Menu
Cover | Titel | Typ / Besonderheiten | Jahr Album | Jahr Tonträger | Herstellungsland | Katalognummer | Plattenfirma | Kommentar | |
---|---|---|---|---|---|---|---|---|---|
R.E.M. (USA) | |||||||||
R.E.M.
(USA)
Collapse Into Now |
CD (Digisleeve) | 2011 | 2011 | 9362-49627-1 | Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
Unplugged 1991 & 2001 - The Complete Sessions |
4-LP (Limited Edition, Live, Gatefold) | 2014 | 2014 | R1-511570 | Rhino Entertainment Company | ||||
R.E.M.
(USA)
Dead Letter Office |
CD (Compilation) | 1987 | 1987 | ILP 450961 2 | Intercord Record Service (I.R.S.) | ||||
R.E.M.
(USA)
Eponymous |
CD (Compilation, Re-Release) | 1988 | 0 | CIRS D-6262 | I.R.S. | ||||
R.E.M.
(USA)
In Time - The Best Of R.E.M. 1988-2003 |
2-CD (Best-Of, Special Edition, Digisleeve, Multimedia, Plastikschuber) | 2003 | 2003 | 9362-48550-2 | Warner Music | ||||
R.E.M.
(USA)
And I Feel Fine... The Best Of The I.R.S. Years 1982-1987 |
2-CD (Compilation, Special Edition, Digipak) | 2006 | 2006 | 09463-69942-2-2 | Capitol Records, Inc. | ||||
R.E.M.
(USA)
Can't Get There From Here |
12" | 1985 | 1985 | ILSA 12.6384 | I.R.S. | ||||
R.E.M.
(USA)
Radio Song |
12" | 1991 | 1991 | 9362402500 | Warner Bros. Music | ||||
R.E.M.
(USA)
Near Wild Heaven |
12" | 1991 | 1991 | W0055 T | Warner Bros. Records | ||||
R.E.M.
(USA)
It's The End Of The World As We Know It (And I Feel Fine) |
Single-CD (Special Edition) | 1987 | 1987 | I.R.S. Records / MCA Records | |||||
R.E.M.
(USA)
The One I Love |
Single-CD | 1988 | 1988 | 1C (560) 2045372 | I.R.S. Records | ||||
R.E.M.
(USA)
Finest Worksong |
3"-CD (Cardsleeve) | 1988 | 1988 | ILS 651320 2 | I.R.S. | ||||
R.E.M.
(USA)
Losing My Religion |
Single-CD (Special Edition) | 1991 | 1991 | W0015CDX | Warner Bros. | ||||
R.E.M.
(USA)
Near Wild Heaven |
Single-CD (Limited Edition) | 1991 | 1991 | W0055CDX | WB Records | ||||
R.E.M.
(USA)
Shiny Happy People |
Single-CD (Limited Edition) | 1991 | 1991 | W0027CDX | WB Records | ||||
R.E.M.
(USA)
Radio Song |
Single-CD (Limited Edition) | 1991 | 1991 | W0072CDX | WB Records | ||||
R.E.M.
(USA)
Radio Song |
Single-CD | 1991 | 1991 | 9362-40229-2 | WB | ||||
R.E.M.
(USA)
Losing My Religion |
Single-CD | 1991 | 1991 | W0015CD | Time Warner Co. | ||||
R.E.M.
(USA)
Shiny Happy People |
Single-CD | 1991 | 1991 | W0027 CD · 9362-40078-2 | Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
Man On The Moon |
Single-CD (Special Edition) | 1992 | 1992 | W0143CDX | WB Records | ||||
R.E.M.
(USA)
Drive |
Single-CD (Special Edition) | 1992 | 1992 | W0136CDX / 9362-40633-2 | Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
The Automatic Box |
4-Single-CD (Box, Compilation, Limited Edition) | 1993 | 1993 | WE 893 | WEA / Warner Bros. | ||||
R.E.M.
(USA)
Everybody Hurts |
Single-CD (Digipak) | 1993 | 1993 | 9 40989-2 | WB | ||||
R.E.M.
(USA)
The Sidewinder Sleeps Tonite |
Single-CD (Special Edition) | 1993 | 1993 | WO152CD2 | WB | ||||
R.E.M.
(USA)
Everybody Hurts |
Single-CD (Special Edition) | 1993 | 1993 | W0169CD1 | WB | ||||
R.E.M.
(USA)
The Sidewinder Sleeps Tonite |
Single-CD (Special Edition) | 1993 | 1993 | WO152CD1 | WB | ||||
R.E.M.
(USA)
Nightswimming |
Single-CD | 1993 | 1993 | 9362-40986-2 | Warner Bros. Music Ltd. | ||||
R.E.M.
(USA)
Everybody Hurts |
Single-CD | 1993 | 1993 | 9362-40867-2 | Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
What's The Frequency, Kenneth? |
Single-CD | 1994 | 1994 | W0265CD | Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
Bang And Blame |
Single-CD | 1994 | 1994 | 9362-41857-2 | Warner Bros. Records Inc. / WEA International Inc. | ||||
R.E.M.
(USA)
Crush With Eyeliner |
Single-CD | 1995 | 1995 | W0281CD | WEA International Inc. / Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
Tongue |
Single-CD | 1995 | 1995 | W0308CD | Warner Music Germany | ||||
R.E.M.
(USA)
Strange Currencies |
Single-CD | 1995 | 1995 | W0290CD/9362-43513-2 | Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
E-Bow The Letter |
Single-CD | 1996 | 1996 | W0369CD / 9362-43763-2 | Warner Music | ||||
R.E.M.
(USA)
Bittersweet Me |
Single-CD | 1996 | 1996 | WO377CD | WB | ||||
R.E.M.
(USA)
How The West Was Won And Where It Got Us |
Single-CD | 1996 | 1996 | 9362-43851-2 | WB | ||||
R.E.M.
(USA)
Electrolite |
Single-CD | 1996 | 1996 | WO383CD | WB | ||||
R.E.M.
(USA)
Suspicion |
Single-CD | 1998 | 1998 | W488CD / 9362 44711 2 | WB | ||||
R.E.M.
(USA)
Lotus |
Single-CD | 1998 | 1998 | 9362 44600 2 | WB | ||||
R.E.M.
(USA)
Daysleeper |
Single-CD | 1998 | 1998 | 9362-44568-2 | Warner Bros. Records | ||||
R.E.M.
(USA)
At My Most Beautiful |
3"-CD (Special Edition, Longbox) | 1999 | 1999 | W477CDX/5439 16992 9 | Warner Bros. Records | ||||
R.E.M.
(USA)
At My Most Beautiful |
Single-CD | 1999 | 1999 | W477CD / 9362-44626-2 | Warner Bros. Records Inc. / WEA International Inc. | ||||
R.E.M.
(USA)
The Great Beyond |
Single-CD | 1999 | 1999 | 9362-44812-2 | Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
Imitation Of Life |
Single-CD | 2001 | 2001 | 9362 44994 2 | Warner Bros. Records | ||||
R.E.M.
(USA)
Tourfilm |
VHS (Live) | 1990 | 1990 | 7599-38184-3 | Warner Bros. Records Inc. | ||||
R.E.M.
(USA)
Parallel |
VHS | 1995 | 1995 | 7599 38426-3 | Warner Reprise Video | ||||
R.E.M.
(USA)
Roadmovie |
VHS (Live) | 1996 | 1996 | 7599 38443-3 | Warner Music Vision | ||||
R.E.M.
(USA)
Audio Visual |
CD | 0 | 1992 | BSP001 | Bespoke Records | ||||
Racey (GBR) | |||||||||
Racey
(GBR)
Lay Your Love On Me |
7" | 1978 | 1978 | 1C 006-61 988 | RAK Records | ||||
Gerry Rafferty (GBR) | |||||||||
Gerry Rafferty
(GBR)
City To City |
LP | 1978 | 1978 | UAS 30 104 XOT | United Artists Records Ltd. | ||||
Gerry Rafferty
(GBR)
Baker Street |
7" | 1978 | 1978 | 36 346 AT | United Artists Records Ltd. | ||||
Rainbow (GBR) | |||||||||
Rainbow
(GBR)
Rising |
LP (Gatefold) | 1976 | 1976 | 2391 224 | Oyster / Polydor | zusätzlicher Aufkleber "Ritchie Blackmore's Rainbow" auf dem Frontcover | |||
Bonnie Raitt (USA) | |||||||||
Bonnie Raitt
(USA)
Nick Of Time |
CD | 1989 | 1989 | CDP 79 1268 2 | Capitol Records, Inc. | ||||
Ramones (USA) | |||||||||
Ramones
(USA)
Leave Home |
LP (Re-Release) | 1977 | 0 | S 26 436 XOT | Sire Records Inc. | ||||
Ramones
(USA)
Rocket To Russia |
LP | 1977 | 1977 | 26 437 XOT | Sire Records Inc. | ||||
Randy Pie (DEU) | |||||||||
Randy Pie
(DEU)
England England |
7" | 1977 | 1977 | 2041786 | Polydor | ||||
Rangda (USA) | |||||||||
Rangda
(USA)
False Flag |
LP | 2010 | 2010 | DC-425 | Drag City | ||||
Rangda
(USA)
Formerly Extinct |
LP | 2012 | 2012 | DC529 | Drag City | ||||
Rangda
(USA)
Live In Krefeld |
10" (Limited Edition, Live, Gelbes Vinyl) | 2013 | 2013 | UNROCK EP001 | Unrock | ||||
Ras Michael & The Sons Of Negus With Jazzboe Abubaka (JAM) | |||||||||
Ras Michael & The Sons Of Negus With Jazzboe Abubaka
(JAM)
Tribute To The Emperor |
LP | 1976 | 1976 | TRLS 132 | Trojan Records | ||||
Redbone (USA) | |||||||||
Redbone
(USA)
Wovoka |
LP | 1973 | 1973 | KE 32462 | Epic Records / CBS Inc. | ||||
Redbone
(USA)
We Were All Wounded At Wounded Knee |
7" | 1973 | 1973 | EPC S 1472 | Epic | ||||
Helen Reddy (AUS) | |||||||||
Helen Reddy
(AUS)
Angie Baby |
7" | 1974 | 1974 | CL 15799 | Capitol Records | ||||
Lou Reed (USA) | |||||||||
Lou Reed
(USA)
Transformer |
LP | 1972 | 1972 | LSP 4807 | RCA | ||||
Lou Reed
(USA)
Berlin |
CD (Re-Release, Remastered) | 1973 | 1998 | RCA 07863 67489 2 | RCA Records | ||||
Lou Reed
(USA)
Rock And Roll Heart |
LP | 1976 | 1976 | 1 C 062-98 284 | Arista Records | cut-out | |||
Lou Reed
(USA)
Coney Island Baby |
CD (Re-Release, Remastered) | 1976 | 2006 | 82876 78251 2 | RCA Records | ||||
Lou Reed
(USA)
New York |
CD | 1989 | 1989 | 925 829-2 | Sire | ||||
Lou Reed
(USA)
Magic And Loss |
LP | 1992 | 1992 | 7599-26662-1 | Sire | ||||
Lou Reed
(USA)
Set The Twilight Reeling |
CD | 1996 | 1996 | 9362-46159-2 | Warner Bros. Records Inc. | ||||
Lou Reed
(USA)
Ecstasy |
CD | 2000 | 2000 | 9362-474252 | Reprise Records | ||||
Lou Reed
(USA)
Ecstasy |
2-LP (Limited Edition, Pappschuber, Re-Release, 180 Gramm Vinyl) | 2000 | 2019 | 603497853472 | Rhino Records / Reprise Records | ||||
Lou Reed & Metallica (USA) | |||||||||
Lou Reed & Metallica
(USA)
Lulu |
2-LP (200 Gramm Vinyl) | 2011 | 2011 | 602527815985 | Vertigo | ||||
Lou Reed / John Cale (USA) | |||||||||
Lou Reed / John Cale
(USA)
Songs For Drella |
CD (Re-Release) | 1990 | 0 | 7599-26140-2 | Sire Records Co. | ||||
Achim Reichel (DEU) | |||||||||
Achim Reichel
(DEU)
Klabautermann |
LP | 1977 | 1977 | 0069.103 | Ahorn/Metronome | ||||
Udo Reichel Orchester (DEU) | |||||||||
Udo Reichel Orchester
(DEU)
Heidi Und Andere Kinderhits |
LP | 1978 | 1978 | 115 119.3 | Europa Jugend / Miller International Schallplatten | ||||
The Residents (USA) | |||||||||
The Residents
(USA)
The Third Reich 'n' Roll |
LP (Limited Edition, Re-Release) | 1975 | 1980 | RR1075 | Ralph Records | ||||
The Residents
(USA)
Holy Kiss Of Flesh |
3"-CD (Digisleeve) | 1988 | 1988 | RCD3-1007 | Rykodisc | ||||
Ben Reynolds (GBR) | |||||||||
Ben Reynolds
(GBR)
Two Wings |
CD (Digisleeve) | 2008 | 2008 | SAAH054 | Strange Attractors Audio House | ||||
Cliff Richard (GBR) | |||||||||
Cliff Richard
(GBR)
Power To All Our Friends |
7" | 1973 | 1973 | 1C 006-05 290 | EMI | ||||
Lionel Richie (USA) | |||||||||
Lionel Richie
(USA)
All Night Long (All Night) |
7" | 1983 | 1983 | 100-15-103 | Motown | ||||
Rico (JAM) | |||||||||
Rico
(JAM)
Man From Wareika |
LP | 1977 | 1977 | ILPS 9485-A | Island Records | ||||
Miguel Rios (ESP) | |||||||||
Miguel Rios
(ESP)
A Song Of Joy |
7" (Mono) | 1970 | 1970 | 2001 017 | Polydor | ||||
The Rolling Stones (GBR) | |||||||||
The Rolling Stones
(GBR)
Beggars Banquet |
LP (Re-Release) | 1968 | 1969 | 6.22157 | Decca | ||||
The Rolling Stones
(GBR)
Sticky Fingers |
CD (Re-Release) | 1971 | 1986 | CBS 450195 2 | CBS Records | ||||
The Rolling Stones
(GBR)
Undercover |
LP | 1983 | 1983 | 1A 064-1654361 A | Promotone B.V. | ||||
The Rolling Stones
(GBR)
Stripped |
CD (Live, Multimedia) | 1995 | 1995 | 41040 2 | Virgin Benelux BV | ||||
The Rolling Stones
(GBR)
Die 30 Größten Hits |
2-LP (Best-Of, Re-Release, Gatefold) | 1977 | 1977 | ADE G27 | Arcade | ||||
The Rolling Stones
(GBR)
Time Waits For No One |
LP (Compilation) | 1979 | 1979 | COC 59107 | Rolling Stones Records | ||||
The Rolling Stones
(GBR)
Atlantic City '89 |
3-CD (Bootleg, Box, Live) | 1990 | 1990 | TSP-CD-075-3 | Swingin' Pig Records, The | ||||
Max Romeo & The Upsetters (JAM) | |||||||||
Max Romeo & The Upsetters
(JAM)
War Ina Babylon |
LP | 1976 | 1976 | ILPS 9392 | Island | ||||
Linda Ronstadt (USA) | |||||||||
Linda Ronstadt
(USA)
Hasten Down The Wind |
LP (Gatefold) | 1976 | 1976 | AS 53 045 | Elektra / Asylum Records | ||||
Linda Ronstadt
(USA)
Different Drum |
LP (Compilation, Re-Release) | 1974 | 0 | 038 EVC 81 995 | Capitol Records | ||||
The Ropers (USA) | |||||||||
The Ropers
(USA)
+
The Tribbles
(XXX)
Everyone Has As Secret Daydream... |
Split-7" (Split mit: Tribbles, The (XXX)) |
1994 | 1994 | ant-09-si / ball002 | Brilliant Records / Giant Pool Balls Records | ||||
Christiane Rösinger (DEU) | |||||||||
Christiane Rösinger
(DEU)
Songs Of L. And Hate |
LP | 2010 | 2010 | Akt 712 | Staatsakt | ||||
Christiane Rösinger
(DEU)
Lieder Ohne Leiden |
LP | 2017 | 2017 | AKT782LP | Staatsakt | ||||
La Rotta (DEU) | |||||||||
La Rotta
(DEU)
Musik Aus Der Alten Welt |
LP | 1987 | 1987 | ALLP-295 | Autogram Records | ||||
Kevin Rowland (GBR) | |||||||||
Kevin Rowland
(GBR)
Tonight |
Single-CD | 1988 | 1988 | 870605 2 | Mercury / Phonogram Ltd. (London) | ||||
The Ruts (GBR) | |||||||||
The Ruts
(GBR)
The Crack |
LP | 1979 | 1979 | 200 988-270 | Virgin Records Ltd. | ||||
Sailor (GBR) | |||||||||
Sailor
(GBR)
A Glass Of Champagne |
7" | 1975 | 1975 | EPC S 3770 | Epic / CBS Records |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.