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# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Plattenfirma | Herstellungsland | Katalognummer | |
---|---|---|---|---|---|---|---|---|
Annihilator (CAN) | ||||||||
201 |
Annihilator
(CAN)
Criteria For A Black Widow |
CD | 1999 | Roadrunner Records | RR 8640-2 | |||
202 |
Annihilator
(CAN)
Carnival Diablos |
CD | 2001 | Steamhammer | SPV 085-72142 CD | |||
203 |
Annihilator
(CAN)
Schizo Deluxe |
CD (Limited Edition, Digi-Book) | 2005 | AFM Records | AFM 100-9 | |||
204 |
Annihilator
(CAN)
Annihilator |
CD | 2010 | Earache Records Ltd. | MOSH389CD | |||
205 |
Annihilator
(CAN)
Feast |
LP (Gatefold) | 2013 | UDR GmbH | UDR 0263 LP | |||
The Answer (GBR) | ||||||||
206 |
The Answer
(GBR)
Everyday Demons |
2-LP (Etched Vinyl, Gatefold) | 2009 | Albert Productions | SPV 306671 2LP | |||
207 |
The Answer
(GBR)
Revival |
2-LP (Gatefold) | 2011 | Spin-Farm Records Oy. | SPINE781616 | |||
Anthem (JPN) | ||||||||
208 |
Anthem
(JPN)
Anthem |
LP | 1985 | Roadrunner Records | RR 9729 | |||
Anthrax (USA) | ||||||||
209 |
Anthrax
(USA)
Fistful Of Metal |
CD (Re-Release) | 1984 | Megaforce Entertainment | 0202861953 | |||
210 |
Anthrax
(USA)
Armed And Dangerous |
Mini-CD / EP (Re-Release) | 1985 | Music For Nations | CDMFN 123 | |||
211 |
Anthrax
(USA)
Spreading The Disease |
CD (Re-Release) | 1985 | Island / Megaforce Worldwide | 422-826 668-2 | |||
212 |
Anthrax
(USA)
Among The Living |
CD (Re-Release) | 1987 | Island Records, Inc. | IMCD 186 / 842 447-2 | |||
213 |
Anthrax
(USA)
State Of Euphoria |
CD | 1988 | Island Records, Inc. | 422/842 363-2 | |||
214 |
Anthrax
(USA)
Persistence Of Time |
CD | 1990 | Island Records, Inc. | 422-846 480-2 | |||
215 |
Anthrax
(USA)
Persistence Of Time |
LP | 1990 | Island Records, Inc. | 210 929 | |||
216 |
Anthrax
(USA)
Sound Of White Noise |
CD (Limited Edition) | 1993 | Elektra Entertainment Group Inc. | 7559-61430-2 | |||
217 |
Anthrax
(USA)
Live - The Island Years |
CD (Live) | 1994 | Island Records, Inc. | 74321 19059 2 | |||
218 |
Anthrax
(USA)
Stomp 442 |
CD | 1995 | Elektra Entertainment Group | 7559-61856-2 | |||
219 |
Anthrax
(USA)
Volume 8 - The Threat Is Real! |
CD | 1998 | Ignition Records | IGN7 4034 3 | |||
220 |
Anthrax
(USA)
We've Come For You All |
CD (Limited Edition, Digipak, Plastikschuber) | 2003 | Nuclear Blast | NB 699-2 | |||
221 |
Anthrax
(USA)
Worship Music |
CD (Limited Edition, Digipak) | 2011 | Nuclear Blast | NB 2166-0 | |||
222 |
Anthrax
(USA)
For All Kings |
CD | 2016 | Nuclear Blast Records | NB 3567-2 | |||
Anvil (CAN) | ||||||||
223 |
Anvil
(CAN)
Forged In Fire |
LP | 1983 | Attic Records Limited | LAT 1170 | |||
224 |
Anvil
(CAN)
Speed Of Sound |
CD | 1999 | Massacre Records | MAS CD0173 | |||
Anyone's Daughter (DEU) | ||||||||
225 |
Anyone's Daughter
(DEU)
Anyone's Daughter |
LP | 1980 | Spiegelei | INT 145.612 | |||
Aphrodite's Child (GRC) | ||||||||
226 |
Aphrodite's Child
(GRC)
Reflection - Aphrodite's Child |
LP (Best-Of) | 1975 | Fontana | 9290 100 | |||
227 |
Aphrodite's Child
(GRC)
Best Of Aphrodite's Child |
LP (Best-Of, Gatefold) | 1976 | Mercury / Phonogram GmbH, Hamburg | 6333 002 | |||
Apocalyptica (FIN) | ||||||||
228 |
Apocalyptica
(FIN)
Plays Metallica By Four Cellos |
CD (Re-Release) | 1996 | PolyGram Finland Oy | 532.707-2 | |||
Die Apokalyptischen Reiter (DEU) | ||||||||
229 |
Die Apokalyptischen Reiter
(DEU)
Soft & Stronger |
LP (Limited Edition, Re-Release, Gatefold, 180 Gramm Vinyl, Clear Vinyl, Rotes Vinyl) | 1997 | Nuclear Blast GmbH | NB 2730-1 | |||
230 |
Die Apokalyptischen Reiter
(DEU)
All You Need Is Love |
CD | 2000 | Hammerheart Records | HHR 064 | |||
April Wine (CAN) | ||||||||
231 |
April Wine
(CAN)
First Glance |
LP | 1978 | EMI Electrola GmbH | 1C 038 1575241 | |||
232 |
April Wine
(CAN)
Harder ..... Faster |
LP | 1979 | Capitol Records, Inc. | 1C 064-86 024 | |||
233 |
April Wine
(CAN)
The Nature Of The Beast |
LP | 1981 | Aquarius Records / Capitol | 1C 064-86 296 | |||
234 |
April Wine
(CAN)
Power Play |
LP | 1982 | Capitol Records | 1C 064-400 105 | |||
235 |
April Wine
(CAN)
Animal Grace |
LP | 1984 | Capitol | 1C 064 2400831 | |||
Khaira Arby (MLI) | ||||||||
236 |
Khaira Arby
(MLI)
Live In New York 2010 |
LP (Live) | 2021 | Clermont Music | CLE 033LP | |||
Arcade (USA) | ||||||||
237 |
Arcade
(USA)
Calm Before The Storm |
CD | 1993 | Sony Music Entertainment Inc. / Epic | 472897 2 | |||
Arcade Fire (CAN) | ||||||||
238 |
Arcade Fire
(CAN)
Funeral |
CD (Digisleeve) | 2004 | Rough Trade | RTRADCD219 | |||
John Arch (USA) | ||||||||
239 |
John Arch
(USA)
A Twist Of Fate |
Mini-CD / EP (Limited Edition, Pappschuber, Digipak, Multimedia) | 2003 | Metal Blade Records | 3984-14440-0 | |||
Arch Enemy (SWE) | ||||||||
240 |
Arch Enemy
(SWE)
Tyrants Of The Rising Sun - Live In Japan |
2-CD (Live) | 2008 | Savage Messiah Songs / Kobalt Music Group | 9978362 | |||
241 |
Arch Enemy
(SWE)
Khaos Legions |
CD | 2011 | Century Media | 9980632 | |||
The Archies (USA) | ||||||||
242 |
The Archies
(USA)
Sugar Sugar |
LP | 1969 | RCA | KES 103 | |||
Argent (GBR) | ||||||||
243 |
Argent
(GBR)
Argent |
LP | 1970 | Epic | BN 26525 | |||
Joan Armatrading (GBR) | ||||||||
244 |
Joan Armatrading
(GBR)
Whatever's For Us |
LP (Re-Release) | 1972 | Intercord | INT 146.307 | |||
245 |
Joan Armatrading
(GBR)
To The Limit |
LP | 1978 | A&M Records | AMLH 64732 | |||
246 |
Joan Armatrading
(GBR)
Steppin' Out |
LP (Live, Re-Release) | 1979 | Hallmark Records | SHM 3176 | |||
247 |
Joan Armatrading
(GBR)
Me Myself I |
LP | 1980 | A&M Records, Inc. | AMLH 64809 | |||
248 |
Joan Armatrading
(GBR)
The Key |
LP | 1983 | A&M Records | AMLX 64912 | |||
249 |
Joan Armatrading
(GBR)
Track Record |
LP (Compilation) | 1983 | A&M Records Ltd. | AMLK 63725 | |||
250 |
Joan Armatrading
(GBR)
Secret Secrets |
LP | 1985 | A&M Records | AMA 5040 | |||
Armored Saint (USA) | ||||||||
251 |
Armored Saint
(USA)
Symbol Of Salvation |
CD (Re-Release, Multimedia) | 1991 | Metal Blade Records | 3984-14429-2 | |||
252 |
Armored Saint
(USA)
Revelation |
CD | 2000 | Metal Blade Records GmbH | 3984-14310-2 | |||
253 |
Armored Saint
(USA)
Win Hands Down |
CD | 2015 | Metal Blade Records GmbH | 3984-15384-2 | |||
Nic Armstrong (GBR) | ||||||||
254 |
Nic Armstrong
(GBR)
The Greatest White Liar |
CD | 2004 | One Little Indian | TPLP 347 CD | |||
Artizan (USA) | ||||||||
255 |
Artizan
(USA)
Ancestral Energy |
LP (Nummeriert, Gatefold) | 2013 | Pure Steel Records | PSRLP035 | |||
Die Ärzte (DEU) | ||||||||
256 |
Die Ärzte
(DEU)
Die Bestie In Menschengestalt |
CD | 1993 | Metronome Musik GmbH | 521 017-2 | |||
Asia (GBR) | ||||||||
257 |
Asia
(GBR)
Asia |
LP | 1982 | David Geffen Company, The | GEF 85577 | |||
258 |
Asia
(GBR)
Alpha |
LP | 1983 | David Geffen Company, The | GEF 25508 | |||
259 |
Asia
(GBR)
Astra |
LP | 1985 | Geffen Records | GEF 26413 | |||
At The Gates (SWE) | ||||||||
260 |
At The Gates
(SWE)
Slaughter Of The Soul |
CD (Re-Release) | 1995 | Earache Records Ltd. | MOSH 143CD | |||
Atlanta (USA) | ||||||||
261 |
Atlanta
(USA)
Pictures |
LP | 1984 | MCA Records | MCA 5463 | |||
Atlanta Rhythm Section (USA) | ||||||||
262 |
Atlanta Rhythm Section
(USA)
Champagne Jam |
LP | 1978 | Polydor | PD-1-6134 | |||
Atlantean Kodex (DEU) | ||||||||
263 |
Atlantean Kodex
(DEU)
The White Goddess |
2-LP (Etched Vinyl, Gatefold, 180 Gramm Vinyl) | 2013 | Ván | VÁN101 | |||
Atlantis (DEU) | ||||||||
264 |
Atlantis
(DEU)
Atlantis Live |
2-LP (Re-Release) | 1975 | Venus Music | V79 AT-DW 1010 | |||
265 |
Atlantis
(DEU)
Best Of Atlantis |
LP | 1976 | Phonogram | 6434 298 | |||
266 |
Atlantis
(DEU)
Rock Heavies |
LP (Best-Of) | 1980 | Phonogram | 9198 596 | |||
Atomic Rooster (GBR) | ||||||||
267 |
Atomic Rooster
(GBR)
Nice & Greasy |
LP (Gatefold) | 1973 | Brain | 1033 | |||
Kurt Atterberg (SWE) | ||||||||
268 |
Kurt Atterberg
(SWE)
Symphonies 2 & 5 |
CD | 2002 | cpo | cpo 999 565-2 | |||
Attic (DEU) | ||||||||
269 |
Attic
(DEU)
The Invocation |
LP (Limited Edition, Gatefold, 180 Gramm Vinyl) | 2012 | Ván | VAN86 | |||
Audioslave (USA) | ||||||||
270 |
Audioslave
(USA)
Out Of Exile |
CD | 2005 | Interscope Records | 0602498815632 | |||
271 |
Audioslave
(USA)
Revelations |
CD | 2006 | Sony BMG | 82796 97728 2 | |||
Audrey Horne (NOR) | ||||||||
272 |
Audrey Horne
(NOR)
Youngblood |
2-LP + CD (Limited Edition, Gatefold, 180 Gramm Vinyl, Graues Vinyl) | 2013 | Napalm Records | NPR 468 LP | |||
Melissa Auf der Maur (CAN) | ||||||||
273 |
Melissa Auf der Maur
(CAN)
Auf Der Maur |
CD (Kopierschutz) | 2004 | Capitol / EMI | 7243 5 94308 2 9 | |||
Brian Auger's Oblivion Express (GBR) | ||||||||
274 |
Brian Auger's Oblivion Express
(GBR)
A Better Land |
LP | 1971 | Polydor | 2383 062 | |||
The Automatic Blues Inc. (DEU) | ||||||||
275 |
The Automatic Blues Inc.
(DEU)
Rock 'n' Blues |
LP | 1970 | Europa | e 399 | |||
Avenged Sevenfold (USA) | ||||||||
276 |
Avenged Sevenfold
(USA)
City Of Evil |
CD | 2005 | Warner Bros. | 9362-48613-2 | |||
277 |
Avenged Sevenfold
(USA)
Hail To The King |
CD | 2013 | Warner Bros. Records Inc. | 9362-49430-9 | |||
Average White Band (GBR) | ||||||||
278 |
Average White Band
(GBR)
Cut The Cake |
LP | 1975 | Atlantic Recording Corporation | SD 18140 | |||
279 |
Average White Band
(GBR)
Person To Person |
2-LP (Live) | 1976 | Atlantic Records Corp. | SD 2-1002 | |||
280 |
Average White Band
(GBR)
Soul Searching |
LP | 1976 | Atlantic Recording Corporation | SD 18179 | |||
Avian (USA) | ||||||||
281 |
Avian
(USA)
From The Depths Of Time |
CD | 2005 | Massacre Records | MAS CD0499 | |||
Hoyt Axton (USA) | ||||||||
282 |
Hoyt Axton
(USA)
Snowblind Friend |
LP | 1977 | MCA Records | 62.077 | |||
Axxis (DEU) | ||||||||
283 |
Axxis
(DEU)
Kingdom Of The Night |
LP | 1989 | EMI Electrola GmbH | 1C 064 7 91829 1 DMM | |||
284 |
Axxis
(DEU)
II |
CD | 1990 | EMI Electrola GmbH | 1C 564-7 95140 2 | |||
285 |
Axxis
(DEU)
Matters Of Survival |
CD | 1995 | EMI Electrola GmbH | 7243 8 32469 2 2 | |||
Azotic Reign (SWE) | ||||||||
286 |
Azotic Reign
(SWE)
Abstract Maledictions |
CD | 2000 | Iron Glory Records | IG 1011 | |||
The B-52's (USA) | ||||||||
287 |
The B-52's
(USA)
Play Loud |
LP | 1979 | Island Records | 200 776-320 | |||
288 |
The B-52's
(USA)
Wild Planet |
LP | 1980 | Island | ILPS 9622 | |||
Babe Ruth (GBR) | ||||||||
289 |
Babe Ruth
(GBR)
Kid's Stuff |
LP | 1976 | Capitol | 062-82 160 | |||
Carl Philipp Emanuel Bach (DEU) | ||||||||
290 |
Carl Philipp Emanuel Bach
(DEU)
Four Symphonies Wq 183 / Symphony No. 5 In B Minor For Strings And Harpsichord |
CD | 1990 | Virgin Classics Ltd. | VC 7 90806-2 | |||
Johann Sebastian Bach (DEU) | ||||||||
291 |
Johann Sebastian Bach
(DEU)
Weihnachts-Oratorium BWV 248 |
3-LP (Re-Release) | 1959 | EMI Electrola GmbH | 1 C 197-28 583/85 | |||
292 |
Johann Sebastian Bach
(DEU)
+
Frédéric Chopin
(POL)
Klavierkonzert Nr. 2 F-Moll, Op. 21 / Konzert D-Moll Für Klavier Und Orchester, BWV 1052 |
Split-LP (Re-Release)
(Split mit: Frédéric Chopin (POL)) |
1965 | Decca | 6.41652 | |||
293 |
Johann Sebastian Bach
(DEU)
Hohe Messe H-Moll, BWV 232 |
2-LP (Box) | 1966 | Philips | 6747 438 | |||
294 |
Johann Sebastian Bach
(DEU)
+
Ludwig van Beethoven
(DEU)
Violinkonzerte Nr. 1+2 / Romanzen Nr. 1+2 |
Split-LP (Split mit: Ludwig van Beethoven (DEU)) |
1975 | Deutsche Grammophon | 2535 109 | |||
295 |
Johann Sebastian Bach
(DEU)
"Das Wohl Temperirte Clavir I" Auszüge |
LP | 1977 | Polydor International GmbH | 2530 807 | |||
296 |
Johann Sebastian Bach
(DEU)
Brandenburg Concertos Nos. 1, 2, & 3 |
CD | 1987 | Naxos / Pacific Music Co., Ltd. | 8.550047 | |||
297 |
Johann Sebastian Bach
(DEU)
Brandenburg Concertos Nos. 4, 5, & 6 |
CD | 1987 | Naxos / Pacific Music Co., Ltd. | 8.550048 | |||
Bachman-Turner Overdrive (CAN) | ||||||||
298 |
Bachman-Turner Overdrive
(CAN)
Not Fragile |
LP (Gatefold) | 1974 | Phonogram Inc. | 9100 007 | |||
299 |
Bachman-Turner Overdrive
(CAN)
Best Of B.T.O. (So Far) |
LP (Best-Of) | 1975 | Mercury | SRM-1-1101 | |||
300 |
Bachman-Turner Overdrive
(CAN)
Four Wheel Drive |
LP (Gatefold) | 1975 | Mercury | 6338 566 |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
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