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Kurt Weill
Die Dreigroschenoper
LP, 1976, Gatefold
| Herstellungsland | USA |
|---|---|
| Veröffentlichungs-Jahr | 1976 |
| Orig. Release | 1958 |
| Zeit | k.A. |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | Columbia "Masterworks" / PS 34326 |
| Musikrichtung | Musical |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| LP | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| A 1. | Overture | ||
| A 2. | Ballad Of Mack The Knife | ||
| A 3. | Peachum's Morning Hymn | ||
| A 4. | "No They Can't" Song | ||
| A 5. | Wedding Song For The Less Well-Off | ||
| A 6. | Cannon Song | ||
| A 7. | Liebesied | ||
| A 8. | Barbara Song | ||
| A 9. | First Three Penny Finale | ||
| A 10. | Polly's Lied | ||
| A 11. | Ballad Of Sexual Obsession | ||
| A 12. | Pirate Jenny | ||
| B 13. | Ballad Of Immoral Earnings | ||
| B 14. | Ballad Of Gracious Living | ||
| B 15. | Jealousy Duet | ||
| B 16. | Second Three Penny Opera Finale; What Keeps Mankind Alive? | ||
| B 17. | Sonf Of The Insufficiency Of Human Endeavor | ||
| B 18. | Solomon Song | ||
| B 19. | Call From The Grave | ||
| B 20. | Ballad In Which Macheath Begs All Men For Forgiveness | ||
| B 21. | Third Three Penny Opera Finale | ||
| B 22. | Ballad Of Mack The Knife (Reprise) | ||
Infos
Accordion, Celesta – William Schimmel
Alto Saxophone, Piccolo Flute, Clarinet, Soprano Saxophone, Baritone Saxophone – Joel L. Kaye
Banjo, Guitar, Guitar [Hawaiian] – Stanley Silverman
Bass – Michael Willens
Cello – Lawrence Lenskie
Design [Cover] – Paula Scher
Directed By – Richard Foreman
Engineer [Editing Engineer] – Marty Greenblatt
Engineer [Quad Mixing Engineer] – Don Young
Engineer [Recording Engineer] – Stan Tonkel
Executive-Producer [For CBS Records] – Marvin Saines
Mastered By – Cass Mondello
Music Director, Conductor – Stanley Silverman
Other [Recording Consultant to the New York Shakespeare Festival] – Gerald Widoff, Herbert Harris
Percussion – Mark Bellair*, Steven Little
Photography By [Back Cover Photo] – Tony Lover
Photography By [Front Cover Photo] – Jim Houghton
Piano, Harmonium, Celesta – Amy D. Rubin
Producer [Associate] – Bernard Gersten
Producer [Produced for records by] – Larry Morton
Tenor Saxophone, Sopranino Saxophone, Clarinet, Bassoon – Ronald A. R. Janelli
Translated By – John Willett, Ralph Manheim
Trombone – Charles W. Sharman
Trumpet – Andrew Ulyate, Danny Cahn
Trumpet [Alternate] – James Morreale
Matrix / Runout: QAL 34326
Matrix / Runout: QBL 34326
Quadraphonic
Alto Saxophone, Piccolo Flute, Clarinet, Soprano Saxophone, Baritone Saxophone – Joel L. Kaye
Banjo, Guitar, Guitar [Hawaiian] – Stanley Silverman
Bass – Michael Willens
Cello – Lawrence Lenskie
Design [Cover] – Paula Scher
Directed By – Richard Foreman
Engineer [Editing Engineer] – Marty Greenblatt
Engineer [Quad Mixing Engineer] – Don Young
Engineer [Recording Engineer] – Stan Tonkel
Executive-Producer [For CBS Records] – Marvin Saines
Mastered By – Cass Mondello
Music Director, Conductor – Stanley Silverman
Other [Recording Consultant to the New York Shakespeare Festival] – Gerald Widoff, Herbert Harris
Percussion – Mark Bellair*, Steven Little
Photography By [Back Cover Photo] – Tony Lover
Photography By [Front Cover Photo] – Jim Houghton
Piano, Harmonium, Celesta – Amy D. Rubin
Producer [Associate] – Bernard Gersten
Producer [Produced for records by] – Larry Morton
Tenor Saxophone, Sopranino Saxophone, Clarinet, Bassoon – Ronald A. R. Janelli
Translated By – John Willett, Ralph Manheim
Trombone – Charles W. Sharman
Trumpet – Andrew Ulyate, Danny Cahn
Trumpet [Alternate] – James Morreale
Matrix / Runout: QAL 34326
Matrix / Runout: QBL 34326
Quadraphonic