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Erich Kunzel & Cincinnati Pops Orchestra
The Great Fantasy-Adventure Album
CD, 1995
| Herstellungsland | Österreich |
|---|---|
| Veröffentlichungs-Jahr | 1995 |
| Orig. Release | 1994 |
| Zeit | 64:58 |
| EAN-Nr. | 089408034220 |
| Label/Labelcode | nicht vorhanden |
| Plattenfirma/Katalog-Nr. | Telarc Digital / CD-80342 |
| Musikrichtung | Pop: Pop-Klassik |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 3 | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 64:58 | ||
| 1. | El Cid: Fanfare And Entry Of The Nobles | 3:22 | I C |
| 2. | Hook: Main Themes | 4:10 | I C |
| 3. | T. Rex! | 0:54 | I |
| 4. | Jurassic Park: Main Themes | 5:22 | I C |
| 5. | Splitting Hairs | 0:05 | I |
| 6. | Robin Hood: Prince Of Thieves: Main Titles | 3:04 | I C |
| 7. | Henry V: Opening And Closing Titles | 3:24 | I C |
| 8. | Willow: Main Themes | 3:59 | I C |
| 9. | The Seventh Voyage Of Sinbad: Overture | 1:58 | I C |
| 10. | The Abyss: End Titles | 4:09 | I C |
| 11. | Clash Of The Titans: Main Titles, Love Theme, And End Titles | 3:12 | I C |
| 12. | The Rocketeer: To The Rescue And End Titles | 6:57 | I C |
| 13. | Beetlejuice: Main Titles | 2:05 | I C |
| 14. | Total Recall: Main Titles | 2:17 | I C |
| 15. | The Princess Bride: Main Titles | 3:25 | I C |
| 16. | Wizards And Warriors: Main Titles | 2:57 | I C |
| 17. | Conan The Barbarian: Anvil Of Crom | 2:28 | I C |
| 18. | The Hunt For Red October: Hymn To Red October | 5:07 | I C |
| 19. | Cybergenesis | 1:22 | I |
| 20. | Terminator: Theme | 3:30 | I C |
| 21. | Jurassic Lunch | 1:11 | I |
Infos
On CD:
Manufactured under authority of Telarc International Corporation, Cleveland, Ohio, U.S.A.
℗© 1994 TELARC.
Made in Austria
On back:
℗© 1994 TELARC.
TELARC INTERNATIONAL CORPORATION
23307 Commerce Park Road ⋅ Cleveland, OH 44122 U.S.A.
Printed in U.S.A.
DDD
DIDX 022138
Matrix: A0000019618-0101 24 A1 DADC Austria
Mastering SID Code: IFPI L551
Mould SID Code: IFPI 94W6
Recorded in Music Hall, Cincinnati, Ohio, November 1, December 12, 1993 and January 16, 1994
Microphones: Schoeps MK-2S, MK-3; Sennheiser MKH-40
On-Stage Preamplifiers: Millennia Media HV-3
Console: Ramsa WR-S824B custom engineered by John Windt
Digital Recording Processor: Telarc / Ultra-Analog 20-bit ADC, custom engineered by Kenneth Hamann and Gary Gomes
Recorded on Mitsubishi X-86E 20-bit Digital Recorder
Microphone, Interconnecting & Speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500, M1.5, Series I & III Prolink and Music Interface Technologies Proline & MH-750 Shotgon Terminator Interceonnects.
Minotored through Krell 20-bit "Studio" DAC
Monitor Speakers: Waveform Mach 7 (bi-amplified) Ötvös Industries
Power Amplifiers: Bryston 4B-PNB
Exclusive Control Room Acoustic treatment: RPG Abfusors & Diffusors
Digital Editing and Mixing: Sonic Solutions
20 to 16-bit Encoding: Apogee UV-22 Hyper Resolution CD Encoder
The Music Hall ambience, sound effects and synthesizers in this recording are enhanced by Spatializer®, a new audio technology which creates a three-dimensional surround sound listening experience using two ordinary stereo speakers. No decoding equipment is required. However speakers must be properly wired. Spatializer® encoded recordings are compatible with Dobly Pro-Logic® and Dolby Surround® Decoders. Playback through these systems will further enhance the listening experience.
Special thanks to Crafton Beck; Mark McGurty; Joe Linn, Solon Archery, Inc.; Bob LaTessa; the Green Ball Bearing Company; Sweetwater Sound and Tom Letizia's Jazz Underground Studios.
Tyrannosaurus rex coutesy of DiNAtech Genetics Laboratories
The Producer would like to thank Paul Garnett for his assistance in selecting the program material for this recording.
20-BIT DIGITAL! This Compact Disc was produced from 20-Bit Digital masters made during the recording sessions with Telarc’s Proprietary 20-Bit System.
Manufactured under authority of Telarc International Corporation, Cleveland, Ohio, U.S.A.
℗© 1994 TELARC.
Made in Austria
On back:
℗© 1994 TELARC.
TELARC INTERNATIONAL CORPORATION
23307 Commerce Park Road ⋅ Cleveland, OH 44122 U.S.A.
Printed in U.S.A.
DDD
DIDX 022138
Matrix: A0000019618-0101 24 A1 DADC Austria
Mastering SID Code: IFPI L551
Mould SID Code: IFPI 94W6
Recorded in Music Hall, Cincinnati, Ohio, November 1, December 12, 1993 and January 16, 1994
Microphones: Schoeps MK-2S, MK-3; Sennheiser MKH-40
On-Stage Preamplifiers: Millennia Media HV-3
Console: Ramsa WR-S824B custom engineered by John Windt
Digital Recording Processor: Telarc / Ultra-Analog 20-bit ADC, custom engineered by Kenneth Hamann and Gary Gomes
Recorded on Mitsubishi X-86E 20-bit Digital Recorder
Microphone, Interconnecting & Speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500, M1.5, Series I & III Prolink and Music Interface Technologies Proline & MH-750 Shotgon Terminator Interceonnects.
Minotored through Krell 20-bit "Studio" DAC
Monitor Speakers: Waveform Mach 7 (bi-amplified) Ötvös Industries
Power Amplifiers: Bryston 4B-PNB
Exclusive Control Room Acoustic treatment: RPG Abfusors & Diffusors
Digital Editing and Mixing: Sonic Solutions
20 to 16-bit Encoding: Apogee UV-22 Hyper Resolution CD Encoder
The Music Hall ambience, sound effects and synthesizers in this recording are enhanced by Spatializer®, a new audio technology which creates a three-dimensional surround sound listening experience using two ordinary stereo speakers. No decoding equipment is required. However speakers must be properly wired. Spatializer® encoded recordings are compatible with Dobly Pro-Logic® and Dolby Surround® Decoders. Playback through these systems will further enhance the listening experience.
Special thanks to Crafton Beck; Mark McGurty; Joe Linn, Solon Archery, Inc.; Bob LaTessa; the Green Ball Bearing Company; Sweetwater Sound and Tom Letizia's Jazz Underground Studios.
Tyrannosaurus rex coutesy of DiNAtech Genetics Laboratories
The Producer would like to thank Paul Garnett for his assistance in selecting the program material for this recording.
20-BIT DIGITAL! This Compact Disc was produced from 20-Bit Digital masters made during the recording sessions with Telarc’s Proprietary 20-Bit System.