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# | Cover | Titel | Typ / Besonderheiten | Herstellungsland | Plattenfirma | Jahr Album | Katalognummer | |
---|---|---|---|---|---|---|---|---|
Baker Gurvitz Army (GBR) | ||||||||
101 |
Baker Gurvitz Army
(GBR)
Hearts On Fire |
LP | ATCO Records / Atlantic Recording Corporation | 1976 | SD 36-137 | |||
Bakerloo (GBR) | ||||||||
102 |
Bakerloo
(GBR)
Bakerloo |
LP (Gatefold) | Harvest / EMI | 1969 | 1C 062-90 519 | |||
Banco (ITA) | ||||||||
103 |
Banco
(ITA)
Banco |
LP (Re-Release, Gatefold, 180 Gramm Vinyl) | Manticore Records Limited | 1975 | MA 6 505S 1 | |||
The Band (CAN) | ||||||||
104 |
The Band
(CAN)
Music From Big Pink |
LP (Limited Edition, Re-Release, 180 Gramm Vinyl) | EMI | 0 | ||||
105 |
The Band
(CAN)
Stage Fright |
LP | Capitol | 1970 | SW 425 | |||
106 |
The Band
(CAN)
Cahoots |
LP (Gatefold) | Capitol | 1971 | 5C062-80 955 | |||
107 |
The Band
(CAN)
Moondog Matinee |
LP (Gatefold) | Capitol Records | 1973 | 038 EVC 81 539 | |||
108 |
The Band
(CAN)
The Last Waltz |
3-LP (Pappschuber) | Warner Bros. Records Inc. | 1978 | WB 66076 | |||
Tony Banks (GBR) | ||||||||
109 |
Tony Banks
(GBR)
A Curious Feeling |
LP | PolyGram Inc. | 1979 | CA-1-2207 | |||
BAP (DEU) | ||||||||
110 |
BAP
(DEU)
Für Usszeschnigge! |
LP (Gatefold) | Musikant | 1981 | 1C 064-46 438 | |||
111 |
BAP
(DEU)
Vun Drinne Noh Drusse |
LP (Gatefold) | EMI Electrola GmbH | 1982 | 1C 064-46 639 | |||
Chris Barber's Jazz Band (GBR) | ||||||||
112 |
Chris Barber's Jazz Band
(GBR)
+
Lonnie Donegan & His Skiffle Group
(GBR)
Barber's Best |
Split-2-LP (Compilation, Re-Release, Gatefold)
(Split mit: Lonnie Donegan & His Skiffle Group (GBR)) |
TELDEC »Telefunken-Decca« Schallplatten GmbH | 1973 | 6.28128 DP | |||
Barclay James Harvest (GBR) | ||||||||
113 |
Barclay James Harvest
(GBR)
Barclay James Harvest |
LP (Re-Release, Gatefold) | Harvest | 1970 | 1C 064-04372 | |||
114 |
Barclay James Harvest
(GBR)
Once Again |
LP (Re-Release, Gatefold) | Harvest / EMI | 1971 | 1C 064-04 697 | |||
115 |
Barclay James Harvest
(GBR)
Time Honoured Ghosts |
LP (Re-Release) | Polydor International GmbH | 1975 | 2383 361 | |||
116 |
Barclay James Harvest
(GBR)
Octoberon |
LP | Polydor International GmbH | 1976 | 2383407 | |||
117 |
Barclay James Harvest
(GBR)
Gone To Earth |
LP (Special Edition) | Polydor International GmbH | 1977 | 27684-0 | |||
118 |
Barclay James Harvest
(GBR)
Turn Of The Tide |
LP | Polydor International GmbH | 1981 | 2383 608 | |||
119 |
Barclay James Harvest
(GBR)
Ring Of Changes |
LP (Gatefold) | Polydor Ltd., London | 1983 | 811 638-1 | |||
Richard Bargel (DEU) | ||||||||
120 |
Richard Bargel
(DEU)
Blue Steel |
LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | Meyer Records | 1977 | no. 216 | |||
Syd Barrett (GBR) | ||||||||
121 |
Syd Barrett
(GBR)
The Madcap Laughs |
LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | Warner Music Group Company | 1970 | SHVL 765 | |||
122 |
Syd Barrett
(GBR)
Opel |
LP (Re-Release, Gatefold, 180 Gramm Vinyl) | Parlophone Records Ltd. | 1988 | SHSP 4126 | |||
Bayon (DEU) | ||||||||
123 |
Bayon
(DEU)
Bayon |
LP | Amiga | 1977 | 8 55 570 | |||
The Beach Boys (USA) | ||||||||
124 |
The Beach Boys
(USA)
Little Deuce Coupe |
LP (Mono, Re-Release, 180 Gramm Vinyl) | DOL / Vinylogy | 1963 | DOS657H | |||
125 |
The Beach Boys
(USA)
Beach Boys' Party! |
LP (Live, Re-Release, Gatefold) | Capitol Records Inc. | 1965 | MAS 2398 | |||
126 |
The Beach Boys
(USA)
Pet Sounds |
LP (Re-Release, Remastered) | Capitol Records Inc. / EMI Records Ltd. | 1966 | EMS 1179 | |||
Beastie Boys (USA) | ||||||||
127 |
Beastie Boys
(USA)
The Mix-Up |
LP (Gatefold) | Capitol Records, Inc. | 2007 | 50999 5 00112 1 6 | |||
The Beatles (GBR) | ||||||||
128 |
The Beatles
(GBR)
With The Beatles |
LP (Re-Release) | Odeon | 1963 | 1 C 062-04 181 | |||
129 |
The Beatles
(GBR)
Beatles For Sale |
LP (Re-Release) | Odeon | 1964 | 1C 062-04 200 | |||
130 |
The Beatles
(GBR)
Yeah! Yeah! Yeah! |
LP (Re-Release) | EMI / Odeon | 1964 | 1C 062-04 145 | |||
131 |
The Beatles
(GBR)
The Beatles' Greatest |
LP (Best-Of, Re-Release) | EMI / Odeon | 1965 | 1C 062-04 207 | |||
132 |
The Beatles
(GBR)
Help! |
LP | Apple / EMI | 1965 | 1 C 062-04 257 n | |||
133 |
The Beatles
(GBR)
Help! |
LP | Hörzu | 1965 | SHZE 162 | |||
134 |
The Beatles
(GBR)
Rubber Soul |
LP (Re-Release) | Odeon | 1965 | 1C 062-04 115 | |||
135 |
The Beatles
(GBR)
Revolver |
LP (Re-Release) | EMI Electrola GmbH | 1966 | 1C 062-04 097 | |||
136 |
The Beatles
(GBR)
Magical Mystery Tour |
LP (Gatefold) | Capitol Records | 1967 | SMAL - 2835 | |||
137 |
The Beatles
(GBR)
Sgt. Pepper's Lonely Hearts Club Band |
LP (Gatefold) | EMI / Apple | 1967 | 1 C062-04 177 | |||
138 |
The Beatles
(GBR)
Sgt. Pepper's Lonely Hearts Club Band |
LP (Re-Release, Gatefold) | Odeon / Hör Zu | 1967 | SHZE 401 | |||
139 |
The Beatles
(GBR)
The Beatles [White Album] |
2-LP (Nummeriert, Re-Release, Gatefold) | Apple | 1968 | 1 C 192-04 173 / 1 C 192-04 174 | |||
140 |
The Beatles
(GBR)
Abbey Road |
LP | EMI | 1969 | 1C 062-04243 | |||
141 |
The Beatles
(GBR)
+
George Martin
(GBR)
Yellow Submarine |
Split-LP (Re-Release)
(Split mit: George Martin (GBR)) |
Apple Records | 1969 | 1C 062-04 002 | |||
142 |
The Beatles
(GBR)
Hey Jude |
LP | Apple Records | 1970 | 1C 062-04 348 | |||
143 |
The Beatles
(GBR)
Let It Be |
LP (Gatefold) | Apple Records, Inc. | 1970 | AR 34001 (JS 17500) | |||
Beaver & Krause (USA) | ||||||||
144 |
Beaver & Krause
(USA)
All Good Men |
LP | Warner Bros. Records | 1972 | BS 2624 | |||
Gilbert Bécaud (FRA) | ||||||||
145 |
Gilbert Bécaud
(FRA)
Gilbert Becaud |
LP (Compilation, Mono) | Amiga / VEB Deutsche Schallplatten Berlin | 1967 | 8 50 111 | |||
Jeff Beck (GBR) | ||||||||
146 |
Jeff Beck
(GBR)
Truth |
LP (Re-Release) | EMI / Columbia | 1968 | 1 C 062-04 172 | |||
147 |
Jeff Beck
(GBR)
Blow By Blow |
LP | CBS Inc. / Columbia | 1975 | EPC 69117 | |||
148 |
Jeff Beck
(GBR)
Wired |
LP | Epic / CBS Records | 1976 | EPC 32067 | |||
149 |
Jeff Beck
(GBR)
There And Back |
LP | CBS Inc. | 1980 | EPC 83288 | |||
Jeff Beck Group (GBR) | ||||||||
150 |
Jeff Beck Group
(GBR)
Beck-Ola |
LP (Re-Release) | Epic Records / CBS Inc. | 1969 | PE 26478 | |||
151 |
Jeff Beck Group
(GBR)
Rough And Ready |
LP (Re-Release) | Embassy | 1971 | EMB31546 | |||
152 |
Jeff Beck Group
(GBR)
Jeff Beck Group |
LP (Re-Release) | CBS Inc. / Epic | 1972 | EPC 64899 | |||
Beck, Bogert & Appice (USA) | ||||||||
153 |
Beck, Bogert & Appice
(USA)
Beck, Bogert & Appice |
LP | Epic / CBS Inc. | 1973 | CI EPC 65455-2L | |||
154 |
Beck, Bogert & Appice
(USA)
Live |
2-LP (Gatefold) | Epic / Sony Music Entertainment | 1973 | ECPJ 11-12 | |||
Bee Gees (GBR) | ||||||||
155 |
Bee Gees
(GBR)
Horizontal |
LP | ATCO Records | 1968 | SD 33-233 | |||
156 |
Bee Gees
(GBR)
Odessa |
2-LP (Re-Release, Gatefold) | Karussell | 1969 | 2674012 | |||
157 |
Bee Gees
(GBR)
Cucumber Castle |
LP (Gatefold) | ATCO Records / Atlantic Recording Corporation | 1970 | SD 33-327 | |||
158 |
Bee Gees
(GBR)
Trafalgar |
LP (Gatefold) | ATCO Records | 1971 | SD 7003 | |||
Beggars Opera (GBR) | ||||||||
159 |
Beggars Opera
(GBR)
Act One |
LP (Gatefold) | Vertigo | 1970 | 6360 018 | |||
160 |
Beggars Opera
(GBR)
Waters Of Change |
LP (Re-Release) | Vertigo | 1971 | 6360 054 | |||
161 |
Beggars Opera
(GBR)
Pathfinder |
LP | Vertigo | 1972 | 6360 073 | |||
162 |
Beggars Opera
(GBR)
Get Your Dog Off Me! |
LP (Re-Release) | Vertigo | 1973 | 6360 090 | |||
163 |
Beggars Opera
(GBR)
Sagittary |
LP | Jupiter Records | 1974 | 88 907 OT | |||
Harry Belafonte (USA) | ||||||||
164 |
Harry Belafonte
(USA)
Belafonte – Golden Records Vol. 2 |
LP (Compilation) | RCA Schallplatten GmbH | 1974 | 26.21146 AS | |||
Adrian Belew (USA) | ||||||||
165 |
Adrian Belew
(USA)
Desire Caught By The Tail |
LP | Island | 1986 | 90551-1 | |||
166 |
Adrian Belew
(USA)
Young Lions |
LP | Atlantic Recording Corp. | 1990 | 82099-1 | |||
Dickey Betts & Great Southern (USA) | ||||||||
167 |
Dickey Betts & Great Southern
(USA)
Dickey Betts & Great Southern |
LP | Arista Records | 1977 | SPARTY 1005 | |||
168 |
Dickey Betts & Great Southern
(USA)
Atlanta's Burning Down |
LP | EMI Electrola GmbH | 1978 | 1C 064-60 599 | |||
Big Brother & The Holding Company (USA) | ||||||||
169 |
Big Brother & The Holding Company
(USA)
Big Brother & The Holding Company Featuring Janis Joplin |
LP (Re-Release) | Sony Music Entertainment | 1967 | MOVLP463 | |||
170 |
Big Brother & The Holding Company
(USA)
Cheap Thrills |
LP (Re-Release, Gatefold) | Columbia | 1968 | PC 9700 | |||
171 |
Big Brother & The Holding Company
(USA)
+
Full Tilt Boogie Band
(USA)
Joplin In Concert |
Split-2-LP (Live, Re-Release, Gatefold)
(Split mit: Full Tilt Boogie Band (USA)) |
CBS Inc. | 1972 | S 67241 | |||
Big Star (USA) | ||||||||
172 |
Big Star
(USA)
#1 Record |
LP (Re-Release) | Akarma Records | 1972 | 60025 | |||
Acker Bilk (GBR) | ||||||||
173 |
Acker Bilk
(GBR)
Stranger On The Shore |
LP (Compilation, Re-Release) | MFP (Music For Pleasure) | 1961 | MFP 50356 | |||
Mr. Acker Bilk & His Paramount Jazz Band (GBR) | ||||||||
174 |
Mr. Acker Bilk & His Paramount Jazz Band
(GBR)
Beau Bilk |
LP | Metronome | 1962 | HLP 10.064 | |||
Birth Control (DEU) | ||||||||
175 |
Birth Control
(DEU)
Knock Knock - Who's There? |
LP (Re-Release) | Metronome Records GmbH | 1970 | 200.132 | |||
176 |
Birth Control
(DEU)
Operation |
LP (Re-Release) | Ohr | 1971 | OMM 556.015 | |||
177 |
Birth Control
(DEU)
Hoodoo Man |
LP (Gatefold) | CBS | 1972 | CBS S 65 316 | |||
178 |
Birth Control
(DEU)
Rebirth |
LP | CBS Inc. / Columbia | 1973 | S 65963 | |||
179 |
Birth Control
(DEU)
Plastic People |
LP (Gatefold) | CBS Schallplatten GmbH, Germany | 1975 | 80 921 | |||
180 |
Birth Control
(DEU)
Backdoor Possibilities |
LP (Gatefold) | Metronome Records GmbH | 1976 | 60.019 | |||
181 |
Birth Control
(DEU)
Titanic |
LP | Brain Metronome | 1978 | 0060.149 | |||
Elvin Bishop (USA) | ||||||||
182 |
Elvin Bishop
(USA)
Juke Joint Jump |
LP | Capricorn Records | 1975 | CP 0151 | |||
183 |
Elvin Bishop
(USA)
Raisin' Hell |
2-LP (Live, Gatefold) | Capricorn Records Inc. | 1977 | 2 CPN 0185 | |||
184 |
Elvin Bishop
(USA)
Hog Heaven |
LP | Capricon Records | 1978 | CPN-0215 | |||
Björk (ISL) | ||||||||
185 |
Björk
(ISL)
Homogenic |
LP | One Little Indian Records | 1997 | TPLP71 | |||
186 |
Björk
(ISL)
Biophilia |
2-LP (Gatefold, 180 Gramm Vinyl) | One Little Indian Ltd. | 2011 | tplp1016 | |||
The Black Noodle Project (FRA) | ||||||||
187 |
The Black Noodle Project
(FRA)
Devided We Fall |
LP | Progressive Promotion Records | 2017 | PPRLP055 | |||
Black Oak Arkansas (USA) | ||||||||
188 |
Black Oak Arkansas
(USA)
Black Oak Arkansas |
LP | ATCO Records / Atlantic Recording Corporation | 1971 | SD 33-354 | |||
189 |
Black Oak Arkansas
(USA)
Street Party |
LP | Atlantic Recording Corporation | 1974 | ATCO SD 36-101 | |||
Black Sabbath (GBR) | ||||||||
190 |
Black Sabbath
(GBR)
Black Sabbath |
LP (Gatefold) | Vertigo | 1970 | VO 6 / 847 903 VTY | |||
191 |
Black Sabbath
(GBR)
Paranoid |
LP (Gatefold) | Spiegelei / Intercord | 1970 | INT 145.616 (NEL 6003) | |||
192 |
Black Sabbath
(GBR)
Master Of Reality |
LP (Re-Release) | Victoria | 1971 | C-30.468 (VLP-104) | |||
193 |
Black Sabbath
(GBR)
Vol 4 |
LP (Re-Release, Gatefold) | NEMS | 1972 | NEL 6005 | |||
194 |
Black Sabbath
(GBR)
Sabbath Bloody Sabbath |
LP | Castle Communications | 1973 | CLALP 201 | |||
195 |
Black Sabbath
(GBR)
Sabotage |
LP | Vertigo / Phonogram | 1975 | 832 706-1 | |||
196 |
Black Sabbath
(GBR)
Technical Ecstasy |
LP | Vertigo | 1976 | 91 24 100 | |||
Black Widow (GBR) | ||||||||
197 |
Black Widow
(GBR)
Black Widow |
LP (Re-Release, Gatefold, 180 Gramm Vinyl) | Repertoire Records (UK) Ltd. | 1970 | REP3319 / V214 | |||
198 |
Black Widow
(GBR)
Sacrifice |
LP (Re-Release, Remastered, Gatefold) | Repertoire Records | 1970 | V158 | |||
199 |
Black Widow
(GBR)
III |
LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | Repertoire Records | 1971 | V 253 | |||
Blackberry Smoke (USA) | ||||||||
200 |
Blackberry Smoke
(USA)
Holding All The Roses |
LP (Gatefold, 180 Gramm Vinyl) | 3 Legged Records LLC / Earache Records Ltd. | 2015 | MOSH537LP |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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