601
|
|
Manuela
(DEU)
Wenn Es Nacht Wird In Harlem
|
7" |
U 55994
|
|
Telefunken
|
1968
|
602
|
|
Manuela
(DEU)
ABC
|
7" |
56114
|
|
Telefunken
|
1970
|
603
|
|
Manuela
(DEU)
Prost, Onkel Albert
|
7" |
56173
|
|
Telefunken
|
1971
|
604
|
|
Manuela & Die 5 Dops
(DEU)
Schwimmen Lernt Man Im See
|
7" |
U 55 778
|
|
Telefunken
|
1964
|
605
|
|
Manuela & Die 5 Dops
(DEU)
Love And Kisses
|
7" |
U 55874
|
|
Telefunken
|
1965
|
606
|
|
Manuela & Die 5 Dops
(DEU)
Lord Leicester Aus Manchester
|
7" |
U 55 966
|
|
Telefunken
|
1967
|
607
|
|
The Marbles
(GBR)
Only One Woman
|
7" (Mono)
|
59225
|
|
Polydor
|
1968
|
608
|
|
Peggy March
(USA)
Wenn Der Silbermond
|
7" |
47-9537
|
|
RCA Victor
|
1964
|
609
|
|
Peggy March
(USA)
Sweetheart, Schenk Mir Einen Ring
|
7" |
47-9725
|
|
RCA Victor
|
1966
|
610
|
|
Peggy March
(USA)
Memories Of Heidelberg
|
7" |
47-9748
|
|
RCA Victor
|
1967
|
611
|
|
Peggy March
(USA)
Romeo Und Julia
|
7" |
47-15007
|
|
RCA
|
1967
|
612
|
|
Jürgen Marcus
(DEU)
Schmetterlinge Können Nicht Weinen
|
7" |
U 56 300
|
|
Telefunken
|
1973
|
613
|
|
Marion
(DEU)
Er Ist Wieder Da
|
7" |
18 516 AT
|
|
Hansa
|
1965
|
614
|
|
Marion
(DEU)
Ich Habe Einen Guten Freund Gehabt
|
7" |
19 150 AT
|
|
Hansa
|
1966
|
615
|
|
Marion
(DEU)
Weit, Weit, Weit
|
7" |
14 414 AT
|
|
Hansa
|
1969
|
616
|
|
The Marmalade
(GBR)
Radancer
|
7" |
DL 25 506
|
|
Decca
|
1972
|
617
|
|
Marquis Of Kensington
(GBR)
Sister Marie
|
7" |
3123
|
|
CBS
|
1968
|
618
|
|
Janis Martin
(USA)
Love And Kisses
|
7" |
47-6983
|
|
RCA
|
1957
|
619
|
|
Ulli Martin
(DEU)
Ich Träume Mit Offenen Augen Von Dir
|
7" |
6003 188
|
|
Philips
|
1971
|
620
|
|
Ulli Martin
(DEU)
Monika
|
7" |
6003 132
|
|
Philips
|
1971
|
621
|
|
Ulli Martin
(DEU)
Ich Liebe Dich
|
7" |
6003 289
|
|
Philips
|
1972
|
622
|
|
Grady Martin And The Slewfoot Five
(USA)
Seite An Seite
|
7" (Mono)
|
20 379
|
|
Polydor
|
1958
|
623
|
|
Al Martino
(USA)
Spanish Eyes
|
7" (Re-Release)
|
K 23 129
|
|
Capitol
|
1965
|
624
|
|
Al Martino
(USA)
The Wheel Of Hurt
|
7" |
K 23 389
|
|
Capitol
|
1967
|
625
|
|
Ronnie Martis
(DEU)
+
Gerd Fitz
(DEU)
+
Charlotte Marian
(DEU)
+
Colonel Hitch & Seine Cockers
(XXX)
Paradiso
|
Split-7" (Split mit:
Gerd Fitz (DEU) + Charlotte Marian (DEU) + Colonel Hitch & Seine Cockers (XXX))
|
4127
|
|
Tempo
|
0
|
626
|
|
Mireille Mathieu
(FRA)
Hinter Den Kulissen Von Paris
|
7" |
14 285 AT
|
|
Ariola
|
1967
|
627
|
|
Mireille Mathieu
(FRA)
Hans Im Glück
|
7" |
12 230 AT
|
|
Ariola Eurodisc GmbH
|
1972
|
628
|
|
Mireille Mathieu
(FRA)
La Paloma Ade
|
7" |
12 995 AT
|
|
Ariola
|
1972
|
629
|
|
Mireille Mathieu
(FRA)
Nimm Noch Einmal Die Gitarre
|
7" |
11 680 AT
|
|
Ariola
|
1977
|
630
|
|
Die Heinz Matschurat All Stars
(XXX)
Geister Blues
|
7" |
DM 181
|
|
Metronome
|
0
|
631
|
|
Matthews Southern Comfort
(GBR)
Woodstock
|
7" |
6073 015
|
|
Uni
|
1970
|
632
|
|
John Mayall
(GBR)
Room To Move
|
7" |
59 382
|
|
Polydor
|
1969
|
633
|
|
John Mayall
(GBR)
Thinking Of My Woman
|
7" |
2066 021
|
|
Polydor
|
1969
|
634
|
|
MC5
(USA)
Looking At You
|
7" |
Atl. 70.407
|
|
Atlantic
|
1969
|
635
|
|
Paul McCartney
(GBR)
Another Day
|
7" |
1C 006-04 758
|
|
Apple Records
|
1971
|
636
|
|
Paul & Linda McCartney
(GBR)
Eat At Home
|
7" |
1C 006-04.864
|
|
Apple
|
1971
|
637
|
|
Paul McCartney & Stevie Wonder
(GBR)
+
Paul McCartney
(GBR)
Ebony And Ivory
|
Split-7" (Split mit:
Paul McCartney (GBR))
|
1C 006 64 749
|
|
Odeon
|
1982
|
638
|
|
McGuinness Flint
(GBR)
When I'm Dead And Gone
|
7" |
1C 006-80681
|
|
Capitol / Electrola G.m.b.H. Köln
|
1970
|
639
|
|
Barry McGuire
(USA)
Eve Of Destruction
|
7" |
45-D-1425
|
|
Dunhill
|
0
|
640
|
|
Scott McKenzie
(USA)
San Francisco (Be Sure To Wear Some Flowers In Your Hair)
|
7" |
2816
|
|
CBS
|
1967
|
641
|
|
Malcolm McLaren & The World's Famous Supreme Team
(GBR)
Buffalo Gals
|
7" |
6000 914
|
|
Charisma Records
|
1982
|
642
|
|
Don McLean
(USA)
American Pie
|
7" |
35 325
|
|
United Artists
|
1971
|
643
|
|
Medicine Head
(GBR)
One & One Is One
|
7" |
2001 432
|
|
Polydor International GmbH
|
1973
|
644
|
|
Melanie
(USA)
Peace Will Come (According To Plan)
|
7" |
2011 039
|
|
Buddah Records
|
1970
|
645
|
|
Melanie
(USA)
Ruby Tuesday
|
7" (Mono)
|
2011 038
|
|
Buddah Records
|
1970
|
646
|
|
Men At Work
(AUS)
Down Under
|
7" |
CBS A 2066
|
|
CBS Inc. / Columbia
|
1982
|
647
|
|
Reinhard Mey
(DEU)
Mann Aus Alemannia
|
7" |
22 351-1
|
|
Intercord
|
1974
|
648
|
|
Jean-François Michael
(FRA)
+
Les Newstars
(FRA)
Adieu Jolie Candy
|
Split-7" (Split mit:
Les Newstars (FRA))
|
DV 14949
|
|
Vogue Schallplatten
|
1969
|
649
|
|
Xavier Michell Y Su Quinteto
(XXX)
Yo Tengo Una Muneca
|
7" |
10005 F
|
|
Variety
|
1960
|
650
|
|
Middle Of The Road
(GBR)
Chirpy Chirpy Cheep Cheep
|
7" |
74-0407
|
|
RCA
|
1971
|
651
|
|
Middle Of The Road
(GBR)
Bottoms Up
|
7" |
74-16213
|
|
RCA
|
1972
|
652
|
|
Middle Of The Road
(GBR)
Sacramento
|
7" |
74-16127
|
|
RCA
|
1972
|
653
|
|
Middle Of The Road
(GBR)
Samson And Delilah
|
7" |
74-16151
|
|
RCA
|
1972
|
654
|
|
Middle Of The Road
(GBR)
Yellow Boomerang
|
7" |
74-16280
|
|
RCA
|
1973
|
655
|
|
Buddy Miles
(USA)
We Got To Live Together
|
7" |
6052 045
|
|
Mercury
|
1970
|
656
|
|
Buddy Miles & The Freedom Express
(USA)
Them Changes
|
7" |
6052 009
|
|
Mercury
|
1970
|
657
|
|
Ray Miller
(DEU)
Caroline
|
7" |
1C 006-28 729
|
|
EMI
|
1970
|
658
|
|
Ray Miller
(DEU)
Sophia Loren
|
7" |
1C 006-28 765
|
|
Columbia
|
1970
|
659
|
|
The Steve Miller Band
(USA)
My Dark Hour
|
7" |
1 C006-90 283
|
|
Capitol
|
1969
|
660
|
|
Mitch Miller Orchestra
(USA)
The River Kwai March
|
7" |
322 205 BF
|
|
Philips
|
1958
|
661
|
|
Willy Millowitsch
(DEU)
Die Liebe Ist Vergänglich
|
7" |
45 146
|
|
Ariola
|
1961
|
662
|
|
Frank Mills
(CAN)
Music Box Dancer
|
7" |
2121 370
|
|
Polydor
|
1978
|
663
|
|
Mina
(ITA)
Heißer Sand
|
7" |
24 793
|
|
Polydor
|
1962
|
664
|
|
Kylie Minogue
(AUS)
I Should Be So Lucky
|
7" |
6.15032 AC
|
|
PWL Records Ltd.
|
1988
|
665
|
|
Die Minstrels
(CHE)
Grüezi Wohl, Frau Stirnimaa
|
7" |
1C 006-33 500
|
|
Columbia
|
1969
|
666
|
|
Billy Mo
(DEU)
Swing, Methusalem
|
7" |
18837
|
|
Decca
|
1958
|
667
|
|
The Monkees
(USA)
Daydream Believer
|
7" |
66-1012
|
|
RCA Victor
|
1967
|
668
|
|
The Monkees
(USA)
Tear Drop City
|
7" |
66-5 000
|
|
RCA
|
1969
|
669
|
|
Chris Montez
(USA)
Let's Dance
|
7" (Re-Release)
|
DL 20 941
|
|
London
|
1962
|
670
|
|
Chris Montez
(USA)
Ya No Piensas
|
7" |
CBS S 2504
|
|
CBS
|
1974
|
671
|
|
The Moody Blues
(GBR)
Nights In White Satin
|
7" |
6.11 262
|
|
Deram
|
1967
|
672
|
|
The Moody Blues
(GBR)
Nights In White Satin
|
7" |
DM 161
|
|
Deram
|
1967
|
673
|
|
The Moody Blues
(GBR)
Question
|
7" |
TH 4
|
|
Threshold
|
1970
|
674
|
|
Monica Morell
(CHE)
Bitte Glaub' Es Nicht
|
7" |
1C006-33676
|
|
EMI / Columbia
|
1973
|
675
|
|
Manfred Morgan
(DEU)
Zuerst Kam Die Sonne
|
7" |
BL 1170
|
|
Bellaphon
|
1971
|
676
|
|
Orchester Ennio Morricone
(ITA)
Spiel Mir Das Lied Vom Tod (Jill's Theme)
|
7" |
14 440 AU
|
|
Ariola
|
1969
|
677
|
|
Nana Mouskouri
(GRC)
Ich Schau Den Weißen Wolken Nach
|
7" |
261 289 TF
|
|
Fontana
|
1961
|
678
|
|
Mouth & MacNeal
(NLD)
Hello-A
|
7" |
6012 229
|
|
Philips
|
1972
|
679
|
|
The Move
(GBR)
Blackberry Way
|
7" |
59 254
|
|
Polydor
|
1968
|
680
|
|
The Move
(GBR)
Curly
|
7" |
59 330
|
|
Polydor
|
1969
|
681
|
|
The Move
(GBR)
Brontosaurus
|
7" |
2001 026
|
|
Polydor
|
1970
|
682
|
|
Wolfgang Amadeus Mozart
(AUT)
+
Johannes Brahms
(DEU)
Mozart: Eine Kleine Nachtmusik
|
Split-7" (Split mit:
Johannes Brahms (DEU))
|
2001216
|
|
Polydor
|
1971
|
683
|
|
Wolfgang Amadeus Mozart
(AUT)
+
Antonín Dvořák
(CZE)
Mozart: No. 40
|
Split-7" (Split mit:
Antonín Dvořák (CZE))
|
2001 181
|
|
Polydor
|
1971
|
684
|
|
Mr. Bloe
(GBR)
Groovin' With Mr. Bloe
|
7" |
14 618 AT
|
|
Hansa Records
|
1970
|
685
|
|
Mungo Jerry
(GBR)
In The Summertime
|
7" |
DV 11077
|
|
PYE
|
1970
|
686
|
|
Mungo Jerry
(GBR)
Baby Jump
|
7" |
14 843 AT
|
|
PYE
|
1971
|
687
|
|
Mungo Jerry
(GBR)
Alright, Alright, Alright
|
7" |
12 793 AT
|
|
PYE Limited
|
1973
|
688
|
|
Wencke Myhre
(NOR)
Beiss Nicht Gleich In Jeden Apfel
|
7" |
52 693
|
|
Polydor
|
1966
|
689
|
|
Wencke Myhre
(NOR)
Komm Allein
|
7" (Mono)
|
52 850
|
|
Polydor
|
1967
|
690
|
|
Wencke Myhre
(NOR)
Er Steht Im Tor
|
7" |
53 129
|
|
Polydor
|
1969
|
691
|
|
Sandy Nelson
(USA)
+
The Ventures
(USA)
Swingin' Creeper / Teen Beat
|
Split-7" (Split mit:
Ventures, The (USA))
|
LB 15 387
|
|
Liberty
|
1968
|
692
|
|
Nena
(DEU)
99 Luftballons
|
7" |
CBS A 3060
|
|
CBS Schallplatten GmbH, Germany
|
1983
|
693
|
|
Michael Nesmith & The First National Band
(USA)
Silver Moon
|
7" |
74-0399
|
|
RCA
|
1970
|
694
|
|
The New Seekers
(GBR)
I'd Like To Teach The World To Sing (In Perfect Harmony)
|
7" |
6006 188
|
|
Philips
|
1971
|
695
|
|
The New Seekers
(GBR)
Beg, Steal Or Borrow
|
7" |
6006 202
|
|
Philips
|
1972
|
696
|
|
New World
(AUS)
Tom-Tom Turnaround
|
7" |
1C006-92669
|
|
Columbia
|
1971
|
697
|
|
The New York Rock & Roll Ensemble
(USA)
Running Down The Highway
|
7" |
5292
|
|
CBS
|
1970
|
698
|
|
Olivia Newton-John
(AUS)
Banks Of The Ohio
|
7" |
2001249
|
|
Polydor
|
1971
|
699
|
|
Olivia Newton-John
(AUS)
Physical
|
7" |
MCA-51182
|
|
MCA Records
|
1981
|
700
|
|
Nicki
(DEU)
Wegen Dir
|
7" |
108 326-100
|
|
Virgin Schallplatten GmbH / Piccobello
|
1986
|