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Cover | Titel | Typ / Besonderheiten | Herstellungsland | Jahr Album | Plattenfirma | Katalognummer | Kommentar | |
---|---|---|---|---|---|---|---|---|
Pink Floyd (GBR) | ||||||||
Pink Floyd
(GBR)
The Final Cut |
LP (Re-Release, Gatefold) | 1983 | Harvest | shpf 1983 | ||||
Pink Floyd
(GBR)
The Final Cut |
CD (Re-Release, Remastered) | 1983 | EMI United Kingdom | 724383124220 | ||||
Pink Floyd
(GBR)
The Final Cut |
LP (Gatefold) | 1983 | Harvest Records | 1C 064-65 042 | 2x | |||
Pink Floyd
(GBR)
A Momentary Lapse Of Reason |
CD | 1987 | EMI Records Ltd. | CDP 7 48068 2 | ||||
Pink Floyd
(GBR)
Delicate Sound Of Thunder |
2-CD (Live) | 1988 | EMI Records Ltd. | CDS 7914802 | ||||
Pink Floyd
(GBR)
P.U.L.S.E |
2-CD (Limited Edition, Live, Pappschuber, Digi-Book) | 1995 | EMI Records Ltd. | 7243 8 32700 2 6 | ||||
Pink Floyd
(GBR)
Is There Anybody Out There? - The Wall Live 1980-81 |
2-CD (Limited Edition, Live, Special Edition, Digi-Book, Longbox) | 2000 | EMI Records Ltd. | 7243 5 23562 2 5 | Klang +++ | |||
Pink Floyd
(GBR)
Echoes - The Best Of Pink Floyd |
2-CD (Best-Of, Pappschuber) | 2001 | EMI Records Ltd. | 7243 5 36111 2 5 | ||||
Pink Floyd
(GBR)
The Wall - Live |
3-LP (Bootleg, Limited Edition, Live) | 0 | Creative Artistry | HPL 2773 | ||||
Robert Plant (GBR) | ||||||||
Robert Plant
(GBR)
The Principle Of Moments |
LP | 1983 | Warner Communications Company | 79-0101-1 | kein Cover | |||
The Police (GBR) | ||||||||
The Police
(GBR)
Don't Stand So Close To Me '86 |
12" | 1986 | A&M Records Ltd. | 392133-1 | ||||
Porcupine Tree (GBR) | ||||||||
Porcupine Tree
(GBR)
Coma Divine |
2-CD (Live, Re-Release, Remastered, Digipak) | 1997 | Snapper Music | SMACD882 | ||||
Porcupine Tree
(GBR)
Lightbulb Sun |
2-LP (Limited Edition, Re-Release, Gatefold, 180 Gramm Vinyl) | 2000 | Tonefloat | TF56 | ||||
Porcupine Tree
(GBR)
Anesthetize |
DVD + Blu-Ray Disc (Limited Edition, Live, Special Edition, Digi-Book) | 2010 | Kscope | kscope 506 | ||||
Giacomo Puccini (ITA) | ||||||||
Giacomo Puccini
(ITA)
Madame Butterfly (Großer Querschnitt) |
LP (Special Edition) | 0 | Decca / Füllschrift | 72679 | ||||
Suzi Quatro (USA) | ||||||||
Suzi Quatro
(USA)
Your Mama Won't Like Me |
LP | 1975 | Arista Records, Inc. | AL 4035 | A -2 1-1 B - 2 | |||
Rasa (SWE) | ||||||||
Rasa
(SWE)
Dancing On The Head Of The Serpent |
LP | 1982 | Lotus Eye Music Trust Reg. | BBT-S-24 | ||||
Chris Rea (GBR) | ||||||||
Chris Rea
(GBR)
La Passione |
CD | 1996 | WEA | 0630-16696-2 | ||||
Real Life (AUS) | ||||||||
Real Life
(AUS)
Send Me An Angel |
12" (Marbled Vinyl, Splatter Vinyl) | 1983 | Curb Records, Inc. | INT 127.710 | ||||
Renaissance (GBR) | ||||||||
Renaissance
(GBR)
Illusion |
LP (Re-Release, Gatefold) | 1971 | Island / Ariola | 85 689 ET | 85 689 IT | |||
Renaissance
(GBR)
Prologue |
LP (Gatefold) | 1972 | Sovereign Records Ltd. | SVNA 7253 | A1 B1 | |||
Renaissance
(GBR)
Ashes Are Burning |
LP (Gatefold) | 1973 | Harvest | 1 C 062-94 663 | ||||
Renaissance
(GBR)
Scheherazade And Other Stories |
LP | 1975 | BTM Records | BTM-1006 | ||||
Renaissance
(GBR)
Renaissance Live At Carnegie Hall |
2-LP (Live, Gatefold) | 1976 | RCA | BTM 2001 26.28146 | ||||
Renaissance
(GBR)
A Song For All Seasons |
LP | 1978 | WEA Musik GmbH | WB 56 460 | ||||
Renaissance
(GBR)
Azure D'or |
LP | 1979 | WEA | WB 56 633 | ||||
Miguel Rios (ESP) | ||||||||
Miguel Rios
(ESP)
A Song Of Joy |
7" (Mono) | 1970 | Polydor | 2001 017 | kein Cover | |||
The Rolling Stones (GBR) | ||||||||
The Rolling Stones
(GBR)
Get Yer Ya-Ya's Out! - The Rolling Stones In Concert |
LP (Live) | 1970 | Decca | SLK 16670-P | ||||
Nini Rosso (ITA) | ||||||||
Nini Rosso
(ITA)
Il Silenzio |
7" | 1965 | Hansa | 18 316 AU | ||||
Michael Rother (DEU) | ||||||||
Michael Rother
(DEU)
Flammende Herzen |
LP | 1977 | Sky Records | sky 007 | ||||
Michael Rother
(DEU)
Sterntaler |
LP | 1978 | Sky Records | sky LP 013 | ||||
Roxy Music (GBR) | ||||||||
Roxy Music
(GBR)
Roxy Music |
LP (Gatefold) | 1972 | Island Records Ltd. | 86 259 IT | 86 259 ET - A1 B1 | |||
Roxy Music
(GBR)
Stranded |
LP (Re-Release, Gatefold) | 1973 | Polydor Deluxe | 2302-050 | ||||
Roxy Music
(GBR)
Manifesto |
LP | 1979 | EG Records Ltd. | 2344 129 | ||||
Roxy Music
(GBR)
Flesh + Blood |
LP | 1980 | EG Records Ltd. | 2302099 | ||||
Roxy Music
(GBR)
Avalon |
LP | 1982 | EG Records Ltd. | 2311 154 | ||||
Mike Rutherford (GBR) | ||||||||
Mike Rutherford
(GBR)
Smallcreep's Day |
LP | 1980 | Passport Records Inc. | PB 9843 | ||||
Mike Rutherford
(GBR)
Acting Very Strange |
LP | 1982 | WEA International Inc. | WEA K 99249 | ||||
Sade (GBR) | ||||||||
Sade
(GBR)
Diamond Life |
LP (Re-Release, Gatefold) | 1984 | CBS Records | EPC 26044 | ||||
Ryūichi Sakamoto (JPN) | ||||||||
Ryūichi Sakamoto
(JPN)
Beauty |
CD | 1989 | Virgin Records America, Inc. | CDVUS 14 | ||||
Ryūichi Sakamoto
(JPN)
Chasm |
CD | 2004 | Kab America | |||||
Santana (USA) | ||||||||
Santana
(USA)
Santana's Greatest Hits |
LP (Best-Of) | 1974 | CBS | CBS 69081 | ||||
Nitin Sawhney (GBR) | ||||||||
Nitin Sawhney
(GBR)
Beyond Skin |
CD | 1999 | Play It Again Sam [PIAS] / Outcaste Records Ltd. | CASTE9CD | 2-LP | |||
Nitin Sawhney
(GBR)
London Undersound |
CD (Digisleeve) | 2008 | Cooking Vinyl Ltd. / Positiv-Id | POSTIVIDCD 001 | Digipack Label: Positiv-ID / Cooking Vinyl | |||
Klaus Schulze (DEU) | ||||||||
Klaus Schulze
(DEU)
Blackdance |
LP (Gatefold) | 1974 | Caroline | CA 2003 | ||||
Klaus Schulze
(DEU)
Timewind |
LP (Gatefold) | 1975 | Brain | brain 1075 | ||||
Klaus Schulze
(DEU)
Mirage |
LP (Gatefold) | 1977 | Metronome Musik GmbH | 0060.040 | ||||
Klaus Schulze
(DEU)
Dig It |
LP | 1980 | Brain Metronome | 0060.353 | ||||
Klaus Schulze
(DEU)
Trancefer |
LP | 1981 | Innovative Communication | KS 80014 | German BRAIN RR 9993 | |||
Klaus Schulze
(DEU)
Trancefer |
CD (Re-Release, Digipak) | 1981 | Revisited Records | SPV 305502 CD / REV 071 | German BRAIN 823605-2 | |||
Paul Simon (USA) | ||||||||
Paul Simon
(USA)
Graceland |
LP | 1986 | Warner Bros. Records Inc. | 925 447-1 | ||||
Simon & Garfunkel (USA) | ||||||||
Simon & Garfunkel
(USA)
Bridge Over Troubled Water |
LP | 1970 | CBS | S 63 699 | 1969 | |||
Simple Minds (GBR) | ||||||||
Simple Minds
(GBR)
Once Upon A Time |
LP | 1985 | Virgin Records Ltd. | 207 350-630 | ||||
Simple Minds
(GBR)
Live In The City Of Light |
2-LP (Live, Gatefold) | 1987 | Virgin Records Ltd. | 303 067-420 | ||||
The Smashing Pumpkins (USA) | ||||||||
The Smashing Pumpkins
(USA)
Mellon Collie And The Infinite Sadness |
2-CD | 1995 | Virgin Records America | 7243 8 40864 2 8 / CDHUTD 30 | ||||
The Sound (GBR) | ||||||||
The Sound
(GBR)
From The Lions Mouth |
LP (Gatefold) | 1981 | Korova Recording | KOW 58384 | ||||
Spooky Tooth (GBR) | ||||||||
Spooky Tooth
(GBR)
Spooky Two |
LP (Re-Release) | 1969 | Ariola Eurodisc GmbH / Island | 85 785 ET | ||||
Bruce Springsteen (USA) | ||||||||
Bruce Springsteen
(USA)
The Wild, The Innocent & The E Street Shuffle |
LP (Re-Release) | 1973 | Columbia | PC 32432 | Fantastic | |||
Bruce Springsteen
(USA)
Born In The U.S.A. |
12" | 1984 | CBS | A 12.4920 | ||||
Bruce Springsteen
(USA)
Born In The U.S.A. |
LP | 1984 | CBS Inc. / Columbia | CBS 86304 | 1A1 - 5B1 Writing | |||
Steely Dan (USA) | ||||||||
Steely Dan
(USA)
Countdown To Ecstasy |
LP | 1973 | ABC Records | ABCL 5034 | ||||
Steely Dan
(USA)
The Royal Scam |
LP (Re-Release, 180 Gramm Vinyl) | 1976 | MCA Records | SVLP 0046 | ||||
Dave Stewart (GBR) | ||||||||
Dave Stewart
(GBR)
Greetings From The Gutter |
CD | 1994 | Anxious Records Ltd. | 4509-97546-2 | ||||
Rod Stewart (GBR) | ||||||||
Rod Stewart
(GBR)
A Night On The Town |
LP | 1976 | Warner Bros. Records Inc. | WB 56 234 | Open from Top | |||
Rod Stewart
(GBR)
Tonight I'm Yours |
LP | 1981 | WEA Records B.V. | WB K 56 951 | ||||
Rod Stewart
(GBR)
Absolutely Live |
2-LP (Live, Gatefold) | 1982 | Warner Bros. Records Inc. / WEA International Inc. | 92.3743-1 | A2 x B2 x | |||
Dave Stewart And The Spiritual Cowboys (GBR) | ||||||||
Dave Stewart And The Spiritual Cowboys
(GBR)
Dave Stewart And The Spiritual Cowboys |
CD | 1990 | BMG Records (UK) Ltd. | PD74710 | ||||
Dave Stewart And The Spiritual Cowboys
(GBR)
Dave Stewart And The Spiritual Cowboys |
LP | 1990 | RCA / BMG Records | PL 74710 SE | ||||
Dave Stewart And The Spiritual Cowboys
(GBR)
Honest |
LP | 1991 | RCA | PL 75081 | ||||
Dave Stewart And The Spiritual Cowboys
(GBR)
Honest |
CD | 1991 | RCA / BMG | PD 75081 | ||||
The Stranglers (GBR) | ||||||||
The Stranglers
(GBR)
The Raven |
LP | 1979 | Liberty / United Records (UK) Ltd. | 8E 074 82740 | A1 B1 | |||
Supermax (AUT) | ||||||||
Supermax
(AUT)
World Of Today |
LP (Re-Release) | 1977 | WEA Musik GmbH / Atlantic | ATL 50 423 | ||||
Supertramp (GBR) | ||||||||
Supertramp
(GBR)
Paris |
2-LP (Live, Gatefold) | 1980 | A&M Records | AMLM 66702 | CB 232 - LC 0485 - Matrix L-2935 - AM SP06702 A B .. INT | |||
The Sweet (GBR) | ||||||||
The Sweet
(GBR)
Desolation Boulevard |
LP (Gatefold) | 1974 | RCA / Victor | LPL1 5080 | ||||
The Sweet
(GBR)
Give Us A Wink |
LP | 1976 | RCA | LPL1 5118 | ||||
The Sweet
(GBR)
Level Headed |
LP (Gatefold) | 1978 | Polydor | 2344 100 | ||||
The Sweet
(GBR)
Takeoff: 10 Years On Top |
LP (Compilation) | 1978 | RCA International / RCA | CL 25183 | ||||
T. Rex (GBR) | ||||||||
T. Rex
(GBR)
The Best Of T. Rex |
LP (Best-Of, Special Edition) | 0 | Cube Records | 28 664-1 | ||||
Talk Talk (GBR) | ||||||||
Talk Talk
(GBR)
It's My Life |
CD (Re-Release) | 1984 | EMI Records Ltd. | CDP 7 46063 2 | ||||
Talk Talk
(GBR)
It's My Life |
LP (Special Edition) | 1984 | EMI | 32 239-6 | ||||
Talk Talk
(GBR)
London 1986 |
CD (Live) | 1998 | Pond Life | PLVP001CD | ||||
Tears For Fears (GBR) | ||||||||
Tears For Fears
(GBR)
Songs From The Big Chair |
LP | 1985 | Phonogram Ltd. (London) | 824 300-1Q | ||||
Thinkman (GBR) | ||||||||
Thinkman
(GBR)
The Formula |
LP | 1986 | Ariola Eurodisc GmbH | 207 723 | ||||
Thinkman
(GBR)
Hard Hat Zone |
CD | 1990 | BMG Ariola München GmbH | 260 645 | ||||
Tito & Tarantula (USA) | ||||||||
Tito & Tarantula
(USA)
Hungry Sally & Other Killer Lullabies |
CD | 1999 | Cockroach Records | NUGGET 027 | ||||
Emilíana Torrini (ISL) | ||||||||
Emilíana Torrini
(ISL)
Me And Armini |
CD (Digi-Book) | 2008 | Rough Trade | rtradcd 285 | ||||
Pete Townshend (GBR) | ||||||||
Pete Townshend
(GBR)
Empty Glass |
LP | 1980 | ATCO Records / Atlantic Recording Corporation | ATC 50 699 | A1X B2X | |||
Pete Townshend
(GBR)
All The Best Cowboys Have Chinese Eyes |
LP (Gatefold) | 1982 | ATCO Records | ATC K 50889 | A2X B2 | |||
Pete Townshend
(GBR)
White City - A Novel |
LP | 1985 | Eel Pie Recording Productions Limited | 252 392-1 | A1 B1 | |||
Triumvirat (DEU) | ||||||||
Triumvirat
(DEU)
À La Carte |
LP (Gatefold) | 1978 | Harvest / EMI | 1C 064-45 184 | A4 B4 | |||
Pjotr Iljitsch Tschaikowski (RUS) | ||||||||
Pjotr Iljitsch Tschaikowski
(RUS)
+
Maurice Ravel
(FRA)
Ouvertüre 1812 / Bolero |
Split-LP (Split mit: Maurice Ravel (FRA)) |
0 | RCA Victrola | VICS 1352 | breite Rillen, verzerrt aber ein wenig.. | |||
The Twins (DEU) | ||||||||
The Twins
(DEU)
Modern Lifestyle |
LP | 1982 | Hansa International | 205 008-320 | ||||
U2 (IRL) | ||||||||
U2
(IRL)
The Unforgettable Fire |
LP | 1984 | Island Records | 206 530-620 | A-5 / 84 S II III B-3 / 84 S I IV | |||
U2
(IRL)
The Joshua Tree |
CD | 1987 | Ariola Eurodisc GmbH | 258 219 | CID U26 | ||||
U2
(IRL)
The Joshua Tree |
LP (Gatefold) | 1987 | Island Records | 208219 | ||||
Uriah Heep (GBR) | ||||||||
Uriah Heep
(GBR)
Salisbury |
LP (Re-Release, Gatefold) | 1971 | Bronze | 85 691 XOT | ||||
Uriah Heep
(GBR)
Live - January 1973 |
2-LP (Live, Gatefold) | 1973 | Bronze Records Ltd. | ISLD 1 | ||||
Van der Graaf Generator (GBR) | ||||||||
Van der Graaf Generator
(GBR)
H To He Who Am The Only One |
LP (Gatefold) | 1970 | Philips | 6369 907 | ||||
Van der Graaf Generator
(GBR)
Pawn Hearts |
LP (Gatefold) | 1971 | Philips | 6369 915 | ||||
Van der Graaf Generator
(GBR)
Still Life |
LP | 1976 | Charisma Records Ltd. | CAS 1116 | A1 B2 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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