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The Beatles
+ George Martin
Yellow Submarine
Split-LP, 1983, Limited Edition, Re-Release, Remastered
| Herstellungsland | Japan |
|---|---|
| Veröffentlichungs-Jahr | 1983 |
| Orig. Release | 1969 |
| Zeit | 39:19 |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | MFSL, Inc. / MFSL 1-108 |
| Musikrichtung | Rock: Beat, Pop-Rock |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 4 (2 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP | ||||
|---|---|---|---|---|
| Track | Künstler/Band | Titel | Zeit | Besonderheit |
| Gesamtzeit | 39:19 | |||
| A 1. | The Beatles | Yellow Submarine | 2:38 | |
| A 2. | The Beatles | Only A Northern Song | 3:23 | |
| A 3. | The Beatles | All Together Now | 2:10 | |
| A 4. | The Beatles | Hey Bulldog | 3:09 | |
| A 5. | The Beatles | It's All Too Much | 6:24 | |
| A 6. | The Beatles | All You Need Is Love | 3:47 | |
| B 7. | George Martin | Pepperland | 2:19 | |
| B 8. | George Martin | Sea Of Time | 3:00 | |
| B 9. | George Martin | Sea Of Holes | 2:16 | |
| B 10. | George Martin | Sea Of Monsters | 3:35 | |
| B 11. | George Martin | March Of The Meanies | 2:17 | |
| B 12. | George Martin | Pepperland Laid Waste | 2:10 | |
| B 13. | George Martin | Yellow Submarine In Pepperland | 2:11 | |
Infos
Half Speed Production And Mastering
High Definition Vinyl
Half-speed Mastering[edit]
MFSL was the first record company to make Half-speed Mastering a standard practice for all of its LP releases. MFSL LPs are pressed from disc lacquers cut at 1/2 normal playing speed. This was not a new concept however. The UK Decca Records label had used the same process on many stereo classical music LP releases between 1958 and 1967. MFSL revived the practice, refined it, and made it the company's major selling point. It is a time consuming process that also presented technical challenges, so its use was never common or widespread, despite sonic advantages. Sound is transferred from tape to disc with both the master tape and the disc cutting lathe playing at half speed. For instance, a 30 inch per second (IPS) speed tape would be played at 15 IPS, while the lathe is running at 16 2⁄3 RPM (when cutting a standard 33 1⁄3 RPM LP). Half-speed Mastering allows for extended frequency response and better transient attack
High Definition Vinyl
Half-speed Mastering[edit]
MFSL was the first record company to make Half-speed Mastering a standard practice for all of its LP releases. MFSL LPs are pressed from disc lacquers cut at 1/2 normal playing speed. This was not a new concept however. The UK Decca Records label had used the same process on many stereo classical music LP releases between 1958 and 1967. MFSL revived the practice, refined it, and made it the company's major selling point. It is a time consuming process that also presented technical challenges, so its use was never common or widespread, despite sonic advantages. Sound is transferred from tape to disc with both the master tape and the disc cutting lathe playing at half speed. For instance, a 30 inch per second (IPS) speed tape would be played at 15 IPS, while the lathe is running at 16 2⁄3 RPM (when cutting a standard 33 1⁄3 RPM LP). Half-speed Mastering allows for extended frequency response and better transient attack