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The Beatles
The Beatles (White Album)
2-LP, 1982, Limited Edition, Re-Release, Remastered, Special Edition, Gatefold
| Herstellungsland | Japan |
|---|---|
| Veröffentlichungs-Jahr | 1982 |
| Orig. Release | 1968 |
| Zeit | 92:45 |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | MFSL / MFSL 2-072 |
| Musikrichtung | Pop: Pop-Rock |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 8 (5 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP 1 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 45:59 | ||
| A 1. | Back In The U.S.S.R. | 2:42 | |
| A 2. | Dear Prudence | 3:50 | |
| A 3. | Glass Onion | 2:16 | |
| A 4. | Ob-La-Di, Ob-La-Da | 3:17 | |
| A 5. | Wild Honey Pie | 0:53 | |
| A 6. | The Continuing Story Of Bungalow Bill | 3:11 | |
| A 7. | While My Guitar Gently Weeps | 4:44 | |
| A 8. | Happiness Is A Warm Gun | 2:41 | |
| B 9. | Martha My Dear | 2:26 | |
| B 10. | I'm So Tired | 2:03 | |
| B 11. | Blackbird | 2:17 | |
| B 12. | Piggies | 2:03 | |
| B 13. | Rocky Raccoon | 3:31 | |
| B 14. | Don't Pass Me By | 3:49 | |
| B 15. | Why Don't We Do It In The Road? | 1:40 | |
| B 16. | I Will | 1:44 | |
| B 17. | Julia | 2:52 | |
| LP 2 | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 46:46 | ||
| A 1. | Birthday | 2:41 | |
| A 2. | Yer Blues | 3:57 | |
| A 3. | Mother Nature's Son | 2:46 | |
| A 4. | Everybody's Got Something To Hide Except For My Monkey | 2:24 | |
| A 5. | Sexy Sadie | 3:14 | |
| A 6. | Helter Skelter | 4:27 | |
| A 7. | Long, Long, Long | 3:02 | |
| B 8. | Revolution 1 | 4:12 | |
| B 9. | Honey Pie | 2:40 | |
| B 10. | Savoy Truffle | 2:57 | |
| B 11. | Cry Baby Cry | 3:00 | |
| B 12. | Revolution 9 | 8:17 | |
| B 13. | Good Night | 3:09 | |
Infos
Manufactured By – MFSL, Inc.
Distributed By – MFSL, Inc.
Licensed From – Capitol Records, Inc.
Phonographic Copyright (p) – Capitol Records, Inc.
Copyright (c) – Capitol Records, Inc.
Mastered At – Stan Ricker Mastering
Published By – Apple Music Publishing Co., Inc.
Mastered By – SR/2*
Producer – George Martin
Written-By – Harrison* (tracks: A7, B4, C7, D3), Lennon/McCartney* (tracks: A1 to A6, A8 to B3, B5, B6 to C6, D1, D2, D4 to D6), Starkey* (tracks: B6)
Original master recording ™
© ℗ Capitol Records, Inc.
(Logos on inserts) EMI America - Capitol Records - Mobile Fidelity Sound Lab
© All lyrics copyright 1968 for the world by Northern Songs Ltd. England
© 1968 Apple Music Publishing Co., Inc.
EMI Records Limited
Half-speed production and mastering by Original Masterworks.™
Specially plated and pressed on high definition super vinyl by Victor Company of Japan Ltd.
Special static free-dust free inner sleeve
Special heavy duty protective packaging
Source: the original stereo master tape
Mastered with the Ortofon cutting system
An exclusive warp protective system for Mobile Fidelity Sound Lab by AGI, patent pending.
Manufactured and distributed by MFSL, Inc. under license from Capitol Records, Inc.
(Logos on labels) Mobile Fidelity Sound Lab a division of MFSL, Inc. - Capitol Records
Recorded in England.
Pressed in Japan.
Comes in a gatefold sleeve.
Lyrics are printed on two gatefold cardboard inserts protecting the plastic inner sleeves.
Also includes a MFSL response card.
Matrix / Runout (Side A): MFSL 2-072-1A
Matrix / Runout (Side B): MFSL 2-072-1B
Matrix / Runout (Side C): MFSL 2-072-2C
Matrix / Runout (Side D): MFSL 2-072-2D
Matrix / Runout (Runout A): MFSL-2-0721-A- H111 ✣ O SR 2 ORTOFON
Matrix / Runout (Runout B): MFSL-2-0722-A- H111 ✣ O SR/2 ORTOFON
Matrix / Runout (Runout C): MFSL-2-0723-A- H121 ✣ O SR/2 ORTOFON
Matrix / Runout (Runout D): MFSL-2-0724-A- H131 ✣ SR/2 ORTOFON
Rights Society (tracks: A1 to A6, A8, B1 to B3, B5, B7 to B9, C1 to C6, D1, D2, D4 to D6): BMI
Rights Society (tracks: A7, B4, B6, C7, D3): ASCAP
Half-speed Mastering[edit]
MFSL was the first record company to make Half-speed Mastering a standard practice for all of its LP releases. MFSL LPs are pressed from disc lacquers cut at 1/2 normal playing speed. This was not a new concept however. The UK Decca Records label had used the same process on many stereo classical music LP releases between 1958 and 1967. MFSL revived the practice, refined it, and made it the company's major selling point. It is a time consuming process that also presented technical challenges, so its use was never common or widespread, despite sonic advantages. Sound is transferred from tape to disc with both the master tape and the disc cutting lathe playing at half speed. For instance, a 30 inch per second (IPS) speed tape would be played at 15 IPS, while the lathe is running at 16 2⁄3 RPM (when cutting a standard 33 1⁄3 RPM LP). Half-speed Mastering allows for extended frequency response and better transient attack.
Distributed By – MFSL, Inc.
Licensed From – Capitol Records, Inc.
Phonographic Copyright (p) – Capitol Records, Inc.
Copyright (c) – Capitol Records, Inc.
Mastered At – Stan Ricker Mastering
Published By – Apple Music Publishing Co., Inc.
Mastered By – SR/2*
Producer – George Martin
Written-By – Harrison* (tracks: A7, B4, C7, D3), Lennon/McCartney* (tracks: A1 to A6, A8 to B3, B5, B6 to C6, D1, D2, D4 to D6), Starkey* (tracks: B6)
Original master recording ™
© ℗ Capitol Records, Inc.
(Logos on inserts) EMI America - Capitol Records - Mobile Fidelity Sound Lab
© All lyrics copyright 1968 for the world by Northern Songs Ltd. England
© 1968 Apple Music Publishing Co., Inc.
EMI Records Limited
Half-speed production and mastering by Original Masterworks.™
Specially plated and pressed on high definition super vinyl by Victor Company of Japan Ltd.
Special static free-dust free inner sleeve
Special heavy duty protective packaging
Source: the original stereo master tape
Mastered with the Ortofon cutting system
An exclusive warp protective system for Mobile Fidelity Sound Lab by AGI, patent pending.
Manufactured and distributed by MFSL, Inc. under license from Capitol Records, Inc.
(Logos on labels) Mobile Fidelity Sound Lab a division of MFSL, Inc. - Capitol Records
Recorded in England.
Pressed in Japan.
Comes in a gatefold sleeve.
Lyrics are printed on two gatefold cardboard inserts protecting the plastic inner sleeves.
Also includes a MFSL response card.
Matrix / Runout (Side A): MFSL 2-072-1A
Matrix / Runout (Side B): MFSL 2-072-1B
Matrix / Runout (Side C): MFSL 2-072-2C
Matrix / Runout (Side D): MFSL 2-072-2D
Matrix / Runout (Runout A): MFSL-2-0721-A- H111 ✣ O SR 2 ORTOFON
Matrix / Runout (Runout B): MFSL-2-0722-A- H111 ✣ O SR/2 ORTOFON
Matrix / Runout (Runout C): MFSL-2-0723-A- H121 ✣ O SR/2 ORTOFON
Matrix / Runout (Runout D): MFSL-2-0724-A- H131 ✣ SR/2 ORTOFON
Rights Society (tracks: A1 to A6, A8, B1 to B3, B5, B7 to B9, C1 to C6, D1, D2, D4 to D6): BMI
Rights Society (tracks: A7, B4, B6, C7, D3): ASCAP
Half-speed Mastering[edit]
MFSL was the first record company to make Half-speed Mastering a standard practice for all of its LP releases. MFSL LPs are pressed from disc lacquers cut at 1/2 normal playing speed. This was not a new concept however. The UK Decca Records label had used the same process on many stereo classical music LP releases between 1958 and 1967. MFSL revived the practice, refined it, and made it the company's major selling point. It is a time consuming process that also presented technical challenges, so its use was never common or widespread, despite sonic advantages. Sound is transferred from tape to disc with both the master tape and the disc cutting lathe playing at half speed. For instance, a 30 inch per second (IPS) speed tape would be played at 15 IPS, while the lathe is running at 16 2⁄3 RPM (when cutting a standard 33 1⁄3 RPM LP). Half-speed Mastering allows for extended frequency response and better transient attack.