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# | Cover | Titel | Typ / Besonderheiten | Plattenfirma | Jahr Album | Jahr Tonträger | Katalognummer | Herstellungsland | |
---|---|---|---|---|---|---|---|---|---|
Chicory Tip (GBR) | |||||||||
1001 |
Chicory Tip
(GBR)
Cigarettes, Women And Wine |
7" | CBS | 1973 | 1973 | S 1668 | |||
The Children Of Quechua (DEU) | |||||||||
1002 |
The Children Of Quechua
(DEU)
El Condor Pasa |
LP | Europa | 1970 | 1970 | E 452 | |||
Chilly (DEU) | |||||||||
1003 |
Chilly
(DEU)
For Your Love |
LP | Polydor | 1978 | 1978 | 2417 122 | |||
1004 |
Chilly
(DEU)
Come To L.A. |
7" | Polydor | 1979 | 1979 | 2042 137 | |||
1005 |
Chilly
(DEU)
Come Let's Go |
7" | Polydor | 1980 | 1980 | 2042 220 | |||
1006 |
Chilly
(DEU)
We Are The Popkings |
7" | Polydor | 1980 | 1980 | 2042 199 | |||
1007 |
Chilly
(DEU)
Oh, I Love You |
7" | Polydor | 1982 | 1982 | 2042 450 | |||
Chisholm & Spence (GBR) | |||||||||
1008 |
Chisholm & Spence
(GBR)
Your Last Letter |
7" | CBS Inc. | 1980 | 1980 | CBS 8292 | |||
The Chords (GBR) | |||||||||
1009 |
The Chords
(GBR)
Maybe Tomorrow |
7" | Metronome / Polydor | 1980 | 1980 | 0030.256 | |||
Tony Christie (GBR) | |||||||||
1010 |
Tony Christie
(GBR)
(Is This The Way To) Amarillo |
7" | MCA | 1971 | 1971 | MCS 5391 | |||
1011 |
Tony Christie
(GBR)
I Did What I Did For Maria |
7" | MCA | 1971 | 1971 | MCS 4739 | |||
1012 |
Tony Christie
(GBR)
Don't Go Down To Reno |
7" | MCA | 1972 | 1972 | MCS 5981 | |||
1013 |
Tony Christie
(GBR)
Don't Go Down To Reno |
7" | MCA Records, Inc. | 1972 | 1972 | MCS 5981 | |||
1014 |
Tony Christie
(GBR)
If You Stay Too Long In Oklahoma |
7" | MCA Records Ltd. | 1974 | 1974 | MCS 7261 | |||
1015 |
Tony Christie
(GBR)
It's Good To Be Me |
LP (Special Edition) | MCA Records, Inc. | 1974 | 1974 | 63 049 | |||
1016 |
Tony Christie
(GBR)
Original Favorites |
LP (Best-Of) | MCA Records | 1977 | 1977 | 202 948-241 | |||
1017 |
Tony Christie
(GBR)
Sweet September |
7" | RCA Victor | 1979 | 1979 | PB 5668 | |||
1018 |
Tony Christie
(GBR)
Mexico City |
7" | RCA | 1980 | 1980 | PB 5741 | |||
1019 |
Tony Christie
(GBR)
Train To Yesterday |
7" | RCA Schallplatten GmbH | 1980 | 1980 | PB5695 | |||
1020 |
Tony Christie
(GBR)
Das Beste Von ... |
LP (Best-Of) | MCA Records | 1982 | 1982 | 204794-502 | |||
1021 |
Tony Christie
(GBR)
Keep On Dancin' |
7" | Deutsche Grammophon GmbH, Hamburg | 1986 | 1986 | 885 265-7 | |||
1022 |
Tony Christie
(GBR)
Amarillo |
CD | Ariola Express / MCA | 1992 | 1992 | 290 847-200 | |||
Gavin Christopher (USA) | |||||||||
1023 |
Gavin Christopher
(USA)
One Step Closer |
LP | DMM / EMI Records Ltd. | 1986 | 1986 | 064 24 0560 1 | |||
Chyp-Notic (DEU) | |||||||||
1024 |
Chyp-Notic
(DEU)
If I Can't Have U |
Single-CD | Coconut | 1990 | 1990 | 663 650-211 | |||
Ciara (USA) | |||||||||
1025 |
Ciara
(USA)
Goodies |
CD | LaFace Records | 2004 | 2004 | 82876-62819-2 | |||
Roger Cicero (DEU) | |||||||||
1026 |
Roger Cicero
(DEU)
Männersachen Live! |
DVD (Live) | Warner Music Group Germany Holding GmbH | 2007 | 2007 | 5051442-0899-2-9 | |||
Clambake (XXX) | |||||||||
1027 |
Clambake
(XXX)
River Deep, Mountain High |
7" | Golden 12 | 1973 | 1973 | G 12/168 | |||
Eric Clapton (GBR) | |||||||||
1028 |
Eric Clapton
(GBR)
461 Ocean Boulevard |
CD (Re-Release, Remastered) | PolyGram International | 1974 | 1984 | 811 697-2 | |||
1029 |
Eric Clapton
(GBR)
461 Ocean Boulevard |
LP (Gatefold) | RSO Records | 1974 | 1974 | 2394 138 | |||
1030 |
Eric Clapton
(GBR)
Swing Low Sweet Chariot |
7" | RSO Records | 1975 | 1975 | 2090158 | |||
1031 |
Eric Clapton
(GBR)
No Reason To Cry |
Tape | RSO | 1976 | 1976 | 3216 172 | |||
1032 |
Eric Clapton
(GBR)
Lay Down Sally |
7" | RSO Records | 1977 | 1977 | 2090264 | |||
1033 |
Eric Clapton
(GBR)
Backless |
LP (Gatefold) | RSO Records | 1978 | 1978 | RS-1-3039 | |||
1034 |
Eric Clapton
(GBR)
Just One Night |
2-LP (Live, Gatefold) | RSO Records | 1980 | 1980 | 2658 135 | |||
1035 |
Eric Clapton
(GBR)
Rush |
LP | Reprise Records / Warner Music | 1991 | 1991 | 7599-26794-1 | |||
Eric Clapton And His Band (GBR) | |||||||||
1036 |
Eric Clapton And His Band
(GBR)
Promises |
7" | RSO Records | 1978 | 1978 | 2090 324 | |||
Petula Clark (GBR) | |||||||||
1037 |
Petula Clark
(GBR)
Monsieur |
7" | Vogue | 1962 | 1962 | DV.14006 | |||
1038 |
Petula Clark
(GBR)
Downtown |
7" | Vogue | 1965 | 1965 | DV 14297 | |||
1039 |
Petula Clark
(GBR)
Kann Ich Dir Vertrauen |
7" | Vogue Schallplatten | 1965 | 1965 | DVS 14459 | |||
1040 |
Petula Clark
(GBR)
Downtown / Don't Sleep In The Subway |
7" | Bellaphon Disques Vogue | 1976 | 1976 | BF 18452 | |||
1041 |
Petula Clark
(GBR)
Goldene Serie International |
LP (Compilation) | TELDEC »Telefunken-Decca« Schallplatten GmbH | 1981 | 1981 | 318774 | |||
1042 |
Petula Clark
(GBR)
Down Town - The Hit Singles Collection |
LP (Best-Of, Compilation) | PRT Records / TELDEC | 1989 | 1989 | 6.269 45 AP | |||
Clash Of Culture Feat. Phoebe 1 (XXX) | |||||||||
1043 |
Clash Of Culture Feat. Phoebe 1
(XXX)
Get It On |
Single-CD | Jammin Music Group | 1996 | 1996 | INTER9007 | |||
Clawfinger (SWE) | |||||||||
1044 |
Clawfinger
(SWE)
Deaf Dumb Blind |
CD | Warner Music Schweden AB | 1993 | 1993 | 4509-93245-2 | |||
Adam Clayton & Larry Mullen (IRL) | |||||||||
1045 |
Adam Clayton & Larry Mullen
(IRL)
Theme From Mission: Impossible |
Single-CD | Mother Records | 1996 | 1996 | MUMCD75 576471 2 | |||
Clivillés & Cole (USA) | |||||||||
1046 |
Clivillés & Cole
(USA)
Pride (In The Name Of Love) |
Single-CD | Columbia | 1991 | 1991 | COL 657671 5 | |||
Die Clo-Schahs (DEU) | |||||||||
1047 |
Die Clo-Schahs
(DEU)
Alles Scheisse - Deine Elli |
7" | Bellaphon | 1971 | 1971 | BL 1151 | |||
Clock (GBR) | |||||||||
1048 |
Clock
(GBR)
Whoomph! (There It Is) |
Single-CD | ZYX Music | 1995 | 1995 | ZYX 7865-8 | |||
Clouseau (BEL) | |||||||||
1049 |
Clouseau
(BEL)
Niets Meer |
Single-CD (Cardsleeve) | EMI Belgium SA / NV | 1999 | 1999 | 7243 886672 2 7 | |||
Clout (ZAF) | |||||||||
1050 |
Clout
(ZAF)
Substitute |
7" | Carrere | 1978 | 1978 | 2044 111 | |||
1051 |
Clout
(ZAF)
You've Got All Of Me |
7" | Carrere | 1978 | 1978 | 2044 131 | |||
1052 |
Clout
(ZAF)
Oowatanite |
7" | Carrere | 1979 | 1979 | 2044166 | |||
1053 |
Clout
(ZAF)
Save Me |
7" | Carrere | 1979 | 1979 | 2044 141 / CAR 2005 | |||
1054 |
Clout
(ZAF)
Save Me |
7" | Carrere | 1979 | 1979 | 2044 146 / CAR 2010 | |||
1055 |
Clout
(ZAF)
Save Me |
7" | Carrere | 1979 | 1979 | 2044 141 | |||
Clowns & Helden (DEU) | |||||||||
1056 |
Clowns & Helden
(DEU)
Von Beteuerten Gefühlen Und Anderer Kälte |
LP (Gatefold) | TELDEC Schallplatten GmbH | 1986 | 1986 | 6.26384 | |||
Clubland Feat. Zemya Hamilton (XXX) | |||||||||
1057 |
Clubland Feat. Zemya Hamilton
(XXX)
Peace Of Luv |
12" | Clubvision Recordings | 1995 | 1995 | CLUB 2 | |||
1058 |
Clubland Feat. Zemya Hamilton
(XXX)
Peace Of Luv |
2-12" (Remix) | Unbekannt | 1995 | 1995 | JANCLU 0 | |||
Cobra (USA) | |||||||||
1059 |
Cobra
(USA)
First Strike |
LP | CBS Inc. / Columbia | 1983 | 1983 | EPC 25536 | |||
Cobra (XXX) | |||||||||
1060 |
Cobra
(XXX)
(Theme From) Mission: Impossible |
Single-CD (Remix) | Orbit Records | 1996 | 1996 | 893746 2 | |||
Eddie Cochran (USA) | |||||||||
1061 |
Eddie Cochran
(USA)
His 30 Greatest Hits |
CD (Best-Of, Compilation) | Entertainers, The | 1989 | 1989 | CD 0233 AAD | |||
Joe Cocker (GBR) | |||||||||
1062 |
Joe Cocker
(GBR)
Luxury You Can Afford |
LP | WEA Musik GmbH | 1978 | 1978 | AS 53 087 | |||
1063 |
Joe Cocker
(GBR)
The Best Of |
Tape (Best-Of) | Matinee / TELDEC Schallplatten GmbH | 1980 | 1986 | 4.27 476 (4.27 476-01-1) | |||
1064 |
Joe Cocker
(GBR)
Sheffield Steel |
LP (Re-Release) | Island | 1982 | 1982 | 204 668 | |||
1065 |
Joe Cocker
(GBR)
Civilized Man |
LP (Re-Release) | Capitol Records Inc. | 1984 | 0 | 1C 064 2401391 | |||
1066 |
Joe Cocker
(GBR)
Civilized Man |
LP | Capitol Records, Inc. | 1984 | 1984 | 1C 064 2401391 | |||
1067 |
Joe Cocker
(GBR)
Cocker |
LP | Capitol Records | 1986 | 1986 | 1 C 064 24 0424 1 | |||
1068 |
Joe Cocker
(GBR)
The Very Best Of Joe Cocker - The Voice |
LP (Best-Of, Compilation) | Telstar Records Ltd. | 1986 | 1986 | Star 2258 | |||
1069 |
Joe Cocker
(GBR)
Definite 1964-1986 |
LP (Best-Of, Gatefold) | Dino Music | 1987 | 1987 | DINO LP 1321 | |||
1070 |
Joe Cocker
(GBR)
Definite 1964-1986 |
LP (Best-Of, Gatefold) | TELDEC Schallplatten GmbH | 1987 | 1987 | 6.26450 | |||
1071 |
Joe Cocker
(GBR)
Unchain My Heart |
LP | Capitol Records | 1987 | 1987 | 1C 64 7 48285 1 | |||
1072 |
Joe Cocker
(GBR)
One Night Of Sin |
LP | Capitol Records, Inc. | 1989 | 1989 | 064-7 91828 1 | |||
Cocooma (DEU) | |||||||||
1073 |
Cocooma
(DEU)
Energetic |
Single-CD | EDM / Newmusic Publishing | 1996 | 1996 | EDM 50092 | |||
Leonard Cohen (CAN) | |||||||||
1074 |
Leonard Cohen
(CAN)
Songs Of Leonard Cohen |
LP | CBS | 1967 | 1967 | 63241 | |||
1075 |
Leonard Cohen
(CAN)
Songs From A Room |
LP (Re-Release) | Columbia Records / CBS | 1969 | 1972 | CS 9767 | |||
1076 |
Leonard Cohen
(CAN)
Songs Of Love And Hate |
LP | Columbia Records | 1971 | 1971 | C 30103 | |||
1077 |
Leonard Cohen
(CAN)
New Skin For The Old Ceremony |
LP | CBS Inc. | 1974 | 1974 | CBS 69087 | |||
1078 |
Leonard Cohen
(CAN)
Greatest Hits |
LP (Best-Of) | Amiga | 1982 | 1982 | 8 55 790 | |||
Nat King Cole (USA) | |||||||||
1079 |
Nat King Cole
(USA)
Nat King Cole Sings / George Shearing Plays |
LP | Capitol Records | 1962 | 1962 | 83 237 (1675) | |||
1080 |
Nat King Cole
(USA)
Nat King Cole |
LP (Compilation) | Giants Of Jazz | 1986 | 1986 | LPJT 62 | |||
Natalie Cole (USA) | |||||||||
1081 |
Natalie Cole
(USA)
Everlasting |
LP | Manhattan Records | 1987 | 1987 | ST-53051 | |||
1082 |
Natalie Cole
(USA)
Good To Be Back |
LP | EMI USA / Capitol Records Inc. | 1989 | 1989 | 7 48902 1 | |||
Judy Collins (USA) | |||||||||
1083 |
Judy Collins
(USA)
Amazing Grace |
7" | Elektra / WEA | 1970 | 1970 | ELK 12 008 | |||
1084 |
Judy Collins
(USA)
Amazing Grace |
7" | Elektra | 1971 | 1971 | ELK 12 008 | |||
Phil Collins (GBR) | |||||||||
1085 |
Phil Collins
(GBR)
Face Value |
LP (Re-Release, Gatefold) | WEA International Inc. | 1981 | 1988 | WEA 99 143 | |||
1086 |
Phil Collins
(GBR)
Face Value |
LP (Gatefold) | WEA International Inc. | 1981 | 1981 | WEA 99 143 | |||
1087 |
Phil Collins
(GBR)
In The Air Tonight |
7" | WEA International Inc. | 1981 | 1981 | ATL 79 198 | |||
1088 |
Phil Collins
(GBR)
Hello, I Must Be Going! |
LP (Re-Release, Gatefold) | WEA Records | 1982 | 1982 | 99263 | |||
1089 |
Phil Collins
(GBR)
Hello, I Must Be Going! |
LP (Re-Release, Gatefold) | WEA International Inc. | 1982 | 1985 | WEA 99263 | |||
1090 |
Phil Collins
(GBR)
Hello, I Must Be Going! |
LP (Gatefold) | WEA International Inc. | 1982 | 1982 | WEA 99263 | |||
1091 |
Phil Collins
(GBR)
You Can't Hurry Love |
7" | WEA | 1982 | 1982 | 25.9980-7 N | |||
1092 |
Phil Collins
(GBR)
+
Larry Carlton & Michel Colombier
(USA)
Against All Odds |
Split-7" (Split mit: Larry Carlton & Michel Colombier (USA)) |
Atlantic | 1984 | 1984 | 789 700-7 | |||
1093 |
Phil Collins
(GBR)
No Jacket Required |
LP | WEA | 1985 | 1985 | 251 699-1 | |||
1094 |
Phil Collins
(GBR)
No Jacket Required |
LP (Re-Release) | WEA International Inc. | 1985 | 1986 | 251 699-1 Z | |||
1095 |
Phil Collins
(GBR)
Sussudio |
7" | WEA International Inc. | 1985 | 1985 | 259 181-7 | |||
1096 |
Phil Collins
(GBR)
A Groovy Kind Of Love |
12" | WEA International Inc. | 1988 | 1988 | 257 850-0 | |||
1097 |
Phil Collins
(GBR)
...But Seriously |
CD | WEA International Inc. | 1989 | 1989 | 256 984-2 | |||
1098 |
Phil Collins
(GBR)
...But Seriously |
CD (Re-Release) | WEA International Inc. | 1989 | 1989 | WEA 2292-56984-2 | |||
1099 |
Phil Collins
(GBR)
...But Seriously |
LP | WEA | 1989 | 1989 | 256919-1 | |||
1100 |
Phil Collins
(GBR)
...But Seriously |
LP | WEA International Inc. | 1989 | 1989 | 256919-1 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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