Menu
# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Plattenfirma | Katalognummer | Herstellungsland | |
---|---|---|---|---|---|---|---|---|
Arrested Development (USA) | ||||||||
301 |
Arrested Development
(USA)
United Front |
Single-CD | 1994 | Chrysalis Records | 7243 8 81611 2 1 | |||
302 |
Arrested Development
(USA)
Zingalamaduni |
CD | 1994 | Chrysalis Records | 7243 8 29274 2 6 | |||
303 |
Arrested Development
(USA)
Among The Trees |
CD | 2004 | Edel Records | 0155992ERE | |||
304 |
Arrested Development
(USA)
Honeymoon Day |
Single-CD | 2004 | Edel Records | ||||
305 |
Arrested Development
(USA)
Since The Last Time |
CD | 2006 | Edel | 0174492ERE | |||
Davey Arthur (IRL) | ||||||||
306 |
Davey Arthur
(IRL)
Cut To The Chase |
CD | 1997 | Blue Bowl | Blue 31 | |||
Artists United Against Apartheid (USA) | ||||||||
307 |
Artists United Against Apartheid
(USA)
Sun City |
LP | 1985 | Manhattan Records | 1C064 24 0467 1 | |||
Die Ärzte (DEU) | ||||||||
308 |
Die Ärzte
(DEU)
Killer |
DVD (Compilation) | 2000 | Hot Action Records | 053 292-9 | |||
Ash (GBR) | ||||||||
309 |
Ash
(GBR)
Intergalactic Sonic 7"s / Cosmic Debris |
2-CD (Best-Of) | 2002 | Infectious Records Ltd. / Warner Music United Kingdom | INFEC120CDB | |||
Richard Ashcroft (GBR) | ||||||||
310 |
Richard Ashcroft
(GBR)
Alone With Everybody |
CD | 2000 | Hut Recordings | CDHUT63 | |||
311 |
Richard Ashcroft
(GBR)
Check The Meaning |
Single-CD (Multimedia) | 2002 | Hut Recordings | HUTCD161 | |||
312 |
Richard Ashcroft
(GBR)
Human Conditions |
2-LP | 2002 | Virgin Records Ltd. | ||||
313 |
Richard Ashcroft
(GBR)
Science Of Silence |
Single-CD (Multimedia) | 2003 | Virgin Records Ltd. | HUTCD163 | |||
314 |
Richard Ashcroft
(GBR)
Break The Night With Colour |
Single-CD (Kopierschutz) | 2006 | Parlophone | 00946 351605 2 9 | |||
315 |
Richard Ashcroft
(GBR)
Keys To The World |
CD (Kopierschutz) | 2006 | Virgin Records Ltd. | 0946 348373 2 3 (3483732) | |||
Ashford & Simpson (USA) | ||||||||
316 |
Ashford & Simpson
(USA)
Solid |
LP | 1984 | Capitol Records, Inc. | 2402501 | |||
Steve Ashley (GBR) | ||||||||
317 |
Steve Ashley
(GBR)
Stroll On |
LP | 1974 | Gull | GULP 1003 | |||
Asia (GBR) | ||||||||
318 |
Asia
(GBR)
Classic Asia |
CD (Compilation) | 2001 | Geffen Records | 4930582 | |||
Asleep At The Wheel (USA) | ||||||||
319 |
Asleep At The Wheel
(USA)
Western Standard Time |
LP | 1988 | Epic | FE 44213 | |||
Gary & Vera Aspey (GBR) | ||||||||
320 |
Gary & Vera Aspey
(GBR)
From The North |
LP | 1975 | Topic Records Ltd. | 12TS255 | |||
321 |
Gary & Vera Aspey
(GBR)
A Taste Of Hotpot |
LP | 1976 | Topic Records Ltd. | 12TS299 | |||
322 |
Gary & Vera Aspey
(GBR)
Seeing Double |
LP | 1979 | Topic Records Ltd. | 12TS407 | |||
Vera Aspey (GBR) | ||||||||
323 |
Vera Aspey
(GBR)
The Blackbird |
LP | 1977 | Topic Records Ltd. | 12TS356 | |||
The Associates (GBR) | ||||||||
324 |
The Associates
(GBR)
Sulk |
LP | 1982 | Beggars Banquet Germany | BEG K 58461 | |||
The Association (USA) | ||||||||
325 |
The Association
(USA)
Renaissance |
LP | 1966 | Warner Bros. Records | WS 1704 | |||
Rick Astley (GBR) | ||||||||
326 |
Rick Astley
(GBR)
Greatest Hits |
CD (Compilation) | 2002 | RCA | 07863 651092 | |||
Tom Astor (DEU) | ||||||||
327 |
Tom Astor
(DEU)
Meilensteine |
CD | 1995 | EMI Electrola | 7243 8 35138 2 6 | |||
Aswad (GBR) | ||||||||
328 |
Aswad
(GBR)
New Chapter |
LP | 1981 | CBS | 85336 | |||
At The Drive-In (USA) | ||||||||
329 |
At The Drive-In
(USA)
Relationship Of Command |
CD | 2000 | Grand Royal | CDVUS 184 / 7243 8 50351 2 8 | |||
Chet Atkins (USA) | ||||||||
330 |
Chet Atkins
(USA)
Guitar Country / More Of That Guitar Country |
CD (Re-Release) | 2001 | Collectables | COL-2819 | |||
Chet Atkins & Mark Knopfler (GBR) | ||||||||
331 |
Chet Atkins & Mark Knopfler
(GBR)
Neck And Neck |
LP | 1990 | CBS Records Inc. | 467435 1 | |||
Atlanta (USA) | ||||||||
332 |
Atlanta
(USA)
Atlanta |
LP | 1985 | MCA Records | MCA-5576 | |||
Atté (XXX) | ||||||||
333 |
Atté
(XXX)
Sondela |
LP | 1978 | Claddagh Records Ltd. | CC25 | |||
The Attractions (GBR) | ||||||||
334 |
The Attractions
(GBR)
Mad About The Wrong Boy |
LP | 1980 | F-Beat Records | XXLP8 | |||
Winifred Atwell (TTO) | ||||||||
335 |
Winifred Atwell
(TTO)
The Best Of Winifred Atwell |
CD (Best-Of) | 1999 | Spectrum Music | 544 170-2 | |||
Mike Auldridge (USA) | ||||||||
336 |
Mike Auldridge
(USA)
Mike Auldridge |
LP | 1976 | Flying Fish | FF029 | |||
Ray Austin (GBR) | ||||||||
337 |
Ray Austin
(GBR)
For A While |
LP | 1975 | Intercord / Xenophon | 26 470-5 U | |||
338 |
Ray Austin
(GBR)
New Horizons |
LP | 1976 | Stockfisch Records | SF 5004 | |||
339 |
Ray Austin
(GBR)
Elevenses - Country & City-Rock |
LP | 1982 | Xenophon | INT 146.004 | |||
Sherrié Austin (AUS) | ||||||||
340 |
Sherrié Austin
(AUS)
Love In The Real World |
HDCD (Multimedia) | 1999 | Arista Nashville | 07822 18881-2 | |||
Gene Autry (USA) | ||||||||
341 |
Gene Autry
(USA)
His Christmas Album |
CD (Compilation) | 1992 | Legacy | CD-40 | |||
Lydie Auvray (FRA) | ||||||||
342 |
Lydie Auvray
(FRA)
D'accord! |
CD | 1987 | Pläne | 88580 | |||
343 |
Lydie Auvray
(FRA)
Live |
CD (Live) | 1989 | Verlag Pläne GmbH | 883185 / P 907 | |||
344 |
Lydie Auvray
(FRA)
Premiere & Paradiso |
CD (Re-Release) | 1990 | Westpark Music | 87021 | |||
Lydie Auvray & Les Auvrettes (FRA) | ||||||||
345 |
Lydie Auvray & Les Auvrettes
(FRA)
Ensemble |
CD | 1985 | Pläne | 88431 | |||
Avalon (GBR) | ||||||||
346 |
Avalon
(GBR)
Rocky Roads |
LP | 1986 | Lismor Recordings | LIFL 7013 | |||
Hoyt Axton (USA) | ||||||||
347 |
Hoyt Axton
(USA)
Where Did The Money Go? |
LP | 1980 | Jeremiah | JH-5001 | |||
Aztec Camera (GBR) | ||||||||
348 |
Aztec Camera
(GBR)
High Land, Hard Rain |
LP | 1983 | Rough Trade Records GmbH | RTD 8 (rough 47) | |||
349 |
Aztec Camera
(GBR)
Knife |
LP | 1984 | WEA / Warner Bros. | 240483-1 | |||
350 |
Aztec Camera
(GBR)
Love |
LP | 1987 | WEA Records | 2422021 | |||
351 |
Aztec Camera
(GBR)
Stray |
LP | 1990 | WEA Records Ltd. | ||||
352 |
Aztec Camera
(GBR)
Dreamland |
CD | 1993 | Warner Music UK | 4509-92492-2 | |||
353 |
Aztec Camera
(GBR)
Frestonia |
CD | 1995 | Warner Music UK / WEA | 0630-11929-2 | |||
Aztec Camera And Mick Jones (GBR) | ||||||||
354 |
Aztec Camera And Mick Jones
(GBR)
Good Morning Britain |
12" | 1990 | WEA | 9031-72592-0 | |||
Aztec Two-Step (USA) | ||||||||
355 |
Aztec Two-Step
(USA)
See It Was Like This |
CD (Compilation) | 1989 | Flying Fish | FF 70505 | |||
The B-52's (USA) | ||||||||
356 |
The B-52's
(USA)
Cosmic Thing |
CD (Re-Release) | 1989 | Reprise Records | 7599-25854-2 | |||
357 |
The B-52's
(USA)
Good Stuff |
CD | 1992 | Reprise / Warner Music | 7599-26943-2 | |||
Babyface (USA) | ||||||||
358 |
Babyface
(USA)
Tender Lover |
CD | 1989 | Epic | 465762 9 | |||
359 |
Babyface
(USA)
A Collection Of His Greatest Hits |
CD (Best-Of) | 2000 | Sony Music Entertainment Inc. | EPC 4933112 | |||
Baccara (ESP) | ||||||||
360 |
Baccara
(ESP)
Woman To Woman |
CD (Compilation) | 1999 | Disky | DC 854282 | |||
Johann Sebastian Bach (DEU) | ||||||||
361 |
Johann Sebastian Bach
(DEU)
The Goldberg Variations |
CD (Re-Release, Special Edition) | 1981 | Sony Classical | SMK 52 619 | |||
362 |
Johann Sebastian Bach
(DEU)
Les Grandes Toccatas |
CD | 1992 | Ricercar | RIC 134115 | |||
Backstreet Boys (USA) | ||||||||
363 |
Backstreet Boys
(USA)
Backstreet's Back |
CD (Re-Release, Multimedia) | 1997 | Zomba Recording Corporation | CHIP 186/INT:0516842 | |||
Bad Boys Blue (DEU) | ||||||||
364 |
Bad Boys Blue
(DEU)
The Final Megamix, Vol. 1 |
12" | 1990 | BMG Ariola München GmbH | 612 902 | |||
Bad Manners (GBR) | ||||||||
365 |
Bad Manners
(GBR)
Gosh It's.... |
LP | 1981 | Magnet Records Ltd. | 6.24934 AP | |||
366 |
Bad Manners
(GBR)
Forging Ahead |
LP | 1982 | Magnet Records Ltd. | MAGL 5050 | |||
Angelo Badalamenti (USA) | ||||||||
367 |
Angelo Badalamenti
(USA)
+
Julee Cruise
(USA)
+
Angelo Badalamenti & David Lynch
(USA)
Music From Twin Peaks |
Split-LP (Split mit: Julee Cruise (USA) + Angelo Badalamenti & David Lynch (USA)) |
1990 | Warner Bros. Records Inc. | 7599-26316-1 | |||
Badfinger (GBR) | ||||||||
368 |
Badfinger
(GBR)
Magic Christian Music |
LP | 1970 | Apple Records | ST-3364 | |||
369 |
Badfinger
(GBR)
No Dice |
CD (Re-Release) | 1970 | EMI Records Ltd. | CDP 7 98698 2 / UK: CD SAPCOR 16 | |||
Badly Drawn Boy (GBR) | ||||||||
370 |
Badly Drawn Boy
(GBR)
The Hour Of Bewilderbeast |
CD | 2000 | XL Recordings | TNXL CD133 | |||
Joan Baez (USA) | ||||||||
371 |
Joan Baez
(USA)
Joan Baez In Concert, Part 1 & 2 |
2-LP (Live, Re-Release, Gatefold) | 0 | Vanguard / Metronome | 0082.097 | |||
372 |
Joan Baez
(USA)
+
Bill Wood
(USA)
+
Joan Baez & Bill Wood
(USA)
+
Joan Baez, Bill Wood & Ted Alevizos
(USA)
Joan Baez |
Split-LP (Re-Release)
(Split mit: Bill Wood (USA) + Joan Baez & Bill Wood (USA) + Joan Baez, Bill Wood & Ted Alevizos (USA)) |
1960 | Bellaphon Records | BI 1544 | |||
373 |
Joan Baez
(USA)
Volume One |
CD (Re-Release) | 1960 | Vanguard | VFCD 7101 | |||
374 |
Joan Baez
(USA)
Joan Baez Volume Two |
CD (Re-Release) | 1961 | Vanguard | VFCD 7102 | |||
375 |
Joan Baez
(USA)
Joan Baez / 5 |
LP (Re-Release) | 1964 | Vanguard | ORL 8194 | |||
376 |
Joan Baez
(USA)
A Package Of Joan Baez |
LP | 1964 | Bear Family Records | BF 15 012 | |||
377 |
Joan Baez
(USA)
Farewell, Angelina |
LP (Re-Release) | 1965 | Vanguard Recording Society, Inc. | 0062.179 | |||
378 |
Joan Baez
(USA)
Noël |
LP (Re-Release) | 1966 | Vanguard | 0062.190 | |||
379 |
Joan Baez
(USA)
Joan |
CD (Re-Release) | 1967 | Vanguard | VMD 79240 | |||
380 |
Joan Baez
(USA)
Baptism |
CD (Re-Release) | 1968 | Vanguard Records | VMD 79275-2 | |||
381 |
Joan Baez
(USA)
Any Day Now |
2-LP (Re-Release, Special Edition, Gatefold) | 1968 | Vanguard | VSD 55/56 | |||
382 |
Joan Baez
(USA)
David's Album |
CD (Re-Release) | 1969 | Vanguard Records | VMD 79308-2 | |||
383 |
Joan Baez
(USA)
Joan Baez In Italy |
2-LP (Live, Re-Release, Gatefold) | 1969 | Vanguard / Metronome | 0082.098 | |||
384 |
Joan Baez
(USA)
One Day At A Time |
CD (Re-Release) | 1970 | FNAC Music | 662102 | |||
385 |
Joan Baez
(USA)
Blessed Are... |
2-LP + 7" (Gatefold) | 1971 | Vanguard | VSD-6570/1 | |||
386 |
Joan Baez
(USA)
Come From The Shadows |
LP (Gatefold) | 1972 | A&M Records | AMLH64339 | |||
387 |
Joan Baez
(USA)
Where Are You Now, My Son? |
LP | 1973 | A&M Records, Inc. | 86796 IT | |||
388 |
Joan Baez
(USA)
Gracias A La Vida (Here's To Life) |
LP | 1974 | A&M | AMNP 136 | |||
389 |
Joan Baez
(USA)
Diamonds & Rust |
LP | 1975 | A&M Records, Inc. | AMNP 119 | |||
390 |
Joan Baez
(USA)
From Every Stage |
2-LP (Live, Gatefold) | 1976 | A&M Records, Inc. | AMLM 63704 | |||
391 |
Joan Baez
(USA)
Gulf Winds |
LP | 1976 | A&M Records | AMNP 101 | |||
392 |
Joan Baez
(USA)
Blowin' Away |
LP | 1977 | Portrait | PRT 82011 | |||
393 |
Joan Baez
(USA)
Honest Lullaby |
CD | 1979 | Portrait | 4736952 | |||
394 |
Joan Baez
(USA)
Europa Tournee |
LP (Live) | 1980 | CBS Inc. | PRT 84792 | |||
395 |
Joan Baez
(USA)
Live Europe 83 - Children Of The Eighties |
LP (Live) | 1983 | Ariola | 205 742-270 | |||
396 |
Joan Baez
(USA)
Recently |
LP | 1987 | Virgin Records Ltd. | 209 150-630 | |||
397 |
Joan Baez
(USA)
Diamonds And Rust In The Bullring |
LP (Live) | 1989 | Virgin Records Ltd. | VGC 9 | |||
398 |
Joan Baez
(USA)
Speaking Of Dreams |
LP | 1989 | Gold Castle Records, Inc. | VGC12 | |||
399 |
Joan Baez
(USA)
Joan Baez In Concert |
VHS (Live) | 1990 | Old Gold Records Ltd. | OGV 0007 | |||
400 |
Joan Baez
(USA)
Play Me Backwards |
CD | 1992 | Virgin Records | 0 777 7 86458 2 5 / CDV 2705 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.