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# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Plattenfirma | Katalognummer | Kommentar | |
---|---|---|---|---|---|---|---|---|
Backyard Babies (SWE) | ||||||||
301 |
Backyard Babies
(SWE)
Total 13 |
2-LP (Re-Release, Gatefold) | 1998 | Billion Dollar Babies | BDBLP004 | |||
302 |
Backyard Babies
(SWE)
Total 13 |
LP + 7" (Limited Edition, Special Edition) | 1998 | Scooch Pooch Records | P053 | |||
303 |
Backyard Babies
(SWE)
Babylon |
12" (Limited Edition, Etched Vinyl) | 1999 | Pastor | BYBS-1 | Limitiert: 1000x | ||
304 |
Backyard Babies
(SWE)
Babylon |
7" (Limited Edition, Rotes Vinyl) | 1999 | Coalition Recordings / MVG Records | COLA 073 | Limitiert: 1000x | ||
305 |
Backyard Babies
(SWE)
Independent Days |
2-CD (Best-Of, Compilation, Live, Remastered, Multimedia) | 2001 | MVG Records | MVG 145 | |||
306 |
Backyard Babies
(SWE)
Making Enemies Is Good |
LP (Gatefold, Weißes Vinyl) | 2001 | BMG Sweden AB | ||||
307 |
Backyard Babies
(SWE)
From Demos To Demons 1989-1992 |
2-CD (Box, Special Edition, Multimedia) | 2002 | Powerline Records | PLRCD007 | |||
308 |
Backyard Babies
(SWE)
Stockholm Syndrome |
CD (Limited Edition, Special Edition, Digipak, Kopierschutz) | 2003 | BMG Sweden | Supersonic 148 | |||
309 |
Backyard Babies
(SWE)
Stockholm Syndrome |
LP | 2003 | BMG | ||||
310 |
Backyard Babies
(SWE)
A Song For The Outcast |
10" | 2004 | BMG | SPS002 | |||
311 |
Backyard Babies
(SWE)
Tinnitus + Live Live In Paris |
2-CD (Best-Of, Live, Pappschuber, Plastikschuber) | 2005 | BMG Sweden | ABACUS 33001-2 | |||
312 |
Backyard Babies
(SWE)
People Like People Like People Like Us |
LP (Gatefold) | 2006 | Century Media | 77562-1 | |||
313 |
Backyard Babies
(SWE)
People Like People Like People Like Us - Special Edition |
CD (Special Edition, Multimedia) | 2006 | Century Media | 775620 | |||
314 |
Backyard Babies
(SWE)
Backyard Babies |
LP | 2008 | Billion Dollar Babies / Versity Rights AB | BDBLP 002 | |||
315 |
Backyard Babies
(SWE)
Drool |
7" (Special Edition, Rotes Vinyl) | 2008 | Spinefarm | ||||
316 |
Backyard Babies
(SWE)
Fuck Off And Die |
7" (Rotes Vinyl, Weißes Vinyl) | 2008 | Bootleg Booze Records | booze029 | |||
317 |
Backyard Babies
(SWE)
Fuck Off And Die |
7" (Limited Edition, Schwarzes Vinyl, Splatter Vinyl, Weißes Vinyl) | 2008 | Bootleg Booze Records | Booze029 | Limitiert: 500x | ||
318 |
Backyard Babies
(SWE)
Normadic |
Promo-Single-CD-R (Pappschuber, Cardsleeve) | 2008 | Spinefarm Records | SPIBYB | |||
319 |
Backyard Babies
(SWE)
+
Supershit 666
(EUR)
Degenerated |
Split-7" (Limited Edition, Nummeriert, Blaues Vinyl)
(Split mit: Supershit 666 (EUR)) |
2009 | Spinefarm Records UK | 2701938 | 345 von 500 | ||
320 |
Backyard Babies
(SWE)
Them XX |
3-CD + DVD (Best-Of, Compilation) | 2009 | Billion Dollar Babies / Versity Rights AB | BDBBOOK003 | |||
321 |
Backyard Babies
(SWE)
Them XX |
CD (Best-Of, Compilation, Digi-Book) | 2010 | Billion Dollar Babies (Soulfood Music) | ||||
322 |
Backyard Babies
(SWE)
4our By 4our |
5-PIC-7" + CD (Limited Edition) | 2015 | Gain / Sony Music | ||||
323 |
Backyard Babies
(SWE)
Sliver & Gold |
LP + CD (Limited Edition, Rotes Vinyl) | 2019 | Century Media | ||||
324 |
Backyard Babies
(SWE)
Bitten & Chewed |
CD (Bootleg) | 0 | Unbekannt | ||||
325 |
Backyard Babies
(SWE)
Total Live - Hultsfred 2001 |
CD (Bootleg, Live) | 2001 | Radio Active | RA 284 | |||
326 |
Backyard Babies
(SWE)
B-Sides & Rare |
CD (Bootleg, Compilation) | 2008 | Eigenproduktion | ||||
Bad Bliss (DEU) | ||||||||
327 |
Bad Bliss
(DEU)
Double |
CD | 2002 | Eigenproduktion | ||||
Bad Company (GBR) | ||||||||
328 |
Bad Company
(GBR)
Bad Company |
LP (Gatefold) | 1974 | Island Records Ltd. | 88 005 XOT | |||
329 |
Bad Company
(GBR)
Straight Shooter |
LP | 1975 | Island Records | 88 583 XOT | |||
330 |
Bad Company
(GBR)
Desolation Angels |
LP (Gatefold) | 1979 | Swan Song Inc. | SS59408 | |||
Bad Little Dynamos (DEU) | ||||||||
331 |
Bad Little Dynamos
(DEU)
Circles |
Mini-CD / EP | 1993 | GUN | ||||
Bad Poetry Band (SWE) | ||||||||
332 |
Bad Poetry Band
(SWE)
The One Way Romance |
LP (Limited Edition) | 2012 | High Roller Records | HRR 248 | |||
Bad Religion (USA) | ||||||||
333 |
Bad Religion
(USA)
No Control |
LP | 1989 | Epitaph Records | E-86406-1 | |||
334 |
Bad Religion
(USA)
Against The Grain |
LP | 1990 | Epitaph Records | E-86409-1 | |||
335 |
Bad Religion
(USA)
The Process Of Belief |
LP (Gatefold) | 2002 | Epitaph Europe | 6635-1 | |||
The Bad Sugar Rush (DEU) | ||||||||
336 |
The Bad Sugar Rush
(DEU)
Liar / Push Me |
7" (Special Edition) | 2021 | H42 Records | H42-072 | |||
337 |
The Bad Sugar Rush
(DEU)
Liar / Push Me |
7" | 2021 | H42 Records | H42-072 | |||
338 |
The Bad Sugar Rush
(DEU)
Liar / Push Me |
7" | 2021 | H42 Records | H42-072 | |||
339 |
The Bad Sugar Rush
(DEU)
Liar / Push Me |
7" (Test-Pressung) | 2021 | H42 Records | H42-072 | |||
340 |
The Bad Sugar Rush
(DEU)
Liar / Push Me |
7" | 2021 | H42 Records | H42-072 | |||
Badlands (USA) | ||||||||
341 |
Badlands
(USA)
Badlands |
LP | 1989 | Atlantic Recording Corporation | 781 966-1 | |||
Bag's Groove (DEU) | ||||||||
342 |
Bag's Groove
(DEU)
... Mensa Augsburg 1987 |
CD (Live) | 0 | Eigenproduktion | ||||
Bakkushan (DEU) | ||||||||
343 |
Bakkushan
(DEU)
Baby, Du Siehst Gut Aus! |
Mini-CD / EP (Digisleeve) | 2009 | Virgin Music | ||||
Russ Ballard (GBR) | ||||||||
344 |
Russ Ballard
(GBR)
Russ Ballard |
LP | 1984 | EMI America Records | 1C 038-15 7638 1 | |||
Banana Republic (DEU) | ||||||||
345 |
Banana Republic
(DEU)
Bad Weather Front |
Mini-CD / EP (Plastic PVC Sleeve) | 2002 | Eigenproduktion | ||||
Bandits (DEU) | ||||||||
346 |
Bandits
(DEU)
Bandits |
CD | 1997 | Polydor | 537 863-2 | |||
Bandits (DEU) | ||||||||
347 |
Bandits
(DEU)
Rock Your Face! |
Demo-Tape | 1992 | Eigenproduktion | ||||
Bang (USA) | ||||||||
348 |
Bang
(USA)
Bang |
LP (Re-Release, Gatefold) | 1971 | Svart Recordings/Secret Trees Recordings | SVR397 | |||
349 |
Bang
(USA)
Mother / Bow To The King |
LP (Re-Release, Gatefold) | 1972 | Svart Records | SVR451 | |||
The Bangles (USA) | ||||||||
350 |
The Bangles
(USA)
Different Light |
LP | 1985 | CBS Inc. | CBS 26659 | |||
BAP (DEU) | ||||||||
351 |
BAP
(DEU)
Für Usszeschnigge! |
LP (Gatefold) | 1981 | Musikant | 1C 064-46 438 | |||
352 |
BAP
(DEU)
Vun Drinne Noh Drusse |
LP (Gatefold) | 1982 | EMI Electrola GmbH | 1C 066 1466391 | |||
353 |
BAP
(DEU)
Bess Demnähx |
2-LP (Live, Gatefold) | 1983 | EMI | 1C 2 LP 164 165 1953 | |||
354 |
BAP
(DEU)
X Für 'e U |
LP | 1990 | EMI Electrola GmbH | 1C 068-7 95483 1 | |||
The Bar Stool Preachers (GBR) | ||||||||
355 |
The Bar Stool Preachers
(GBR)
8.6 Days (All The Broken Hearts) |
Flexidisk | 2018 | Pirate Press Records | ||||
Barclay James Harvest (GBR) | ||||||||
356 |
Barclay James Harvest
(GBR)
Everyone Is Everybody Else |
LP | 1974 | Polydor International GmbH | 2383 286 | |||
357 |
Barclay James Harvest
(GBR)
Live |
2-LP (Live, Gatefold) | 1974 | Polydor | 2679 034 | |||
358 |
Barclay James Harvest
(GBR)
Octoberon |
LP | 1976 | Polydor International GmbH | 2383407 | |||
359 |
Barclay James Harvest
(GBR)
The Best Of Barclay James Harvest |
LP (Best-Of) | 1977 | Crystal Records / EMI | ||||
360 |
Barclay James Harvest
(GBR)
Gone To Earth |
LP | 1977 | Polydor Ltd. UK | 2442 148 DELUXE | |||
361 |
Barclay James Harvest
(GBR)
Live Tapes |
2-LP (Live, Gatefold) | 1978 | Polydor International GmbH | 2679 054 | |||
362 |
Barclay James Harvest
(GBR)
XII |
LP | 1978 | Polydor International GmbH | 2460282 | |||
363 |
Barclay James Harvest
(GBR)
Berlin - A Concert For The People |
LP (Live) | 1982 | Polydor | 2383 638 | |||
364 |
Barclay James Harvest
(GBR)
Ring Of Changes |
LP (Gatefold) | 1983 | Polydor Ltd., London | 811 638-1 | |||
365 |
Barclay James Harvest
(GBR)
Victims Of Circumstance |
LP | 1984 | Polydor Ltd. | 817950-1 Y | |||
Barefoot Jerry (USA) | ||||||||
366 |
Barefoot Jerry
(USA)
Keys To The Country |
LP | 1976 | Monument | 81473 | |||
The Barking Dogs (FRA) | ||||||||
367 |
The Barking Dogs
(FRA)
The Barking Dogs |
CD | 1994 | Woof Trade | RND 03 Bark9 Promo | |||
Barleycorn (DEU) | ||||||||
368 |
Barleycorn
(DEU)
Together |
CD | 1994 | Tobimusic | CD12961 | |||
Baroness (USA) | ||||||||
369 |
Baroness
(USA)
+
Unpersons
(USA)
A Grey Sigh In A Flower Husk |
Split-LP (Gatefold)
(Split mit: Unpersons (USA)) |
2007 | At A Loss Recordings | #019 | |||
370 |
Baroness
(USA)
Red Album |
2-LP (Re-Release, Gatefold) | 2007 | Relapse Records | RR6721-1 | |||
371 |
Baroness
(USA)
First & Second |
LP (Compilation, Remastered, Gatefold, Grünes Vinyl, Marbled Vinyl) | 2008 | Hyperrealist | HR019 | |||
372 |
Baroness
(USA)
Blue Record |
2-LP (Limited Edition, Gatefold, 180 Gramm Vinyl) | 2009 | Relapse Records, Inc. | RR7053 | |||
373 |
Baroness
(USA)
Take My Bones Away |
Flexidisk (Limited Edition, Gelbes Vinyl) | 2012 | Relapse Records, Inc. | SLAM-01 | |||
374 |
Baroness
(USA)
Yellow & Green |
2-LP (Gatefold) | 2012 | Relapse Records, Inc. | RR7190 | |||
375 |
Baroness
(USA)
Live At Maida Vale - A BBC Recording |
LP (Limited Edition, Live, Etched Vinyl) | 2013 | Relapse Records | RR7217 | |||
376 |
Baroness
(USA)
Purple |
LP (180 Gramm Vinyl) | 2015 | Abraxan Hymns | ABXN-001 | |||
377 |
Baroness
(USA)
Live At Maida Vale - Vol. II |
PIC-LP (Live, Etched Vinyl, Clear Vinyl, Schwarzes Vinyl, Splatter Vinyl, Weißes Vinyl) | 2020 | Abraxan Hymns, LLC | ABXN007-1 | |||
Bartrek (CHE) | ||||||||
378 |
Bartrek
(CHE)
L`ivresse Des Sons |
CD | 1992 | Fun Key | 63 | |||
379 |
Bartrek
(CHE)
Caravan To Pompeji |
CD | 1994 | Fun Key | ||||
Bartrek (DEU) | ||||||||
380 |
Bartrek
(DEU)
Enjoy Yourself |
Mini-CD / EP | 0 | Rockwerk | ||||
Count Basie (USA) | ||||||||
381 |
Count Basie
(USA)
Count Basie Jam Session At The Montreux Jazz Festival 1975 |
LP (Live) | 1975 | Pablo Records | 2310 750 | |||
Shirley Bassey (GBR) | ||||||||
382 |
Shirley Bassey
(GBR)
Live At Carnegie Hall |
2-LP (Live, Gatefold) | 1973 | United Artists Records GmbH | UAS 29 524/5 XD | |||
383 |
Shirley Bassey
(GBR)
The Best Of |
LP (Compilation) | 1992 | BR Music | BRLP60 | |||
Bassrace (XXX) | ||||||||
384 |
Bassrace
(XXX)
Futurama |
12" | 1991 | Warner | ||||
Mike Batt (GBR) | ||||||||
385 |
Mike Batt
(GBR)
Waves |
LP | 1980 | Epic / CBS Records | EPC 84617 | |||
386 |
Mike Batt
(GBR)
Zero Zero |
LP (Gatefold) | 1982 | CBS Inc. | 25201 | |||
387 |
Mike Batt
(GBR)
The Hunting Of The Snark |
LP | 1987 | RCA | PL71350 | |||
Mike Batt & Friends (GBR) | ||||||||
388 |
Mike Batt & Friends
(GBR)
Tarot Suite |
LP (Gatefold) | 1979 | Epic / CBS Records | EPC 86099 | |||
Mike Batt With The London Symphony Orchestra (GBR) | ||||||||
389 |
Mike Batt With The London Symphony Orchestra
(GBR)
Schizophonia |
LP | 1977 | CBS Inc. / Epic | EPC 82001 | |||
Bauchklang (AUT) | ||||||||
390 |
Bauchklang
(AUT)
Jamzero |
CD (Digipak) | 2001 | Ecco.Chamber Vienna | EC011 | |||
Stephan Bauer (DEU) | ||||||||
391 |
Stephan Bauer
(DEU)
Vorgespielte Höhepunkte |
CD (Digipak) | 2000 | Indigo | ||||
Be (DEU) | ||||||||
392 |
Be
(DEU)
Rhymeshot |
12" | 0 | Peppermint Park Records | PPMS 03 | |||
393 |
Be
(DEU)
Bold |
CD | 1996 | Spin Records / EMI Electrola | 37700 2 | |||
394 |
Be
(DEU)
Bold |
CD (Limited Edition) | 1996 | Spin Records / EMI Electrola | 55574 2 | |||
395 |
Be
(DEU)
Hey - It's A Perfect Day |
12" | 1996 | Peppermint Park | ||||
396 |
Be
(DEU)
Orange |
CD | 1999 | EMI Music | ||||
Richard T. Bear (USA) | ||||||||
397 |
Richard T. Bear
(USA)
Red Hot & Blue |
LP | 1978 | RCA Records | AFL1-2927 | |||
Beastie Boys (USA) | ||||||||
398 |
Beastie Boys
(USA)
Licensed To Ill |
LP (Gatefold) | 1986 | Def Jam Recordings | DEF 450062 1 | |||
Beat Of Adventure (DEU) | ||||||||
399 |
Beat Of Adventure
(DEU)
Everlasting Song |
7" | 1990 | Zett Records | 344.63165 AA | |||
The Beatles (GBR) | ||||||||
400 |
The Beatles
(GBR)
I Want To Hold Your Hand |
7" | 1963 | Odeon | O 22 623 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.