse (L'oiseau De Feu) - Réveil De Kachtcheï - Mort De Kachtcheï - Profonds Usw. | ||
7. | Igor Strawinsky | L'oiseau De Feu (1947 Version): Tableau II. Disparation De Palais Et Des Sortilèges De Kachtcheï - Animation Des Chevaliers Pétrifiés - Allégresse Usw | ||
8. | Igor Strawinsky | Scherzo À La Russe (Jazz Band Version) | ||
9. | Igor Strawinsky | Four Studies: I. Danse | ||
10. | Igor Strawinsky | Four Studies: II. Excentrique | ||
11. | Igor Strawinsky | Four Studies: III. Cantique | ||
12. | Igor Strawinsky | Four Studies: IV. Madrid | ||
13. | Igor Strawinsky | Scherzo À La Russe (Orchestral Version) |
CD 20 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:12 | |||
1. | Igor Strawinsky | Apollo: Tableau I. Naissance D'apollon | 65:12 | |
2. | Igor Strawinsky | Apollo: Tableau II. Variation D'apollon (Apollon Et Les Muses) | ||
3. | Igor Strawinsky | Apollo: Tableau II. Pas D'action (Apollon Et Les Muses: Calliope, Polymnie Et Terpsichore) | ||
4. | Igor Strawinsky | Apollo: Tableau II. Variation De Calliope (L'alexandrin) | ||
5. | Igor Strawinsky | Apollo: Tableau II. Variation De Polymnie | ||
6. | Igor Strawinsky | Apollo: Tableau II. Variation De Terpsichore | ||
7. | Igor Strawinsky | Apollo: Tableau II. Variation D'apollon | ||
8. | Igor Strawinsky | Apollo: Tableau II. Pas De Deux (Apollon Et Terpsichore) | ||
9. | Igor Strawinsky | Apollo: Tableau II. Coda (Apollon Et Les Muses) | ||
10. | Igor Strawinsky | Apollo: Tableau II. Apothéose | ||
11. | Igor Strawinsky | Le Sacre Du Printemps: Premiére Partie: L'adoration De La Terre: Introduction - Les Augures Printaniers - Danses Des Adolescents - Jeu Du Rapt | ||
12. | Igor Strawinsky | Le Sacre Du Printemps: Premiére Partie: L'adoration De La Terre: Rondes Printaniéres - Jeux Des Cités Rivales - Cortège Du Sage | ||
13. | Igor Strawinsky | Le Sacre Du Printemps: Premiére Partie: L'adoration De La Terre: Le Sage - Danse De La Terre | ||
14. | Igor Strawinsky | Le Sacre Du Printemps: Seconde Partie: Le Sacrifice: Introduction | ||
15. | Igor Strawinsky | Le Sacre Du Printemps: Seconde Partie: Le Sacrifice: Cercles Mystérieux Des Adolescents | ||
16. | Igor Strawinsky | Le Sacre Du Printemps: Seconde Partie: Le Sacrifice: Glorification De L´élue - Èvocation Des Ancêtres - Action Rituelle Des Ancêtres | ||
17. | Igor Strawinsky | Le Sacre Du Printemps: Seconde Partie: Le Sacrifice: Danse Sacrale (L'élue) |
CD 21 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:37 | |||
1. | Arnold Schoenberg | Five Orchestral Pieces, Op. 16: I. Vorgefühle: Sehr Rasch | 65:37 | |
2. | Arnold Schoenberg | Five Orchestral Pieces, Op. 16: II. Vergangenes: Mässige Viertel | ||
3. | Arnold Schoenberg | Five Orchestral Pieces, Op. 16: III. Farben: Mässige Viertel | ||
4. | Arnold Schoenberg | Five Orchestral Pieces, Op. 16: IV. Peripetie: Sehr Rasch | ||
5. | Arnold Schoenberg | Five Orchestral Pieces, Op. 16: V. Das Obligate Rezitativ: Bewegte Achtel | ||
6. | Anton Webern | Six Orchestral Pieces, Op. 6: I. Langsam | ||
7. | Anton Webern | Six Orchestral Pieces, Op. 6: II. Bewegt | ||
8. | Anton Webern | Six Orchestral Pieces, Op. 6: III. Mässig | ||
9. | Anton Webern | Six Orchestral Pieces, Op. 6: IV. Sehr Mässig | ||
10. | Anton Webern | Six Orchestral Pieces, Op. 6: V. Sehr Langsam | ||
11. | Anton Webern | Six Orchestral Pieces, Op. 6: VI. Langsam | ||
12. | Alban Berg | Lulu Suite: I. Rondo: Andante Und Hymne | ||
13. | Alban Berg | Lulu Suite: II. Ostinato: Allegro | ||
14. | Alban Berg | Lulu Suite: III. Lied Der Lulu: Comodo | ||
15. | Alban Berg | Lulu Suite: IV. Variationen: Moderato | ||
16. | Alban Berg | Lulu Suite: V. Adagio |
CD 22 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 61:51 | |||
1. | Claude Debussy | Le Roi Lear (Orch. By Roger-Ducasse): Fanfare D’ouverture | 61:51 | |
2. | Claude Debussy | Le Roi Lear (Orch. By Roger-Ducasse): Le Sommeil De Lear | ||
3. | Claude Debussy | Jeux ("Poème Dansé") | ||
4. | Claude Debussy | Images: I. Gigues | ||
5. | Claude Debussy | Images: II. Ibéria: 1. Par Les Rues Et Par Les Chemins | ||
6. | Claude Debussy | Images: II. Ibéria: 2. Les Parfums De La Nuit - | ||
7. | Claude Debussy | Images: II. Ibéria: 3. Le Matin De Jour De Fête | ||
8. | Claude Debussy | Images: III. Gigues |
CD 23 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 52:38 | |||
1. | Joseph Haydn | The Creation, Hob. XXI:2: Part I. Overture: Representation Of Chaos (Orchestra) | 52:38 | |
2. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 1. In The Beginning (Raphael/Chorus/Uriel) | ||
3. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 2. Now Vanish Before The Holy Beams (Uriel/Chorus) | ||
4. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 3. And God Made The Firmament (Raphael) | ||
5. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 4. The Marvellous Work (Gabriel/Chorus) | ||
6. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 5. And God Said, Let The Waters (Raphael) | ||
7. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 6. Rolling In Foaming Billows (Raphael) | ||
8. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 7. And God Said, Let The Earth (Gabriel) | ||
9. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 8. With Verdure Clad (Gabriel) | ||
10. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 9. And The Heavenly Host (Uriel) | ||
11. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 10. Awake The Harp (Chorus) | ||
12. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 11. And God Said, Let There Be Lights (Uriel) | ||
13. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 12. In Splendour Bright (Uriel) | ||
14. | Joseph Haydn | The Creation, Hob. XXI:2: Part I, No. 13. The Heavens Are Telling (Chorus/Gabgiel/Uriel/Raphael) | ||
15. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 14. And God Said, Let The Waters (Chorus/Gabriel/Uriel/Raphael) | ||
16. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 15. On Mighty Pens (Gabriel) | ||
17. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 16. And God Created Great Whales (Raphael) | ||
18. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 17. And The Angels (Raphael) | ||
19. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 18. Most Beautiful Appear (Gabriel/Uriel/Raphael) | ||
20. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 19. The Lord Is Great (Chorus/Gabriel/Uriel/Raphael) |
CD 24 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 46:35 | |||
1. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 20. And God Said, Let The Earth (Raphael) | 46:35 | |
2. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 21. Straight Opening Her Fertile Womb (Raphael) | ||
3. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 22. Now Heaven In All Her Glory Shines (Raphael) | ||
4. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 23. So God Created Man (Uriel) | ||
5. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 24. In Native Worth (Raphael) | ||
6. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 25. And God Saw Everything (Raphael) | ||
7. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 26. Achieved Is The Glorious Work (Chorus) | ||
8. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 27. On Thee Each Living Soul (Gabriel/Uriel/Raphael) | ||
9. | Joseph Haydn | The Creation, Hob. XXI:2: Part II, No. 28. Achieved Is The Glorious Work (Chorus) | ||
10. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 29. In Rosy Mantle (Uriel) | ||
11. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 30. The Creation: By Thee With Bliss (Adam/Eve/Chorus) | ||
12. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 30. The Creation: Of Stars The Fairest (Adam/Eve/Chorus) | ||
13. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 30. Hail! Bounteous Lord! (Chorus) | ||
14. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 31. Our Duty We Have Now Performed (Adam) | ||
15. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 32. Graceful Consort (Adam/Eve) | ||
16. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 32. The Dew-Dropping Morn (Adam/Eve) | ||
17. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 33. O Happy Pair (Uriel) | ||
18. | Joseph Haydn | The Creation, Hob. XXI:2: Part III, No. 34. Sing The Lord (Chorus And Soloists) |
CD 25 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 66:23 | |||
1. | Joseph Haydn | Symphony No. 60 In C, Hob. I:60 "The Distracted": I. Adagio - Allegro Di Molto | 66:23 | |
2. | Joseph Haydn | Symphony No. 60 In C, Hob. I:60 "The Distracted": II. Andante | ||
3. | Joseph Haydn | Symphony No. 60 In C, Hob. I:60 "The Distracted": III. Menuetto & Trio | ||
4. | Joseph Haydn | Symphony No. 60 In C, Hob. I:60 "The Distracted": IV. Presto | ||
5. | Joseph Haydn | Symphony No. 60 In C, Hob. I:60 "The Distracted": V. Adagio (Di Lamentatione) | ||
6. | Joseph Haydn | Symphony No. 60 In C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo) | ||
7. | Joseph Haydn | Symphony No. 70 In D, Hob. I:70: I. Vivace Con Brio | ||
8. | Joseph Haydn | Symphony No. 70 In D, Hob. I:70: II. Specie D'un Canone In Contrapunto Doppio (Andante) | ||
9. | Joseph Haydn | Symphony No. 70 In D, Hob. I:70: III. Menuet (Allegretto) & Trio | ||
10. | Joseph Haydn | Symphony No. 70 In D, Hob. I:70: IV. Finale (Allegro Con Brio) | ||
11. | Joseph Haydn | Symphony No. 90 In C, Hob. I:90: I. Adagio - Allegro Assai | ||
12. | Joseph Haydn | Symphony No. 90 In C, Hob. I:90: II. Andante | ||
13. | Joseph Haydn | Symphony No. 90 In C, Hob. I:90: III. Menuet & Trio | ||
14. | Joseph Haydn | Symphony No. 90 In C, Hob. I:90: IV. Finale |
CD 26 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 74:38 | |||
1. | Maurice Ravel | Fanfare (For The Ballet L'éventail De Jeanne) | 74:38 | |
2. | Maurice Ravel | Shéhérazade: I. Asie | ||
3. | Maurice Ravel | Shéhérazade: II. La Flûte Enchantée | ||
4. | Maurice Ravel | Shéhérazade: III. L'indifférent | ||
5. | Maurice Ravel | Alborada Del Gracioso | ||
6. | Maurice Ravel | Miroirs - La Vallée Des Cloches | ||
7. | Maurice Ravel | Ma Mère L'oye: Prélude - | ||
8. | Maurice Ravel | Ma Mère L'oye: Danse Du Rouet Et Scène - | ||
9. | Maurice Ravel | Ma Mère L'oye: Pavane De La Belle Au Bois Dormant - | ||
10. | Maurice Ravel | Ma Mère L'oye: (Interlude) - Les Entretiens De La Belle Et De La Bête - | ||
11. | Maurice Ravel | Ma Mère L'oye: (Interlude) - Petit Poucet - | ||
12. | Maurice Ravel | Ma Mère L'oye: (Interlude) - Laideronnette, Impératrice Des Pagodes - | ||
13. | Maurice Ravel | Ma Mère L'oye: Le Jardin Féerique | ||
14. | Maurice Ravel | La Valse ("Poème Chorégraphique") |
CD 27 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 73:46 | |||
1. | Maurice Ravel | Daphnis Et Chloé: Première Partie. Introduction Et Danse Religieuse... | 73:46 | |
2. | Maurice Ravel | Daphnis Et Chloé: Première Partie. Les Jeunes Filles Attirent Daphnis Et L'entourent De Leurs Danses / Danse Générale - | ||
3. | Maurice Ravel | Daphnis Et Chloé: Première Partie. Danse Grotesque De Dorcon | ||
4. | Maurice Ravel | Daphnis Et Chloé: Première Partie. Danse Légère Et Gracieuse De Daphnis | ||
5. | Maurice Ravel | Daphnis Et Chloé: Première Partie. Tous Invitent Daphnis À Recevoir La Récompense... / Danse De Lyceion | ||
6. | Maurice Ravel | Daphnis Et Chloé: Première Partie. L'on Perçoit Des Bruits D'armes, Des Cries De Guerre Qui Se Rapprochent / Fou De Désespoir, Il Maudit Les Usw. | ||
7. | Maurice Ravel | Daphnis Et Chloé: Première Partie. Une Lumière Iréelle Enveloppe Le Paysage / Danse Lente Et Mystérieuse / Elles Invoquent Le Dieu Pan / Daphnis Usw. | ||
8. | Maurice Ravel | Daphnis Et Chloé: Première Partie. Interlude | ||
9. | Maurice Ravel | Daphnis Et Chloé: Deuxiéme Partie. Bryaxis Ordonne D'amener La Captive. Chloé Est Traînée Par Deux Pirates / Danse Suppliante De Chloé | ||
10. | Maurice Ravel | Daphnis Et Chloé: Deuxiéme Partie. Bryaxis Veut L'entraîner / Le Chef L'emporte, Triomphant / Soudain L'atmosphère Semble Chargée D'éléments Usw. | ||
11. | Maurice Ravel | Daphnis Et Chloé: Troisiéme Partie. Lever Du Jour | ||
12. | Maurice Ravel | Daphnis Et Chloé: Troisiéme Partie. Le Vieux Berger Lammon Explique Que, Si Pan A Suavé Chloé / Daphnis Et Chloé Miment L'aventure De Pan Et De Syrinx | ||
13. | Maurice Ravel | Daphnis Et Chloé: Troisiéme Partie. Devant L'autel Des Nymphes, Il Jure Sa Foi Sur Deux Brebis / Entre Un Groupe De Jeunes Filles Costumées En Usw. | ||
14. | Maurice Ravel | Boléro |
CD 28 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 77:15 | |||
1. | Gustav Mahler | Symphony No. 7 In E Minor: I. Langsam - Allegro Risoluto, Ma Non Troppo | 77:15 | |
2. | Gustav Mahler | Symphony No. 7 In E Minor: II. Nachtmusik I: Allegro Moderato | ||
3. | Gustav Mahler | Symphony No. 7 In E Minor: III. Scherzo: Schattenhaft | ||
4. | Gustav Mahler | Symphony No. 7 In E Minor: IV. Nachtmusik II: Andante Amoroso | ||
5. | Gustav Mahler | Symphony No. 7 In E Minor: V. Rondo - Finale |
CD 29 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 64:15 | |||
1. | Gustav Mahler | Blumine | 64:15 | |
2. | Gustav Mahler | Symphony No. 1 In D: I. Langsam. Schleppend - Im Anfang Sehr Gemächlich | ||
3. | Gustav Mahler | Symphony No. 1 In D: II. Kräftig Bewegt, Doch Nicht Zu Schnell | ||
4. | Gustav Mahler | Symphony No. 1 In D: III. Feierlich Und Gemessen, Ohne Zu Schleppen - Producer: David R. Murray | ||
5. | Gustav Mahler | Symphony No. 1 In D: IV. Stürmisch Bewegt |
CD 30 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 64:05 | |||
1. | Sergei Sergejewitsch Prokofjew | Symphony No. 5 In B-Flat, Op. 100: I. Andante | 64:05 | |
2. | Sergei Sergejewitsch Prokofjew | Symphony No. 5 In B-Flat, Op. 100: II. Allegro Marcato | ||
3. | Sergei Sergejewitsch Prokofjew | Symphony No. 5 In B-Flat, Op. 100: III. Adagio | ||
4. | Sergei Sergejewitsch Prokofjew | Symphony No. 5 In B-Flat, Op. 100: IV. Allegro Giocoso | ||
5. | Sergei Sergejewitsch Prokofjew | Scythian Suite, Op. 20 "Ala And Lolli": I. The Adoration Of Veles And Ala: Allegro Feroce | ||
6. | Sergei Sergejewitsch Prokofjew | Scythian Suite, Op. 20 "Ala And Lolli": II. The Alien God And The Dance Of The Evil Spirits: Allegro Sostenuto | ||
7. | Sergei Sergejewitsch Prokofjew | Scythian Suite, Op. 20 "Ala And Lolli": III. Night: Andantino | ||
8. | Sergei Sergejewitsch Prokofjew | Scythian Suite, Op. 20 "Ala And Lolli": IV. Lolli's March And The Cortege Of The Sun |
CD 31 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 59:55 | |||
1. | Hans Werner Henze | Barcarola | 59:55 | |
2. | Hans Werner Henze | Symphony No. 7: I. Tanz - Lebhaft Und Beseelt | ||
3. | Hans Werner Henze | Symphony No. 7: II. Ruhig Bewegt | ||
4. | Hans Werner Henze | Symphony No. 7: III. Unablässig In Bewegung | ||
5. | Hans Werner Henze | Symphony No. 7: IV. Ruhig, Verhalten |
CD 32 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 49:22 | |||
1. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Theme (Allegro Maestoso E Largamente) | 49:22 | |
2. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation A: Flutes And Piccolo (Presto) | ||
3. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation B: Oboes (Lento) | ||
4. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation C: Clarinets (Moderato) | ||
5. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation D: Bassoons (Allegro Alla Marcia) | ||
6. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation E: Violins Brillante: Alla Polacca) | ||
7. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation F: Violas (Meno Mosso) | ||
8. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation G: Cellos | ||
9. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation H: Double Basses (Comminciando Lento Ma Poco A Poco Accel. Al Allegro) | ||
10. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation I: Harp (Maestoso) | ||
11. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation J: Horns (L'istesso Tempo) | ||
12. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation K: Trumpets (Vivace) | ||
13. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation L: Trombones And Bass Tuba (Allegro Pomposo) | ||
14. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Variation M: Percussion (Moderato) | ||
15. | Benjamin Britten | The Young Person's Guide To The Orchestra, Op. 34: Fugue (Allegro Molto) | ||
16. | Nicholas Maw | Odyssey: Introduction | ||
17. | Nicholas Maw | Odyssey: Part I | ||
18. | Nicholas Maw | Odyssey: Part II |
CD 33 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 62:58 | |||
1. | Nicholas Maw | Odyssey: Part III (Conclusion) | 62:58 | |
2. | Nicholas Maw | Odyssey: Part IV | ||
3. | Nicholas Maw | Odyssey: Part V |
CD 34 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 78:40 | |||
1. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": Theme | 78:40 | |
2. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": I. C.A.E. (The Composer's Wife) | ||
3. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": II. H.D.S.P. (Hed David Steuart-Powell) | ||
4. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": III. R.B.T. (Richard Baxter Townshend) | ||
5. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": IV. W.M.B. (William Meath Baker) | ||
6. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": V. R.P.A. (Richard Penrose Arnold) | ||
7. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": VI. Ysobel (Isabel Fitton) | ||
8. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": VII. Troyte (Troyte Griffit) | ||
9. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": VIII. W.N. (Winifred Norbury) | ||
10. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": IX. Nimrod (A.J. Jaeger) | ||
11. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": X. Intermezzo: Dorabella (Dora Penny) | ||
12. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": XI. G.R.S. (George Robertson Sinclair) | ||
13. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": XII. B.G.N. (Basil G. Nevinson) | ||
14. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": XIII. Romanza: *** (Lady Mary Lygon) | ||
15. | Edward Elgar | Variations On An Original Theme, Op. 36 "Enigma": XIV. Finale: E.D.U. (The Composer) | ||
16. | Edward Elgar | Grania And Diarmid, Op. 42: Incidental Music | ||
17. | Edward Elgar | Grania And Diarmid, Op. 42: Funeral March | ||
18. | Edward Elgar | Falstaff - Symphonic Study In C Minor, Op. 68: I. Falstaff And Prince Henry | ||
19. | Edward Elgar | Falstaff - Symphonic Study In C Minor, Op. 68: II. Eastcheap - Gadshill - The Boar's Head. Revelry And Sleep - | ||
20. | Edward Elgar | Falstaff - Symphonic Study In C Minor, Op. 68: Dream Interlude (Poco Allegretto): "Jack Falstaff, Now Sir John, A Boy, And Page To Thomas Mowbray, Usw | ||
21. | Edward Elgar | Falstaff - Symphonic Study In C Minor, Op. 68: III. Falstaff's March - The Return | ||
22. | Edward Elgar | Falstaff - Symphonic Study In C Minor, Op. 68: Interlude: Gloucestershire. Shallow's Orchard (Allegretto) - The New King - The Hurried Ride To London | ||
23. | Edward Elgar | Falstaff - Symphonic Study In C Minor, Op. 68: IV. King Henry V's Progress - The Repudiation Of Falstaff, And His Death |
CD 35 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 61:52 | |||
1. | John Adams | Harmonielehre: Part I | 61:52 | |
2. | John Adams | Harmonielehre: Part II: The Anfortas Wound | ||
3. | John Adams | Harmonielehre: Part III: Meister Eckhardt And Quackie | ||
4. | John Adams | The Chairman Dances "Foxtrot For Orchestra" | ||
5. | John Adams | Two Fanfares: Tromba Lontana | ||
6. | John Adams | Two Fanfares: Short Ride In A Fast Machine |
CD 36 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 71:46 | |||
1. | Mark-Anthony Turnage | Drowned Out | 71:46 | |
2. | Mark-Anthony Turnage | Three Screaming Popes | ||
3. | Mark-Anthony Turnage | Momentum | ||
4. | Thomas Adès | Asyla, Op. 17: I. | ||
5. | Thomas Adès | Asyla, Op. 17: II. | ||
6. | Thomas Adès | Asyla, Op. 17: III. Ecstasio | ||
7. | Thomas Adès | Asyla, Op. 17: IV. |
CD 37 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 70:20 | |||
1. | Béla Bartók | The Miraculous Mandarin, Op. 19: The Beginning | 70:20 | |
2. | Béla Bartók | The Miraculous Mandarin, Op. 19: First Seduction Game | ||
3. | Béla Bartók | The Miraculous Mandarin, Op. 19: Second Seduction Game | ||
4. | Béla Bartók | He Miraculous Mandarin, Op. 19: Third Seduction Game - The Mandarin Enters | ||
5. | Béla Bartók | The Miraculous Mandarin, Op. 19: Dance Of The Girl | ||
6. | Béla Bartók | The Miraculous Mandarin, Op. 19: The Chase | ||
7. | Béla Bartók | The Miraculous Mandarin, Op. 19: Suddenly The Mandarin's Head Appears, | ||
8. | Béla Bartók | The Miraculous Mandarin, Op. 19: The Mandarin Falls To The Floor | ||
9. | Béla Bartók | Concerto For Orchestra, Sz. 116: Introduzione: Andante Non Troppo - Allegro Vivace | ||
10. | Béla Bartók | Concerto For Orchestra, Sz. 116: Giuoco Delle Coppie: Allegretto Scherzando | ||
11. | Béla Bartók | Concerto For Orchestra, Sz. 116: Elegia: Andante Non Troppo | ||
12. | Béla Bartók | Concerto For Orchestra, Sz. 116: Intermezzo Interrotto: Allegretto | ||
13. | Béla Bartók | Concerto For Orchestra, Sz. 116: Finale: Pesante - Presto |
CD 38 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 53:17 | |||
1. | Arnold Schoenberg | Erwartung, Op. 17: I. Szene: Hier Hinein? Man Sieht Den Weg Nicht... | 53:17 | |
2. | Arnold Schoenberg | Erwartung, Op. 17: II. Szene: Ist Das Noch Der Weg? Hier Ist Es Eben. | ||
3. | Arnold Schoenberg | Erwartung, Op. 17: III. Szene: Da Kommt Ein Licht! | ||
4. | Arnold Schoenberg | Erwartung, Op. 17: IV. Szene: Er Ist Auch Nicht Da... | ||
5. | Arnold Schoenberg | Erwartung, Op. 17: IV. Szene: Das Mondlicht... Nein, Dort... | ||
6. | Arnold Schoenberg | Erwartung, Op. 17: IV. Szene: Was Soll Ich Tun... | ||
7. | Arnold Schoenberg | Erwartung, Op. 17: IV. Szene: Aber So Seltsam Ist Dein Auge... | ||
8. | Arnold Schoenberg | Erwartung, Op. 17: IV. Szene: Du Siehst Wieder Dort Hin?... | ||
9. | Arnold Schoenberg | Erwartung, Op. 17: IV. Szene: Oh! Nicht Einmal Die Gnade... | ||
10. | Arnold Schoenberg | Erwartung, Op. 17: IV. Szene: Liebster, Liebster, Der Morgen Kommt... | ||
11. | Arnold Schoenberg | Variations For Orchestra: Introduction And Theme - | ||
12. | Arnold Schoenberg | Variations For Orchestra: Variation I: Moderato | ||
13. | Arnold Schoenberg | Variations For Orchestra: Variation II: Adagio | ||
14. | Arnold Schoenberg | Variations For Orchestra: Variation III: Mässig | ||
15. | Arnold Schoenberg | Variations For Orchestra: Variation IV: Walzer - Tempo | ||
16. | Arnold Schoenberg | Variations For Orchestra: Variation V: Bewegt | ||
17. | Arnold Schoenberg | Variations For Orchestra: Variation VI: Andante | ||
18. | Arnold Schoenberg | Variations For Orchestra: Variation VII: Langsam | ||
19. | Arnold Schoenberg | Variations For Orchestra: Variation VIII: Sehr Rasch | ||
20. | Arnold Schoenberg | Variations For Orchestra: Variation IX: L'istesso Tempo | ||
21. | Arnold Schoenberg | Variations For Orchestra: Finale |
CD 39 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 56:07 | |||
1. | Karol Szymanowski | Stabat Mater, Op. 53: I. Stała Matka Bolejąca (Stabat Mater Dolorosa) | 56:07 | |
2. | Karol Szymanowski | Stabat Mater, Op. 53: II. I Któż Widział Tak Cierpiącą (Quis Est Homo Qui Non Fleret) | ||
3. | Karol Szymanowski | Stabat Mater, Op. 53: III. O Matko Źródło Wszechmiłości (Eia Mater, Fons Amoris) | ||
4. | Karol Szymanowski | Stabat Mater, Op. 53: IV. Spraw Niech Płaczę Z Tobą Razem (Fac Me Tecum Pie Flere) | ||
5. | Karol Szymanowski | Stabat Mater, Op. 53: V. Panno Słodka Racz Mozołem (Virgo Virginum Praeclare) | ||
6. | Karol Szymanowski | Stabat Mater, Op. 53: VI. Chrystus Niech Mi Będzie Grodem (Christe, Cum Sit Hinc Exire) | ||
7. | Karol Szymanowski | Litany To The Virgin Mary, Op. 59: I. Dwunastodzwieczna Cytaro | ||
8. | Karol Szymanowski | Litany To The Virgin Mary, Op. 59: II. Jak Krzak Skarlały | ||
9. | Karol Szymanowski | Symphony No. 3, Op. 27 "Song Of The Night": I. Moderato Assai | ||
10. | Karol Szymanowski | Symphony No. 3, Op. 27 "Song Of The Night": II. Vivace, Scherzando | ||
11. | Karol Szymanowski | Symphony No. 3, Op. 27 "Song Of The Night": III. Largo |
CD 40 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 67:46 | |||
1. | Joseph Haydn | Symphony No. 22 In E-Flat, Hob. I:22 "The Philosopher": I. Adagio | 67:46 | |
2. | Joseph Haydn | Symphony No. 22 In E-Flat, Hob. I:22 "The Philosopher": II. Presto | ||
3. | Joseph Haydn | Symphony No. 22 In E-Flat, Hob. I:22 "The Philosopher": III. Menuetto & Trio | ||
4. | Joseph Haydn | Symphony No. 22 In E-Flat, Hob. I:22 "The Philosopher": IV. Finale: Presto | ||
5. | Joseph Haydn | Symphony No. 102 In B-Flat, Hob. I:102: I. Largo - Vivace | ||
6. | Joseph Haydn | Symphony No. 102 In B-Flat, Hob. I:102: II. Adagio | ||
7. | Joseph Haydn | Symphony No. 102 In B-Flat, Hob. I:102: III. Menuet: Allegro & Trio | ||
8. | Joseph Haydn | Symphony No. 102 In B-Flat, Hob. I:102: IV. Finale: Presto | ||
9. | Joseph Haydn | Symphony No. 86 In D: I. Adagio - Allegro Spiritoso | ||
10. | Joseph Haydn | Symphony No. 86 In D: II. Capriccio: Largo | ||
11. | Joseph Haydn | Symphony No. 86 In D: III. Menuet (Allegretto) & Trio | ||
12. | Joseph Haydn | Symphony No. 86 In D: IV. Finale: Allegro Con Spirito |
CD 41 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 68:09 | |||
1. | Dmitri Dmitrijewitsch Schostakowitsch | Symphony No. 4 In C Minor, Op. 43: I. Allegretto Poco Moderato - Presto - (Tempo I) | 68:09 | |
2. | Dmitri Dmitrijewitsch Schostakowitsch | Symphony No. 4 In C Minor, Op. 43: II. Moderato Con Moto | ||
3. | Dmitri Dmitrijewitsch Schostakowitsch | Symphony No. 4 In C Minor, Op. 43: III. Largo - Allegro | ||
4. | Benjamin Britten | Russian Funeral: Andante Alla Marcia - Un Pochissimo Animando - Tempo Primo Più Maestoso |
CD 42 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 63:35 | |||
1. | Gustav Mahler | Das Lied Von Der Erde: I. Das Trinklied Vom Jammer Der Erde | 63:35 | |
2. | Gustav Mahler | Das Lied Von Der Erde: II. Der Einsame Im Herbst | ||
3. | Gustav Mahler | Das Lied Von Der Erde: III. Von Der Jugend | ||
4. | Gustav Mahler | Das Lied Von Der Erde: IV. Von Der Schönheit | ||
5. | Gustav Mahler | Das Lied Von Der Erde: V. Der Trunkene Im Frühling | ||
6. | Gustav Mahler | Das Lied Von Der Erde: VI. Der Abschied |
CD 43 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 70:59 | |||
1. | Anton Bruckner | Symphony No. 7 In E: I. Allegro Moderato | 70:59 | |
2. | Anton Bruckner | Symphony No. 7 In E: II. Adagio (Sehr Feierlich Und Sehr Langsam) | ||
3. | Anton Bruckner | Symphony No. 7 In E: III. Scherzo: Sehr Schnell - Trio (Etwas Langsamer) - Scherzo Da Capo | ||
4. | Anton Bruckner | Symphony No. 7 In E: IV. Finale: Bewegt, Doch Nicht Schnell |
CD 44 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 70:02 | |||
1. | Percy Grainger | In A Nutshell: I. Arrival Platform Humlet | 70:02 | |
2. | Percy Grainger | In A Nutshell: II. “Gay But Wistful” (Tune In A Popular London Style) | ||
3. | Percy Grainger | In A Nutshell: III. Pastoral | ||
4. | Percy Grainger | In A Nutshell: IV. “The Gum-Suckers” March | ||
5. | Percy Grainger | Train Music | ||
6. | Percy Grainger | Country Gardens | ||
7. | Percy Grainger | La Vallée Des Cloches | ||
8. | Percy Grainger | A Lincolnshire Posy: I. Lisbon (Sailor’s Song) | ||
9. | Percy Grainger | A Lincolnshire Posy: II. Horkstow Grange (The Miser And His Man - A Local Tragedy) | ||
10. | Percy Grainger | A Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song) | ||
11. | Percy Grainger | A Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned To Wed His True Love) | ||
12. | Percy Grainger | A Lincolnshire Posy: V. Lord Melbourne (War Song) | ||
13. | Percy Grainger | A Lincolnshire Posy: VI. The Lost Lady Found (Dance Song) | ||
14. | Percy Grainger | Pagodes | ||
15. | Percy Grainger | The Warriors (Music To An Imaginary Ballet) |
CD 45 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 59:24 | |||
1. | Gustav Mahler | Symphony No. 4 In G: I. Bedächtig. Nicht Eilen | 59:24 | |
2. | Gustav Mahler | Symphony No. 4 In G: II. In Gemächlicher Bewegung. Ohne Hast | ||
3. | Gustav Mahler | Symphony No. 4 In G: III. Ruhevoll | ||
4. | Gustav Mahler | Symphony No. 4 In G: IV. Sehr Behaglich |
CD 46 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 78:30 | |||
1. | William Walton | Symphony No. 1 In B-Flat Minor: I. Allegro Assai | 78:30 | |
2. | William Walton | Symphony No. 1 In B-Flat Minor: II. Presto, Con Malizia | ||
3. | William Walton | Symphony No. 1 In B-Flat Minor: III. Andante Con Malinconia | ||
4. | William Walton | Symphony No. 1 In B-Flat Minor: IV. Maestoso - Brioso Ed Ardentemente - Vivacissimo - Maestoso | ||
5. | William Walton | Belshazzar's Feast: Thus Spake Isaiah: Maestoso - | ||
6. | William Walton | Belshazzar's Feast: Babylon Was A Great City: Quasi Recitativo - | ||
7. | William Walton | Belshazzar's Feast: Thus In Babylon, The Mighty City: Allegro Molto - | ||
8. | William Walton | Belshazzar's Feast: And In That Same Hour As They Feasted: Quasi Recitativo - | ||
9. | William Walton | Belshazzar's Feast: Then Sing Aloud To God Our Strength: Lento - Allegro Giocoso | ||
10. | William Walton | Belshazzar's Feast: Then Sing Aloud To God Our Strength: Allegro |
CD 47 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 60:52 | |||
1. | Gustav Mahler | Symphony No. 3 In D Minor: I. Kräftig. Entschieden (Beginning) | 60:52 | |
2. | Gustav Mahler | Symphony No. 3 In D Minor: II. Tempo Di Menuetto. Sehr Mäßig | ||
3. | Gustav Mahler | Symphony No. 3 In D Minor: III. Comodo. Scherzando. Ohne Hast |
CD 48 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 70:30 | |||
1. | Gustav Mahler | Symphony No. 3 In D Minor: IV. Sehr Langsam. Misterioso, Durchaus Ppp (Conclusion) | 70:30 | |
2. | Gustav Mahler | Symphony No. 3 In D Minor: V. Lustig Im Tempo Und Keck Im Ausdruck | ||
3. | Gustav Mahler | Symphony No. 3 In D Minor: VI. Langsam. Ruhevoll. Empfunden | ||
4. | Gustav Mahler | Des Knaben Wunderhorn: Der Schildewache Nactlied | ||
5. | Gustav Mahler | Des Knaben Wunderhorn: Verlor'ne Muüh' | ||
6. | Gustav Mahler | Des Knaben Wunderhorn: Wer Hat Dies Liedlein Erdacht | ||
7. | Gustav Mahler | Des Knaben Wunderhorn: Wo Die Schönen Trompeten Blasen | ||
8. | Gustav Mahler | Des Knaben Wunderhorn: Revelge | ||
9. | Gustav Mahler | Des Knaben Wunderhorn: Der Tambourg'sell | ||
10. | Gustav Mahler | Des Knaben Wunderhorn: Des Antonius Von Padua Fischpredigt | ||
11. | Gustav Mahler | Des Knaben Wunderhorn: Ablösung Im Sommer (Orch. L. Berio) |
CD 49 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 64:59 | |||
1. | Karol Szymanowski | Król Roger, Op. 46: Act I. "Hagios! Hagios!" | 64:59 | |
2. | Karol Szymanowski | Król Roger, Op. 4: Act I. "Boże Pobłogosław Panie Praodwieczny" | ||
3. | Karol Szymanowski | Król Roger, Op. 4: Act I. "Czyś Słyszał?" | ||
4. | Karol Szymanowski | Król Roger, Op. 4: Act I. "Oto Bluźnierca!" | ||
5. | Karol Szymanowski | Król Roger, Op. 4: Act I. "Mój Bóg Jest Piękny Jako Ja" | ||
6. | Karol Szymanowski | Król Roger, Op. 4: Act I. "W Jego Uśmiechu!" | ||
7. | Karol Szymanowski | Król Roger, Op. 4: Act I. "Niech Odejdzie Pasterz" | ||
8. | Karol Szymanowski | Król Roger, Op. 4: Act II. (Orchestra) | ||
9. | Karol Szymanowski | Król Roger, Op. 4: Act II. "Niepokój Bladych Gwiazd" | ||
10. | Karol Szymanowski | Król Roger, Op. 4: Act II. "A ...!...Roksana! Jej Śpiew!" | ||
11. | Karol Szymanowski | Król Roger, Op. 4: Act II. "Ktoś Mglisty Przeszedł Między Strażą!" | ||
12. | Karol Szymanowski | Król Roger, Op. 4: Act II. "O Przychodzę Sam, Jako Kazałeś, Królu" | ||
13. | Karol Szymanowski | Król Roger, Op. 4: Act II. "A ...! Uśpij Swój Lęk I Gniew, Rogerze!" | ||
14. | Karol Szymanowski | Król Roger, Op. 4: Act II. "Tajemnych Głębin Życia Żar Wszechmocną" | ||
15. | Karol Szymanowski | Król Roger, Op. 4: Act II. Dance Of The Shepherd's Followers | ||
16. | Karol Szymanowski | Król Roger, Op. 4: Act II. Roxana's Entrance. "A...! W Radosnym Tańcu" | ||
17. | Karol Szymanowski | Król Roger, Op. 4: Act II. "Kto Śmie Mój Czar Łańcuchem Pętać Rabów?" | ||
18. | Karol Szymanowski | Król Roger, Op. 4: Act II. "Słuchajcie ... W Ciszy Nocy, Słuchajcie" | ||
19. | Karol Szymanowski | Król Roger, Op. 4: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej Śpiew!" |
CD 50 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 47:08 | |||
1. | Karol Szymanowski | Król Roger, Op. 4: Act III. (Orchestra) | 47:08 | |
2. | Karol Szymanowski | Król Roger, Op. 4: Act III. "Wokół Martwota Głazów" | ||
3. | Karol Szymanowski | Król Roger, Op. 4: Act III. "Rogerze! Rogerze!" | ||
4. | Karol Szymanowski | Król Roger, Op. 4: Act III. "Na Sąd, Na Sąd Staw Się Królu" | ||
5. | Karol Szymanowski | Król Roger, Op. 4: Act III. "Syć Ofiarny" | ||
6. | Karol Szymanowski | Król Roger, Op. 4: Act III. "Edrisi, Już Świt!" | ||
7. | Karol Szymanowski | Król Roger, Op. 4: Act III. "Słońce! Słońce! Edrisi!" | ||
8. | Karol Szymanowski | Symphony No. 4 (Symphonie Concertante), Op. 60: I. Moderato. Tempo Comodo | ||
9. | Karol Szymanowski | Symphony No. 4 (Symphonie Concertante), Op. 60: II. Andante Molto Sostenuto | ||
10. | Karol Szymanowski | Symphony No. 4 (Symphonie Concertante), Op. 60: III. Allegro Non Troppo, Ma Agitato Ed Ansioso |
CD 51 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 77:38 | |||
1. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Erster Teil. Veni, Creator Spiritus | 77:38 | |
2. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Erster Teil. Imple Superna Gratia | ||
3. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Erster Teil. Infirma Nostri Corporis | ||
4. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Erster Teil. [Tempo I: Allegro, Etwas Hastig] | ||
5. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Erster Teil. Infirma Nostri Corporis | ||
6. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Erster Teil. Accende Lumen Sensibus | ||
7. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Erster Teil. Qui Paraclitus Diceris | ||
8. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Erster Teil. Gloria Patri Domino | ||
9. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. [Poco Adagio] | ||
10. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. [Più Mosso: Allegro Moderato] | ||
11. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Waldung, Sie Schwankt Heran (Chorus And Echo) | ||
12. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Ewiger Wonnebrand (Pater Ecstaticus) | ||
13. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Wie Felsenabgrund Mir Zu Füßen (Pater Profundus) | ||
14. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Gerettet Ist Das Edle Glied (Chorus Of Angels) | ||
15. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Uns Bleibt Ein Erdenrest (Chorus Of Angels) | ||
16. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Ich Spür' Soeben (Chorus Of Young Angels) | ||
17. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Höchste Herrscherin Der Welt! (Doctor Marianus) | ||
18. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Dir, Der Unberührbaren (Chorus) | ||
19. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Bei Der Liebe, Die Den Füßen (Magna Peccatrix) | ||
20. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Neige, Neige, Du Ohnegleiche (Una Poenitentium (Gretchen)) | ||
21. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Er Überwächst Uns Schon (Chorus Of Blessed Boys) | ||
22. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Komm! Hebe Dich Zu Höhern Sphären! (Mater Gloriosa/Chorus) | ||
23. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Blicket Auf Zum Retterblick (Doctor Marianus/Chorus) | ||
24. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Alles Vergängliche Ist Nur Ein Gleichnis (Chorus Mysticus) | ||
25. | Gustav Mahler | Symphony No. 8 In E-Flat Major: Zweiter Teil. Alles Vergängliche Ist Nur Ein Gleichnis (Chorus Mysticus) |
CD 52 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:15 | |||
1. | Karol Szymanowski | Songs Of A Fairy-Tale Princess, Op. 31: The Lonely Moon | 65:15 | |
2. | Karol Szymanowski | Songs Of A Fairy-Tale Princess, Op. 31: The Nightingale | ||
3. | Karol Szymanowski | Songs Of A Fairy-Tale Princess, Op. 31: Dance | ||
4. | Karol Szymanowski | Harnasie, Op. 55: Tableau I "In The Highland Pasture": No. 1. Driving The Sheep | ||
5. | Karol Szymanowski | Harnasie, Op. 55: Tableau I "In The Highland Pasture": No. 2. Mimed Scene (Courtship) | ||
6. | Karol Szymanowski | Harnasie, Op. 55: Tableau I "In The Highland Pasture": No. 3. The Tatra Robbers' March | ||
7. | Karol Szymanowski | Harnasie, Op. 55: Tableau I "In The Highland Pasture": No. 4. Mimed Scene (The Harnaś And The Girl) | ||
8. | Karol Szymanowski | Harnasie, Op. 55: Tableau I "In The Highland Pasture": No. 5. The Tatra Robbers' Dance. Finale | ||
9. | Karol Szymanowski | Harnasie, Op. 55: Tableau II "In The Inn": No. 6a. The Wedding | ||
10. | Karol Szymanowski | Harnasie, Op. 55: Tableau II "In The Inn": No. 6b. Entry Of The Bride | ||
11. | Karol Szymanowski | Harnasie, Op. 55: Tableau II "In The Inn": No. 6c. Drinking Song | ||
12. | Karol Szymanowski | Harnasie, Op. 55: Tableau II "In The Inn": No. 7. The Tatra Highlanders' Dance | ||
13. | Karol Szymanowski | Harnasie, Op. 55: Tableau II "In The Inn": No. 8. Raid Of The Harnasie. Dance | ||
14. | Karol Szymanowski | Harnasie, Op. 55: Tableau II "In The Inn": No. 9. Epilogue | ||
15. | Karol Szymanowski | Love Songs Of Hafiz, Op. 26: Desires | ||
16. | Karol Szymanowski | Love Songs Of Hafiz, Op. 26: The Infatuated East Wind | ||
17. | Karol Szymanowski | Love Songs Of Hafiz, Op. 26: Dance | ||
18. | Karol Szymanowski | Love Songs Of Hafiz, Op. 26: Pearls Of My Soul | ||
19. | Karol Szymanowski | Love Songs Of Hafiz, Op. 26: Eternal Youth | ||
20. | Karol Szymanowski | Love Songs Of Hafiz, Op. 26: Your Voice | ||
21. | Karol Szymanowski | Love Songs Of Hafiz, Op. 26: Drinking Song | ||
22. | Karol Szymanowski | Love Songs Of Hafiz, Op. 26: Hafiz' Grave |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.