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# | Cover | Titel | Typ / Besonderheiten | Herstellungsland | Plattenfirma | Katalognummer | Jahr Album | |
---|---|---|---|---|---|---|---|---|
At The Gates (SWE) | ||||||||
201 |
At The Gates
(SWE)
Slaughter Of The Soul |
CD (Re-Release) | Earache Records Ltd. | MOSH 143CD | 1995 | |||
Atlanta Rhythm Section (USA) | ||||||||
202 |
Atlanta Rhythm Section
(USA)
Champagne Jam |
LP | Polydor | PD-1-6134 | 1978 | |||
Atlantean Kodex (DEU) | ||||||||
203 |
Atlantean Kodex
(DEU)
The White Goddess |
2-LP (Etched Vinyl, Gatefold, 180 Gramm Vinyl) | Ván | VÁN101 | 2013 | |||
Atlantis (DEU) | ||||||||
204 |
Atlantis
(DEU)
Atlantis Live |
2-LP (Re-Release) | Venus Music | V79 AT-DW 1010 | 1975 | |||
205 |
Atlantis
(DEU)
Best Of Atlantis |
LP | Phonogram | 6434 298 | 1976 | |||
206 |
Atlantis
(DEU)
Rock Heavies |
LP (Best-Of) | Phonogram | 9198 596 | 1980 | |||
Atomic Rooster (GBR) | ||||||||
207 |
Atomic Rooster
(GBR)
Nice & Greasy |
LP (Gatefold) | Brain | 1033 | 1973 | |||
Attic (DEU) | ||||||||
208 |
Attic
(DEU)
The Invocation |
LP (Limited Edition, Gatefold, 180 Gramm Vinyl) | Ván | VAN86 | 2012 | |||
Audioslave (USA) | ||||||||
209 |
Audioslave
(USA)
Out Of Exile |
CD | Interscope Records | 0602498815632 | 2005 | |||
210 |
Audioslave
(USA)
Revelations |
CD | Sony BMG | 82796 97728 2 | 2006 | |||
Audrey Horne (NOR) | ||||||||
211 |
Audrey Horne
(NOR)
Youngblood |
2-LP + CD (Limited Edition, Gatefold, 180 Gramm Vinyl, Graues Vinyl) | Napalm Records | NPR 468 LP | 2013 | |||
Melissa Auf der Maur (CAN) | ||||||||
212 |
Melissa Auf der Maur
(CAN)
Auf Der Maur |
CD (Kopierschutz) | Capitol / EMI | 7243 5 94308 2 9 | 2004 | |||
Brian Auger's Oblivion Express (GBR) | ||||||||
213 |
Brian Auger's Oblivion Express
(GBR)
A Better Land |
LP | Polydor | 2383 062 | 1971 | |||
The Automatic Blues Inc. (DEU) | ||||||||
214 |
The Automatic Blues Inc.
(DEU)
Rock 'n' Blues |
LP | Europa | e 399 | 1970 | |||
Avenged Sevenfold (USA) | ||||||||
215 |
Avenged Sevenfold
(USA)
City Of Evil |
CD | Warner Bros. | 9362-48613-2 | 2005 | |||
216 |
Avenged Sevenfold
(USA)
Hail To The King |
CD | Warner Bros. Records Inc. | 9362-49430-9 | 2013 | |||
Avian (USA) | ||||||||
217 |
Avian
(USA)
From The Depths Of Time |
CD | Massacre Records | MAS CD0499 | 2005 | |||
Axxis (DEU) | ||||||||
218 |
Axxis
(DEU)
Kingdom Of The Night |
LP | EMI Electrola GmbH | 1C 064 7 91829 1 DMM | 1989 | |||
219 |
Axxis
(DEU)
II |
CD | EMI Electrola GmbH | 1C 564-7 95140 2 | 1990 | |||
220 |
Axxis
(DEU)
Matters Of Survival |
CD | EMI Electrola GmbH | 7243 8 32469 2 2 | 1995 | |||
Azotic Reign (SWE) | ||||||||
221 |
Azotic Reign
(SWE)
Abstract Maledictions |
CD | Iron Glory Records | IG 1011 | 2000 | |||
Babe Ruth (GBR) | ||||||||
222 |
Babe Ruth
(GBR)
Kid's Stuff |
LP | Capitol | 062-82 160 | 1976 | |||
Bachman-Turner Overdrive (CAN) | ||||||||
223 |
Bachman-Turner Overdrive
(CAN)
Not Fragile |
LP (Gatefold) | Phonogram Inc. | 9100 007 | 1974 | |||
224 |
Bachman-Turner Overdrive
(CAN)
Best Of B.T.O. (So Far) |
LP (Best-Of) | Mercury | SRM-1-1101 | 1975 | |||
225 |
Bachman-Turner Overdrive
(CAN)
Four Wheel Drive |
LP (Gatefold) | Mercury | 6338 566 | 1975 | |||
226 |
Bachman-Turner Overdrive
(CAN)
Live! - Live! - Live! |
LP (Live) | Curb Records, Inc. / MCA Records Inc. | MCA-5760 | 1986 | |||
Back Street Crawler (GBR) | ||||||||
227 |
Back Street Crawler
(GBR)
The Band Plays On |
LP | Atlantic / WEA Records Ltd. | K 50 173 | 1975 | |||
Backsliders (FIN) | ||||||||
228 |
Backsliders
(FIN)
National Nightmare |
LP | FM Records / Revolver | HMI LP 103 | 1987 | |||
Bad Company (GBR) | ||||||||
229 |
Bad Company
(GBR)
Bad Company |
LP (Gatefold) | Island Records Ltd. | 88 005 XOT | 1974 | |||
230 |
Bad Company
(GBR)
Straight Shooter |
LP | Island Records | 88 583 XOT | 1975 | |||
231 |
Bad Company
(GBR)
Run With The Pack |
LP (Gatefold) | Island / Ariola | 27 000 XOT | 1976 | |||
232 |
Bad Company
(GBR)
Burnin' Sky |
LP (Gatefold) | Island Records Ltd. | ILPS 9441 | 1977 | |||
233 |
Bad Company
(GBR)
Desolation Angels |
LP (Gatefold) | Swan Song Inc. | SS59408 | 1979 | |||
234 |
Bad Company
(GBR)
Rough Diamonds |
LP | Swan Song Inc. | SS K 59419 | 1982 | |||
235 |
Bad Company
(GBR)
Fame And Fortune |
LP | Atlantic Recording Corporation | 781 684-1 | 1986 | |||
236 |
Bad Company
(GBR)
Dangerous Age |
CD | Atlantic Recording Corporation | 781 884-2 | 1988 | |||
237 |
Bad Company
(GBR)
Holy Water |
LP | ATCO Records / Atlantic Recording Corporation | 7567-91371-1 | 1990 | |||
238 |
Bad Company
(GBR)
Here Comes Trouble |
CD | ATCO Records | 7567-91759-2 | 1992 | |||
Bad English (USA) | ||||||||
239 |
Bad English
(USA)
Bad English |
LP | Epic / CBS Records | 463447 1 | 1989 | |||
Bad4Good (USA) | ||||||||
240 |
Bad4Good
(USA)
Refugee |
CD | Atlantic Recording Corporation | 7567-92175-2 | 1992 | |||
Angelo Badalamenti (USA) | ||||||||
241 |
Angelo Badalamenti
(USA)
+
Julee Cruise
(USA)
+
Angelo Badalamenti & David Lynch
(USA)
Music From Twin Peaks |
Split-CD (Split mit: Julee Cruise (USA) + Angelo Badalamenti & David Lynch (USA)) |
WEA International Inc. | 7599-26316-2 | 1990 | |||
242 |
Angelo Badalamenti
(USA)
Twin Peaks Fire Walk With Me |
CD | Warner Bros. Records | 9362-45019-2 | 1992 | |||
Badfinger (GBR) | ||||||||
243 |
Badfinger
(GBR)
Badfinger |
LP | Warner Bros. Records Inc. | BS 2762 | 1974 | |||
Badlands (USA) | ||||||||
244 |
Badlands
(USA)
Badlands |
LP | Atlantic Recording Corporation | 781 966-1 | 1989 | |||
Ryan Bales Band (USA) | ||||||||
245 |
Ryan Bales Band
(USA)
Revival |
CD | Image Entertainment | 2007 | ||||
Ballistic (USA) | ||||||||
246 |
Ballistic
(USA)
Ballistic |
CD | Metal Blade Records | 3984-14448-2 | 2003 | |||
Bang (USA) | ||||||||
247 |
Bang
(USA)
Mother / Bow To The King |
LP (Gatefold) | Capitol Records, Inc. | 1 C 062-81 329 | 1972 | |||
Bathory (SWE) | ||||||||
248 |
Bathory
(SWE)
Under The Sign Of The Black Mark |
CD (Fehlpressung, Re-Release) | Black Mark AB | BMCD 666-3 | 1987 | |||
BBM (GBR) | ||||||||
249 |
BBM
(GBR)
Around The Next Dream |
CD | Virgin Records Ltd. | CDV 2745 | 1994 | |||
Be-Bop Deluxe (GBR) | ||||||||
250 |
Be-Bop Deluxe
(GBR)
Futurama |
LP | EMI Records Ltd. | 1 C 062-05 864 | 1975 | |||
251 |
Be-Bop Deluxe
(GBR)
Live! In The Air Age |
LP + 7" (Live, Special Edition) | EMI / Harvest Records | 1C 064-06 439 | 1977 | |||
252 |
Be-Bop Deluxe
(GBR)
Drastic Plastic |
LP | Harvest | 1 C 064-06 598 | 1978 | |||
The Beach Boys (USA) | ||||||||
253 |
The Beach Boys
(USA)
Pet Sounds |
CD (Re-Release) | Capitol Records | CDP 7484212 | 1966 | |||
254 |
The Beach Boys
(USA)
Sunflower |
LP (Re-Release) | EMIdisc | C 048-50 791 | 1970 | |||
255 |
The Beach Boys
(USA)
Good Vibrations |
LP (Best-Of) | MFP | MFP 50234 | 1971 | |||
256 |
The Beach Boys
(USA)
Surf's Up |
CD (Remastered) | Brother Records, Inc. | 467835 2 | 1971 | |||
257 |
The Beach Boys
(USA)
Endless Summer |
CD (Compilation, Re-Release) | EMI Gold | 7243 8 55321 2 2 | 1974 | |||
258 |
The Beach Boys
(USA)
The Very Best Of - Anthology 1963-69 |
2-LP (Best-Of, Gatefold) | EMI Electrola GmbH, Köln | 1C 152-81 482/83 | 1974 | |||
259 |
The Beach Boys
(USA)
Today! / Summer Days (And Summer Nights!!) |
CD (Re-Release, Remastered, Special Edition) | Capitol Records, Inc. | CDP 7 93694 2 | 1990 | |||
The Beatles (GBR) | ||||||||
260 |
The Beatles
(GBR)
Please Please Me |
LP (Re-Release) | Apple Records / EMI Electrola GmbH | 1C 072-04 219 | 1963 | |||
261 |
The Beatles
(GBR)
With The Beatles |
LP (Re-Release) | Odeon | 1 C 062-04 181 | 1963 | |||
262 |
The Beatles
(GBR)
Beatles For Sale |
LP (Re-Release) | Odeon | 1C 062-04 200 | 1964 | |||
263 |
The Beatles
(GBR)
Yeah! Yeah! Yeah! |
LP (Re-Release) | EMI / Odeon | 1C 062-04 145 | 1964 | |||
264 |
The Beatles
(GBR)
Help! |
LP (Re-Release) | Odeon / EMI | 1 C 062-04 257 | 1965 | |||
265 |
The Beatles
(GBR)
Rubber Soul |
LP (Re-Release) | Odeon | 1C 062-04 115 | 1965 | |||
266 |
The Beatles
(GBR)
Revolver |
LP (Re-Release) | Apple | 1 C 072-04 097 | 1966 | |||
267 |
The Beatles
(GBR)
Magical Mystery Tour |
LP (Gatefold) | Capitol Records | SMAL - 2835 | 1967 | |||
268 |
The Beatles
(GBR)
Sgt. Pepper's Lonely Hearts Club Band |
LP (Re-Release, Gatefold) | EMI / Hör Zu | SHZE 401 | 1967 | |||
269 |
The Beatles
(GBR)
The Beatles [White Album] |
2-LP (Nummeriert, Re-Release, Gatefold) | Apple | 1 C 192-04 173 / 1 C 192-04 174 | 1968 | |||
270 |
The Beatles
(GBR)
+
George Martin
(GBR)
Yellow Submarine |
Split-LP (Re-Release)
(Split mit: George Martin (GBR)) |
Apple / EMI | 1 C 072-04 002 | 1968 | |||
271 |
The Beatles
(GBR)
Abbey Road |
LP | Apple Records | 1C 062-04 243 | 1969 | |||
272 |
The Beatles
(GBR)
Let It Be |
LP (Re-Release) | EMI Records | 1C 072-04 433 | 1970 | |||
273 |
The Beatles
(GBR)
1962-1966 |
2-LP (Compilation, Gatefold) | EMI / Apple | PCSP 717 | 1973 | |||
274 |
The Beatles
(GBR)
1967-1970 |
2-LP (Compilation, Gatefold) | Gramophone Company Limited, The | 1 C 188-05 309/10 | 1973 | |||
Jeff Beck (GBR) | ||||||||
275 |
Jeff Beck
(GBR)
Truth |
LP (Re-Release) | EMI Columbia | 1C 062-04 172 | 1968 | |||
276 |
Jeff Beck
(GBR)
Blow By Blow |
LP | Epic / CBS Inc. | PE 33409 | 1975 | |||
277 |
Jeff Beck
(GBR)
Flash |
LP | CBS Inc. / Epic | EPC 26112 | 1985 | |||
Jeff Beck & The Jan Hammer Group (GBR) | ||||||||
278 |
Jeff Beck & The Jan Hammer Group
(GBR)
Live |
LP | Nemperor Records | NE 50 361 | 1977 | |||
Jeff Beck Group (GBR) | ||||||||
279 |
Jeff Beck Group
(GBR)
Beck-Ola |
CD (Re-Release, Remastered, Kopierschutz) | EMI Records Ltd. | 7243 5 78751 2 7 | 1969 | |||
Beggars Opera (GBR) | ||||||||
280 |
Beggars Opera
(GBR)
Waters Of Change |
LP (Re-Release, Gatefold) | Vertigo | 6360 054 | 1971 | |||
Belladonna (USA) | ||||||||
281 |
Belladonna
(USA)
Belladonna |
CD | MMS Holding Corp. | 904170.2 | 1995 | |||
282 |
Belladonna
(USA)
Spells Of Fear |
CD | DeRock Records | DERCD-9015 | 1998 | |||
Below (SWE) | ||||||||
283 |
Below
(SWE)
Upon A Pale Horse |
CD (Digipak) | Metal Blade Records Inc. | 3984-15514-2 | 2017 | |||
Jim Belushi And The Sacred Hearts (USA) | ||||||||
284 |
Jim Belushi And The Sacred Hearts
(USA)
36-22-36 |
CD | House Of Blues Music Company | 51416 1334 2 | 1998 | |||
Chuck Berry (USA) | ||||||||
285 |
Chuck Berry
(USA)
Blues |
CD (Compilation) | MCA Records | B0000530-02 | 2003 | |||
286 |
Chuck Berry
(USA)
You Can't Catch Me |
CD (Compilation, Mono) | Snapper Music PLC | SROLLCD828 | 2010 | |||
Beyond Fear (USA) | ||||||||
287 |
Beyond Fear
(USA)
Beyond Fear |
CD | Steamhammer | SPV 99862 CD | 2006 | |||
Alex Beyrodt's Voodoo Circle (DEU) | ||||||||
288 |
Alex Beyrodt's Voodoo Circle
(DEU)
Broken Heart Syndrome |
CD (Digipak) | AFM Records | AFM 317-9 | 2011 | |||
Hansi Biebl Band (DEU) | ||||||||
289 |
Hansi Biebl Band
(DEU)
Hansi Biebl Band |
LP | Amiga | 8 55 716 | 1979 | |||
Big Brother & The Holding Company (USA) | ||||||||
290 |
Big Brother & The Holding Company
(USA)
Cheap Thrills |
LP | CBS | S63392 | 1968 | |||
291 |
Big Brother & The Holding Company
(USA)
Live At Winterland '68 |
CD (Live) | Sony Music Entertainment | 4851502 | 1968 | |||
292 |
Big Brother & The Holding Company
(USA)
+
Full Tilt Boogie Band
(USA)
Joplin In Concert |
Split-2-LP (Live, Gatefold)
(Split mit: Full Tilt Boogie Band (USA)) |
CBS Records | S 67241 | 1972 | |||
Big Country (GBR) | ||||||||
293 |
Big Country
(GBR)
The Crossing |
CD (Re-Release) | Phonogram Ltd. | 812 870-2 | 1983 | |||
294 |
Big Country
(GBR)
The Buffalo Skinners |
CD | Chrysalis Records Ltd. | 0946 3 21988 2 2 / CDNOIS 2 | 1993 | |||
Birth Control (DEU) | ||||||||
295 |
Birth Control
(DEU)
Hoodoo Man |
CD (Re-Release, Digipak) | Repertoire Records | REP 5047 | 1972 | |||
Elvin Bishop (USA) | ||||||||
296 |
Elvin Bishop
(USA)
Juke Joint Jump |
LP | Capricorn Records | CP 0151 | 1975 | |||
297 |
Elvin Bishop
(USA)
Is You Is Or Is You Ain't My Baby |
LP | Line Records | 6.24 642 | 1981 | |||
Bitch (USA) | ||||||||
298 |
Bitch
(USA)
Damnation Alley |
12" | Metal Blade Records | MBR 1002 | 1982 | |||
299 |
Bitch
(USA)
Be My Slave |
LP | Metal Blade Records | MBR 1007 | 1983 | |||
300 |
Bitch
(USA)
The Bitch Is Back |
LP | Metal Blade Records | ST 73256 | 1987 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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