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| # | Titel | Typ / Besonderheiten | Herstellungsland | Jahr Album | Katalognummer | EAN-Nummer | Plattenfirma | Kommentar | |
|---|---|---|---|---|---|---|---|---|---|
| Barclay James Harvest (GBR) | |||||||||
| 601 | 8. Barclay James Harvest (GBR) : Barclay James Harvest ...Their First Album | CD (Re-Release, Remastered) | 1970 | 07243 538405 2 5 | 724353840525 | EMI Records Ltd. | 4) #+*+: #W7,39-8,22/9,18 #Vd | ||
| 602 | 9. Barclay James Harvest (GBR) : Berlin - A Concert For The People | CD (Live, Re-Release) | 1982 | 800 026-2 | 042280002626 | Polydor Ltd., London | 6) #+*+: #W5,04-11,99/1,05 #Vd | ||
| 603 | 10. Barclay James Harvest (GBR) : Best Of Barclay James Harvest | CD (Best-Of, Re-Release) | 1991 | 511 439-2 | 731451143922 | PolyGram GmbH, Hamburg | 4) #+*+: #W3,63-4,98/? #Vd | ||
| 604 | 11. Barclay James Harvest (GBR) : Caught In The Light | CD | 1993 | 519 303-2 | 731451930324 | Polydor | :73] #-(Nello) #W8,02-11,97/5,89 (C)=Polydor Ltd. (UK) | ||
| 605 | 12. Barclay James Harvest (GBR) : The Compact Story Of Barclay James Harvest | CD (Compilation, Re-Release) | 1985 | 825 895-2 | 042282589521 | Polydor Ltd. (London) | 2) #+*+: #W3,01-3,70/3,00 #Vd | ||
| 606 | 13. Barclay James Harvest (GBR) : Early Morning Onwards | LP (Compilation) | 1972 | C048-50 798 | EMIdisc | :7] #-(Matula) #W?/0,50 KNr=C 048-50 798 | |||
| 607 | 14. Barclay James Harvest (GBR) : Everyone Is Everybody Else | CD (Re-Release, Remastered) | 1974 | 065 401-2 | 044006540122 | Polydor Ltd. (UK) | 54) #+*-: #W6,16-7,46/5,82 #Vdpn | ||
| 608 | 15. Barclay James Harvest (GBR) : Eyes Of The Universe | CD (Re-Release) | 1979 | 821 591-2 | 042282159120 | Polydor Ltd. UK | 11) #+*+: #W5,40-8,46/5,99 #Vd | ||
| 609 | 16. Barclay James Harvest (GBR) : Face To Face | CD (Re-Release) | 1987 | 831483-2 | 042283148321 | Polydor Ltd. (London) | 6) #+*+: #W5,68-10,98/6,54 #Vd | ||
| 610 | 17. Barclay James Harvest (GBR) : Gone To Earth | CD (Re-Release) | 1977 | 800 092-2 | 042280009229 | Polydor Ltd. (UK) | 3) #+*+: #W3,01-3,86/3,00 #Vd | ||
| 611 | 18. Barclay James Harvest (GBR) : Gone To Earth | CD (Re-Release) | 1977 | 800 092-2 | 042280009229 | Polydor Ltd. (UK) | 118] #-(boomer) #W3,01-3,86/0,98 #Vd | ||
| 612 | 19. Barclay James Harvest (GBR) : John Lennon's Guitar | Single-CD | 1990 | 877 877-2 | 042287787724 | Polydor Ltd. (UK) | :3) #+*+: #W52,99/0,62 | ||
| 613 | 20. Barclay James Harvest (GBR) : Just A Day Away | 7" | 1983 | 813 065-7 | Polydor Ltd., London | 37) #+*-: #W?/0,29 #Vd | |||
| 614 | 21. Barclay James Harvest (GBR) : Life Is For Living | 7" | 1980 | 2059 299 | Polydor | :128] #-(stefan72) #W?/0,25 Pf=Polydor International GmbH | |||
| 615 | 22. Barclay James Harvest (GBR) : Octoberon | CD (Re-Release) | 1976 | 821 930-2 | 042282193025 | Polydor Ltd. (London) | 2) #+*+: #W6,96-9,79/4,10 #Vd | ||
| 616 | 23. Barclay James Harvest (GBR) : Revival Live 1999 | CD (Live) | 0 | CD 142.243 | 9002986422433 | Eurotrend | :4) #+*+: #W5,00-8,55/? | ||
| 617 | 24. Barclay James Harvest (GBR) : Ring Of Changes | CD | 1983 | 811 638-2 | 042281163821 | Polydor Ltd. (London) | 65] #-(black-crow-rocks) #W6,25-9,00/5,40 #Vd | ||
| 618 | 25. Barclay James Harvest (GBR) : River Of Dreams | CD | 1997 | 36 660 9 | Polydor GmbH, Hamburg | 11] #-(maude) #W?/6,80 #Vd EAN=366609 Genre=Progressive Rock | |||
| 619 | 26. Barclay James Harvest (GBR) : Time Honoured Ghosts | LP | 1975 | 2383 361 | Polydor International GmbH | :190) #+*-: #W?/2,16 | |||
| 620 | 27. Barclay James Harvest (GBR) : Time Honoured Ghosts | CD (Re-Release) | 1975 | 831 543-2 | 042283154322 | Polydor Ltd. (London) | 64) #+*-: #W3,71-4,53/3,77 #Vd | ||
| 621 | 28. Barclay James Harvest (GBR) : Turn Of The Tide | CD (Re-Release, Remastered, Digipak) | 1981 | ECLEC 2371 | 5013929437142 | Esoteric Records | 9] #-(Kuddel) #W10,36-12,91/11,59 #Vm (C)=Cherry Red Records Genre=Progressive Rock | ||
| 622 | 29. Barclay James Harvest (GBR) : Victims Of Circumstance | CD | 1984 | 817 950-2 | 042281795022 | Polydor Ltd. (London) | 13) #+*-: #W6,54-9,31/7,44 #Vd | ||
| 623 | 30. Barclay James Harvest (GBR) : Welcome To The Show | CD | 1990 | CD 841 751-2 | 042284175128 | Polydor Ltd. (UK) | 123] #-(Crimson King) #W3,02-4,42/4,40 #Vd | ||
| 624 | 31. Barclay James Harvest (GBR) : XII | CD (Re-Release) | 1978 | 821 941-2 | 042282194121 | Polydor Ltd. (London) | 4) #+*+: #W4,40-6,39/6,31 #Vd | ||
| 625 | 32. Barclay James Harvest (GBR) : XII | LP | 1978 | PD-1-6173 | Polydor Ltd. | :4) #+*+: #W?/3,00 | |||
| Barcode Brothers (DNK) | |||||||||
| 626 | 33. Barcode Brothers (DNK) : Dooh Dooh | Single-CD | 2000 | 158 534-2 | 601215853421 | Universal Music (Denmark) A/S | 11] #-(P-Cay) #W3,15/? | ||
| Gary Barlow (GBR) | |||||||||
| 627 | 34. Gary Barlow (GBR) : Love Wont Wait | Single-CD | 1997 | 74321 477 352 | 743214773529 | BMG Entertainment International UK & Ireland Ltd. | 2) #+* #W3,01/? | ||
| Richard Barone (USA) | |||||||||
| 628 | 35. Richard Barone (USA) : Cool Blue Halo | CD (Live) | 1988 | ROSE 171 CD | New Rose Records | :4] #-(didithelawman) #W?/1,06 KNr=ROSE 171 CD Genre=Rock | |||
| Mario Barth (DEU) | |||||||||
| 629 | 36. Mario Barth (DEU) : Männer Sind Primitiv, Aber Glücklich! | CD (Live, Pappschuber) | 2006 | 88697 03088 2 | 886970308823 | Sony BMG Music Entertainment (Germany) GmbH | .9) #+*+: #W3,01-3,49/? | ||
| Nicole Barth (XXX) | |||||||||
| 630 | 37. Nicole Barth (XXX) : Wenn Die Nacht Beginnt | Single-CD | 0 | TR 123 323-9 | TSL Records | 1) #+* #W?/? | |||
| Amadeus Barthoni (DEU) | |||||||||
| 631 | 38. Amadeus Barthoni (DEU) : Emporio (Wladimir Klitschko's Hymne) | Single-CD | 2000 | 158 458-2 | 601215845822 | Freizeit / Universal Records | :9] #-(klaus1) #W3,01/0,03 (2x) 1x#V? | ||
| Basement Revolver (CAN) | |||||||||
| 632 | 39. Basement Revolver (CAN) : Agatha | 10" (Download-Code) | 2017 | FOMO004T / YKR-026 | 5060146097505 | Fear Of Missing Out Records | :2) #+*+: #W?/2,50 | ||
| Basic Connection (ITA) | |||||||||
| 633 | 40. Basic Connection (ITA) : Habla Me Luna | Single-CD | 1998 | 74321560492 | 743215604921 | BMG Deutschland GmbH | 9] #-(Ehana) #W3,12/? | ||
| Count Basie (USA) | |||||||||
| 634 | 41. Count Basie (USA) : Essential Masters Of Jazz | CD (Compilation, Digipak) | 1998 | EMCD 15 / M7 817 | 5026643300159 | Recording Arts & Media 7. P | 2) #+* #W3,38-4,38/? | ||
| 635 | 42. Count Basie (USA) : A Music Legend | CD (Compilation, Cardsleeve) | 2004 | BX902453 | 8711539024536 | Disky Communications Europe B.V. | 1) #+* #W4,98/? | ||
| Basis (DEU) | |||||||||
| 636 | 43. Basis (DEU) : Ich Liebe Mich | Single-CD | 1998 | 569 443-2 | 731456944326 | Polydor GmbH, Hamburg | 11] #-(Plattenboy) #W3,01/? | ||
| 637 | 44. Basis (DEU) : Ich Will Euer Leben Nicht! | Single-CD (Limited Edition) | 1999 | 563 083-2 | 731456308326 | What's Up?! / Polydor Zeitgeist | 3) #+* #W3,09-3,10/? | ||
| 638 | 45. Basis (DEU) : Kein Weg Zu Weit | Single-CD | 1998 | 567 035-2 | 731456703527 | What's Up?! | 3] #-(SingleBox) #W3,01/? | ||
| 639 | 46. Basis (DEU) : Routines Rotationsstufe Rot | Single-CD | 1998 | 5675352 | 731456753522 | Polydor Germany | 4] #-(TheNervetattoo) #W3,04/? | ||
| 640 | 47. Basis (DEU) : Wenn Ich Nur Noch Einen Tag Zu Leben Hätte | Single-CD | 1997 | 571 625-2 | 731457162521 | Polydor, Hamburg | 16] #-(singlemalt76) #W3,01/? | ||
| Shirley Bassey (GBR) | |||||||||
| 641 | 48. Shirley Bassey (GBR) : Showtime | CD | 1995 | 529 399-2 (18) | 731452939920 | Polystar | 13] #-(Präsident) #W3,01/? | ||
| Bassline Feat. Limahl (GBR) | |||||||||
| 642 | 49. Bassline Feat. Limahl (GBR) : Maybe This Time | Single-CD | 1991 | 130-07-598 | 4003099920422 | Bellaphon Records Germany | 3) #+* #W4,13-4,94/? | ||
| The Bates (DEU) | |||||||||
| 643 | 50. The Bates (DEU) : The Bates | CD (Re-Release) | 1993 | 7243 8394262 6 | 724383942626 | Virgin Schallplatten GmbH | :7] #-(stefan72) #W3,01-3,88/1,75 | ||
| 644 | 51. The Bates (DEU) : The Bates | CD | 1993 | 7243 8394262 6 | 724383942626 | Virgin Schallplatten GmbH | 233] #-(Nurse) #W3,01-3,88/1,75 #V? Genre=Punk Rock | ||
| 645 | 52. The Bates (DEU) : Billie Jean | Single-CD | 1995 | 8 92966 2 | 724389296624 | Virgin Records Ltd. | 148] #-(Scuppa) #W3,01-3,47/0,52 (2x) 1x#Vd 1x#V? (C)=Virgin Schallplatten GmbH KNr=7243 8 92966 2 4 LC=3098 KNr=7243 8 92966 2 4 | ||
| 646 | 53. The Bates (DEU) : I'm Alright | Single-CD | 1994 | 724389247824 | 724389247824 | Virgin Schallplatten GmbH | 8] #-(Mus) #W3,92-22,90/? #Vd KNr=7243 8924782 4 | ||
| 647 | 54. The Bates (DEU) : Independent Love Song | Single-CD | 1997 | 7243 894624 2 5 | 724389462425 | Virgin Schallplatten GmbH | :6) #+*+: #W3,01-3,20/0,53 (2x) 1xV? | ||
| 648 | 55. The Bates (DEU) : Intra Venus | CD (Digisleeve) | 1998 | 7243 8 45629 2 2 | 724384562922 | Virgin Schallplatten GmbH | :19) #+*+: #W3,64-6,00/1,06 | ||
| 649 | 56. The Bates (DEU) : Kicks 'n' Chicks | CD | 1996 | 7243 841986 2 6 | 724384198626 | Virgin Schallplatten GmbH | :231] #-(Nurse) #W3,01-4,37/1,75 (2x) | ||
| 650 | 57. The Bates (DEU) : Unfucked | CD (Live, Re-Release) | 1993 | SR#C18 | 4001617807422 | Snoop Records | :5) #+*+: #W4,78-12,93/1,58 | ||
| 651 | 58. The Bates (DEU) : What A Beautiful Noise | CD (Live) | 1997 | 7243 842820 2 8 | 724384282028 | Virgin Schallplatten GmbH | :104) #+*-: #W3,63-4,73/1,58 | ||
| Mike Batt (GBR) | |||||||||
| 652 | 59. Mike Batt (GBR) : Waves | LP | 1980 | EPC 84617 | Epic / CBS Records | :129] #-(Yannick) #W?/1,56 | |||
| Frans Bauer (NLD) | |||||||||
| 653 | 60. Frans Bauer (NLD) : Sieben Rosen, Sieben Tränen | CD (Compilation) | 2002 | 398 269 | 9002723982695 | Koch Music GmbH | 1) #+*+: #W3,83-4,00/? #Vd | ||
| 654 | 61. Frans Bauer (NLD) : Weil Ich Dich Liebe | CD | 1997 | 323 980 | 9002723239805 | Koch International | :1) #+*-: #W3,77-3,95/? | ||
| Bay City Rollers (GBR) | |||||||||
| 655 | 62. Bay City Rollers (GBR) : Bay City Rollers | CD (Best-Of) | 1989 | 295 588 | 4007192955886 | Ariola Express | 14] #-(Radi60) #W3,01/? | ||
| 656 | 63. Bay City Rollers (GBR) : S-A-T-U-R-D-A-Y Night | CD (Best-Of) | 2005 | 8287669637 2 | 828766963724 | Sony BMG Music Entertainment (Germany) | 8] #-(Dr.Music( #W3,90/? | ||
| BBM (GBR) | |||||||||
| 657 | 64. BBM (GBR) : Where In The World | Single-CD | 1994 | 7243 8 92546 2 4 | 724389254624 | Virgin Records Ltd. | :11] #-(rabi4music) #W3,48-3,50/0,46 | ||
| Be (DEU) | |||||||||
| 658 | 65. Be (DEU) : 20 Something Volume 1 | Single-CD | 1997 | 7243 8 62333 2 5 | 724386233325 | EMI Electrola | 2) #+* #W3,23/? | ||
| 659 | 66. Be (DEU) : Black Rain | Single-CD | 1996 | 7243 8 62196 2 6 | 724386219626 | EMI Electrola | 1) #+* #W3,07/? | ||
| Be Mine Or Run (DEU) | |||||||||
| 660 | 67. Be Mine Or Run (DEU) : Be Mine Or Run | CD | 1991 | jpc SMR 3391012 | Slow Motion Records | :2) #+*+ #W?/1,06 | |||
| 661 | 68. Be Mine Or Run (DEU) : Love And Let Live | CD | 1992 | jpc SMR 3391072 | Slow Motion Records | :2) #+*+ #W?/1,06 | |||
| The Beach Boys (USA) | |||||||||
| 662 | 69. The Beach Boys (USA) : Hit Collection Volume One | CD (Compilation) | 1990 | ST 28031 | Starlife | 4) #+* #W?/? EU=ok | |||
| 663 | 70. The Beach Boys (USA) : Hit Collection Volume Two | CD (Compilation) | 1990 | ST 28032 | Starlife | 3) #+* #W?/? EU=ok | |||
| Beachbuggy (GBR) | |||||||||
| 664 | 71. Beachbuggy (GBR) : Killer-B | CD | 2003 | mc5080cd | 5055042860803 | Poptones | 6) #+*- #W3,01/1,64 #Vd (nur 3 Titel und andere als auf dem Cover angegeben) | ||
| Jeff Beal (USA) | |||||||||
| 665 | 72. Jeff Beal (USA) : Objects In The Mirror | CD (Re-Release) | 1990 | 320189-2 | 4010394018921 | Triloka, Inc. | 2) #+* #W3,35-3,99/? | ||
| 666 | 73. Jeff Beal (USA) : Three Graces | CD | 1993 | 320 197-2 | 4010394019720 | Triloka, Inc. | 2) #+* #W4,89/? | ||
| Beastie Boys (USA) | |||||||||
| 667 | 74. Beastie Boys (USA) : Check Your Head | CD | 1992 | CDP 7989382 | 077779893829 | Capitol Records | 243] #-(Scuppa) #W17,99/? | ||
| 668 | 75. Beastie Boys (USA) : Licensed To Ill | CD | 1986 | DEF 460949 2 | 5099746094928 | Def Jam Recordings | 211] #-(Scuppa) #W3,42/? | ||
| 669 | 76. Beastie Boys (USA) : Licensed To Ill | CD (Re-Release) | 1986 | 527 351-2 | 731452735126 | Rush Associated Labels | 18) #+* #W3,44-3,84/? | ||
| Beat System (GBR) | |||||||||
| 670 | 77. Beat System (GBR) : Fresh | Single-CD | 1996 | INT 828.081 | 724347245527 | Blow Up | 12] #-(PlaneTram) #W3,01/? | ||
| Beatbox Feat. Rael (DEU) | |||||||||
| 671 | 78. Beatbox Feat. Rael (DEU) : Come Into My Club | Single-CD | 1998 | 3984 25731-2 | 639842573122 | Ma-ad Records | 4)€$ #+- #W3,23/? | ||
| 672 | 79. Beatbox Feat. Rael (DEU) : Let The Music Play | Single-CD | 1998 | 3984 23767-2 | 639842376723 | WEA Records | 9) #+* #W3,01/? | ||
| The Beatles (GBR) | |||||||||
| 673 | 80. The Beatles (GBR) : 1 | CD (Best-Of, Remastered) | 2000 | 7243 5 29325 2 8 | 724352932528 | Apple Corps Ltd. / EMI Records Ltd. | :4] #-(mevik) #W3,40-4,76/? | ||
| 674 | 81. The Beatles (GBR) : 1967-1970 | 2-LP (Compilation, Gatefold) | 1973 | 1 C 188-05 309/10 | Gramophone Company Limited, The | :520) #+*-: #W?/11,49 (2x) | |||
| 675 | 82. The Beatles (GBR) : 1967-1970 | LP (Compilation, Re-Release) | 1980 | 8 55 742 | Amiga | :84] #-(Kobayashi) #W?/12,50 | |||
| 676 | 83. The Beatles (GBR) : Abbey Road | CD (Limited Edition, Re-Release, Remastered, Digisleeve, Multimedia) | 1969 | 3 82468 2 | 094638246824 | EMI Records Ltd. | 223] #-(levanah) #W8,89-13,86/? #Vd | ||
| 677 | 84. The Beatles (GBR) : Anthology 1 | 2-CD (Compilation) | 1995 | 7243 8 34445 2 6 | 724383444526 | Apple Corps Ltd. / EMI Records Ltd. | 240] #-(fedorick) #W3,50-19,99/1,00 #Vd R300 | ||
| 678 | 85. The Beatles (GBR) : The Beatles (White Album) | 2-CD (Limited Edition, Pappschuber, Re-Release, Remastered, Digisleeve, Multimedia) | 1968 | 0946 3 82466 2 6 | 094638246626 | Parlophone | 176] #-(cv) #W11,08-14,91/? #Vd | ||
| 679 | 86. The Beatles (GBR) : Beatles For Sale | CD (Limited Edition, Re-Release, Remastered, Digisleeve, Multimedia) | 1964 | 0946 3 82414 2 3 | 094638241423 | Parlophone | 101] #-(cv) #W8,29-13,99/? #Vd | ||
| 680 | 87. The Beatles (GBR) : The Beatles Vol. 4 | CD (Compilation, Re-Release) | 1990 | BRS 73162 | 5708985731623 | BRS | .10] #-B(Matula) #W3,84-30,00/2,01 EAN=5708985731628 | ||
| 681 | 88. The Beatles (GBR) : The Beatles' Greatest | LP (Best-Of, Re-Release) | 1965 | 1C 062-04 207 | EMI Odeon | :2) #+*+: #W?/11,00 | |||
| 682 | 89. The Beatles (GBR) : The Beatles | CD (Compilation) | 1989 | BRS73159 | 5450162731598 | BRS | .9) #+*+: #W3,97-5,04/2,01 | ||
| 683 | 90. The Beatles (GBR) : Best The Beatles Vol.11 | CD (Compilation) | 0 | TF-31 | CTA | 4) #+*+: #W?/7,50 #Vd | |||
| 684 | 91. The Beatles (GBR) + The Beatles & Tony Sheridan (GBR) + Tony Sheridan & The Beat Brothers (GBR) : The Early Tapes Of |
Split-CD (Compilation, Re-Release)
(Split mit: Beatles & Tony Sheridan, The (GBR) + Tony Sheridan & The Beat Brothers (GBR)) |
1964 | 550 037-2 | 731455003727 | Spectrum Music | :29) #+*-: #W3,68-3,88/2,99 (2x) | ||
| 685 | 92. The Beatles (GBR) : A Hard Day's Night | CD (Limited Edition, Re-Release, Remastered, Digisleeve, Multimedia) | 1964 | 0946 3 82413 2 4 | 094638241324 | Parlophone | 128] #-(cv) #W13,99-14,99/? #Vd | ||
| 686 | 93. The Beatles (GBR) : Help! | CD (Limited Edition, Re-Release, Remastered, Digisleeve, Multimedia) | 1965 | 0946 3 82415 2 2 | 094638241522 | Parlophone | 138] #-(cv) #W9,50-13,00/? #Vd | ||
| 687 | 94. The Beatles (GBR) : Let It Be | CD (Limited Edition, Re-Release, Remastered, Digipak, Digisleeve, Multimedia) | 1970 | 0946 3 82472 2 7 | 094638247227 | Parlophone | :152] #-(cv) #W8,19-9,01/? | ||
| 688 | 95. The Beatles (GBR) : Magical Mystery Tour | CD (Limited Edition, Re-Release, Remastered, Digisleeve, Multimedia) | 1967 | 0946 3 82465 2 7 | 094638246527 | Parlophone | 151] #-(cv) #W7,02-9,59/? #Vd | ||
| 689 | 96. The Beatles (GBR) : Media Markt Presents The Beatles Vol.1 | CD (Compilation) | 0 | CD 0 122 | Media Markt | :5) #+*+: #W?/? EU=ok | |||
| 690 | 97. The Beatles (GBR) : Media Markt Presents The Beatles Vol.2 | CD (Compilation) | 0 | CD 0 121 | Media Markt | :5) #+*+: #W?/? EU=ok | |||
| 691 | 98. The Beatles (GBR) : More Beatles | CD (Compilation) | 1990 | BRS 73160 | 5708985731609 | BRS | 5) #+*+: #W3,06-3,68/2,01 #Vd Land=unbekannt=ok | ||
| 692 | 99. The Beatles (GBR) : Past Masters | 2-CD (Compilation, Limited Edition, Re-Release, Remastered, Digisleeve) | 1988 | 50999 2 43807 2 0 | 5099924380720 | Parlophone | :71] #-(cv) #W12,03-13,39/? | ||
| 693 | 100. The Beatles (GBR) : Please Please Me | CD (Limited Edition, Re-Release, Remastered, Digisleeve, Multimedia) | 1963 | 0946 3 82416 2 1 | 094638241621 | EMI Records Ltd. | 120] #-(cv) #W9,49-10,96/? #Vd | ||
| 694 | 101. The Beatles (GBR) : Reeperbahn | CD (Live) | 2008 | 1103-122 | 4250026311031 | Arena Records | 9] #-(Präsident) #W7,76/? | ||
| 695 | 102. The Beatles (GBR) : Reeperbahn - The Early Beatles | CD (Live, Re-Release, Remastered, Digipak) | 1977 | FLASH 103 | 4015910261034 | Sonotec | 5) #+*+: #W3,28-10,35/4,31 #Vd | ||
| 696 | 103. The Beatles (GBR) : Revolver | CD (Limited Edition, Re-Release, Remastered, Digisleeve, Multimedia) | 1966 | 0946 3 82417 2 0 | 094638241720 | Parlophone | 181] #-(cv) #W10,50-14,99/? #Vd | ||
| 697 | 104. The Beatles (GBR) : Rock And Roll Music | CD (Compilation, Re-Release) | 1976 | BRS 73161 | 5450162731611 | BRS | :4) #+*+: #W3,90-4,48/? | ||
| 698 | 105. The Beatles (GBR) : Rock And Roll Music | CD (Compilation, Re-Release) | 1976 | BRS 73161 | 5708985731616 | BRS | :8) #+*+: #W3,82-7,99/? EU=ok | ||
| 699 | 106. The Beatles (GBR) : Rubber Soul | CD (Limited Edition, Re-Release, Remastered, Digisleeve, Multimedia) | 1965 | 0946 3 82418 2 9 | 094638241829 | Parlophone | 165] #-(cv) #W13,99-14,99/? #Vd | ||
| 700 | 107. The Beatles (GBR) : Sgt. Pepper's Lonely Hearts Club Band | CD (Re-Release, Remastered, Digisleeve, Multimedia) | 1967 | 094638241928 | 094638241928 | EMI Records Ltd. | 212) #+*-: #W8,40-14,99/? #Vd | ||
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.