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# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Jahr Tonträger | Herstellungsland | Katalognummer | Plattenfirma | EAN-Nummer | |
---|---|---|---|---|---|---|---|---|---|---|
Angelic Upstarts (GBR) | ||||||||||
101 |
Angelic Upstarts
(GBR)
We Gotta Get Out Of This Place |
LP | 1980 | 1980 | K 56806 | Warner Bros. Records | ||||
Anthrax (USA) | ||||||||||
102 |
Anthrax
(USA)
Spreading The Disease |
LP | 1985 | 1985 | 207 476 | Island Records Inc. | 4007192074761 | |||
Anvil (CAN) | ||||||||||
103 |
Anvil
(CAN)
Past And Present - Live In Concert |
LP (Live) | 1989 | 1989 | RO 9453 1 | Metal Blade Records | 016861945312 | |||
Aphrodite's Child (GRC) | ||||||||||
104 |
Aphrodite's Child
(GRC)
666 |
2-CD (Re-Release) | 1972 | 1994 | 838 430-2 | PolyGram International Music B.V. | 042283843028 | |||
April Wine (CAN) | ||||||||||
105 |
April Wine
(CAN)
First Glance |
LP | 1978 | 1979 | 1C 038 1575241 | EMI Electrola GmbH | 5099915752413 | |||
106 |
April Wine
(CAN)
Say Hello |
7" | 1979 | 1979 | 1 C 006-86 052 | Capitol Records, Inc. | ||||
Die Ärzte (DEU) | ||||||||||
107 |
Die Ärzte
(DEU)
Musik Express Sounds |
Flexidisk (Heftbeilage) | 1986 | 1986 | CBS | |||||
108 |
Die Ärzte
(DEU)
Das Beste Von Kurz Nach Früher Bis Jetze |
2-CD (Best-Of) | 1994 | 1994 | COL 477637 2 | Columbia / Sony Music Entertainment | 5099747763724 | |||
109 |
Die Ärzte
(DEU)
Le Frisur |
CD (Digisleeve) | 1996 | 1996 | 531 647-2 | Metronome Musik GmbH, Hamburg | 731453164727 | |||
110 |
Die Ärzte
(DEU)
Runter Mit Den Spendierhosen, Unsichtbarer! |
CD (Cardsleeve) | 2000 | 2000 | 549 252-2 | Hot Action Records | 0731454925228 | |||
111 |
Die Ärzte
(DEU)
Himmelblauperfektbreit |
PIC-12" (Limited Edition) | 2009 | 2009 | 930 053-6 | Hot Action Records | 4019593005367 | |||
Ashford & Simpson (USA) | ||||||||||
112 |
Ashford & Simpson
(USA)
Solid |
LP | 1984 | 1984 | 2402501 | Capitol Records, Inc. | 5099924025010 | |||
Tony Ashton & Jon Lord (GBR) | ||||||||||
113 |
Tony Ashton & Jon Lord
(GBR)
First Of The Big Bands |
LP (Re-Release, Weißes Vinyl) | 1974 | 1983 | LILP 4.00119 | Line Records GmbH | ||||
114 |
Tony Ashton & Jon Lord
(GBR)
First Of The Big Bands |
CD (Re-Release) | 1974 | 1983 | LICD 9.00119 O | Line Records | ||||
115 |
Tony Ashton & Jon Lord
(GBR)
First Of The Big Bands - BBC 1 In Concert |
CD (Live) | 1993 | 1993 | WINCD 033 | Windsong International | 5018766033021 | |||
Asia (GBR) | ||||||||||
116 |
Asia
(GBR)
Asia |
LP | 1982 | 1982 | GEF 85577 | David Geffen Company, The | ||||
117 |
Asia
(GBR)
Alpha |
LP | 1983 | 1983 | GHS 4008 | David Geffen Company, The | 07599240081 | |||
Avion (AUS) | ||||||||||
118 |
Avion
(AUS)
White Noise |
LP | 1986 | 1986 | 0644300461 | EMI Records Australia | 5099943004614 | |||
Axxis (DEU) | ||||||||||
119 |
Axxis
(DEU)
Fire And Ice |
PIC-7" (Limited Edition) | 1989 | 1989 | 006-1474337 | Electrola | 5099914743771 | |||
120 |
Axxis
(DEU)
Kingdom Of The Night |
PIC-LP (Limited Edition) | 1989 | 1989 | 1C 064-7 91829 0 DMM | EMI Electrola GmbH | 077779182909 | |||
121 |
Axxis
(DEU)
Access All Areas - Live |
LP (Limited Edition, Live) | 1991 | 1991 | 1C 064-7 97950 1 | EMI Electrola GmbH | 077779795017 | |||
122 |
Axxis
(DEU)
+
Chroming Rose
(DEU)
+
Crossroads
(DEU)
+
Fate
(DNK)
Free Hot Rock EP |
Split-7" (Split mit: Chroming Rose (DEU) + Crossroads (DEU) + Fate (DNK)) |
1991 | 1991 | ROCK 02 | EMI Electrola GmbH | ||||
The B-52's (USA) | ||||||||||
123 |
The B-52's
(USA)
The B-52's |
CD (Re-Release) | 1979 | 1989 | IMCD 1 842 444-2 | Island Records, Inc. | 042284244428 | |||
124 |
The B-52's
(USA)
Play Loud |
LP | 1979 | 1979 | 200 776-320 | Island Records | ||||
Babe Ruth (GBR) | ||||||||||
125 |
Babe Ruth
(GBR)
Best Of Babe Ruth |
LP (Best-Of, Compilation) | 1986 | 1986 | WKFM LP 81 | FM Records Release | ||||
The Babys (GBR) | ||||||||||
126 |
The Babys
(GBR)
Anthology |
LP (Best-Of) | 1981 | 1981 | PV 41351 | Chrysalis Records | ||||
Johann Sebastian Bach & Charles Gounod (EUR) | ||||||||||
127 |
Johann Sebastian Bach & Charles Gounod
(EUR)
+
Franz Schubert
(AUT)
Mario Lanza Singt Das Ave Maria |
Split-7" (Split mit: Franz Schubert (AUT)) |
0 | 0 | 47-15 002 | RCA Schallplatten GmbH | ||||
Bachman-Turner Overdrive (CAN) | ||||||||||
128 |
Bachman-Turner Overdrive
(CAN)
Not Fragile |
LP | 1974 | 1974 | 6463 138 | Mercury | ||||
129 |
Bachman-Turner Overdrive
(CAN)
Street Action |
LP | 1978 | 1978 | SRM-1-3713 | Mercury | ||||
130 |
Bachman-Turner Overdrive
(CAN)
Pop Lions - You Ain't Seen Nothin' Yet |
LP (Best-Of) | 1980 | 1980 | 6430 151 | Fontana | ||||
131 |
Bachman-Turner Overdrive
(CAN)
BTO's Greatest |
CD (Best-Of, Re-Release) | 1981 | 1990 | 830 039-2 | Mercury Records | 042283003927 | |||
Bad Company (GBR) | ||||||||||
132 |
Bad Company
(GBR)
Fame And Fortune |
LP | 1986 | 1986 | 781 684-1 | Atlantic Recording Corporation | 075678168413 | |||
Bad English (USA) | ||||||||||
133 |
Bad English
(USA)
Forget Me Not |
7" | 1989 | 1989 | 655089 7 | Epic / CBS Records | 5099765508970 | |||
Bad Manners (GBR) | ||||||||||
134 |
Bad Manners
(GBR)
The Height Of Bad Manners |
LP (Gatefold) | 1983 | 1983 | STAR 2229 | Magnet Records Ltd. | ||||
Badlands (USA) | ||||||||||
135 |
Badlands
(USA)
Badlands |
CD | 1989 | 1989 | 781 966-2 | Atlantic Recording Corporation | 075678196621 | |||
136 |
Badlands
(USA)
Voodoo Highway |
CD | 1991 | 1991 | 7567-82251-2 | Atlantic Recording Corporation | 7567822512 | |||
George Baker Selection (NLD) | ||||||||||
137 |
George Baker Selection
(NLD)
Dreamboat |
LP (Best-Of) | 1988 | 1988 | 837 267-1 | Polystar | 042283726710 | |||
Russ Ballard (GBR) | ||||||||||
138 |
Russ Ballard
(GBR)
On The Rebound |
7" | 1980 | 1980 | EPC 8666 | CBS Inc. / Epic | ||||
139 |
Russ Ballard
(GBR)
Russ Ballard |
LP | 1984 | 1984 | 1C 038-15 7638 1 | EMI America Records | 5099915763815 | |||
140 |
Russ Ballard
(GBR)
Russ Ballard |
CD (Re-Release) | 1984 | 1984 | CDP 538-7 91663 2 | EMI USA / Capitol Records Inc. | 077779166329 | |||
141 |
Russ Ballard
(GBR)
The Fire Still Burns |
LP | 1985 | 1985 | ST-17162 | EMI America Records | 07777171621 | |||
The Bangles (USA) | ||||||||||
142 |
The Bangles
(USA)
Manic Monday |
12" | 1985 | 1985 | TX 6796 | CBS | ||||
143 |
The Bangles
(USA)
Following |
7" | 1987 | 1987 | 6505087 | CBS | 5099765050875 | |||
BAP (DEU) | ||||||||||
144 |
BAP
(DEU)
Vun Drinne Noh Drusse |
LP (Gatefold) | 1982 | 1982 | 1C 066-46 639 | EMI Electrola | ||||
145 |
BAP
(DEU)
Bess Demnähx |
2-LP (Live, Gatefold) | 1983 | 1983 | 1C 2 LP 164 165 1953 | EMI / Musikproduktion West | 5099916519534 | |||
146 |
BAP
(DEU)
Ahl Männer, Aalglatt |
LP (Gatefold) | 1986 | 1986 | 1C 066 14 7134 1 DMM | EMI Electrola GmbH | 5099914713415 | |||
147 |
BAP
(DEU)
Da Capo |
CD | 1988 | 1988 | CDP 7 90778 2 (566-7 90778 2) | EMI Electrola GmbH | 077779077823 | |||
Barclay James Harvest (GBR) | ||||||||||
148 |
Barclay James Harvest
(GBR)
Gone To Earth |
LP | 1977 | 1977 | 2460 273 | Polydor International GmbH | ||||
149 |
Barclay James Harvest
(GBR)
Live Tapes |
2-LP (Live, Gatefold) | 1978 | 1978 | 2679 054 | Polydor International GmbH | ||||
150 |
Barclay James Harvest
(GBR)
XII |
LP | 1978 | 1978 | 2460282 | Polydor International GmbH | ||||
151 |
Barclay James Harvest
(GBR)
Eyes Of The Universe |
LP | 1979 | 1979 | 2383557 | Polydor International GmbH | ||||
152 |
Barclay James Harvest
(GBR)
Life Is For Living |
7" | 1980 | 1980 | 2059 299 | Polydor | ||||
153 |
Barclay James Harvest
(GBR)
Mocking Bird - The Early Years |
LP (Compilation) | 1980 | 1980 | 1C 064-07 236 | Harvest / EMI | ||||
154 |
Barclay James Harvest
(GBR)
Turn Of The Tide |
LP | 1981 | 1981 | 2383 608 | Polydor International GmbH | ||||
155 |
Barclay James Harvest
(GBR)
Berlin - A Concert For The People |
CD (Live) | 1982 | 1982 | 800 026-2 | Polydor Ltd. (London) | 042280002626 | |||
156 |
Barclay James Harvest
(GBR)
Victims Of Circumstance |
Shape-PIC | 1984 | 1984 | POSPP 674 | Polydor Ltd. (London) | ||||
157 |
Barclay James Harvest
(GBR)
Best Of Barclay James Harvest |
CD (Best-Of) | 1991 | 1991 | 511 439-2 | PolyGram GmbH, Hamburg | 731451143922 | |||
Shirley Bassey (GBR) | ||||||||||
158 |
Shirley Bassey
(GBR)
Jezahel |
7" | 1973 | 1973 | UA 35 501 | United Artists Records | ||||
Bay City Rollers (GBR) | ||||||||||
159 |
Bay City Rollers
(GBR)
Summerlove Sensation |
7" | 1974 | 1974 | 2008274 | Bell | ||||
160 |
Bay City Rollers
(GBR)
It's A Game |
7" | 1977 | 1977 | 006-98 937 | EMI Electrola GmbH | ||||
The Beatles (GBR) | ||||||||||
161 |
The Beatles
(GBR)
The Beatles' Greatest |
LP (Best-Of, Re-Release) | 1965 | 1969 | 1 C 062-04 207 | EMI / Odeon | ||||
162 |
The Beatles
(GBR)
Help! |
7" | 1965 | 1965 | O 23 023 | Odeon | ||||
163 |
The Beatles
(GBR)
A Collection Of Beatles Oldies |
LP (Re-Release) | 1966 | 1976 | PCS 7016 | Parlophone / EMI | ||||
164 |
The Beatles
(GBR)
Let It Be |
7" (Re-Release) | 1970 | 1970 | 1C006-04353 | EMI Records | ||||
165 |
The Beatles
(GBR)
1962-1966 |
2-CD (Compilation, Re-Release, Remastered) | 1973 | 1993 | CDS 7 97036 2 | EMI Records Ltd. | 077779703623 | |||
166 |
The Beatles
(GBR)
The Beatles (The Beatles / More Beatles / Rock And Roll Music / Michelle) |
4-CD (Compilation, Limited Edition, Pappschuber) | 1988 | 1988 | 2155421 / 2 / 3 / 4 | Dorado | 4006067356933 | |||
Gilbert Bécaud (FRA) | ||||||||||
167 |
Gilbert Bécaud
(FRA)
Et Maintenant |
7" | 1961 | 1961 | 7 EGF 570 | La Voix De Son Maître | ||||
168 |
Gilbert Bécaud
(FRA)
Nathalie |
7" | 1965 | 1965 | E 23050 | Electrola | ||||
169 |
Gilbert Bécaud
(FRA)
Monsieur Le President Directeur General Et Le Lapin |
7" | 1966 | 1966 | E 23 382 | EMI Electrola | ||||
Bee Gees (GBR) | ||||||||||
170 |
Bee Gees
(GBR)
Massachusetts |
7" | 1967 | 1967 | 59118 | Polydor | ||||
Bel Ami (DEU) | ||||||||||
171 |
Bel Ami
(DEU)
Berlin Bei Nacht |
LP | 1979 | 1979 | 6.24086 AP | TELDEC »Telefunken-Decca« Schallplatten GmbH | ||||
172 |
Bel Ami
(DEU)
Berlin Bei Nacht |
2-CD (Re-Release) | 1979 | 1994 | 65 773 / 1-2 VD | Pool | 4012831657731 | |||
173 |
Bel Ami
(DEU)
Großstadtmelodie |
LP | 1981 | 1981 | 6.24862 AP | TELDEC »Telefunken-Decca« Schallplatten GmbH | ||||
174 |
Bel Ami
(DEU)
Du Machst Mich Verrückt |
7" | 1984 | 1984 | A 4239 | CBS Schallplatten GmbH | ||||
175 |
Bel Ami
(DEU)
So Weit Die Füße Tragen |
LP | 1984 | 1984 | CBS 25 872 | CBS Schallplatten GmbH, Germany | ||||
The Bellamy Brothers (USA) | ||||||||||
176 |
The Bellamy Brothers
(USA)
Let Your Love Flow |
7" | 1976 | 1976 | WB 16 690 | Warner Bros. Records Inc. | ||||
177 |
The Bellamy Brothers
(USA)
Neon Cowboy - The Very Best Of The Bellamy Brothers |
LP (Best-Of) | 1991 | 1991 | 211463 | Jupiter Records / BMG Ariola München GmbH | 4007192114634 | |||
The Belle Stars (GBR) | ||||||||||
178 |
The Belle Stars
(GBR)
Sweet Memory |
Shape-PIC (Special Edition) | 1983 | 1983 | BUY174 | Stiff | ||||
Pat Benatar (USA) | ||||||||||
179 |
Pat Benatar
(USA)
In The Heat Of The Night |
LP | 1979 | 1979 | 202 629 | Chrysalis Records | 4007192026296 | |||
180 |
Pat Benatar
(USA)
Love Is A Battlefield |
7" | 1983 | 1983 | 105939-100 | Chrysalis Records | ||||
181 |
Pat Benatar
(USA)
Best Shots |
CD (Best-Of) | 1987 | 1987 | 258738 | Chrysalis Records Ltd. | 4007192587384 | |||
182 |
Pat Benatar
(USA)
Best Shots |
PIC-LP (Best-Of) | 1987 | 1987 | PATVP1 | Chrysalis Records Ltd. | ||||
183 |
Pat Benatar
(USA)
Wide Awake In Dreamland |
PIC-LP | 1988 | 1988 | CDLP 1628 | Chrysalis Records, Inc. | ||||
184 |
Pat Benatar
(USA)
Gravity's Rainbow |
CD | 1993 | 1993 | 0946 3 21982 2 8 | Chrysalis Records Inc. | 094632198228 | |||
Elke Best (DEU) | ||||||||||
185 |
Elke Best
(DEU)
Hey Mr.Musicman |
7" | 1975 | 1975 | C 006-31 439 | EMI Electrola GmbH | ||||
Jane Birkin & Serge Gainsbourg (EUR) | ||||||||||
186 |
Jane Birkin & Serge Gainsbourg
(EUR)
+
Jane Birkin
(GBR)
Je T'Aime... Moi Non Plus / Jane B. |
Split-7" (Split mit: Jane Birkin (GBR)) |
1969 | 1969 | G 12/88 | Golden 12 | ||||
Birth Control (DEU) | ||||||||||
187 |
Birth Control
(DEU)
Hoodoo Man |
LP (Re-Release) | 1972 | 1987 | 32294 | CBS Schallplatten GmbH, Germany | ||||
188 |
Birth Control
(DEU)
Increase |
LP | 1977 | 1977 | 0060.066 | Brain | ||||
189 |
Birth Control
(DEU)
The Very Best Of Birth Control |
CD (Best-Of) | 1990 | 1990 | 467371 2 | CBS Schallplatten GmbH | 5099746737122 | |||
Black 'N Blue (USA) | ||||||||||
190 |
Black 'N Blue
(USA)
Without Love |
LP | 1985 | 1985 | GEF 26565 | Geffen Records | ||||
Black Country Communion (USA) | ||||||||||
191 |
Black Country Communion
(USA)
Black Country Communion |
CD + DVD (Limited Edition) | 2010 | 2010 | M 7321 2 | Mascot Records | 8712725732129 | |||
192 |
Black Country Communion
(USA)
2 |
2-LP (Gatefold, 180 Gramm Vinyl) | 2011 | 2011 | M 7345 1 | Mascot Records | 8712725734512 | |||
193 |
Black Country Communion
(USA)
2 |
CD (Limited Edition, Digipak) | 2011 | 2011 | M 7346 2 | Mascot Records | 8712725734628 | |||
Black Sabbath (GBR) | ||||||||||
194 |
Black Sabbath
(GBR)
Interview Picture Disc |
PIC-LP (Limited Edition) | 0 | 0 | BAK 2075 | Baktabak Records London | ||||
195 |
Black Sabbath
(GBR)
Black Sabbath |
LP (Re-Release) | 1970 | 1985 | NEL 6002 | NEMS | 5013428080078 | |||
196 |
Black Sabbath
(GBR)
Master Of Reality |
LP | 1971 | 1976 | NEL 6004 | NEMS Records Ltd. | ||||
197 |
Black Sabbath
(GBR)
Master Of Reality |
CD (Pappschuber, Re-Release, Remastered) | 1971 | 1996 | ESM CD 303 / GAS 0000303ESM | Castle Communications PLC | 5017615830323 | |||
198 |
Black Sabbath
(GBR)
Sabbath Bloody Sabbath |
LP | 1973 | 1985 | NEL 6017 | NEMS | 5013428080030 | |||
199 |
Black Sabbath
(GBR)
Sabotage |
LP (Re-Release) | 1975 | 1985 | NEL 6018 | Castle Communications | 5013428080023 | |||
200 |
Black Sabbath
(GBR)
We Sold Our Soul For Rock'n'Roll |
2-LP (Compilation, Gatefold) | 1975 | 1976 | NELD 101 | NEMS |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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